Children of the Tenements

THE KID HANGS UP HIS STOCKING

The clock in the West Side Boys' Lodging-house ticked out the seconds of Christmas eve as slowly and methodically as if six fat turkeys were not sizzling in the basement kitchen against the morrow's spread, and as if two-score boys were not racking their brains to guess what kind of pies would go with them. Out on the avenue the shopkeepers were barring doors and windows, and shouting "Merry Christmas!" to one another across the street as they hurried to get home. The drays ran over the pavement with muffled sounds; winter had set in with a heavy snow-storm. In the big hall the monotonous click of checkers on the board kept step with the clock. The smothered exclamations of the boys at some unexpected, bold stroke, and the scratching of a little fellow's pencil on a slate, trying to figure out how long it was yet till the big dinner, were the only sounds that broke the quiet of the room. The superintendent dozed behind his desk.

A door at the end of the hall creaked, and a head with a shock of weather-beaten hair was stuck cautiously through the opening.

"Tom!" it said in a stage-whisper. "Hi, Tom! Come up an' git on ter de lay of de Kid."

A bigger boy in a jumper, who had been lounging on two chairs by the group of checker players, sat up and looked toward the door. Something in the energetic toss of the head there aroused his instant curiosity, and he started across the room. After a brief whispered conference the door closed upon the two, and silence fell once more on the hall.

They had been gone but a little while when they came back in haste. The big boy shut the door softly behind him and set his back against it.

"Fellers," he said, "what d'ye t'ink? I'm blamed if de Kid ain't gone an' hung up his sock fer Chris'mas!"

The checkers dropped, and the pencil ceased scratching on the slate, in breathless suspense.

"Come up an' see," said Tom, briefly, and led the way.

The whole band followed on tiptoe. At the foot of the stairs their leader halted.

"Yer don't make no noise," he said, with a menacing gesture. "You, Savoy!"—to one in a patched shirt and with a mischievous twinkle,—"you don't come none o' yer monkey-shines. If you scare de Kid you'll get it in de neck, see!"

With this admonition they stole upstairs. In the last cot of the double tier of bunks a boy much smaller than the rest slept, snugly tucked in the blankets. A tangled curl of yellow hair strayed over his baby face. Hitched to the bedpost was a poor, worn little stocking, arranged with much care so that Santa Claus should have as little trouble in filling it as possible. The edge of a hole in the knee had been drawn together and tied with a string to prevent anything falling out. The boys looked on in amazed silence. Even Savoy was dumb.

Little Willie, or, as he was affectionately dubbed by the boys, "the Kid," was a waif who had drifted in among them some months before. Except that his mother was in the hospital, nothing was known about him, which was regular and according to the rule of the house. Not as much was known about most of its patrons; few of them knew more themselves, or cared to remember. Santa Claus had never been anything to them but a fake to make the colored supplements sell. The revelation of the Kid's simple faith struck them with a kind of awe. They sneaked quietly downstairs.

"Fellers," said Tom, when they were all together again in the big room,—by virtue of his length, which had given him the nickname of "Stretch," he was the speaker on all important occasions,—"ye seen it yerself. Santy Claus is a-comin' to this here joint to-night. I wouldn't 'a' believed it. I ain't never had no dealin's wid de ole guy. He kinder forgot I was around, I guess. But de Kid says he is a-comin' to-night, an' what de Kid says goes."

Then he looked round expectantly. Two of the boys, "Gimpy" and Lem, were conferring aside in an undertone. Presently Gimpy, who limped, as his name indicated, spoke up.

"Lem says, says he—"

"Gimpy, you chump! you'll address de chairman," interrupted Tom, with severe dignity, "or you'll get yer jaw broke, if yer leg is short, see!"

"Cut it out, Stretch," was Gimpy's irreverent answer. "This here ain't no regular meetin', an' we ain't goin' to have none o' yer rot. Lem he says, says he, let's break de bank an' fill de Kid's sock. He won't know but it wuz ole Santy done it."

A yell of approval greeted the suggestion. The chairman, bound to exercise the functions of office in season and out of season, while they lasted, thumped the table.

"It is regular motioned an' carried," he announced, "that we break de bank fer de Kid's Chris'mas. Come on, boys!"

The bank was run by the house, with the superintendent as paying teller. He had to be consulted, particularly as it was past banking hours; but the affair having been succinctly put before him by a committee, of which Lem and Gimpy and Stretch were the talking members, he readily consented to a reopening of business for a scrutiny of the various accounts which represented the boys' earnings at selling papers and blacking boots, minus the cost of their keep and of sundry surreptitious flings at "craps" in secret corners. The inquiry developed an available surplus of three dollars and fifty cents. Savoy alone had no account; the run of craps had recently gone heavily against him. But in consideration of the season, the house voted a credit of twenty-five cents to him. The announcement was received with cheers. There was an immediate rush for the store, which was delayed only a few minutes by the necessity of Gimpy and Lem stopping on the stairs to "thump" one another as the expression of their entire satisfaction.

The procession that returned to the lodging-house later on, after wearing out the patience of several belated storekeepers, might have been the very Santa's supply-train itself. It signalized its advent by a variety of discordant noises, which were smothered on the stairs by Stretch, with much personal violence, lest they wake the Kid out of season. With boots in hand and bated breath, the midnight band stole up to the dormitory and looked in. All was safe. The Kid was dreaming, and smiled in his sleep. The report roused a passing suspicion that he was faking, and Savarese was for pinching his toe to find out. As this would inevitably result in disclosure, Savarese and his proposal were scornfully sat upon. Gimpy supplied the popular explanation.

"He's a-dreamin' that Santy Claus has come," he said, carefully working a base-ball bat past the tender spot in the stocking.

"Hully Gee!" commented Shorty, balancing a drum with care on the end of it, "I'm thinkin' he ain't far out. Looks's ef de hull shop'd come along."

It did when it was all in place. A trumpet and a gun that had made vain and perilous efforts to join the bat in the stocking leaned against the bed in expectant attitudes. A picture-book with a pink Bengal tiger and a green bear on the cover peeped over the pillow, and the bedposts and rail were festooned with candy and marbles in bags. An express-wagon with a high seat was stabled in the gangway. It carried a load of fir branches that left no doubt from whose livery it hailed. The last touch was supplied by Savoy in the shape of a monkey on a yellow stick, that was not in the official bill of lading.

"I swiped it fer de Kid," he said briefly in explanation.

When it was all done the boys turned in, but not to sleep. It was long past midnight before the deep and regular breathing from the beds proclaimed that the last had succumbed.

The early dawn was tinging the frosty window panes with red when from the Kid's cot there came a shriek that roused the house with a start of very genuine surprise.

"Hello!" shouted Stretch, sitting up with a jerk and rubbing his eyes. "Yes, sir! in a minute. Hello, Kid, what to—"

The Kid was standing barefooted in the passageway, with a base-ball bat in one hand and a trumpet and a pair of drumsticks in the other, viewing with shining eyes the wagon and its cargo, the gun and all the rest. From every cot necks were stretched, and grinning faces watched the show. In the excess of his joy the Kid let out a blast on the trumpet that fairly shook the building. As if it were a signal, the boys jumped out of bed and danced a breakdown about him in their shirt-tails, even Gimpy joining in.

"Holy Moses!" said Stretch, looking down, "if Santy Claus ain't been here an' forgot his hull kit, I'm blamed!"

THE SLIPPER-MAKER'S FAST

Isaac Josephs, slipper-maker, sat up on the fifth floor of his Allen Street tenement, in the gray of the morning, to finish the task he had set himself before Yom Kippur. Three days and three nights he had worked without sleep, almost without taking time to eat, to make ready the two dozen slippers that were to enable him to fast the fourth day and night for conscience' sake, and now they were nearly done. As he saw the end of his task near, he worked faster and faster while the tenement slept.

Three years he had slaved for the sweater, stinted and starved himself, before he had saved enough to send for his wife and children, awaiting his summons in the city by the Black Sea. Since they came they had slaved and starved together; for wages had become steadily less, work more grinding, and hours longer and later. Still, of that he thought little. They had known little else, there or here; they were together now. The past was dead; the future was their own, even in the Allen Street tenement, toiling night and day at starvation wages. To-morrow was the feast, their first Yom Kippur since they had come together again,—Esther, his wife, and Ruth and little Ben,—the feast when, priest and patriarch of his own house, he might forget his bondage and be free. Poor little Ben! The hand that smoothed the soft leather on the last took a tenderer, lingering touch as he glanced toward the stool where the child had sat watching him work till his eyes grew small. Brave little Ben, almost a baby yet, but so patient, so wise, and so strong!

The deep breathing of the sleeping children reached him from their crib. He smiled and listened, with the half-finished slipper in his hand. As he sat thus, a great drowsiness came upon him. He nodded once, twice; his hands sank into his lap, his head fell forward upon his chest. In the silence of the morning he slept, worn out with utter weariness.

He awoke with a guilty start to find the first rays of the dawn struggling through his window, and his task yet undone. With desperate energy he seized the unfinished slipper to resume his work. His unsteady hand upset the little lamp by his side, upon which his burnishing-iron was heating. The oil blazed up on the floor and ran toward the nearly finished pile of work. The cloth on the table caught fire. In a fever of terror and excitement, the slipper-maker caught it in his hands, wrung it, and tore at it to smother the flames. His hands were burned, but what of that? The slippers, the slippers! If they were burned, it was ruin. There would be no Yom Kippur, no feast of Atonement, no fast—rather, no end of it; starvation for him and his.

He beat the fire with his hands and trampled it with his feet as it burned and spread on the floor. His hair and his beard caught fire: With a despairing shriek he gave it up and fell before the precious slippers, barring, the way of the flames to them with his body.

The shriek woke his wife. She sprang out of bed, snatched up a blanket, and threw it upon the fire. It went out, was smothered under the blanket. The slipper-maker sat up, panting and grateful. His Yom Kippur was saved.

The tenement awoke to hear of the fire in the morning, when all Jew town was stirring with preparations for the feast. The slipper-maker's wife was setting the house to rights for the holiday then. Two half-naked children played about her knees, asking eager questions about it. Asked if her husband had often to work so hard, and what he made by it, she shrugged her shoulders and said, "The rent and a crust."

And yet all this labor and effort to enable him to fast one day according to the old dispensation, when all the rest of the days he fasted according to the new!

DEATH COMES TO CAT ALLEY

The dead-wagon stopped at the mouth of Cat Alley. Its coming made a commotion among the children in the block, and the Chief of Police looked out of his window across the street, his attention arrested by the noise. He saw a little pine coffin carried into the alley under the arm of the driver, a shoal of ragged children trailing behind. After a while the driver carried it out again, shoved it in the wagon, where there were other boxes like it, and, slamming the door, drove off.

A red-eyed woman watched it down the street until it disappeared around the corner. Then she wiped her eyes with her apron and went in.

It was only Mary Welsh's baby that was dead, but to her the alley, never cheerful on the brightest of days, seemed hopelessly desolate to-day. It was all she had. Her first baby died in teething.

Cat Alley is a back-yard illustration of the theory of evolution. The fittest survive, and the Welsh babies were not among them. It would be strange if they were. Mike, the father, works in a Crosby Street factory when he does work. It is necessary to put it that way, for, though he has not been discharged, he had only one day's work this week and none at all last week. He gets one dollar a day, and the one dollar he earned these last two weeks his wife had to draw to pay the doctor with when the baby was so sick. They have had nothing else coming in, and but for the wages of Mrs. Welsh's father, who lives with them, there would have been nothing in the house to eat.

The baby came three weeks ago, right in the hardest of the hard times. It was never strong enough to nurse, and the milk bought in Mulberry Street is not for babies to grow on who are not strong enough to stand anything. Little John never grew at all. He lay upon his pillow this morning as white and wan and tiny as the day he came into a world that didn't want him.

Yesterday, just before he died, he sat upon his grandmother's lap and laughed and crowed for the first time in his brief life, "just like he was talkin' to me," said the old woman, with a smile that struggled hard to keep down a sob. "I suppose it was a sort of inward cramp," she added—a mother's explanation of baby laugh in Cat Alley.

The mother laid out the little body on the only table in their room, in its only little white slip, and covered it with a piece of discarded lace curtain to keep off the flies. They had no ice, and no money to pay an undertaker for opening the little grave in Calvary, where their first baby lay. All night she sat by the improvised bier, her tears dropping silently.

When morning came and brought the woman with the broken arm from across the hall to sit by her, it was sadly evident that the burial of the child must be hastened. It was not well to look at the little face and the crossed baby hands, and even the mother saw it.

"Let the trench take him, in God's name; He has his soul," said the grandmother, crossing herself devoutly.

An undertaker had promised to put the baby in the grave in Calvary for twelve dollars and take two dollars a week until it was paid. But how can a man raise two dollars a week, with only one coming in in two weeks, and that gone to the doctor? With a sigh Mike Welsh went for the "lines" that must smooth its way to the trench in the Potter's Field, and then to Mr. Blake's for the dead-wagon. It was the hardest walk of his life.

And so it happened that the dead-wagon halted at Cat Alley and that little John took his first and last ride. A little cross and a number on the pine box, cut in the lid with a chisel, and his brief history was closed, with only the memory of the little life remaining to the Welshes to help them fight the battle alone.

In the middle of the night, when the dead-lamp burned dimly at the bottom of the alley, a policeman brought to Police Headquarters a wailing child, an outcast found in the area of a Lexington Avenue house by a citizen, who handed it over to the police. Until its cries were smothered in the police nursery upstairs with the ever ready bottle, they reached the bereaved mother in Cat Alley and made her tears drop faster. As the dead-wagon drove away with its load in the morning, Matron Travers came out with the now sleeping waif in her arms. She, too, was bound for Mr. Blake's.

The two took their ride on the same boat—the living child, whom no one wanted, to Randall's Island, to be enlisted with its number in the army of the city's waifs, strong and able to fight its way; the dead, for whom a mother's heart yearns, to its place in the great ditch.

A PROPOSAL ON THE ELEVATED

The sleeper on the 3.35 a.m. elevated train from the Harlem bridge was awake for once. The sleeper is the last car in the train, and has its own set that snores nightly in the same seats, grunts with the fixed inhospitality of the commuter at the intrusion of a stranger, and is on terms with Conrad, the German conductor, who knows each one of his passengers and wakes him up at his station. The sleeper is unique. It is run for the benefit of those who ride in it, not for the company's. It not only puts them off properly; it waits for them, if they are not there. The conductor knows that they will come. They are men, mostly, with small homes beyond the bridge, whose work takes them down town to the markets, the Post-office, and the busy marts of the city long before cockcrow. The day begins in New York at all hours.

Usually the sleeper is all that its name implies, but this morning it was as far from it as could be. A party of young people, fresh from a neighboring hop, had come on board and filled the rear end of the car. Their feet tripped yet to the dance, and snatches of the latest waltz floated through the train between peals of laughter and little girlish shrieks. The regulars glared, discontented, in strange seats, unable to go to sleep. Only the railroad yardmen dropped off promptly as they came in. Theirs was the shortest ride, and they could least afford to lose time. Two old Irishmen, flanked by their dinner-pails, gravely discussed the Henry George campaign.

Across the passage sat a group of three apart—a young man, a girl, and a little elderly woman with lines of care and hard work in her patient face. She guarded carefully three umbrellas, a very old and faded one, and two that were new and of silk, which she held in her lap, though it had not rained for a month. He was a likely young fellow, tall and straight, with the thoughtful eye of a student. His dark hair fell nearly to his shoulders, and his coat had a foreign cut. The girl was a typical child of the city, slight and graceful of form, dressed in good taste, and with a bright, winning face. The two chatted confidentially together, forgetful of all else, while mamma, between them, nodded sleepily in her seat.

A sudden burst of white light flooded the car.

"Hey! Ninety-ninth Street!" called the conductor, and rattled the door. The railroad men tumbled out pell-mell, all but one. Conrad shook him, and he went out mechanically, blinking his eyes.

"Eighty-ninth next!" from the doorway.

The laughter at the rear end of the car had died out. The young people, in a quieter mood, were humming a popular love-song. Presently above the rest rose a clear tenor:—

Oh, promise me that some day you and IWill take our love together to some skyWhere we can be alone and faith renew—

The clatter of the train as it flew over a switch drowned the rest. When the last wheel had banged upon the frog, I heard the young student's voice, in the soft accents of southern Europe:—

"Wenn ich in Wien war—" He was telling her of his home and his people in the language of his childhood. I glanced across. She sat listening with kindling eyes. Mamma slumbered sweetly; her worn old hands clutched unconsciously the umbrellas in her lap. The two Irishmen, having settled the campaign, had dropped to sleep, too. In the crowded car the two were alone. His hand sought hers and met it halfway.

"Forty-seventh!" There was a clatter of tin cans below. The contingent of milkmen scrambled out of their seats and off for the depot. In the lull that followed their going, the tenor rose from the last seat:—

Those first sweet violets of early spring,Which come in whispers, thrill us both, and singOf love unspeakable that is to be,Oh, promise me! Oh, promise me!

The two young people faced each other. He had thrown his hat upon the seat beside him and held her hand fast, gesticulating with his free hand as he spoke rapidly, eloquently, eagerly of his prospects and his hopes. Her own toyed nervously with his coat-lapel, twisting and twirling a button as he went on. What he said might have been heard to the other end of the car, had there been anybody to listen. He was to live here always; his uncle would open a business in New York, of which he was to have charge, when he had learned to know the country and its people. It would not be long now, and then—and then—

"Twenty-third Street!"

There was a long stop after the levy for the ferries had left. The conductor went out on the platform and consulted with the ticket-chopper. He was scrutinizing his watch for the second time, when the faint jingle of an east-bound car was heard.

"Here she comes!" said the ticket-chopper. A shout, and a man bounded up the steps, three at a time. It was an engineer who, to make connection with his locomotive at Chatham Square, must catch that train.

"Hullo, Conrad! Nearly missed you," he said as he jumped on the car, breathless.

"All right, Jack." And the conductor jerked the bell-rope. "You made it, though." The train sped on.

Two lives, heretofore running apart, were hastening to a union. The lovers had seen nothing, heard nothing but each other. His eyes burned as hers met his and fell before them. His head bent lower until his face almost touched hers. His dark hair lay against her blond curls. The ostrich-feather on her hat swept his shoulder.

"Mögtest Du mich haben?" he entreated.

Above the grinding of the wheels as the train slowed up for the station a block ahead, pleaded the tenor:—

Oh, promise me that you will take my hand,The most unworthy in this lonely land—

Did she speak? Her face was hidden, but the blond curls moved with a nod so slight that only a lover's eye could see it. He seized her disengaged hand. The conductor stuck his head into the car.

"Fourteenth Street!"

A squad of stout, florid men with butchers' aprons started for the door. The girl arose hastily.

"Mamma!" she called, "steh' auf! Es ist Fourteenth Street."

The little woman woke up, gathered the umbrellas in her arms, and bustled after the marketmen, her daughter leading the way. He sat as one dreaming.

"Ach!" he sighed, and ran his hand through his dark hair, "so rasch!"

And he went out after them.

LITTLE WILL'S MESSAGE

"It is that or starve, Captain. I can't get a job. God knows I've tried, but without a recommend, it's no use. I ain't no good at beggin'. And—and—there's the childer."

There was a desperate note in the man's voice that made the Captain turn and look sharply at him. A swarthy, strongly built man in a rough coat, and with that in his dark face which told that he had lived longer than his years, stood at the door of the Detective Office. His hand that gripped the door handle shook so that the knob rattled in his grasp, but not with fear. He was no stranger to that place. Black Bill's face had looked out from the Rogues' Gallery longer than most of those now there could remember. The Captain looked him over in silence.

"You had better not, Bill," he said. "You know what will come of it. When you go up again it will be the last time. And up you go, sure."

The man started to say something, but choked it down and went out without a word. The Captain got up and rang his bell.

"Bill, who was here just now, is off again," he said to the officer who came to the door. "He says it is steal or starve, and he can't get a job. I guess he is right. Who wants a thief in his pay? And how can I recommend him? And still I think he would keep straight if he had the chance. Tell Murphy to look after him and see what he is up to."

The Captain went out, tugging viciously at his gloves. He was in very bad humor. The policeman at the Mulberry Street door got hardly a nod for his cheery "Merry Christmas" as he passed.