bannerbanner
Little Nobody
Little Nobodyполная версия

Полная версия

Little Nobody

Язык: Английский
Год издания: 2018
Добавлена:
Настройки чтения
Размер шрифта
Высота строк
Поля
На страницу:
9 из 15

Soon they were on board the steamer that rocked at the wharf, soon they were sailing away on the breast of the broad Mississippi, leaving behind the glimmering lights and busy life of the quaint Crescent City, homeward bound, and Eliot Van Zandt, who little more than two months since had entered the harbor of New Orleans, careless, gay, and fancy-free, was taking home a bride to his ancestral home. He had asked himself rather nervously several times what his brother and sisters would say.

CHAPTER XXVI

He thought more and more on this subject, for Marie, her first timidity got over, began to ask him artless questions about his home.

He told her that his family consisted of five members. He had a brother older than himself, who was a lawyer in Boston. He was married, but had no children, and he lived in the old family mansion on Beacon Hill, with his two sisters, Maud and Edith, who were respectively nineteen and seventeen, and had not quit the school-room yet. The fifth person was Mrs. Wilson, their governess.

"Maud is the elder. She is quite talented, and is writing a novel," he said. "Edith is an embryo artist. My brother's wife is very pretty and fashionable. I hope you will like them all."

But a shudder crept over him at the thought of taking home a bride into that refined and cultured circle to place her in the school-room, to begin at the bottom of the ladder of learning. How shocked they would be, how his brother's wife would lift her pale brows in wonder! He dreaded her more than all the rest, for two reasons. One was that she had brought a little money into the once rich, but now impoverished Van Zandt family, and took airs on that account, and the other was that she had a pretty sister with a dot, and wanted to make a match between her and her brother-in-law. So Eliot fancied, and with some reason, that she would not take kindly to the new-comer.

The further he got away from New Orleans, the more he was tormented by his dread of his home-folks.

At last he made up his mind to give Marie some sight-seeing in New York, and to write to his brother, and, to some extent, prepare them for the shock they were to receive.

When the letter was written and posted, he felt better. He had explained matters and invoked their good-will for his simple child-wife. However much they were disappointed, they would respect his wishes, they would not be unkind to Marie.

So he gave himself up with a light heart to the pleasure of showing her the wonders of New York City.

Several days were spent there, and then he took her to Niagara Falls for a few days more. He judged by that time that they would have got over the shock in Boston, and be ready, perhaps, to receive Marie with equanimity.

In this hope, he took the train for Boston with his little bride.

Throughout their long journey Van Zandt had adhered to his manly resolve of treating his little bride simply as a dear friend or young sister until she should have awakened from a child into a woman and given her heart unreservedly with a wifely love.

On the steamer she had her separate state-room, at hotels her solitary suite of rooms, on the trains her comfortable Pullman sleeping-car, while the chivalrous young husband lounged away the long hours in a smoking-car with his favorite cigar. The young bride, in her ignorance and innocence, had not an idea but that this was the usual mode of procedure with husband and wife, and thoroughly enjoyed the long journey and the varied scenery through which she was being whirled. Its newness and the strong contrast to her Southern home made it all the more delightful. Eliot Van Zandt enjoyed her delight, her naïve questions, and even her utter ignorance of everything, although he sometimes caught himself wondering at the fact. But the truth was, that the girl's invariably well-chosen sentences, acquired from companionship with refined and well-bred people, made him often forget that she was totally uneducated, and that years of school-room drudgery yet lay before her ere she could take her place in the cultured world of Boston society.

"There is one comfort. She is exceedingly intelligent, quick, and receptive. She will learn very fast," he told himself.

One evening, at Niagara, when they sat together admiring the glorious falls by moonlight, she said to him, curiously:

"You said once that if you could have chosen my name, it would not have been Marie. Tell me what you would have called me?"

Turning to her with a smile, he replied:

"The name that I always fancied I should like for my wife to bear was the sweet one of Una—no sweeter, I know, than Marie, but I grew to love the name from reading Spenser's 'Faëry Queen.'"

Then he told her the pretty story, as well as he could, of the beautiful Una who personified Truth in the "Faëry Queen." She listened with sparkling eyes and eager interest.

"From this hour I shall be called Una," she exclaimed.

"But you have been baptized Marie," he said.

"It shall be Una Marie, then," she replied, in her pretty, positive fashion, and he was pleased to assent.

"From this hour, then, I shall call you Una, and you shall call me Eliot."

"But, monsieur—" deprecatingly.

"No more monsieurs," he replied, playfully. "They remind me too much of Madame Lorraine."

"It shall be Eliot, then, always," answered the little bride.

CHAPTER XXVII

Bryant Van Zandt was as much surprised and displeased as his brother had expected on the reception of the letter announcing his marriage.

"Eliot had no right to do it. He promised our mother, before she died, to stay single and care for the girls until they had homes of their own!" he exclaimed, vexedly, to his wife, to whom he imparted the shocking news before breaking it to his sisters.

Mrs. Van Zandt was a blonde of the very palest type.

"Her skin it was milk-white,Her hair it was lint-white,Bright was the blue of her soft rolling eye."

She was about twenty-eight, but looked younger through her fairness. She was rather pretty and petite, and, in her tasteful garb of blue and white, looked like an animated bisque doll.

But her color took a warmer tint than usual just now, and frowning darkly, she exclaimed:

"It was a shame for Eliot to go and make such a goose of himself. It would not have been so bad if he had married a girl with money, as you did, but to go and add another burden to the family is outrageous, I declare! What ever will the girls say?"

"They will be very angry, I am sure," said the lawyer; but when it was told to them, they did not make as much ado as their sister-in-law. They looked grave and sorry, indeed, but Maud, the elder, said, sensibly:

"It is very bad, but indeed, Bryant, I do not see how Eliot could have acted otherwise. Noblesse oblige, you know."

It was the motto that had ruled the lives of the Van Zandts for generations, and Bryant could not say one word; but his wife made a little moue of disdain.

"Noblesse oblige has nothing to do with it," she said; "or, if it had, it was the other way. He was bound to stay free for your and Edith's sake."

Pretty Edith answered quickly:

"No, no, for we shall not want him to help pay for our dresses much longer. Maud's book and my picture are almost done, and if we sell them, we shall have money of our own."

"Châteaux en Espagne!" Mrs. Van Zandt muttered softly, with a covert sneer.

She had no talent only for looking pretty and dressing well, and envied that of her more gifted sisters-in-law.

They were used to her sneers, and they winced, but seldom retorted. The dreamy, dignified Maud looked out of the window with a little sigh, and the more self-assertive Edith exclaimed:

"There's no use crying over spilled milk, anyhow, and Eliot's married for good and all. He has as much right to bring his bride home as you had, Bryant, so we may as well all make the best of it—there!"

"No one disputes his right, Edith, we only deplore his imprudence," Bryant answered, flushing. "As for me, I married a woman who would be no burden upon me, but Eliot candidly owns that he has made a mésalliance."

"Married a pauper and a nobody!" flashed his wife.

"It is no such thing. Let me see his letter. He did not say that!" cried Edith, angrily.

"Not exactly in those words, but it amounts to the same thing," Bryant Van Zandt answered. He threw her the letter, and said impatiently: "Well, you may fight it out among yourselves. I am going down-town."

He put on his hat and went out. Edith and Maud read their brother's letter together. Its deprecatory, almost pleading tone, touched their loyal young hearts.

"Poor Eliot, he could not help it. We must not scold," said Edith. "This old house is big enough for us all, isn't it, Maud?"

"Yes," she answered; but the sweet eyes were grave with trouble as she fixed them on Mrs. Van Zandt. She burst out suddenly:

"Oh, Sylvie, do not look so glum, please. Of course, we do not like it, and neither did Eliot, I fancy; but you must see there was no other way for a Van Zandt, so we must make the best of it."

"Fancy a Van Zandt—one of the Van Zandts, of Boston—bringing home an A B C school-girl as a bride!" was the disdainful answer she received.

Vivacious Edith cried out tartly:

"You need not take on such airs, Sylvie. You are not so learned yourself. New York girls never know anything but dressing and flirting."

"We marry into poor, learned families, and so adjust the difference," Mrs. Van Zandt replied, sarcastically.

Both the sisters flushed hotly at this coarse rejoinder.

Mrs. Van Zandt had been generous with her money, flinging it about her with the lavish hand of a spoiled darling of Fortune; but she was always conscious of its importance, never more so than when twitted with her execrable French, her questionable time in music, and her outrageous flirting, that sometimes drove poor Bryant wild with jealousy.

And so to this household, with its discordant elements, its supercilious mistress, its dreamy student, Maud, its enthusiastic, artistic Edith, came Una with her impassioned soul, her shy sensitiveness, her innocence and ignorance, and her heritage of beauty, yet branded already "pauper and nobody."

When she saw all those fair young faces grouped in the handsome drawing-room to meet her, her heart thrilled with timid delight. She had had so little to do all her life with the young and gay.

All at once, as it were, she was thrown into a house full of young and handsome people, and it was most pleasant. With pretty confidence, quite untouched with self-assertion, she received their greetings, kind on the part of the girls, patronizing on that of Mrs. Van Zandt, and reserved as regarded Bryant.

It was twilight when they arrived, and a cup of tea awaited them before the late dinner. Una sipped hers shyly under the fire of the strange eyes that were steadily taking in her tout ensemble, the simple, tasteful gray dress, the hat with gray feathers that seemed such a Quakerish setting for the lovely unique face, with its somber, dark eyes and slender, dark brows, its perfect chiseling, and its aureole of rich golden hair.

"I shall paint her portrait," Edith whispered, in a stage aside.

CHAPTER XXVIII

Bryant's wife was quite displeased when Eliot came frankly to her to ask that a separate suite of rooms be provided for his girlish bride.

"Do you hate her so much, then?" she queried, arching her pale brows disagreeably.

He started and looked annoyed.

"Who said I hated her? You are very much mistaken in the idea, Sylvie," he said, curtly. "I love Una quite as well, I have no doubt, as Bryant loves you."

"Why, then—" she began, but he interrupted quickly:

"Simply because the love is all on one side yet. My wife is wedded, yet not won. Her heart is that of a child still, and although she bears my name, I will claim no rights save a lover's until I win her woman's love."

Mrs. Bryant had only been acquainted with Una an hour, but she could have told Eliot a different story from that. Her quick eyes had seen the wealth of tenderness in the dark orbs of Una as they rested now and then on her husband's face, but Sylvie was more angry than any one supposed over this unexpected marriage. She was not unselfish enough to open the eyes of the blind young husband.

"Oh, very well, if you choose to make a chivalrous goose of yourself, Eliot," she answered, tartly, "I suppose she can have the best suite of guest-rooms—the ones I have been fixing up for my sister. But I can write a word to Ida not to come."

"Of course you will not. There are other rooms," he said, impatiently.

Sylvie shrugged her shoulders.

"Ida's used only to the best," she said, insolently.

He regarded her for a moment in stern silence. Underneath his usual gentle, nonchalant manner slept a will that was iron when needful. After a moment he said firmly:

"See here, Sylvie, my wife has the same right in my father's old house that Bryant's wife has. You have the best suite of rooms in the house, she must have the next best. If you have put anything from your own purse into the rooms, it can be removed into another room for Ida's use when she comes. Una knows, for I have told her, that the Van Zandts are poor—that we have nothing but this big, old-fashioned house, and such a small income that barely buys our sisters' dresses, and I have to eke out the rest by hard work. She does not expect anything luxurious, but I shall see that she has the best I can afford."

So the gage was thrown down, and Sylvie picked it up at once. She had the petty meanness to strip Una's rooms of all the pretty things she had placed in them for Ida, and they looked rather bare when she finished her task of despoliation. But Maud and Edith brought the prettiest things from their own rooms to fill up the void, indignant at her petty spite.

"I know what is the matter. She is mad because she can not marry Eliot to Ida now. It's what she's been fishing for all the time," Edith said, indignantly; and the sisters made a generous compact to fight the battles for the new-comer that their clear young eyes already saw were inevitable.

There was one person who took kindly at once to Una, and that was the middle-aged governess, Mrs. Wilson. When she had come first to teach the little Van Zandts, she had been a forlorn young widow, having lately buried her husband and her only child. She had taught Eliot when a little lad, and she had taught his sisters, growing gray in patient service of her well-beloved pupils. Now, in the fair, innocent face and great, dark eyes of Eliot's wife, she fancied a resemblance to the little daughter that had been in Heaven so long.

"I shall love to teach her all that I can," she said, with a dimness in her gentle brown eyes. "I love to look at her beautiful face with those solemn eyes so much like my dead Elsie's eyes."

And loving her first for Elsie's sake, she soon grew to love her for her own. Never was there pupil so eager to learn, so thirsty for knowledge, so untiring in application as was the neglected Little Nobody, as Mrs. Van Zandt still called her contemptuously in her thoughts.

CHAPTER XXIX

The first few months of Una's stay in her husband's home passed quietly and uneventfully. Fortunately for all concerned, Bryant's wife went off to spend the summer at Long Branch with her mother and sister. In the generosity of her heart, she took Bryant with her, so the household that was left was very quiet and peaceable.

The girls took their summer vacation from study, and Maud worked on her novel, Edith at her picture. In the school-room Mrs. Wilson and Una diligently climbed the ladder of knowledge through the long summer mornings. In the afternoons the four ladies took long country rides, and in the short evenings there were dinner and Eliot. They had music always to enliven them, and very often neighbors and friends dropped in and made the time pass agreeably. Often Eliot, who, as a newspaper man, had tickets to concerts, lectures, readings, and plays, took them out to pleasant entertainments. He managed, too, to buy Una a little brown pony to ride, and she had some charming morning canters by the side of her husband, who made the carriage-horse do service on his own behalf.

Sylvie Van Zandt would have said it was a humdrum life, but Eliot and Una thoroughly enjoyed it. Nay, to her it seemed an elysium, this bright home, with its kind, friendly faces and gentle words, so unlike her life with Mme. Lorraine.

Una had learned to read and write with perfect facility and surprising ease, and passed on to higher studies. Of French she already had some knowledge—indeed, as much as she had of English, having spoken either at will in her New Orleans home—so this language was very easy to acquire now. For music she developed a talent equal to that of her husband, and he was delighted to find that she had a sweet, low alto voice that blended in perfect harmony with his own.

She began to read poetry and novels now, and their strange sweetness thrilled her very soul. She learned that wonderful word, Love, and some of its subtler meanings. It grew to be the theme of her thoughts and dreams, although in the exquisite shyness that offset her child-like frankness she never even named the word to Eliot.

But, for all that, she began to comprehend its mystic meaning, and to say to herself, with deep tenderness:

"It is what Eliot feels for me and I for him."

Yet this blind young lover-husband said to himself sometimes, discontentedly:

"She is very bright over other lessons, but very slow learning the one I am trying to teach her so patiently every day."

Every day she grew more beautiful and graceful under the clever tuition of Mrs. Wilson, who delighted in her task of forming the unformed girl. They spent happy hours over the piano together, patient ones over books and blackboards.

For several months she never even heard the words "A Little Nobody," under which she had chafed so often at Mme. Lorraine's. Life began to have a new, sweet meaning, whose key-note was love.

She was so sorry when Eliot went away with his friendly hand-clasp in the morning, so glad when he returned in the evening. Sometimes she said to herself that she would not have minded kissing him now, as Maud and Edith did every morning; but, since the day when she promised to marry him, and then rejected his kiss, he had never offered another.

"I should not care for a cold, duty kiss," he thought. "I will wait for her love and her kisses together."

In the meantime, he worked very hard at his literary duties, trying to double the moderate salary he had enjoyed before his marriage, that his sisters might not feel the change. The pony had been quite an extravagance, but he had heard her express a timid wish for one, and by some severe self-denial in the matter of coats and cigars, had managed to gratify her wish. But he did not chafe against the silent sacrifices he made for her sake. Each one only made the dark-eyed girl dearer to his heart, and the memory of that last day in madame's prison always made him shudder and long to clasp her passionately to his heart.

On his strong white arm there was a slight scar made by the wound of a pocket-knife. He often looked at it when alone, and said to himself:

"To that little scar my darling owes her life."

But Una, all unconscious of the debt, still sweetly ignorant of his blindness, went on with her studies, and her music, and her poetry reading, making him the hero of all in her silent, adoring fashion.

There was one thing that touched and pleased him.

She had not forgotten one of the many songs with which he had beguiled the dreariness of their imprisonment, and she had insisted on learning each one. The two that she liked best were "The Warrior Bold" and "Two Little Lives." Mrs. Wilson and the girls noticed that she had a fashion of humming over one little verse very often to herself:

"It was a lark that sung in the heaven,While all the world stood still to hear,Many a maiden looked from her knitting,And in her heart there crept a tear.Down came the lark and sung to the daisy,Sung to it only songs of love,Till in the twilight slumbered the daisy,Turning its sweet face to heaven above."

She never said to her young husband now, as she had said that time in their prison, "You are the lark and I the little daisy," but she thought it all the more, and the fanciful thought pleased her well.

Maud and Edith, who had first taken Una's part out of generous loyalty to their brother, now began to like their sister-in-law more for her own sake.

At first they said: "It is not so bad as we feared at first. She is learning very fast, and she is really very good and very pretty. And even although she is of obscure origin, she is a Van Zandt now, and that is enough."

Maud used to read her whole chapters of the wonderful novel, and when Una's color rose and her eyes sparkled with mirth or feeling, the young authoress was delighted. She took it as a tribute to her genius, and was cheered and encouraged in her delightful work. Edith, on her part, appropriated the girl for a model, and made her pose for her benefit every day in the little studio at the top of the house. At last the two girls unanimously voted her a decided acquisition.

"It is very fortunate Eliot had to marry her. She is a darling, and I can see that they are beginning to fall in love with each other," said Edith.

"I am so glad that it will turn out a love-match after all," Maud replied, with enthusiasm.

The days came and went, and brought the early, bleak New England autumn. It was time for Sylvie to come home, but Bryant came alone. His wife had gone to New York with her family to stay for the beginning of the social season. Every one but her husband was secretly pleased when she stayed until after the New-Year festivities. Maud and Edith were quite sure that they had got along more happily without her, although they were too polite to hint such a thing to Bryant.

At last she came in the middle of January. Ida Hayes, her sister, a younger edition of herself, came with her, and straightway the halcyon days of Una came to an end.

Sylvie came to her room that evening, when she was putting on her simple blue silk dress for dinner, with an air of importance and anxiety.

"Have you come to your senses yet—you two?" she demanded, brusquely. "If you have, I shall be glad, for I do so want these rooms for Ida."

Una, with her laces all awry, looked up blankly.

"I—don't—think—I understand," she answered.

"Pshaw! I mean, do you use the same suite of rooms as your husband?"

The pretty, wondering face did not change its color, the dark eyes only looked amazed.

"Of course not," Una said, and Sylvie's red lips curled.

"Of course not!" she mimicked, sneeringly. "Why, you silly child, you talk very strangely. Bryant and I share the same suite of rooms, do we not? All husbands and wives do who love each other."

CHAPTER XXX

Una commenced to fasten her laces with strangely trembling fingers.

"Eliot and I love each other!" she said, slowly.

"Oh, indeed?" said Sylvie, with a very incredulous giggle. "You did not when I went away. Have you done your courting since, as you had no time for it before you were married?"

The wonder, the half-dazed comprehension in the girl's pale face ought to have made her less pitiless, but it had been her dream and Bryant's to marry Ida to Eliot. She had said to herself many times that she could never forgive the Little Nobody that had thwarted her plans.

So with an angry heart and pitiless eyes she had thrust the point of a dagger into Una's heart.

But with proud, somber eyes the girl-wife said, gravely:

"You said you wanted these rooms for Miss Hayes. Very well, you can have them. I dare say Maud will give me another room."

"Oh, dear no, I would not turn you out of your room for the world, child!" suavely. She knew that Eliot would not permit it. "I only thought that if you had given them up and gone to Eliot's these would suit Ida. She always had them when she came before, and it does seem foolish, does it not, for man and wife to occupy six rooms when three would be enough? I hoped you and Eliot had become reconciled to your forced marriage ere this."

На страницу:
9 из 15