The Middle Years

What a composition, for instance again I am capable at this hour of exclaiming, the conditions of felicity in which I became aware, one afternoon during a renewed gape before the Bacchus and Ariadne, first that a little gentleman beside me and talking with the greatest vivacity to another gentleman was extremely remarkable, second that he had the largest and most chevelu auburn head I had ever seen perched on a scarce perceptible body, third that I held some scrap of a clue to his identity, which couldn't fail to be eminent, fourth that this tag of association was with nothing less than a small photograph sent me westward across the sea a few months before, and fifth that the sitter for the photograph had been the author of Atalanta in Calydon and Poems and Ballads! I thrilled, it perfectly comes back to me, with the prodigy of this circumstance that I should be admiring Titian in the same breath with Mr. Swinburne—that is in the same breath in which he admired Titian and in which I also admired him, the whole constituting on the spot between us, for appreciation, that is for mine, a fact of intercourse, such a fact as could stamp and colour the whole passage ineffaceably, and this even though the more illustrious party to it had within the minute turned off and left me shaken. I was shaken, but I was satisfied—that was the point; I didn't ask more to interweave another touch in my pattern, and as I once more gather in the impression I am struck with my having deserved truly as many of the like as possible. I was welcome to them, it may well be said, on such easy terms—and yet I ask myself whether, after all, it didn't take on my own part some doing, as we nowadays say, to make them so well worth having. They themselves took, I even at the time felt, little enough trouble for it, and the virtue of the business was repeatedly, no doubt, a good deal more in what I brought than in what I took.

I apply this remark indeed to those extractions of the quintessence that had for their occasion either one's more undirected though never fruitless walks and wanderings or one's earnest, one's positively pious approach to whatever consecrated ground or shrine of pilgrimage that might be at the moment in order. There was not a regular prescribed "sight" that I during those weeks neglected—I remember haunting the museums in especial, though the South Kensington was then scarce more than embryonic, with a sense of duty and of excitement that I was never again to know combined in equal measure, I think, and that it might really have taken some element of personal danger to account for. There was the element, in a manner, to season the cup with sharpness—the danger, all the while, that my freedom might be brief and my experience broken, that I was under the menace of uncertainty and subject in fine to interruption. The fact of having been so long gravely unwell sufficed by itself to keep apprehension alive; it was our idea, or at least quite intensely mine, that what I was doing, could I but put it through, would be intimately good for me—only the putting it through was the difficulty, and I sometimes faltered by the way. This makes now for a general air on the part of all the objects of vision that I recover, and almost as much in those of accidental encounter as in the breathlessly invoked, of being looked at for the last time and giving out their message and story as with the still, collected passion of an only chance. This feeling about them, not to say, as I might have imputed it, in them, wonderfully helped, as may be believed, the extraction of quintessences—which sprang at me of themselves, for that matter, out of any appearance that confessed to the least value in the compound, the least office in the harmony. If the commonest street-vista was a fairly heart-shaking contributive image, if the incidents of the thick renascent light anywhere, and the perpetual excitement of never knowing, between it and the historic and determined gloom, which was which and which one would most "back" for the general outcome and picture, so the great sought-out compositions, the Hampton Courts and the Windsors, the Richmonds, the Dulwiches, even the very Hampstead Heaths and Putney Commons, to say nothing of the Towers, the Temples, the Cathedrals and the strange penetrabilities of the City, ranged themselves like the rows of great figures in a sum, an amount immeasurably huge, that one would draw on if not quite as long as one lived, yet as soon as ever one should seriously get to work. That, to a tune of the most beautiful melancholy—at least as I catch it again now—was the way all values came out: they were charged somehow with a useability the most immediate, the most urgent, and which, I seemed to see, would keep me restless till I should have done something of my very own with them.

This was indeed perhaps what most painted them over with the admonitory appeal: there were truly moments at which they seemed not to answer for it that I should get all the good of them, and the finest—what I was so extravagantly, so fantastically after—unless I could somehow at once indite my sonnet and prove my title. The difficulty was all in there being so much of them—I might myself have been less restless if they could only have been less vivid. This they absolutely declined at any moment and in any connection to be, and it was ever so long till they abated a jot of the refusal. Thereby, in consequence, as may easily be judged, they were to keep me in alarms to which my measures practically taken, my catastrophes anxiously averted, remained not quite proportionate. I recall a most interesting young man who had been my shipmate on the homeward-bound "China," shortly before—I could go at length into my reasons for having been so struck with him, but I forbear—who, on our talking, to my intense trepidation of curiosity, of where I might advisedly "go" in London, let me know that he always went to Craven Street Strand, where bachelor lodgings were highly convenient, and whence I in fact then saw them flush at me over the cold grey sea with an authenticity almost fierce. I didn't in the event, as has been seen, go to Craven Street for rooms, but I did go, on the very first occasion, for atmosphere, neither more nor less—the young man of the ship, building so much better than he knew, had guaranteed me such a rightness of that; and it belongs to this reminiscence, for the triviality of which I should apologize did I find myself at my present pitch capable of apologizing for anything, that I had on the very spot there one of those hallucinations as to the precious effect dreadful to lose and yet impossible to render which interfused the æsthetic dream in presence of its subject with the mortal drop of despair (as I should insist at least didn't the despair itself seem to have acted here as the preservative). The precious effect in the case of Craven Street was that it absolutely reeked, to my fond fancy, with associations born of the particular ancient piety embodied in one's private altar to Dickens; and that this upstart little truth alone would revel in explanations that I should for the time have feverishly to forego. The exquisite matter was not the identification with the scene of special shades or names; it was just that the whole Dickens procession marched up and down, the whole Dickens world looked out of its queer, quite sinister windows—for it was the socially sinister Dickens, I am afraid, rather than the socially encouraging or confoundingly comic who still at that moment was most apt to meet me with his reasons. Such a reason was just that look of the inscrutable riverward street, packed to blackness with accumulations of suffered experience, these, indescribably, disavowed and confessed at one and the same time, and with the fact of its blocked old Thames-side termination, a mere fact of more oppressive enclosure now, telling all sorts of vague loose stories about it.

V

Why, however, should I pick up so small a crumb from that mere brief first course at a banquet of initiation which was in the event to prolong itself through years and years?—unless indeed as a scrap of a specimen, chosen at hazard, of the prompt activity of a process by which my intelligence afterwards came to find itself more fed, I think, than from any other source at all, or, for that matter, from all other sources put together. A hundred more suchlike modest memories breathe upon me, each with its own dim little plea, as I turn to face them, but my idea is to deal somehow more conveniently with the whole gathered mass of my subsequent impressions in this order, a fruitage that I feel to have been only too abundantly stored. Half a dozen of those of a larger and more immediate dignity, incidents more particularly of the rather invidiously so-called social contact, pull my sleeve as I pass; but the long, backward-drawn train of the later life drags them along with it, lost and smothered in its spread—only one of them stands out or remains over, insisting on its place and hour, its felt distinguishability. To this day I feel again that roused emotion, my unsurpassably prized admission to the presence of the great George Eliot, whom I was taken to see, by one of the kind door-opening Norton ladies, by whom Mrs. Lewes's guarded portal at North Bank appeared especially penetrable, on a Sunday afternoon of April '69. Later occasions, after a considerable lapse, were not to overlay the absolute face-value, as I may call it, of all the appearances then and there presented me—which were taken home by a young spirit almost abjectly grateful, at any rate all devoutly prepared, for them. I find it idle even to wonder what "place" the author of Silas Marner and Middlemarch may be conceived to have in the pride of our literature—so settled and consecrated in the individual range of view is many such a case free at last to find itself, free after ups and downs, after fluctuations of fame or whatever, which have divested judgment of any relevance that isn't most of all the relevance of a living and recorded relation. It has ceased then to know itself in any degree as an estimate, has shaken off the anxieties of circumspection and comparison and just grown happy to act as an attachment pure and simple, an effect of life's own logic, but in the ashes of which the wonted fires of youth need but to be blown upon for betrayal of a glow. Reflective appreciation may have originally been concerned, whether at its most or at its least, but it is well over, to our infinite relief—yes, to our immortal comfort, I think; the interval back cannot again be bridged. We simply sit with our enjoyed gain, our residual rounded possession in our lap; a safe old treasure, which has ceased to shrink, if indeed also perhaps greatly to swell, and all that further touches it is the fine vibration set up if the name we know it all by is called into question—perhaps however little.

It was by George Eliot's name that I was to go on knowing, was never to cease to know, a great treasure of beauty and humanity, of applied and achieved art, a testimony, historic as well as æsthetic, to the deeper interest of the intricate English aspects; and I now allow the vibration, as I have called it, all its play—quite as if I had been wronged even by my own hesitation as to whether to pick up my anecdote. That scruple wholly fades with the sense of how I must at the very time have foreseen that here was one of those associations that would determine in the far future an exquisite inability to revise it. Middlemarch had not then appeared—we of the faith were still to enjoy that saturation, and Felix Holt the radical was upwards of three years old; the impetus proceeding from this work, however, was still fresh enough in my pulses to have quickened the palpitation of my finding myself in presence. I had rejoiced without reserve in Felix Holt—the illusion of reading which, outstretched on my then too frequently inevitable bed at Swampscott during a couple of very hot days of the summer of 1866, comes back to me, followed by that in sooth of sitting up again, at no great ease, to indite with all promptness a review of the delightful thing, the place of appearance of which nothing could now induce me to name, shameless about the general fact as I may have been at the hour itself: over such a feast of fine rich natural tone did I feel myself earnestly bend. Quite unforgettable to me the art and truth with which the note of this tone was struck in the beautiful prologue and the bygone appearances, a hundred of the outward and visible signs of the author's own young rural and midmost England, made to hold us by their harmony. The book was not, if I rightly remember, altogether genially greeted, but I was to hold fast to the charm I had thankfully suffered it, I had been conscious of absolutely needing it, to work.

Exquisite the remembrance of how it wouldn't have "done" for me at all, in relation to other inward matters, not to strain from the case the last drop of its happiest sense. And I had even with the cooling of the first glow so little gone back upon it, as we have nowadays learned to say, had in fact so gone forward, floated by its wave of superlative intended benignity, that, once in the cool quiet drawing-room at North Bank I knew myself steeped in still deeper depths of the medium. G. H. Lewes was absent for the time on an urgent errand; one of his sons, on a visit at the house, had been suddenly taken with a violent attack of pain, the heritage of a bad accident not long before in the West Indies, a suffered onset from an angry bull, I seem to recall, who had tossed or otherwise mauled him, and, though beaten off, left him considerably compromised—these facts being promptly imparted to us, in no small flutter, by our distinguished lady, who came in to us from another room, where she had been with the hapless young man while his father appealed to the nearest good chemist for some known specific. It infinitely moved me to see so great a celebrity quite humanly and familiarly agitated—even with something clear and noble in it too, to which, as well as to the extraordinarily interesting dignity of her whole odd personal conformation, I remember thinking her black silk dress and the lace mantilla attached to her head and keeping company on either side with the low-falling thickness of her dark hair effectively contributed. I have found myself, my life long, attaching value to every noted thing in respect to a great person—and George Eliot struck me on the spot as somehow illustratively great; never at any rate has the impression of those troubled moments faded from me, nor that at once of a certain high grace in her anxiety and a frank immediate appreciation of our presence, modest embarrassed folk as we were. It took me no long time to thrill with the sense, sublime in its unexpectedness, that we were perhaps, or indeed quite clearly, helping her to pass the time till Mr. Lewes's return—after which he would again post off for Mr. Paget the pre-eminent surgeon; and I see involved with this the perfect amenity of her assisting us, as it were, to assist her, through unrelinquished proper talk, due responsible remark and report, in the last degree suggestive to me, on a short holiday taken with Mr. Lewes in the south of France, whence they had just returned. Yes indeed, the lightest words of great persons are so little as any words of others are that I catch myself again inordinately struck with her dropping it off-hand that the mistral, scourge of their excursion, had blown them into Avignon, where they had gone, I think, to see J. S. Mill, only to blow them straight out again—the figure put it so before us; as well as with the moral interest, the absence of the banal, in their having, on the whole scene, found pleasure further poisoned by the frequency in all those parts of "evil faces: oh the evil faces!" That recorded source of suffering enormously affected me—I felt it as beautifully characteristic: I had never heard an impression de voyage so little tainted with the superficial or the vulgar. I was myself at the time in the thick of impressions, and it was true that they would have seemed to me rather to fail of life, of their own doubtless inferior kind, if submitting beyond a certain point to be touched with that sad or, as who should say, that grey colour: Mrs. Lewes's were, it appeared, predominantly so touched, and I could at once admire it in them and wonder if they didn't pay for this by some lack of intensity on other sides. Why I didn't more impute to her, or to them, that possible lack is more than I can say, since under the law of moral earnestness the vulgar and the trivial would be then involved in the poor observations of my own making—a conclusion sufficiently depressing.

However, I didn't find myself depressed, and I didn't find the great mind that was so good as to shine upon us at that awkward moment however dimly anything but augmented; what was its sensibility to the evil faces but part of the large old tenderness which the occasion had caused to overflow and on which we were presently floated back into the room she had left?—where we might perhaps beguile a little the impatience of the sufferer waiting for relief. We ventured in our flutter to doubt whether we should beguile, we held back with a certain delicacy from this irruption, and if there was a momentary wonderful and beautiful conflict I remember how our yielding struck me as crowned with the finest grace it could possibly have, that of the prodigious privilege of humouring, yes literally humouring so renowned a spirit at a moment when we could really match our judgment with hers. For the injured young man, in the other and the larger room, simply lay stretched on his back on the floor, the posture apparently least painful to him—though painful enough at the best I easily saw on kneeling beside him, after my first dismay, to ask if I could in any way ease him. I see his face again, fair and young and flushed, with its vague little smile and its moist brow; I recover the moment or two during which we sought to make natural conversation in his presence, and my question as to what conversation was natural; and then as his father's return still failed my having the inspiration that at once terminated the strain of the scene and yet prolonged the sublime connection. Mightn't I then hurry off for Mr. Paget?—on whom, as fast as a cab could carry me, I would wait with the request that he would come at the first possible moment to the rescue. Mrs. Lewes's and our stricken companion's instant appreciation of this offer lent me wings on which I again feel myself borne very much as if suddenly acting as a messenger of the gods—surely I had never come so near to performing in that character. I shook off my fellow visitor for swifter cleaving of the air, and I recall still feeling that I cleft it even in the dull four-wheeler of other days which, on getting out of the house, I recognised as the only object animating, at a distance, the long blank Sunday vista beside the walled-out Regent's Park. I crawled to Hanover Square—or was it Cavendish? I let the question stand—and, after learning at the great man's door that though he was not at home he was soon expected back and would receive my message without delay, cherished for the rest of the day the particular quality of my vibration.

It was doubtless even excessive in proportion to its cause—yet in what else but that consisted the force and the use of vibrations? It was by their excess that one knew them for such, as one for that matter only knew things in general worth knowing. I didn't know what I had expected as an effect of our offered homage, but I had somehow not, at the best, expected a relation—and now a relation had been dramatically determined. It would exist for me if I should never again in all the world ask a feather's weight of it; for myself, that is, it would simply never be able not somehow to act. Its virtue was not in truth at all flagrantly to be put to the proof—any opportunity for that underwent at the best a considerable lapse; but why wasn't it intensely acting, none the less, during the time when, before being in London again for any length of stay, I found it intimately concerned in my perusal of Middlemarch, so soon then to appear, and even in that of Deronda, its intervention on behalf of which defied any chill of time? And to these references I can but subjoin that they obviously most illustrate the operation of a sense for drama. The process of appropriation of the two fictions was experience, in great intensity, and roundabout the field was drawn the distinguishable ring of something that belonged equally to this condition and that embraced and further vivified the imaged mass, playing in upon it lights of surpassing fineness. So it was, at any rate, that my "relation"—for I didn't go so far as to call it "ours"—helped me to squeeze further values from the intrinsic substance of the copious final productions I have named, a weight of variety, dignity and beauty of which I have never allowed my measure to shrink.

Even this example of a rage for connections, I may also remark, doesn't deter me from the mention here, somewhat out of its order of time, of another of those in which my whole privilege of reference to Mrs. Lewes, such as it remained, was to look to be preserved. I stretch over the years a little to overtake it, and it calls up at once another person, the ornament, or at least the diversion, of a society long since extinct to me, but who, in common with every bearer of a name I yield to the temptation of writing, insists on profiting promptly by the fact of inscription—very much as if first tricking me into it and then proving it upon me. The extinct societies that once were so sure of themselves, how can they not stir again if the right touch, that of a hand they actually knew, however little they may have happened to heed it, reaches tenderly back to them? The touch is the retrieval, so far as it goes, setting up as it does heaven knows what undefeated continuity. I must have been present among the faithful at North Bank during a Sunday afternoon or two of the winter of '77 and '78—I was to see the great lady alone but on a single occasion before her death; but those attestations are all but lost to me now in the livelier pitch of a scene, as I can only call it, of which I feel myself again, all amusedly, rather as sacrificed witness. I had driven over with Mrs. Greville from Milford Cottage, in Surrey, to the villa George Eliot and George Lewes had not long before built themselves, and which they much inhabited, at Witley—this indeed, I well remember, in no great flush of assurance that my own measure of our intended felicity would be quite that of my buoyant hostess. But here exactly comes, with my memory of Mrs. Greville, from which numberless by-memories dangle, the interesting question that makes for my recall why things happened, under her much-waved wing, not in any too coherent fashion—and this even though it was never once given her, I surmise, to guess that they anywhere fell short. So gently used, all round indeed, was this large, elegant, extremely near-sighted and extremely demonstrative lady, whose genius was all for friendship, admiration, declamation and expenditure, that one doubted whether in the whole course of her career she had ever once been brought up, as it were, against a recognised reality; other at least perhaps than the tiresome cost of the materially agreeable in life and the perverse appearance, at times, that though she "said" things, otherwise recited choice morceaux, whether French or English, with a marked oddity of manner, of "attack," a general incongruity of drawing-room art, the various contributive elements, hour, scene, persuaded patience and hushed attention, were perforce a precarious quantity.

It is in that bygone old grace of the unexploded factitious, the air of a thousand dimmed illusions and more or less early Victorian beatitudes on the part of the blandly idle and the supposedly accomplished, that Mrs. Greville, with her exquisite good-nature and her innocent fatuity, is embalmed for me; so that she becomes in that light a truly shining specimen, almost the image or compendium of a whole side of a social order. Just so she has happy suggestion; just so, whether or no by a twist of my mind toward the enviability of certain complacencies of faith and taste that we would yet neither live back into if we could, nor can catch again if we would. I see my forgotten friend of that moist autumn afternoon of our call, and of another, on the morrow, which I shall not pass over, as having rustled and gushed and protested and performed through her term under a kind of protection by the easy-going gods that is not of this fierce age. Amiabilities and absurdities, harmless serenities and vanities, pretensions and undertakings unashamed, still profited by the mildness of the critical air and the benignity of the social—on the right side at least of the social line. It had struck me from the first that nowhere so much as in England was it fortunate to be fortunate, and that against that condition, once it had somehow been handed down and determined, a number of the sharp truths that one might privately apprehend beat themselves beautifully in vain. I say beautifully for I confess without scruple to have found again and again at that time an attaching charm in the general exhibition of enjoyed immunity, paid for as it was almost always by the personal amenity, the practice of all sorts of pleasantness; if it kept the gods themselves for the time in good-humour, one was willing enough, or at least I was, to be on the side of the gods. Unmistakable too, as I seem to recover it, was the positive interest of watching and noting, roundabout one, for the turn, or rather for the blest continuity, of their benevolence: such an appeal proceeded, in this, that and the other particular case, from the fool's paradise really rounded and preserved, before one's eyes, for those who were so good as to animate it. There was always the question of how long they would be left to, and the growth of one's fine suspense, not to say one's frank little gratitude, as the miracle repeated itself.