Robert Falconer

‘’Deed she’s dune that.’

‘Can ye mak onything o’ ‘im?’

‘He’s douce eneuch. An’ Robert says he does nae that ill at the schuil.’

‘Weel, jist fess him wi’ ye. We’ll hae some place or ither to put him intil, gin it suld be only a shak’-doon upo’ the flure.’

‘Na, na. There’s the schuilin’—what’s to be dune wi’ that?’

‘They can gang i’ the mornin’, and get their denner wi’ Betty here; and syne come hame to their fower-hoors (four o’clock tea) whan the schule’s ower i’ the efternune. ‘Deed, mem, ye maun jist come for the sake o’ the auld frien’ship atween the faimilies.’

‘Weel, gin it maun be sae, it maun be sae,’ yielded Mrs. Falconer, with a sigh.

She had not left her own house for a single night for ten years. Nor is it likely she would have now given in, for immovableness was one of the most marked of her characteristics, had she not been so broken by mental suffering, that she did not care much about anything, least of all about herself.

Innumerable were the instructions in propriety of behaviour which she gave the boys in prospect of this visit. The probability being that they would behave just as well as at home, these instructions were considerably unnecessary, for Mrs. Falconer was a strict enforcer of all social rules. Scarcely less unnecessary were the directions she gave as to the conduct of Betty, who received them all in erect submission, with her hands under her apron. She ought to have been a young girl instead of an elderly woman, if there was any propriety in the way her mistress spoke to her. It proved at least her own belief in the description she had given of her to Miss Lammie.

‘Noo, Betty, ye maun be dooce. An’ dinna stan’ at the door i’ the gloamin’. An’ dinna stan’ claikin’ an’ jawin’ wi’ the ither lasses whan ye gang to the wall for watter. An’ whan ye gang intil a chop, dinna hae them sayin’ ahint yer back, as sune’s yer oot again, “She’s her ain mistress by way o’,” or sic like. An’ min’ ye hae worship wi’ yersel’, whan I’m nae here to hae ‘t wi’ ye. Ye can come benn to the parlour gin ye like. An’ there’s my muckle Testament. And dinna gie the lads a’ thing they want. Gie them plenty to ait, but no ower muckle. Fowk suld aye lea’ aff wi’ an eppiteet.’

Mr. Lammie brought his gig at last, and took grannie away to Bodyfauld. When the boys returned from school at the dinner-hour, it was to exult in a freedom which Robert had never imagined before. But even he could not know what a relief it was to Shargar to eat without the awfully calm eyes of Mrs. Falconer watching, as it seemed to him, the progress of every mouthful down that capacious throat of his. The old lady would have been shocked to learn how the imagination of the ill-mothered lad interpreted her care over him, but she would not have been surprised to know that the two were merry in her absence. She knew that, in some of her own moods, it would be a relief to think that that awful eye of God was not upon her. But she little thought that even in the lawless proceedings about to follow, her Robert, who now felt such a relief in her absence, would be walking straight on, though blindly, towards a sunrise of faith, in which he would know that for the eye of his God to turn away from him for one moment would be the horror of the outer darkness.

Merriment, however, was not in Robert’s thoughts, and still less was mischief. For the latter, whatever his grandmother might think, he had no capacity. The world was already too serious, and was soon to be too beautiful for mischief. After that, it would be too sad, and then, finally, until death, too solemn glad. The moment he heard of his grandmother’s intended visit, one wild hope and desire and intent had arisen within him.

When Betty came to the parlour door to lay the cloth for their dinner, she found it locked.

‘Open the door!’ she cried, but cried in vain. From impatience she passed to passion; but it was of no avail: there came no more response than from the shrine of the deaf Baal. For to the boys it was an opportunity not at any risk to be lost. Dull Betty never suspected what they were about. They were ranging the place like two tiger-cats whose whelps had been carried off in their absence—questing, with nose to earth and tail in air, for the scent of their enemy. My simile has carried me too far: it was only a dead old gentleman’s violin that a couple of boys was after—but with what eagerness, and, on the part of Robert, what alternations of hope and fear! And Shargar was always the reflex of Robert, so far as Shargar could reflect Robert. Sometimes Robert would stop, stand still in the middle of the room, cast a mathematical glance of survey over its cubic contents, and then dart off in another inwardly suggested direction of search. Shargar, on the other hand, appeared to rummage blindly without a notion of casting the illumination of thought upon the field of search. Yet to him fell the success. When hope was growing dim, after an hour and a half of vain endeavour, a scream of utter discordance heralded the resurrection of the lady of harmony. Taught by his experience of his wild mother’s habits to guess at those of douce Mrs. Falconer, Shargar had found the instrument in her bed at the foot, between the feathers and the mattress. For one happy moment Shargar was the benefactor, and Robert the grateful recipient of favour. Nor, I do believe, was this thread of the still thickening cable that bound them ever forgotten: broken it could not be.

Robert drew the recovered treasure from its concealment, opened the case with trembling eagerness, and was stooping, with one hand on the neck of the violin, and the other on the bow, to lift them from it, when Shargar stopped him.

His success had given him such dignity, that for once he dared to act from himself.

‘Betty ‘ll hear ye,’ he said.

‘What care I for Betty? She daurna tell. I ken hoo to manage her.’

‘But wadna ‘t be better ‘at she didna ken?’

‘She’s sure to fin’ oot whan she mak’s the bed. She turns ‘t ower and ower jist like a muckle tyke (dog) worryin’ a rottan (rat).’

‘De’il a bit o’ her s’ be a hair wiser! Ye dinna play tunes upo’ the boxie, man.’

Robert caught at the idea. He lifted the ‘bonny leddy’ from her coffin; and while he was absorbed in the contemplation of her risen beauty, Shargar laid his hands on Boston’s Four-fold State, the torment of his life on the Sunday evenings which it was his turn to spend with Mrs. Falconer, and threw it as an offering to the powers of Hades into the case, which he then buried carefully, with the feather-bed for mould, the blankets for sod, and the counterpane studiously arranged for stone, over it. He took heed, however, not to let Robert know of the substitution of Boston for the fiddle, because he knew Robert could not tell a lie. Therefore, when he murmured over the volume some of its own words which he had read the preceding Sunday, it was in a quite inaudible whisper: ‘Now is it good for nothing but to cumber the ground, and furnish fuel for Tophet.’

Robert must now hide the violin better than his grannie had done, while at the same time it was a more delicate necessity, seeing it had lost its shell, and he shrunk from putting her in the power of the shoemaker again. It cost him much trouble to fix on the place that was least unsuitable. First he put it into the well of the clock-case, but instantly bethought him what the awful consequence would be if one of the weights should fall from the gradual decay of its cord. He had heard of such a thing happening. Then he would put it into his own place of dreams and meditations. But what if Betty should take a fancy to change her bed? or some friend of his grannie’s should come to spend the night? How would the bonny leddy like it? What a risk she would run! If he put her under the bed, the mice would get at her strings—nay, perhaps, knaw a hole right through her beautiful body. On the top of the clock, the brass eagle with outspread wings might scratch her, and there was not space to conceal her. At length he concluded—wrapped her in a piece of paper, and placed her on the top of the chintz tester of his bed, where there was just room between it and the ceiling: that would serve till he bore her to some better sanctuary. In the meantime she was safe, and the boy was the blessedest boy in creation.

These things done, they were just in the humour to have a lark with Betty. So they unbolted the door, rang the bell, and when Betty appeared, red-faced and wrathful, asked her very gravely and politely whether they were not going to have some dinner before they went back to school: they had now but twenty minutes left. Betty was so dumfoundered with their impudence that she could not say a word. She did make haste with the dinner, though, and revealed her indignation only in her manner of putting the things on the table. As the boys left her, Robert contented himself with the single hint:

‘Betty, Bodyfauld ‘s i’ the perris o’ Kettledrum. Min’ ye that.’

Betty glowered and said nothing.

But the delight of the walk of three miles over hill and dale and moor and farm to Mr. Lammie’s! The boys, if not as wild as colts—that is, as wild as most boys would have been—were only the more deeply excited. That first summer walk, with a goal before them, in all the freshness of the perfecting year, was something which to remember in after days was to Falconer nothing short of ecstasy. The westering sun threw long shadows before them as they trudged away eastward, lightly laden with the books needful for the morrow’s lessons. Once beyond the immediate purlieus of the town and the various plots of land occupied by its inhabitants, they crossed a small river, and entered upon a region of little hills, some covered to the top with trees, chiefly larch, others cultivated, and some bearing only heather, now nursing in secret its purple flame for the outburst of the autumn. The road wound between, now swampy and worn into deep ruts, now sandy and broken with large stones. Down to its edge would come the dwarfed oak, or the mountain ash, or the silver birch, single and small, but lovely and fresh; and now green fields, fenced with walls of earth as green as themselves, or of stones overgrown with moss, would stretch away on both sides, sprinkled with busily-feeding cattle. Now they would pass through a farm-steading, perfumed with the breath of cows, and the odour of burning peat—so fragrant! though not yet so grateful to the inner sense as it would be when encountered in after years and in foreign lands. For the smell of burning and the smell of earth are the deepest underlying sensuous bonds of the earth’s unity, and the common brotherhood of them that dwell thereon. Now the scent of the larches would steal from the hill, or the wind would waft the odour of the white clover, beloved of his grandmother, to Robert’s nostrils, and he would turn aside to pull her a handful. Then they clomb a high ridge, on the top of which spread a moorland, dreary and desolate, brightened by nothing save ‘the canna’s hoary beard’ waving in the wind, and making it look even more desolate from the sympathy they felt with the forsaken grass. This crossed, they descended between young plantations of firs and rowan-trees and birches, till they reached a warm house on the side of the slope, with farm-offices and ricks of corn and hay all about it, the front overgrown with roses and honeysuckle, and a white-flowering plant unseen of their eyes hitherto, and therefore full of mystery. From the open kitchen door came the smell of something good. But beyond all to Robert was the welcome of Miss Lammie, whose small fat hand closed upon his like a very love-pudding, after partaking of which even his grandmother’s stately reception, followed immediately by the words ‘Noo be dooce,’ could not chill the warmth in his bosom.

I know but one writer whose pen would have been able worthily to set forth the delights of the first few days at Bodyfauld—Jean Paul. Nor would he have disdained to make the gladness of a country school-boy the theme of that pen. Indeed, often has he done so. If the writer has any higher purpose than the amusement of other boys, he will find the life of a country boy richer for his ends than that of a town boy. For example, he has a deeper sense of the marvel of Nature, a tenderer feeling of her feminality. I do not mean that the other cannot develop this sense, but it is generally feeble, and there is consequently less chance of its surviving. As far as my experience goes, town girls and country boys love Nature most. I have known town girls love her as passionately as country boys. Town boys have too many books and pictures. They see Nature in mirrors—invaluable privilege after they know herself, not before. They have greater opportunity of observing human nature; but here also the books are too many and various. They are cleverer than country boys, but they are less profound; their observation may be quicker; their perception is shallower. They know better what to do on an emergency; they know worse how to order their ways. Of course, in this, as in a thousand other matters, Nature will burst out laughing in the face of the would-be philosopher, and bringing forward her town boy, will say, ‘Look here!’ For the town boys are Nature’s boys after all, at least so long as doctrines of self-preservation and ambition have not turned them from children of the kingdom into dirt-worms. But I must stop, for I am getting up to the neck in a bog of discrimination. As if I did not know the nobility of some townspeople, compared with the worldliness of some country folk. I give it up. We are all good and all bad. God mend all. Nothing will do for Jew or Gentile, Frenchman or Englishman, Negro or Circassian, town boy or country boy, but the kingdom of heaven which is within him, and must come thence to the outside of him.

To a boy like Robert the changes of every day, from country to town with the gay morning, from town to country with the sober evening—for country as Rothieden might be to Edinburgh, much more was Bodyfauld country to Rothieden—were a source of boundless delight. Instead of houses, he saw the horizon; instead of streets or walled gardens, he roamed over fields bathed in sunlight and wind. Here it was good to get up before the sun, for then he could see the sun get up. And of all things those evening shadows lengthening out over the grassy wildernesses—for fields of a very moderate size appeared such to an imagination ever ready at the smallest hint to ascend its solemn throne—were a deepening marvel. Town to country is what a ceiling is to a cælum.

CHAPTER XVII. ADVENTURES

Grannie’s first action every evening, the moment the boys entered the room, was to glance up at the clock, that she might see whether they had arrived in reasonable time. This was not pleasant, because it admonished Robert how impossible it was for him to have a lesson on his own violin so long as the visit to Bodyfauld lasted. If they had only been allowed to sleep at Rothieden, what a universe of freedom would have been theirs! As it was, he had but two hours to himself, pared at both ends, in the middle of the day. Dooble Sanny might have given him a lesson at that time, but he did not dare to carry his instrument through the streets of Rothieden, for the proceeding would be certain to come to his grandmother’s ears. Several days passed indeed before he made up his mind as to how he was to reap any immediate benefit from the recovery of the violin. For after he had made up his mind to run the risk of successive mid-day solos in the old factory—he was not prepared to carry the instrument through the streets, or be seen entering the place with it.

But the factory lay at the opposite corner of a quadrangle of gardens, the largest of which belonged to itself; and the corner of this garden touched the corner of Captain Forsyth’s, which had formerly belonged to Andrew Falconer: he had had a door made in the walls at the point of junction, so that he could go from his house to his business across his own property: if this door were not locked, and Robert could pass without offence, what a north-west passage it would be for him! The little garden belonging to his grandmother’s house had only a slight wooden fence to divide it from the other, and even in this fence there was a little gate: he would only have to run along Captain Forsyth’s top walk to reach the door. The blessed thought came to him as he lay in bed at Bodyfauld: he would attempt the passage the very next day.

With his violin in its paper under his arm, he sped like a hare from gate to door, found it not even latched, only pushed to and rusted into such rest as it was dangerous to the hinges to disturb. He opened it, however, without any accident, and passed through; then closing it behind him, took his way more leisurely through the tangled grass of his grandmother’s property. When he reached the factory, he judged it prudent to search out a more secret nook, one more full of silence, that is, whence the sounds would be less certain to reach the ears of the passers by, and came upon a small room, near the top, which had been the manager’s bedroom, and which, as he judged from what seemed the signs of ancient occupation, a cloak hanging on the wall, and the ashes of a fire lying in the grate, nobody had entered for years: it was the safest place in the world. He undid his instrument carefully, tuned its strings tenderly, and soon found that his former facility, such as it was, had not ebbed away beyond recovery. Hastening back as he came, he was just in time for his dinner, and narrowly escaped encountering Betty in the transe. He had been tempted to leave the instrument, but no one could tell what might happen, and to doubt would be to be miserable with anxiety.

He did the same for several days without interruption—not, however, without observation. When, returning from his fourth visit, he opened the door between the gardens, he started back in dismay, for there stood the beautiful lady.

Robert hesitated for a moment whether to fly or speak. He was a Lowland country boy, and therefore rude of speech, but he was three parts a Celt, and those who know the address of the Irish or of the Highlanders, know how much that involves as to manners and bearing. He advanced the next instant and spoke.

‘I beg yer pardon, mem. I thoucht naebody wad see me. I haena dune nae ill.’

‘I had not the least suspicion of it, I assure you,’ returned Miss St. John. ‘But, tell me, what makes you go through here always at the same hour with the same parcel under your arm?’

‘Ye winna tell naebody—will ye, mem, gin I tell you?’

Miss St. John, amused, and interested besides in the contrast between the boy’s oddly noble face and good bearing on the one hand, and on the other the drawl of his bluntly articulated speech and the coarseness of his tone, both seeming to her in the extreme of provincialism, promised; and Robert, entranced by all the qualities of her voice and speech, and nothing disenchanted by the nearer view of her lovely face, confided in her at once.

‘Ye see, mem,’ he said, ‘I cam’ upo’ my grandfather’s fiddle. But my grandmither thinks the fiddle’s no gude. And sae she tuik and she hed it. But I faun’t it again. An’ I daurna play i’ the hoose, though my grannie’s i’ the country, for Betty hearin’ me and tellin’ her. And sae I gang to the auld fact’ry there. It belangs to my grannie, and sae does the yaird (garden). An’ this hoose and yaird was ance my father’s, and sae he had that door throu, they tell me. An’ I thocht gin it suld be open, it wad be a fine thing for me, to haud fowk ohn seen me. But it was verra ill-bred to you, mem, I ken, to come throu your yaird ohn speirt leave. I beg yer pardon, mem, an’ I’ll jist gang back, and roon’ by the ro’d. This is my fiddle I hae aneath my airm. We bude to pit back the case o’ ‘t whaur it was afore, i’ my grannie’s bed, to haud her ohn kent ‘at she had tint the grup o’ ‘t.’

Certainly Miss St. John could not have understood the half of the words Robert used, but she understood his story notwithstanding. Herself an enthusiast in music, her sympathies were at once engaged for the awkward boy who was thus trying to steal an entrance into the fairy halls of sound. But she forbore any further allusion to the violin for the present, and contented herself with assuring Robert that he was heartily welcome to go through the garden as often as he pleased. She accompanied her words with a smile that made Robert feel not only that she was the most beautiful of all princesses in fairy-tales, but that she had presented him with something beyond price in the most self-denying manner. He took off his cap, thanked her with much heartiness, if not with much polish, and hastened to the gate of his grandmother’s little garden. A few years later such an encounter might have spoiled his dinner: I have to record no such evil result of the adventure.

With Miss St. John, music was the highest form of human expression, as must often be the case with those whose feeling is much in advance of their thought, and to whom, therefore, may be called mental sensation is the highest known condition. Music to such is poetry in solution, and generates that infinite atmosphere, common to both musician and poet, which the latter fills with shining worlds.—But if my reader wishes to follow out for himself the idea herein suggested, he must be careful to make no confusion between those who feel musically or think poetically, and the musician or the poet. One who can only play the music of others, however exquisitely, is not a musician, any more than one who can read verse to the satisfaction, or even expound it to the enlightenment of the poet himself, is therefore a poet.—When Miss St. John would worship God, it was in music that she found the chariot of fire in which to ascend heavenward. Hence music was the divine thing in the world for her; and to find any one loving music humbly and faithfully was to find a brother or sister believer. But she had been so often disappointed in her expectations from those she took to be such, that of late she had become less sanguine. Still there was something about this boy that roused once more her musical hopes; and, however she may have restrained herself from the full indulgence of them, certain it is that the next day, when she saw Robert pass, this time leisurely, along the top of the garden, she put on her bonnet and shawl, and, allowing him time to reach his den, followed him, in the hope of finding out whether or not he could play. I do not know what proficiency the boy had attained, very likely not much, for a man can feel the music of his own bow, or of his own lines, long before any one else can discover it. He had already made a path, not exactly worn one, but trampled one, through the neglected grass, and Miss St. John had no difficulty in finding his entrance to the factory.

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1

In Scotch the ch and gh are almost always guttural. The gh according to Mr. Alexander Ellis, the sole authority in the past pronunciation of the country, was guttural in England in the time of Shakspere.

2

An exclamation of pitiful sympathy, inexplicable to the understanding. Thus the author covers his philological ignorance of the cross-breeding of the phrase.