"Unto Caesar"

She hung her head and made no reply, whilst from the group of the young and idle sycophants who had hung on Dea Flavia's honeyed words just as they had done round her litter a while ago, came murmurs of extravagant adulation and well-chosen words in praise of her exquisite diction, her marvellous pity, her every talent and virtue thus freely displayed.

Even the crowd stared open-mouthed and agape at this wonderful spectacle of so great a lady stooping to parley with a slave.

The praefect alone remained seemingly unmoved; but the expression of hidden wrath had once more crept into his eyes, making them look dark and fierce and glowing with savage impotence; and his gaze had remained fixed on the radiantly beautiful woman who stood there before him in all the glory of her high descent, her patrician bearing, the exquisite charm of her personality, seductive in its haughty aloofness, voluptuous even in its disdainful calm.

Neither did Menecreta fall a victim to Dea Flavia's melodious voice. She had listened from a respectful distance, and with the humble deference born of years of bondage, to the honeyed words with which the great lady deigned to cajole a girl-slave: but when Dea Flavia had finished speaking and the chorus of admiration had died down around her, the freedwoman, with steps which she vainly tried to render firm, approached to the foot of the catasta and stood between the great lady and her own child.

She placed one trembling, toil-worn hand on Nola's shoulder and said gently:

"Nola, thou hast heard what my lady's grace hath deigned to speak. A humble life but yet a free one awaits thee in thy mother's home on the Aventine; a life of luxurious slavery doth my lady's grace offer thee. She deigns to say that thou alone shalt choose thy way in life. Thou wast born a slave, Nola, and shouldst know how to obey. Obey my lady then. Choose thy future, Nola. The humble and free one which I, thy mother, have earned for thee, or the golden cage in which this proud lady would deign to keep her latest whim in bondage!"

Her voice, which at first had been almost steady, died down at the end in a pitiful quiver. It was the last agony of her hopes, the real parting from her child, for even whilst Menecreta's throat was choked with sobs, Nola hung her head and great heavy tears dropped from her eyes upon her clasped hands. The child was crying and the mother understood.

She no longer moaned with pain now. The pain was gone; only dull despair remained. Her heart had hungered for the one glad cry of joy: "Mother, I'll come to thee!" It was left starving even through her daughter's tears.

But those who watched this unwonted scene could not guess what Dea Flavia felt, for her eyes were veiled by her long lashes, and the mouth expressed neither triumph nor pity. Menecreta now once more tried to steady her quivering voice; she straightened her weary back and said quite calmly:

"My lady's grace has spoken, and the great lords here assembled have uttered words of praise for an exquisite act of pity. My lady's grace hath spoken and hath told the poor slave, Nola, to choose her own life. But I, the humble freedwoman, will speak in my turn to thee, O Dea Flavia of the imperial house of immortal Cæsar, and looking into thine eyes I tell thee that thy pity is but falsehood and thine eloquence naught but cruelty. By thy words thou didst take my child from me as effectually as if thou already hadst bought and paid for her. Look at the child now! She hangs her head and dares not look on me, her mother. Oh! thou didst well choose thy words, oh daughter of imperial Cæsar, for thy honeyed words were like the nectar which hid the poison that hath filtrated into my daughter's heart. Thou hast said it right—her life with me had been one of toil and mayhap of misery, but she would have been content, for she had never dreamed of another life. But now she has heard thee speak of marble halls, of music and of flowers, of a life of ease and of vanity, and never again would that child be happy in her mother's arms. Be content, O Augusta! the girl is thine since thy caprice hath willed it so. Even though she chose her mother now, I would not have her, for I know that she would be unhappy in that lonely hut on the Aventine; and though I have seen much sorrow and endured much misery, there is none greater to bear than the sight of a child's sorrow. Take her, Dea Flavia! thine eloquence has triumphed over a mother's broken heart."

Strangely enough, and to the astonishment of all those present, Dea Flavia had listened patiently and silently whilst the woman spoke, and now she said quite gently:

"Nay! thou dost wrong thine own child, Menecreta; see how lovingly she turns to thee!"

"Only because in her shallow little heart there has come the first twinge of remorse," replied the woman sadly. "Soon, in the lap of that luxury which thou dost offer her, she will have forgotten the mother's arms in which she weeps to-day."

"That's enough," suddenly interposed the praefect harshly. "Menecreta, take thy child; take her, I say. Dea Flavia hath relinquished her to thee. Be not a fool and take the child away!"

But with a gesture of savage pride the freedwoman tore herself away from Nola.

"No!" she said firmly, "I'll not take her. That proud lady here hath stolen the soul of my child; her body, inert and sad, I'll not have the while her heart longs to be away from me. I'll not have her, I say! let the daughter of Cæsar account to the gods above for her tempting words, her honeyed speech and her lies."

"Silence, woman!" ordered Dea Flavia sternly.

"Lies, I tell thee, lies," continued the woman who had lost all sense of fear in the depth of her misery; "the life of luxury thou dost promise this child—how long will it last? thy caprice for her—when will it tire? Silence? nay! I'll not be silent," she continued wildly in defiant answer to angry murmurs from the crowd. "Thou daughter of a house of tyrants, tyrant thyself! a slave to thy paltry whims, crushing beneath thy sandalled feet the hearts of the poor and the cries of the oppressed! Shame on thee! shame on thee, I say!"

"By the great Mother," said Dea Flavia coldly, "will no one here rid me of this screaming vixen?"

But even before she had spoken, the angry murmurs around had swollen to loud protestations. Before the praefect's lictors could intervene the crowd had pushed forward; the men rushed and surrounded the impious creature who had dared to raise her voice against one of the divinities of Rome: Augusta the goddess.

One of Dea Flavia's gigantic Ethiopians had seized Menecreta by the shoulder, another pulled her head back by the hair and struck her roughly on the mouth, but she, with the strength of the vanquished, brought down to her knees, frenzied with despair, continued her agonised cry:

"A curse upon thee, Dea Flavia, a curse spoken by the dying lips of the mother whom thou hast scorned!"

How she contrived momentarily to free herself from the angry crowd of lictors and of slaves it were impossible to say; perhaps at this moment something in Menecreta's wild ravings had awed their spirit and paralysed their hands. Certain it is that for one moment the freedwoman managed to struggle to her feet and to drag herself along on her knees until her hands clutched convulsively the embroidered tunic of Dea Flavia.

"And this is the curse which I pronounce on thee," she murmured in a hoarse whisper, which, rising and rising to higher tones, finally ended in shrieks which reached to the outermost precincts of the Forum. "Dea Flavia, daughter of Octavius Claudius thou art accursed. May thine every deed of mercy be turned to sorrow and to humiliation, thine every act of pity prove a curse to him who receives it, until thou on thy knees, art left to sue for pity to a heart that knoweth it not and findest a deaf ear turned to thy cry. Hear me, ye gods—hear me!… Magna Mater, hear me!… Mother of the stars—hear me!"

Superstition, deeply rooted in every Roman heart, held the crowd enthralled even whilst Menecreta's trembling voice echoed against the marble walls of the temples of the gods whom she invoked. No one attempted to stop her. Dea Flavia's slaves dared not lay a hand on her. It seemed as if Magna Mater herself, the great Mother, had thrown an invisible mantle over the humble freedwoman, shielding her with god-like power.

"Menecreta, raise thyself and come away," said a harsh voice in tones of command. The praefect had at last with the vigorous help of his lictors managed to push his way through the crowd. It was he now who attempted to raise the woman from her knees. He sharply bade his own men to silence the woman and to take her away.

Dea Flavia had remained silent and still. She had not attempted to interrupt the frenzied woman who called this awful curse upon her; only once, when Menecreta invoked the gods, did a shudder pass through the delicate body, and her heavy lids fell over her blue eyes, as if they were trying to shut out some awful vision which the woman's ravings had conjured up.

Then in a sudden her mood seemed to change, her serenity returned, and when the praefect interposed she put out a restraining hand, warning the lictors not to approach.

She bent to Menecreta and called her by name, her mellow voice vibrating with tender tones like the chords of the harp that are touched by a master hand, and her blue eyes, veiled with tears, looked down with infinite tenderness on the prostrate figure at her feet.

"Menecreta," she said gently, "thy sorrow hath made thee harsh. The gods, believe me, still hold much happiness in store for thee and for thy daughter. See how they refuse to register thy curse which had been impious were it not the dictate of thy poor frenzied mind. See, Menecreta, how thou didst misjudge me; what I did, I did because I wished to test thy love for thy child. I wished to test its true selflessness. But now I am satisfied and Nola need no longer choose, for she shall have the luxury for which her young heart doth pine, but she shall never by me be deprived of her mother's love."

Even while she spoke, Menecreta struggled to her knees. Her wide-open eyes, over which a mysterious veil seemed to be slowly descending, were fixed on the radiant vision above her. But comprehension had not yet reached her mind. Her spirit had not yet been dragged from the hell of despair to this glorious sight of heaven.

"Menecreta," continued the gentle voice, "thou shalt come to my house. A free woman, thou shalt be my friend and thy daughter shall be thy happy bondswoman. I'll give thee a little home in which thou shalt dwell with her and draw thy last breath in her arms; there shall be a garden there which she will plant with roses. Thy days and hers will be one continuous joy. Come to me now, Menecreta! Take thy daughter by the hand and come and dwell with her in the little house which my slaves shall prepare for thee."

Her face now was almost on a level with that of Menecreta, whose hollow eyes gazed upwards with a look of ecstatic wonder.

"Who art thou?" murmured the freedwoman; "there is a film over my eyes—I cannot see—art thou a goddess?"

"Nay!" replied Dea Flavia gently, "only a lonely maiden who has no friends e'en in the midst of all her riches. A lonely maid whom thou didst try to curse, asking the gods that her every act of mercy be turned to bitter sorrow. See, she takes thee to her heart and gives thee back thy daughter, a home and happiness."

"My daughter?" murmured Menecreta.

"She shall dwell with thee in the house which shall be thine."

"A home?" and the trembling voice grew weaker, the hollow eyes more dim.

"Aye! in the midst of a garden, with roses and violets all around."

"And happiness?" sighed Menecreta.

And her head fell back against Dea Flavia's arm; her eyes, now veiled by the film of death gazed, sightless, up at the dome of blue.

"Menecreta!" cried Dea Flavia, horror-stricken as she felt the feeble body stiffening against her with the approaching rigidity of death.

"Mother!" echoed Nola, striving to smother her terror as she threw herself on her knees.

"The woman is dead," said the praefect quietly.

CHAPTER VI

"I am Alpha and Omega, the beginning and the end, the first and the last."—Revelations xxii. 13.

And after that silence and peace.

Silence save for the moanings of the child Nola, who in a passionate outburst of grief had thrown herself on the body of her mother.

Dea Flavia stood there still and calm, her young face scarce less white than the clinging folds of her tunic, her unfathomable eyes fixed upon the pathetic group at her feet: the weeping girl and the dead woman.

She seemed almost dazed—like one who does not understand and a quaint puzzled frown appeared upon the whiteness of her brow.

Once she raised her eyes to the praefect and encountered his gaze—strangely contemptuous and wrathful—fixed upon her own, and anon she shuddered when a pitiable moan from Nola echoed from end to end along the marble walls around.

And the crowd of idlers began slowly to disperse. In groups of twos and threes they went, their sandalled feet making a soft rustling noise against the flagstones of the Forum, and their cloaks of thin woollen stuff floating out behind them as they walked.

The young patricians were the first to go. The scene had ceased to be amusing and Dea Flavia was not like to bestow another smile. They thought it best to retire to their luxurious homes, for they vaguely resented the majesty of death which clung round the dead freedwoman and the young living slave. They hoped to forget in the course of the noonday sleep, and the subsequent delights of the table, the painful events which had so unpleasantly stirred their shallow hearts.

Dea Flavia paid no heed to them as they murmured words of leave-taking in her ear. 'Tis doubtful if she saw one of them or cared if they went or stayed.

At an order from the praefect the auction sale was abruptly suspended. The lictors drove the herds of human cattle together preparatory to taking them to their quarters on the slopes of the Aventine where they would remain until the morrow; whilst the scribes and auctioneers made haste to scramble down from the heights of the rostrum, the heat of the day having rendered that elevated position well-nigh unbearable. Only Dea Flavia's retinue lingered in the Forum. Standing at a respectful distance they surrounded the gorgeously draped litter, waiting, silently and timorous, the further pleasure of their mistress; and behind Dea Flavia her two Ethiopian slaves, stolidly holding the palm leaves to shield her head against the blazing sun which so mercilessly seared their own naked shoulders.

"Grant me leave to escort thee to thy litter, Augusta!" murmured a timid voice.

It was young Hortensius Martius who spoke. He had approached the catasta and now stood timid, and a suppliant, beside Dea Flavia, with his curly head bare to the scorching sun and his back bent in slave-like deference. But the young girl seemed not to hear him and even after he had twice repeated his request she turned to him with uncomprehending eyes.

"I would not leave thee, Dea," he said, "until I saw thee safely among thy slaves and thy clients."

Then at last did she speak. But her voice sounded toneless and dull, as of one who speaks in a dream.

"I thank thee, good Hortensius," she said, "but my slaves are close at hand and I would prefer to be left alone."

To insist further would have been churlish. Hortensius Martius, well versed in every phase of decorum, bowed his head in obedience and retired to his litter. But he told his slaves not to bear him away from the Forum altogether but to place the litter down under the arcades of the tabernae, and then to stand round it so that it could not be seen, whilst he himself could still keep watch over the movements of Dea Flavia.

But she in the meanwhile remained in the same inert position, standing listlessly beside the body of Menecreta, her face expressing puzzlement rather than horror, as if within her soul she was trying to reconcile the events of the last few moments with her previous conceptions of what the tenor of her life should be.

The curse of Menecreta had found sudden and awful fulfilment, and Dea Flavia remained vaguely wondering whether the gods had been asleep on this hot late summer's day and forgotten to shield their favoured daughter against the buffetings of fate. A freedwoman had roused superstitious fear in the heart of a daughter of the Cæsars! Surely there must be something very wrong in the administration of the affairs of this world. Nay, more! for the freedwoman, unconscious of her own impiety, had triumphed in the end; her death—majestic and sublime in its suddenness—had set the seal upon her malediction.

And Dea Flavia marvelled that the dead woman remained so calm, her eyes so still, when—if indeed Jupiter had been aroused by the monstrous sacrilege—she must now be facing the terrors of his judgments.

And Taurus Antinor watched her in silence whilst she stood thus, unconscious of his gaze, a perfect picture of exquisite womanhood set in a frame of marble temples and colonnades, a dome of turquoise above her head, the palm leaves above her throwing a dense blue shadow on her golden hair and the white tunic on her shoulders.

He had heard much of Dea Flavia—the daughter of Claudius Octavius and now the ward of the Emperor Caligula—since his return from Syria a year ago, and he had oft seen her gilded and rose-draped litter gliding along the Sacra Via or the Via Appia, surrounded with its numberless retinue: but he had never seen her so close as this, nor had he heard her speak.

She was a mere child and still under the tutelage of her despotic father when he—Taurus Antinor—tired of the enervating influences of decadent Rome, had obtained leave from the Emperor Tiberius to go to Syria as its governor. The imperator was glad enough to let him go. Taurus Antinor, named Anglicanus, was more popular with the army and the plebs than any autocratic ruler could wish.

He went to Syria and remained there half a dozen years. The jealousy of one emperor had sent him thither and 'twas the jealousy of another that called him back to Rome. Syria had liked its governor over well, and Caius Julius Cæsar Caligula would not brook rivalry in the allegiance owed to himself alone by his subjects—even by those who dwelt in the remotest provinces of the Empire.

But on his return to Rome the powerful personality of Taurus Antinor soon imposed itself upon the fierce and maniacal despot. Caligula—though he must in reality have hated the Anglicanus as much and more than he hated all men—gave grudging admiration to his independence of spirit and to his fearless tongue. In the midst of an entourage composed of lying sycophants and of treacherous minions, the Cæsar seemed to feel in the presence of the stranger a sense of security and of trust. Some writers have averred that Caligula looked on Taurus Antinor as a kind of personal fetish who kept the wrath of the gods averted from his imperial head. Be that as it may, there is no doubt that tyrant exerted his utmost power to keep Taurus near his person, showering upon him those honours and titles of which he would have been equally ready to deprive him had the stranger at any time run counter to his will. Anon, when the Cæsar thought it incumbent upon his dignity to start on a military expedition, he forced Antinor to accept the praefecture of the city in order to keep him permanently settled in Rome.

The Anglicanus accepted the power—which was almost supreme in the absence of the Cæsar. He even gave the oath demanded of him by the Emperor that he would remain at his post until the termination of the proposed military expedition, but it was easy to see that the dignities for which others would have fought and striven to their uttermost were not really to the liking of Taurus Antinor.

Avowedly wilful of temper, he had since his return from Syria become even more silent, more self-centred than before. Many called him morose and voted him either treacherous or secretly ambitious; others averred that he was either very arrogant or frankly dull. Certain it is that he held himself very much aloof from the society of his kind and persistently refused to mix with the young elegants of the day either in their circles or their baths, their private parties or public entertainments.

Thus it was that the praefect found himself to-day for the first time in the near presence of Dea Flavia, the acknowledged queen of that same society which he declined to frequent, and as he grudgingly admitted to himself that she was beautiful beyond what men had said of her, he remembered all the tales which he had heard of her callous pride, her cold dignity, and of that cruel disdain with which she rejected all homage and broke the hearts of those whom her beauty had brought to her feet.

For the moment, however, she struck him as more pathetic than fearsome; she looked lonely just now like a stately lily blooming alone in a deserted garden. He was wroth with her for what she had done to Menecreta and for her childish caprice and opposition to his will, but at the same time he who so seldom felt pity for those whom a just punishment had overtaken, was sorry for this young girl, for in her case retribution had been severe and out of all proportion to her fault.

Therefore he approached her almost with deference and forced his rough voice to gentleness, as he said to her:

"The hour is late, O Dea Flavia. I myself must leave the Forum now. I would wish to see thee safe amongst thy women."

She turned her blue eyes upon him. His voice had roused her from her meditations and recalled her to that sense of proud dignity with which she loved to surround herself as with invisible walls. She must have seen the pity in his eyes for he did not try to hide it, but it seemed to anger her as coming from this man who—to her mind—was the primary cause of her present trouble. She looked for a moment or two on him as if trying to recollect his very existence, and no importunate slave could ever encounter such complete disdain as fell on the praefect at this moment from Dea Flavia's glance.

"I will return to my palace at the hour which pleaseth me most, O praefectus," she said coldly, "and when the child Nola, being more composed, is ready to accompany me."

"Nay!" he rejoined in his accustomed rough way, "the slave Nola is naught to thee now. She will be looked after as the State directs."

"The slave is mine," she retorted curtly. "She shall come with me."

And even as she spoke she drew herself up to her full height, more like, he thought, than ever to a stately lily now. The crown of gold upon her head caught a glint from the noonday sun, and the folds of her white tunic fell straight and rigid from her shoulders down to her feet.

It seemed strange to him that one so young, so exquisitely pure, should thus be left all alone to face the hard moments of life; her very disdain for him, her wilfulness, seemed to him pathetic, for they showed her simple ignorance of the many cruelties which life must of necessity have in store for her.

As for yielding to her present mood, he had no thought of it. It was caprice originally which had caused her to defy his will and to break old Menecreta's heart. She had invoked strict adherence to the law for the sole purpose of indulging this caprice. Now he was tempted also to stand upon the law and to defy her tyrannical will, even at the cost of his own inclinations in the matter.

He would not trust her with the child Nola now. He had other plans for the orphan girl, rendered lonely and desolate through a great lady's whim, and he would have felt degradation in the thought that Dea Flavia should impose her will on him in this.

He knew her power of course. She was a near kinswoman of the Emperor, and the child of his adoption; she was all-powerful with the Cæsar as with all men through the might of his personality as much as through that of her wealth.

But he had no thought of yielding nor any thought of fear. It seemed as if in the heat-laden atmosphere two mighty wills had suddenly clashed one against the other, brandishing ghostly steels. His will against hers! The might of manhood and of strength against the word of a beautiful woman. Nor was the contest unequal. If he could crush her with a touch of his hand, she could destroy him with one word in the Cæsar's ear. She had as her ally the full unbridled might of the House of Cæsar, while against her there was only this stranger, a descendant of a freedwoman from a strange land. For the nonce his influence was great over the mind of the quasi-madman who sat on the Empire's throne, but any moment, any event, the whisper of an enemy, the word of a woman, might put an end to his power.