Some Short Stories

"Oh dear!" said Mrs. Monarch ruefully.

"Of course I should want a certain amount of expression," I rejoined.

"Of course!"—and I had never heard such unanimity.

"And then I suppose you know that you'll get awfully tired."

"Oh we never get tired!" they eagerly cried.

"Have you had any kind of practice?"

They hesitated—they looked at each other. "We've been photographed—immensely," said Mrs. Monarch.

"She means the fellows have asked us themselves," added the Major.

"I see—because you're so good-looking."

"I don't know what they thought, but they were always after us."

"We always got our photographs for nothing," smiled Mrs. Monarch.

"We might have brought some, my dear," her husband remarked.

"I'm not sure we have any left. We've given quantities away," she explained to me.

"With our autographs and that sort of thing," said the Major.

"Are they to be got in the shops?" I inquired as a harmless pleasantry.

"Oh yes, hers—they used to be."

"Not now," said Mrs. Monarch with her eyes on the floor.

CHAPTER II

I could fancy the "sort of thing" they put on the presentation copies of their photographs, and I was sure they wrote a beautiful hand. It was odd how quickly I was sure of everything that concerned them. If they were now so poor as to have to cam shillings and pence they could never have had much of a margin. Their good looks had been their capital, and they had good-humouredly made the most of the career that this resource marked out for them. It was in their faces, the blankness, the deep intellectual repose of the twenty years of country-house visiting that had given them pleasant intonations. I could see the sunny drawing-rooms, sprinkled with periodicals she didn't read, in which Mrs. Monarch had continuously sat; I could see the wet shrubberies in which she had walked, equipped to admiration for either exercise. I could see the rich covers the Major had helped to shoot and the wonderful garments in which, late at night, he repaired to the smoking-room to talk about them. I could imagine their leggings and waterproofs, their knowing tweeds and rugs, their rolls of sticks and cases of tackle and neat umbrellas; and I could evoke the exact appearance of their servants and the compact variety of their luggage on the platforms of country stations.

They gave small tips, but they were liked; they didn't do anything themselves, but they were welcome. They looked so well everywhere; they gratified the general relish for stature, complexion and "form." They knew it without fatuity or vulgarity, and they respected themselves in consequence. They weren't superficial: they were thorough and kept themselves up—it had been their line. People with such a taste for activity had to have some line. I could feel how even in a dull house they could have been counted on for the joy of life. At present something had happened—it didn't matter what, their little income had grown less, it had grown least—and they had to do something for pocket-money. Their friends could like them, I made out, without liking to support them. There was something about them that represented credit—their clothes, their manners, their type; but if credit is a large empty pocket in which an occasional chink reverberates, the chink at least must be audible. What they wanted of me was help to make it so. Fortunately they had no children—I soon divined that. They would also perhaps wish our relations to be kept secret: this was why it was "for the figure"—the reproduction of the face would betray them.

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