The Boys' Life of Mark Twain

The nights were better. The wind went down and they made a camp-fire in the shelter of the wagon, cooked their bacon, crept under blankets with the dogs to warm them, and Sam Clemens spun yarns till they fell asleep.

There had been an Indian war, and occasionally they passed the charred ruin of a cabin and new graves. By and by they came to that deadly waste known as the Alkali Desert, strewn with the carcasses of dead beasts and with the heavy articles discarded by emigrants in their eagerness to reach water. All day and night they pushed through that choking, waterless plain to reach camp on the other side. When they arrived at three in the morning, they dropped down exhausted. Judge Oliver, the last survivor of the party, in a letter to the writer of these chapters, said:

"The sun was high in the heavens when we were aroused from our sleep by a yelling band of Piute warriors. We were upon our feet in an instant. The picture of burning cabins and the lonely graves we had passed was in our minds. Our scalps were still our own, and not dangling from the belts of our visitors. Sam pulled himself together, put his hand on his head, as if to make sure he had not been scalped, and, with his inimitable drawl, said 'Boys, they have left us our scalps. Let us give them all the flour and sugar they ask for.' And we did give them a good supply, for we were grateful."

The Indians left them unharmed, and the prospective millionaires moved on. Across that two hundred miles to the Humboldt country they pushed, arriving at the little camp of Unionville at the end of eleven weary days.

In "Roughing It" Mark Twain has told us of Unionville and the mining experience there. Their cabin was a three-sided affair with a cotton roof. Stones rolled down the mountainside on them; also, the author says, a mule and a cow.

The author could not gather fortune in a basket, as he had dreamed. Masses of gold and silver were not lying about. He gathered a back-load of yellow, glittering specimens, but they proved worthless. Gold in the rough did not glitter, and was not yellow. Tillou instructed the others in prospecting, and they went to work with pick and shovel—then with drill and blasting-powder. The prospect of immediately becoming millionaires vanished.

"One week of this satisfied me. I resigned," is Mark Twain's brief comment.

The Humboldt reports had been exaggerated. The Clemens-Clagget-Oliver- Tillou millionaire combination soon surrendered its claims. Clemens and Tillou set out for Carson City with a Prussian named Pfersdorff, who nearly got them drowned and got them completely lost in the snow before they arrived there. Oliver and Clagget remained in Unionville, began law practice, and were elected to office. It is not known what became of the wagon and horses and the two dogs.

It was the end of January when our miner returned to Carson. He was not discouraged—far from it. He believed he had learned something that would be useful to him in a camp where mines were a reality. Within a few weeks from his return we find him at Aurora, in the Esmeralda region, on the edge of California. It was here that the Clemens brothers owned the 1,650 feet formerly mentioned. He had came down to work it.

It was the dead of winter, but he was full of enthusiasm, confident of a fortune by early summer. To Pamela he wrote:

"I expect to return to St. Louis in July—per steamer. I don't say that I will return then, or that I shall be able to do it—but I expect to—you bet . . . . If nothing goes wrong, we'll strike the ledge in June."

He was trying to be conservative, and further along he cautions his sister not to get excited.

"Don't you know I have only talked as yet, but proved nothing? Don't you know I have never held in my hands a gold or silver bar that belonged to me? Don't you know that people who always feel jolly, no matter where they are or what happens to them—who have the organ of hope preposterously developed—who are endowed with an uncongealable, sanguine temperament—who never feel concerned about the price of corn—and who cannot, by any possibility, discover any but the bright side of a picture—are very apt to go to extremes and exaggerate with a 40-horse microscopic power?

"But—but—In the bright lexicon of youth,There is no such word as fail,

and I'll prove it."

Whereupon he soars again, adding page after page full of glowing expectations and plans such as belong only with speculation in treasures buried in the ground—a very difficult place, indeed, to find them.

His money was about exhausted by this time, and funds to work the mining claims must come out of Orion's rather modest salary. The brothers owned all claims in partnership, and it was now the part of "Brother Sam" to do the active work. He hated the hard picking and prying and blasting into the flinty ledges, but the fever drove him on. He camped with a young man named Phillips at first, and, later on, with an experienced miner, Calvin H. Higbie, to whom "Roughing It" would one day be dedicated. They lived in a tiny cabin with a cotton roof, and around their rusty stove they would paw over their specimens and figure the fortune that their mines would be worth in the spring.

Food ran low, money gave out almost entirely, but they did not give up. When it was stormy and they could not dig, and the ex-pilot was in a talkative vein, he would sit astride the bunk and distribute to his hearers riches more valuable than any they would dig from the Esmeralda hills. At other times he did not talk at all, but sat in a corner and wrote. They thought he was writing home; they did not know that he was "literary." Some of his home letters had found their way into a Keokuk paper and had come back to Orion, who had shown them to an assistant on the "Territorial Enterprise," of Virginia City. The "Enterprise" man had caused one of them to be reprinted, and this had encouraged its author to send something to the paper direct. He signed these contributions "Josh," and one told of:

"An old, old horse whose name was Methusalem,Took him down and sold him in Jerusalem,A long time ago."

He received no pay for these offerings and expected none. He considered them of no value. If any one had told him that he was knocking at the door of the house of fame, however feebly, he would have doubted that person's judgment or sincerity.

His letters to Orion, in Carson City, were hasty compositions, reporting progress and progress, or calling for remittances to keep the work going. On April 13, he wrote:

"Work not begun on the Horatio and Derby—haven't seen it yet. It is still in the snow. Shall begin on it within three or four weeks —strike the ledge in July."

Again, later in the month:

"I have been at work all day, blasting and digging in one of our new claims, 'Dashaway,' which I don't think a great deal of, but which I am willing to try. We are down now ten or twelve feet."

It must have been disheartening work, picking away at the flinty ledges. There is no further mention of the "Dashaway," but we hear of the "Flyaway," the "Annipolitan," the "Live Yankee," and of many another, each of which holds out a beacon of hope for a brief moment, then passes from notice forever. Still, he was not discouraged. Once he wrote:

"I am a citizen here and I am satisfied, though 'Ratio and I are 'strapped' and we haven't three days' rations in the house. I shall work the "Monitor" and the other claims with my own hands.

"The pick and shovel are the only claims I have confidence in now," he wrote, later; "my back is sore and my hands are blistered with handling them to-day."

His letters began to take on a weary tone. Once in midsummer he wrote that it was still snowing up there in the hills, and added, "It always snows here I expect. If we strike it rich, I've lost my guess, that's all." And the final heartsick line, "Don't you suppose they have pretty much quit writing at home?"

In time he went to work in a quartz-mill at ten dollars a week, though it was not entirely for the money, as in "Roughing It" he would have us believe. Samuel Clemens learned thoroughly what he undertook, and he proposed to master the science of mining. From Phillips and Higbie he had learned what there was to know about prospecting. He went to the mill to learn refining, so that, when his claims developed, he could establish a mill and personally superintend the work. His stay was brief. He contracted a severe cold and came near getting poisoned by the chemicals. Recovering, he went with Higbie for an outing to Mono Lake, a ghastly, lifeless alkali sea among the hills, vividly described in "Roughing It."

At another time he went with Higbie on a walking trip to the Yosemite, where they camped and fished undisturbed, for in those days few human beings came to that far isolation. Discouragement did not reach them there—amid that vast grandeur and quiet the quest for gold hardly seemed worth while. Now and again that summer he went alone into the wilderness to find his balance and to get entirely away from humankind.

In "Roughing It" Mark Twain tells the story of how he and Higbie finally located a "blind lead," which made them really millionaires, until they forfeited their claim through the sharp practice of some rival miners and their own neglect. It is true that the "Wide West" claim was forfeited in some such manner, but the size of the loss was magnified in "Roughing It," to make a good story. There was never a fortune in "Wide West," except the one sunk in it by its final owners. The story as told in "Roughing It" is a tale of what might have happened, and ends the author's days in the mines with a good story-book touch.

The mining career of Samuel Clemens really came to a close gradually, and with no showy climax. He fought hard and surrendered little by little, without owning, even to the end, that he was surrendering at all. It was the gift of resolution that all his life would make his defeats long and costly—his victories supreme.

By the end of July the money situation in the Aurora camp was getting desperate. Orion's depleted salary would no longer pay for food, tools, and blasting-powder, and the miner began to cast about far means to earn an additional sum, however small. The "Josh" letters to the "Enterprise" had awakened interest as to their author, and Orion had not failed to let "Josh's" identity be known. The result had been that here and there a coast paper had invited contributions and even suggested payment. A letter written by the Aurora miner at the end of July tells this part of the story:

"My debts are greater than I thought for . . . . The fact is, I must have something to do, and that shortly, too . . . . Now write to the "Sacramento Union" folks, or to Marsh, and tell them that I will write as many letters a week as they want, for $10 a week. My board must be paid.

"Tell them I have corresponded with the "New Orleans Crescent" and other papers—and the "Enterprise."

"If they want letters from here—who'll run from morning till night collecting material cheaper? I'll write a short letter twice a week, for the present, for the "Age," for $5 per week. Now it has been a long time since I couldn't make my own living, and it shall be a long time before I loaf another year."

This all led to nothing, but about the same time the "Enterprise" assistant already mentioned spoke to Joseph T. Goodman, owner and editor of the paper, about adding "Josh" to their regular staff. "Joe" Goodman, a man of keen humor and literary perception, agreed that the author of the "Josh" letters might be useful to them. One of the sketches particularly appealed to him—a burlesque report of a Fourth of July oration.

"That is the kind of thing we want," he said. "Write to him, Barstow, and ask him if he wants to come up here."

Barstow wrote, offering twenty-five dollars a week—a tempting sum. This was at the end of July, 1862.

Yet the hard-pressed miner made no haste to accept the offer. To leave Aurora meant the surrender of all hope in the mines, the confession of another failure. He wrote Barstow, asking when he thought he might be needed. And at the same time, in a letter to Orion, he said:

"I shall leave at midnight to-night, alone and on foot, for a walk of sixty or seventy miles through a totally uninhabited country. But do you write Barstow that I have left here for a week or so, and, in case he should want me, he must write me here, or let me know through you."

He had gone into the wilderness to fight out his battle alone, postponing the final moment of surrender—surrender that, had he known, only meant the beginning of victory. He was still undecided when he returned eight days later and wrote to his sister Pamela a letter in which there is no mention of newspaper prospects.

Just how and when the end came at last cannot be known; but one hot, dusty August afternoon, in Virginia City, a worn, travel-stained pilgrim dragged himself into the office of the "Territorial Enterprise," then in its new building on C Street, and, loosening a heavy roll of blankets from his shoulder, dropped wearily into a chair. He wore a rusty slouch hat, no coat, a faded blue-flannel shirt, a navy revolver; his trousers were tucked into his boot-tops; a tangle of reddish-brown hair fell on his shoulders; a mass of tawny beard, dingy with alkali dust, dropped half-way to his waist.

Aurora lay one hundred and thirty miles from Virginia City. He had walked that distance, carrying his heavy load. Editor Goodman was absent at the moment, but the other proprietor, Dennis E. McCarthy, asked the caller to state his errand. The wanderer regarded him with a far-away look and said, absently, and with deliberation:

"My starboard leg seems to be unshipped. I'd like about one hundred yards of line; I think I'm falling to pieces." Then he added: "I want to see Mr. Barstow or Mr. Goodman. My name is Clemens, and I've come to write for the paper."

It was the master of the world's widest estate come to claim his kingdom!

XXI.

THE TERRITORIAL ENTERPRISE

In 1852 Virginia City, Nevada, was the most flourishing of mining towns. A half-crazy miner, named Comstock, had discovered there a vein of such richness that the "Comstock Lode" was presently glutting the mineral markets of the world. Comstock himself got very little out of it, but those who followed him made millions. Miners, speculators, adventurers swarmed in. Every one seemed to have money. The streets seethed with an eager, affluent, boisterous throng whose chief business seemed to be to spend the wealth that the earth was yielding in such a mighty stream.

Business of every kind boomed. Less than two years earlier, J. T. Goodman, a miner who was also a printer and a man of literary taste, had joined with another printer, Dennis McCarthy, and the two had managed to buy a struggling Virginia City paper, the "Territorial Enterprise." But then came the hightide of fortune. A year later the "Enterprise," from a starving sheet in a leaky shanty, had become a large, handsome paper in a new building, and of such brilliant editorial management that it was the most widely considered journal on the Pacific coast.

Goodman was a fine, forceful writer, and he surrounded himself with able men. He was a young man, full of health and vigor, overflowing with the fresh spirit and humor of the West. Comstockers would always laugh at a joke, and Goodman was always willing to give it to them. The "Enterprise" was a newspaper, but it was willing to furnish entertainment even at the cost of news. William Wright, editorially next to Goodman, was a humorist of ability. His articles, signed Dan de Quille, were widely copied. R. M. Daggett (afterward United States Minister to Hawaii) was also an "Enterprise" man, and there were others of their sort.

Samuel Clemens fitted precisely into this group. He brought with him a new turn of thought and expression; he saw things with open eyes, and wrote of them in a fresh, wild way that Comstockers loved. He was allowed full freedom. Goodman suppressed nothing; his men could write as they chose. They were all young together—if they pleased themselves, they were pretty sure to please their readers. Often they wrote of one another—squibs and burlesques, which gratified the Comstock far more than mere news. It was just the school to produce Mark Twain.

The new arrival found acquaintance easy. The whole "Enterprise" force was like one family; proprietors, editor, and printers were social equals. Samuel Clemens immediately became "Sam" to his associates, just as De Quille was "Dan," and Goodman "Joe." Clemens was supposed to report city items, and did, in fact, do such work, which he found easy, for his pilot-memory made notes unnecessary.

He could gather items all day, and at night put down the day's budget well enough, at least, to delight his readers. When he was tired of facts, he would write amusing paragraphs, as often as not something about Dan, or a reporter on a rival paper. Dan and the others would reply, and the Comstock would laugh. Those were good old days.

Sometimes he wrote hoaxes. Once he told with great circumstance and detail of a petrified prehistoric man that had been found embedded in a rock in the desert, and how the coroner from Humboldt had traveled more than a hundred miles to hold an inquest over a man dead for centuries, and had refused to allow miners to blast the discovery from its position.

The sketch was really intended as a joke on the Humboldt coroner, but it was so convincingly written that most of the Coast papers took it seriously and reprinted it as the story of a genuine discovery. In time they awoke, and began to inquire as to who was the smart writer on the "Enterprise."

Mark Twain did a number of such things, some of which are famous on the Coast to this day.

Clemens himself did not escape. Lamps were used in the "Enterprise" office, but he hated the care of a lamp, and worked evenings by the light of a candle. It was considered a great joke in the office to "hide Sam's candle" and hear him fume and rage, walking in a circle meantime—a habit acquired in the pilothouse—and scathingly denouncing the culprits. Eventually the office-boy, supposedly innocent, would bring another candle, and quiet would follow. Once the office force, including De Quille, McCarthy, and a printer named Stephen Gillis, of whom Clemens was very fond, bought a large imitation meerschaum pipe, had a German-silver plate set on it, properly engraved, and presented it to Samuel Clemens as genuine, in testimony of their great esteem. His reply to the presentation speech was so fine and full of feeling that the jokers felt ashamed of their trick. A few days later, when he discovered the deception, he was ready to destroy the lot of them. Then, in atonement, they gave him a real meerschaum. Such things kept the Comstock entertained.

There was a side to Samuel Clemens that, in those days, few of his associates saw. This was the poetic, the reflective side. Joseph Goodman, like Macfarlane in Cincinnati several years earlier, recognized this phase of his character and developed it. Often these two, dining or walking together, discussed the books and history they had read, quoted from poems that gave them pleasure. Clemens sometimes recited with great power the "Burial of Moses," whose noble phrasing and majestic imagery seemed to move him deeply. With eyes half closed and chin lifted, a lighted cigar between his fingers, he would lose himself in the music of the stately lines:

By Nebo's lonely mountain,On this side Jordan's wave,In a vale in the land of MoabThere lies a lonely grave.And no man knows that sepulcher,And no man saw it e'er,For the angels of God upturned the sod,And laid the dead man there.

That his own writing would be influenced by the simple grandeur of this poem we can hardly doubt. Indeed, it may have been to him a sort of literary touchstone, that in time would lead him to produce, as has been said, some of the purest English written by any modern author.

XXII.

"MARK TWAIN"

It was once when Goodman and Clemens were dining together that the latter asked to be allowed to report the proceedings of the coming legislature at Carson City. He knew nothing of such work, and Goodman hesitated. Then, remembering that Clemens would, at least, make his reports readable, whether they were parliamentary or not, he consented.

So, at the beginning of the year (1863), Samuel Clemens undertook a new and interesting course in the study of human nature—the political human nature of the frontier. There could have been no better school for him. His wit, his satire, his phrasing had full swing—his letters, almost from the beginning, were copied as choice reading up and down the Coast. He made curious blunders, at first, as to the proceedings, but his open confession of ignorance in the early letters made these blunders their chief charm. A young man named Gillespie, clerk of the House, coached him, and in return was christened "Young Jefferson's Manual," a title which he bore for many years.

A reporter named Rice, on a rival Virginia City paper, the "Union," also earned for himself a title through those early letters.

Rice concluded to poke fun at the "Enterprise" reports, pointing out their mistakes. But this was not wise. Clemens, in his next contribution, admitted that Rice's reports might be parliamentary enough, but declared his glittering technicalities were only to cover misstatements of fact. He vowed they were wholly untrustworthy, dubbed the author of them "The Unreliable," and never thereafter referred to him by any other term. Carson and the Comstock papers delighted in this foolery, and Rice became "The Unreliable" for life. There was no real feeling between Rice and Clemens. They were always the best of friends.

But now we arrive at the story of still another name, one of vastly greater importance than either of those mentioned, for it is the name chosen by Samuel Clemens for himself. In those days it was the fashion for a writer to have a pen-name, especially for his journalistic and humorous work. Clemens felt that his "Enterprise" letters, copied up and down the Coast, needed a mark of identity.

He gave the matter a good deal of thought. He wanted something brief and strong—something that would stick in the mind. It was just at this time that news came of the death of Capt. Isaiah Sellers, the old pilot who had signed himself "Mark Twain." Mark Twain! That was the name he wanted. It was not trivial. It had all the desired qualities. Captain Sellers would never need it again. It would do no harm to keep it alive —to give it a new meaning in a new land. Clemens took a trip from Carson up to Virginia City.

"Joe," he said to Goodman, "I want to sign my articles. I want to be identified to a wider audience."

"All right, Sam. What name do you want to use Josh?"

"No, I want to sign them Mark Twain. It is an old river term, a leadsman's call, signifying two fathoms—twelve feet. It has a richness about it; it was always a pleasant sound for a pilot to hear on a dark night; it meant safe waters."

He did not mention that Captain Sellers had used and dropped the name. He was not proud of his part in that episode, and it was too recent for confession.

Goodman considered a moment. "Very well, Sam," he said, "that sounds like a good name."

A good name, indeed! Probably, if he had considered every combination of words in the language, he could not have found a better one. To-day we recognize it as the greatest nom de plume ever chosen, and, somehow, we cannot believe that the writer of "Tom Sawyer" and "Huck Finn" and "Roughing It" could have selected any other had he tried.

The name Mark Twain was first signed to a Carson letter, February 2, 1863, and after that to all of Samuel Clemens's work. The letters that had amused so many readers had taken on a new interest—the interest that goes with a name. It became immediately more than a pen-name. Clemens found he had attached a name to himself as well as to his letters. Everybody began to address him as Mark. Within a few weeks he was no longer "Sam" or "Clemens," but Mark—Mark Twain. The Coast papers liked the sound of it. It began to mean something to their readers. By the end of that legislative session Samuel Clemens, as Mark Twain, had acquired out there on that breezy Western slope something resembling fame.

Curiously, he fails to mention any of this success in his letters home of that period. Indeed, he seldom refers to his work, but more often speaks of mining shares which he has accumulated, and their possible values. His letters are airy, full of the joy of life and of the wild doings of the frontier. Closing one of them, he says: "I have just heard five pistolshots down the street. As such things are in my line, I will go and see about it."