Godolphin, Complete

In that house, at the time I now speak of, lodged the mysterious Liehbur. It was late at noon, and she sat alone in her apartment, which was darkened so as to exclude the broad and peering sun. There was no trick, nor sign of the fallacious art she professed, visible in the large and melancholy room. One or two books in the German language lay on the table beside which she sat: but they were of the recent poetry, and not of the departed dogmas, of the genius of that tongue. The enthusiast was alone; and, with her hand supporting her chin, and her eyes fixed on vacancy, she seemed feeding in silence the thoughts that flitted to and fro athwart a brain which had for years lost its certain guide; a deserted mansion, whence the lord had departed, and where spirits not of this common life had taken up their haunted and desolate abode. And never was there a countenance better suited to the character which this singular woman had assumed. Rich, thick, auburn hair was parted loosely over a brow in which the large and full temples would have betrayed to a phrenologist the great preponderance which the dreaming and the imaginative bore over the sterner faculties. Her eyes were deep, intense, but of the bright and wandering glitter which is so powerful in its effect on the beholder, because it betokens that thought which is not of this daily world and inspires that fear, that sadness, that awe, which few have looked on the face of the insane and not experienced. Her features were still noble, and of the fair Greek symmetry of the painter’s Sibyl; but the cheeks were worn and hollow, and one bright spot alone broke their marble paleness; her lips were, however, full, and yet red, and by their uncertain and varying play, gave frequent glimpses of teeth lustrously white; which, while completing the beauty of her face, aided—with somewhat of a fearful effect—the burning light of her strange eyes, and the vague, mystic expression of her abrupt and unjoyous smile. You might see when her features were, as now, in a momentary repose, that her health was broken, and that she was not long sentenced to wander over that world where the soul had already ceased to find its home; but the instant she spoke, her colour deepened, and the brilliant and rapid alternations of her countenance deceived the eye, and concealed the ravages of the worm that preyed within.

“Yes,” said she, at last breaking silence, and soliloquising in the English tongue, but with somewhat of a foreign accent; “yes, I am in his city; within a few paces of his home; I have seen him, I have heard him. Night after night—in rain, and in the teeth of the biting winds, I have wandered round his home. Ay! and I could have raised my voice, and shrieked a warning and a prophecy, that should have startled him from his sleep as the trumpet of the last angel! but I hushed the sound within my soul, and covered the vision with a thick silence. O God! what have I seen, and felt, and known, since he last saw me! But we shall meet again; and ere the year has rolled round, I shall feel the touch of his lips and die! Die! what calmness, what luxury in the word! The fiery burthen of this dread knowledge I have heaped upon me, shuffled off; memory no more; the past, the present, the future exorcised; and a long sleep, with bright dreams of a lulling sky, and a silver voice, and his presence!”

The door opened, and a black girl of about ten years old, in the costume of her Moorish tribe, announced the arrival of a new visitor. The countenance of Madame Liehbur changed at once into an expression of cold and settled calmness; she ordered the visitor to be admitted; and presently, Stainforth Radclyffe entered the room.

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“Thou mistakest me and my lore,” said the diviner; “I meddle not with the tricks and schemes of the worldly; I show the truth, not garble it.”

“Pshaw!” said Radclyffe, impatiently; “this jargon cannot deceive me. You exhibit your skill for money. I ask one exertion of it, and desire you to name your reward. Let us talk after the fashion of this world, and leave that of the other to our dupes.”

“Yet, thou hast known grief too,” said the diviner, musingly, “and those who have sorrowed ought to judge more gently of each other. Wilt thou try my art on thyself, ere thou askest it for others?”

“Ay, if you could restore the dead to my dreams.”

“I can!” replied the soothsayer, sternly.

Radclyffe laughed bitterly. “Away with this talk to me; or, if you would convince me, raise at once the spectre I desire to see!”

“And dost thou think, vain man,” replied Liehbur, haughtily, “that I pretend to the power thou speakest of? Yes; but not as the impostors of old (dull and gross, appealing to outward spells, and spells wrought by themselves alone) affected to do. I can bring the dead before thee, but thou thyself must act upon thyself.”

“Mummery! What would you drive at?”

“Wilt thou fast three days, and for three nights abstain from sleep, and then visit me once again?”

“No, fair deluder; such a preliminary is too much to ask of a Neophyte. Three days without food, and three nights without sleep! Why, you would have to raise myself from the dead!”

“And canst thou,” said the diviner, with great dignity, “canst thou hope that thou wouldst be worthy of a revelation from a higher world—that for thee the keys of the grave should unlock their awful treasure, and the dead return to life, when thou scruplest to mortify thy flesh and loosen the earthly bonds that cumber and chain the spirit? I tell thee, that only as the soul detaches itself from the frame, can its inner and purer sense awaken, and the full consciousness of the invisible and divine things that surround it descend upon its powers.”

“And what,” said Radclyffe, startled more by the countenance and voice than the words themselves of the soothsayer; “what would you then do, supposing that I perform this penance?”

“Awaken to their utmost sense, even to pain and torture, the naked nerves of that Great Power thou callest the Imagination; that Power which presides over dreams and visions, which kindles song, and lives in the heart of Melodies; which inspired the Magian of the East and the Pythian voices—and, in the storms and thunder of savage lands originated the notion of a God and the seeds of human worship; that vast presiding Power which, to the things of mind, is what the Deity is to the Universe itself—the creator of all. I would awaken, I say, that Power from its customary sleep where, buried in the heart, it folds its wings, and lives but by fits and starts, unquiet, but unaroused; and by that Power thou wouldst see, and feel, and know, and through it only thou wouldst exist. So that it would be with thee, as if the body were not: as if thou wert already all-spiritual, all-living. So thou wouldst learn in life that which may be open to thee after death; and so, soul might now, as hereafter, converse with soul, and revoke the Past, and sail prescient down the dark tides of the Future. A brief and fleeting privilege, but dearly purchased: be wise, and disbelieve in it; be happy, and reject it!”

Radclyffe was impressed, despite himself, by the solemn novelty of this language, and the deep mournfulness with which the soothsayer’s last sentence died away.

“And how,” said he, after a pause, “how, and by what arts would you so awaken the imaginative faculty?”

“Ask not until the time comes for the trial,” answered Liebhur.

“But can you awaken it in all?—the dull, the unideal, as in the musing and exalted?”

“No! but the dull and unideal will not go through the necessary ordeal. Few besides those for whom fate casts her great parts in life’s drama, ever come to that point when I can teach them the Future.”

“Do you mean that your chief votaries are among the great? Pardon me, I should have thought the most superstitious are to be found among the most ignorant and lowly.”

“Yes; but they consult only what imposes on their credulity, without demanding stern and severe sacrifice of time and enjoyment, as I do. The daring, the resolute, the scheming with their souls intent upon great objects and high dreams—those are the men who despise the charms of the moment, who are covetous of piercing the far future, who know how much of their hitherward career has been brightened, not by genius or nature, but some strange confluence of events, some mysterious agency of fate. The great are always fortunate, and therefore mostly seekers into the decrees of fortune.”

So great is the influence which enthusiasm, right or wrong, always exercises over us, that even the hard and acute Radclyffe—who had entered the room with the most profound contempt for the pretensions of the soothsayer, and partly from a wish to find materials for ridiculing a folly of the day, partly, it may be from the desire to examine which belonged to his nature—began to consider in his own mind whether he should yield to his curiosity, now strongly excited, and pledge himself to the preliminary penance the diviner had ordained.

The soothsayer continued:—

“The stars, and the clime, and the changing moon have power over us—why not? Do they not have influence over the rest of nature? But we can only unravel their more august and hidden secrets, by giving full wing to the creative spirit which first taught us their elementary nature, and which, when released from earth, will have full range to wander over their brilliant fields. Know in one word, the Imagination and the Soul are one, one indivisible and the same; on that truth rests all my lore.”

“And if I followed your precepts, what other preliminaries would you enjoin?”

“Not until thou engagest to perform them, will I tell thee more.”

“I engage!”

“And swear?”

“I swear!”

The soothsayer rose—and–

CHAPTER LXII

IN WHICH THE COMMON LIFE GLIDES INTO THE STRANGE.—EQUALLY TRUE, BUT THE TRUTH NOT EQUALLY ACKNOWLEDGED

It was on the night of this interview that Constance, coming into Godolphin’s room, found him leaning against the wall, pale, and agitated, and almost insensible. “Percy—Percy, you are ill!” she exclaimed, and wound her arms round his neck. He looked at her long and wistfully, breathing hard all the time, until at length he seemed slowly to recover his self-possession, and seating himself, motioned Constance to do the same. After a pause, he said, clasping her hand.

“Listen to me, Constance. My health, I fear, is breaking; I am tormented by fearful visions; I am possessed by some magic influence. For several nights successively, before falling asleep, a cold tremor has gradually pervaded my frame; the roots of my hair stand on end; my teeth chatter; a vague horror seizes me; my blood seems turned to a solid substance, so curdled and stagnant is it. I strive to speak, to cry out, but my voice clings to the roof of my mouth; I feel that I have no longer power over myself. Suddenly, and in the very midst of this agony, I fall into a heavy sleep; then come strange bewildering dreams, with Volktman’s daughter for ever presiding over them; but with a changed countenance, calm, unutterably calm, and gazing on me with eyes that burn into my soul. The dream fades, I wake with the morning, but exhausted and enfeebled. I have consulted physicians; I have taken drugs; but I cannot break the spell—the previous horror and the after-dreams. And just now, Constance, just now—you see the window is open to the park, the gate of the garden is unclosed; I happened to lift my eyes, and lo! gazing upon me in the sickly moonlight, was the countenance of my dreams—Lucilla’s, but how altered! Merciful Heaven! is it a mockery, or can the living Lucilla really be in England? and have these visions, these terrors been part of that mysterious sympathy which united us ever, and which her father predicted should cease but with our lives?”

The emotions of Godolphin were so rarely visible, and in the present instance they were so unaffected, and so roused, that Constance could not summon courage to soothe, to cheer him; she herself was alarmed and shocked, and glanced fearfully towards the window, lest the apparition he had spoken of should reappear. All without was still, not a leaf stirred on the trees in the Mall; no human figure was to be seen. She turned again to Godolphin, and kissed the drops from his brow, and pressed his cheek to her bosom.

“I have a presentiment,” said he, “that something dreadful will happen shortly. I feel as if I were near some great crisis of my life; and as if I were about to step from the bright and palpable world into regions of cloud and darkness. Constance, strange misgivings as to my choice in my past life haunt and perplex me. I have sought only the present; I have adjured all toil, all ambition, and laughed at the future; my hand has plucked the rose-leaves, and now they lie withered in the grasp. My youth flies me—age scowls on me from the distance; an age of frivolities that I once scorned; yet—yet, had I formed a different creed, how much I might have done! But—but, out on this cant! My nerves are shattered, and I prate nonsense. Lend me your arm, Constance, let us go into the saloon, and send for music!”

And all that night Constance watched by the side of Godolphin, and marked in mute terror the convulsions that wrung his sleep, the foam that gathered to his lip, the cries that broke from his tongue. But she was rewarded when, with the grey dawn, he awoke, and, catching her tender and tearful gaze, flung himself upon her bosom, and bade God bless her for her love!

CHAPTER LXIII

A MEETING BETWEEN CONSTANCE AND THE PROPHETESS

A strange suspicion had entered Constance’s mind, and for Godolphin’s sake she resolved to put it to the proof. She drew her mantle round her stately figure, put on a large disguising bonnet, and repaired to Madame Liehbur’s house.

The Moorish girl opened the door to the countess; and her strange dress, her African hue and features, relieved by the long, glittering pendants in her ears, while they seemed suited to the eccentric reputation of her mistress, brought a slight smile to the proud lip of Lady Erpingham, as she conceived them a part of the charlatanism practised by the soothsayer. The girl only replied to Lady Erpingham’s question by an intelligent sign; and running lightly up the stairs, conducted the guest into an anteroom, where she waited but for a few moments before she was admitted into Madame Liehbur’s apartment.

The effect that the personal beauty of the diviner always produced on those who beheld her was not less powerful than usual on the surprised and admiring gaze of Lady Erpingham. She bowed her haughty brow with involuntary respect, and took the seat to which the enthusiast beckoned.

“And what, lady,” said the soothsayer, in the foreign music of her low voice, “what brings thee hither? Wouldst thou gain, or hast thou lost, that gift our poor sex prizes so dearly beyond its value? Is it of love that thou wouldst speak to the interpreter of dreams and the priestess of the things to come?”

While the bright-eyed Liehbur thus spoke, the countess examined through her veil the fair face before her, comparing it with that description which Godolphin had given her of the sculptor’s daughter, and her suspicion acquired new strength.

“I seek not that which you allude to,” said Constance; “but of the future, although without any definite object, I would indeed like to question you. All of us love to pry into dark recesses hid from our view, and over which you profess the empire.”

“Your voice is sweet, but commanding,” said the oracle; “and your air is stately, as of one born in courts. Lift your veil, that I may gaze upon your face, and tell by its lines the fate your character has shaped for you.”

“Alas!” answered Constance, “life betrays few of its past signs by outward token. If you have no wiser art than that drawn from the lines and features of our countenances, I shall still remain what I am now—an unbeliever in your powers.”

“The brow, and the lip, and the eye, and the expression of each and all,” answered Liehbur, “are not the lying index you suppose them.”

“Then,” rejoined Constance, “by those signs will I read your own destiny, as you would read mine.”

The sibyl started, and waved her hand impatiently; but Constance proceeded.

“Your birth, despite your fair locks, was under a southern sky; you were nursed in the delusions you now teach; you were loved, and left alone; you are in the country of your lover. Is it not so?—am I not an oracle in my turn?”

The mysterious Liehbur fell back in her chair; her lips apart and blanched—her hands clasped—her eyes fixed upon her visitant.

“Who are you?” she cried at last, in a shrill tone; “who, of my own sex, knows my wretched history? Speak, speak!—in mercy speak! tell me more! convince me that you have but vainly guessed my secret, or that you have a right to know it!”

“Did not your father forsake, for the blue skies of Rome, his own colder shores?” continued Constance, adopting the heightened and romantic tone of the one she addressed; and, “Percy Godolphin—is that name still familiar to the ear of Lucilla Volktman?”

A loud, long shriek burst from the lips of the soothsayer, and she sank at once lifeless on the ground. Greatly alarmed, and repenting her own abruptness, Constance hastened to her assistance. She lifted the poor being, whom she unconsciously had once contributed so deeply to injure, from the ground; she loosened her dress, and perceived that around her neck hung a broad ivory necklace wrought with curious characters, and many uncouth forms and symbols. This evidence that, in deluding others, the soothsayer deluded herself also, touched and affected the countess; and while she was still busy in chafing the temples of Lucilla, the Moor, brought to the spot by that sudden shriek, entered the apartment. She seemed surprised and terrified at her mistress’s condition, and poured forth, in some tongue unknown to Constance, what seemed to her a volley of mingled reproach and lamentation. She seized Lady Erpingham’s hand, dashed it indignantly away, and, supporting herself the ashen cheek of Lucilla, motioned to Lady Erpingham to depart; but Constance, not easily accustomed to obey, retained her position beside the still insensible Lucilla; and now, by slow degrees, and with quick and heavy sighs, the unfortunate daughter of Volktman returned to life and consciousness.

In assisting Lucilla, the countess had thrown aside her veil, and the eyes of the soothsayer opened upon that superb beauty, which once to see was never to forget. Involuntarily she again closed her eyes, and groaned audibly; and then, summoning all her courage, she withdrew her hand from Constance’s clasp, and bade her Moorish handmaid leave them once more alone.

“So, then,” said Lucilla, after a pause, “it is Percy Godolphin’s wife; his English wife, who has come to gaze on the fallen, the degraded Lucilla; and yet,” sinking her voice into a tone of ineffable and plaintive sweetness—“yet I have slept on his bosom, and been dear and sacred to him as thou! Go, proud lady, go!—leave me to my mad, and sunken, and solitary state. Go!”

“Dear Lucilla!” said Constance, kindly, and striving once more to take her hand, “do not cast me away from you. I have long sympathised with your generous although erring heart—your hard and bitter misfortunes. Look on me only as your friend—nay, your sister, if you will. Let me persuade you to leave this strange and desultory life; choose your own home: I am rich to overflowing; all you can desire shall be at your command. He shall not know more of you unless (to assuage the remorse that the memory of you does, I know, still occasion him) you will suffer him to learn, from your own hand, that you are well and at ease, and that you do not revoke your former pardon. Come, dear Lucilla!” and the arm of the generous and bright-souled Constance gently wound round the feeble frame of Lucilla, who now, reclining back, wept as if her heart would break.

“Come, give me the deep, the grateful joy of thinking I can minister to your future comforts. I was the cause of all your wretchedness; but for me, Godolphin would have been yours for ever—would probably, by marriage, have redressed your wrongs; but for me you would not have wandered an outcast over the inhospitable world. Let me in something repair what I have cost you. Speak to me, Lucilla!”

“Yes, I will speak to you,” said poor Lucilla, throwing herself on the ground, and clasping with grateful warmth the knees of her gentle soother; “for long, long years—I dare not think how many—I have not heard the voice of kindness fall upon my ear. Among strange faces and harsh tongues hath my lot been cast; and if I have wrought out from the dreams of my young hours the course of this life (which you contemn, but not justly), it has been that I may stand alone and not dependent; feared and not despised. And now you, you whom I admire and envy, and would reverence more than living woman (for he loves you and deems you worthy of him), you, lady, speak to me as a sister would speak, and—and–” Here sobs interrupted Lucilla’s speech; and Constance herself, almost equally affected, and finding it vain to attempt to raise her, knelt by her side, and tenderly caressing her, sought to comfort her, even while she wept in doing so.

And this was a beautiful passage in the life of the lofty Constance. Never did she seem more noble than when, thus lowly and humbling herself, she knelt beside the poor victim of her husband’s love, and whispered to the diseased and withering heart tidings of comfort, charity, home, and a futurity of honour and of peace. But this was not a dream that could long lull the perturbed and erring brain of Lucilla Volktman. And when she recovered, in some measure, her self-possession, she rose, and throwing back the wild hair from her throbbing temples, she said, in a calm and mournful voice:

“Your kindness comes too late. I am dying, fast—fast. All that is left to me in the world are these very visions, this very power—call it delusion if you will—from which you would tear me. Nay, look not so reproachfully, and in such wonder. Do you not know that men have in poverty, sickness, and all outer despair, clung to a creative spirit within—a world peopled with delusions—and called it Poetry? and that gift has been more precious to them than all that wealth and pomp could bestow? So,” continued Lucilla, with fervid and insane enthusiasm, “so is this, my creative spirit, my imaginary world, my inspiration, what poetry may be to others. I may be mistaken in the truth of my belief. There are times when my brain is cool, and my frame at rest, and I sit alone and think over the real past—when I feel my trust shaken, and my ardour damped: but that thought does not console but torture me, and I hasten to plunge once more among the charms, and spells, and mighty dreams, that wrap me from my living self. Oh, lady! bright, and beautiful, and lofty, as you are, there may come a time when you can conceive that even madness may be a relief. For” (and here the wandering light burned brighter in the enthusiast’s glowing eyes), “for, when the night is round us, and there is peace on earth, and the world’s children sleep, it is a wild joy to sit alone and vigilant, and forget that we live and are wretched. The stars speak to us then with a wondrous and stirring voice; they tell us of the doom of men and the wreck of empires, and prophesy of the far events which they taught to the old Chaldeans. And then the Winds, walking to and fro as they list, bid us go forth with them and hear the songs of the midnight spirits; for you know,” she whispered with a smile, putting her hand upon the arm of the appalled and shrinking Constance, who now saw how hopeless was the ministry she had undertaken, “though this world is given up to two tribes of things that live and have a soul: the one bodily and palpable as we are; the other more glorious, but invisible to our dull sight—though I have seen them—Dread Solemn Shadows, even in their mirth; the night is their season as the day is ours; they march in the moonbeams, and are borne upon the wings of the winds. And with them, and by their thoughts, I raise myself from what I am and have been. Ah, lady, wouldst thou take this comfort from me?”

“But,” said Constance, gathering courage from the gentleness which Lucilla’s insanity now wore, and trying to soothe, not contradict her in her present vein, “but in the country, Lucilla, in some quiet and sheltered nook, you might indulge these visions without the cares and uncertainty that must now perplex you; without leading this dangerous and roving life, which must at times expose you to insult, to annoyance, and discontent you with yourself.”