The Wings of the Dove, Volume II

"Oh I thought I was," she answered; and it was as if already she saw his line. Only she wondered what he would have guessed. If he had guessed anything at all it would be rather remarkable of him. As for what there was to guess, he couldn't—if this was present to him—have arrived at it save by his own acuteness. That acuteness was therefore immense; and if it supplied the subtlety she thought of leaving him to, his portion would be none so bad. Neither, for that matter, would hers be—which she was even actually enjoying. She wondered if really then there mightn't be something for her. She hadn't been sure in coming to him that she was "better," and he hadn't used, he would be awfully careful not to use, that compromising term about her; in spite of all of which she would have been ready to say, for the amiable sympathy of it, "Yes, I must be," for he had this unaided sense of something that had happened to her. It was a sense unaided, because who could have told him of anything? Susie, she was certain, hadn't yet seen him again, and there were things it was impossible she could have told him the first time. Since such was his penetration, therefore, why shouldn't she gracefully, in recognition of it, accept the new circumstance, the one he was clearly wanting to congratulate her on, as a sufficient cause? If one nursed a cause tenderly enough it might produce an effect; and this, to begin with, would be a way of nursing. "You gave me the other day," she went on, "plenty to think over, and I've been doing that—thinking it over—quite as you'll have probably wished me. I think I must be pretty easy to treat," she smiled, "since you've already done me so much good."

The only obstacle to reciprocity with him was that he looked in advance so closely related to all one's possibilities that one missed the pleasure of really improving it. "Oh no, you're extremely difficult to treat. I've need with you, I assure you, of all my wit."

"Well, I mean I do come up." She hadn't meanwhile a bit believed in his answer, convinced as she was that if she had been difficult it would be the last thing he would have told her. "I'm doing," she said, "as I like."

"Then it's as I like. But you must really, though we're having such a decent month, get straight away." In pursuance of which, when she had replied with promptitude that her departure—for the Tyrol and then for Venice—was quite fixed for the fourteenth, he took her up with alacrity. "For Venice? That's perfect, for we shall meet there. I've a dream of it for October, when I'm hoping for three weeks off; three weeks during which, if I can get them clear, my niece, a young person who has quite the whip hand of me, is to take me where she prefers. I heard from her only yesterday that she expects to prefer Venice."

"That's lovely then. I shall expect you there. And anything that, in advance or in any way, I can do for you—!"

"Oh thank you. My niece, I seem to feel, does for me. But it will be capital to find you there."

"I think it ought to make you feel," she said after a moment, "that I am easy to treat."

But he shook his head again; he wouldn't have it. "You've not come to that yet."

"One has to be so bad for it?"

"Well, I don't think I've ever come to it—to 'ease' of treatment. I doubt if it's possible. I've not, if it is, found any one bad enough. The ease, you see, is for you."

"I see—I see."

They had an odd friendly, but perhaps the least bit awkward pause on it; after which Sir Luke asked: "And that clever lady—she goes with you?"

"Mrs. Stringham? Oh dear, yes. She'll stay with me, I hope, to the end."

He had a cheerful blankness. "To the end of what?"

"Well—of everything."

"Ah then," he laughed, "you're in luck. The end of everything is far off. This, you know, I'm hoping," said Sir Luke, "is only the beginning." And the next question he risked might have been a part of his hope. "Just you and she together?"

"No, two other friends; two ladies of whom we've seen more here than of any one and who are just the right people for us."

He thought a moment. "You'll be four women together then?"

"Ah," said Milly, "we're widows and orphans. But I think," she added as if to say what she saw would reassure him, "that we shall not be unattractive, as we move, to gentlemen. When you talk of 'life' I suppose you mean mainly gentlemen."

"When I talk of 'life,'" he made answer after a moment during which he might have been appreciating her raciness—"when I talk of life I think I mean more than anything else the beautiful show of it, in its freshness, made by young persons of your age. So go on as you are. I see more and more how you are. You can't," he went so far as to say for pleasantness, "better it."

She took it from him with a great show of peace. "One of our companions will be Miss Croy, who came with me here first. It's in her that life is splendid; and a part of that is even that she's devoted to me. But she's above all magnificent in herself. So that if you'd like," she freely threw out, "to see her—"

"Oh I shall like to see any one who's devoted to you, for clearly it will be jolly to be 'in' it. So that if she's to be at Venice I shall see her?"

"We must arrange it—I shan't fail. She moreover has a friend who may also be there"—Milly found herself going on to this. "He's likely to come, I believe, for he always follows her."

Sir Luke wondered. "You mean they're lovers?"

"He is," Milly smiled; "but not she. She doesn't care for him."

Sir Luke took an interest. "What's the matter with him?"

"Nothing but that she doesn't like him."

Sir Luke kept it up. "Is he all right?"

"Oh he's very nice. Indeed he's remarkably so."

"And he's to be in Venice?"

"So she tells me she fears. For if he is there he'll be constantly about with her."

"And she'll be constantly about with you?"

"As we're great friends—yes."

"Well then," said Sir Luke, "you won't be four women alone."

"Oh no; I quite recognise the chance of gentlemen. But he won't," Milly pursued in the same wondrous way, "have come, you see, for me."

"No—I see. But can't you help him?"

"Can't you?" Milly after a moment quaintly asked. Then for the joke of it she explained. "I'm putting you, you see, in relation with my entourage."

It might have been for the joke of it too, by this time, that her eminent friend fell in. "But if this gentleman isn't of your 'entourage '? I mean if he's of—what do you call her?—Miss Croy's. Unless indeed you also take an interest in him."

"Oh certainly I take an interest in him!"

"You think there may be then some chance for him?"

"I like him," said Milly, "enough to hope so."

"Then that's all right. But what, pray," Sir Luke next asked, "have I to do with him?"

"Nothing," said Milly, "except that if you're to be there, so may he be. And also that we shan't in that case be simply four dreary women."

He considered her as if at this point she a little tried his patience. "You're the least 'dreary' woman I've ever, ever seen. Ever, do you know? There's no reason why you shouldn't have a really splendid life."

"So every one tells me," she promptly returned.

"The conviction—strong already when I had seen you once—is strengthened in me by having seen your friend. There's no doubt about it. The world's before you."

"What did my friend tell you?" Milly asked.

"Nothing that wouldn't have given you pleasure. We talked about you—and freely. I don't deny that. But it shows me I don't require of you the impossible."

She was now on her feet. "I think I know what you require of me."

"Nothing, for you," he went on, "is impossible. So go on." He repeated it again—wanting her so to feel that to-day he saw it. "You're all right."

"Well," she smiled—"keep me so."

"Oh you'll get away from me."

"Keep me, keep me," she simply continued with her gentle eyes on him.

She had given him her hand for good-bye, and he thus for a moment did keep her. Something then, while he seemed to think if there were anything more, came back to him; though something of which there wasn't too much to be made. "Of course if there's anything I can do for your friend: I mean the gentleman you speak of—?" He gave out in short that he was ready.

"Oh Mr. Densher?" It was as if she had forgotten.

"Mr. Densher—is that his name?"

"Yes—but his case isn't so dreadful." She had within a minute got away from that.

"No doubt—if you take an interest." She had got away, but it was as if he made out in her eyes—though they also had rather got away—a reason for calling her back. "Still, if there's anything one can do—?"

She looked at him while she thought, while she smiled. "I'm afraid there's really nothing one can do."

III

Not yet so much as this morning had she felt herself sink into possession; gratefully glad that the warmth of the Southern summer was still in the high florid rooms, palatial chambers where hard cool pavements took reflexions in their lifelong polish, and where the sun on the stirred sea-water, flickering up through open windows, played over the painted "subjects" in the splendid ceilings—medallions of purple and brown, of brave old melancholy colour, medals as of old reddened gold, embossed and beribboned, all toned with time and all flourished and scolloped and gilded about, set in their great moulded and figured concavity (a nest of white cherubs, friendly creatures of the air) and appreciated by the aid of that second tier of smaller lights, straight openings to the front, which did everything, even with the Baedekers and photographs of Milly's party dreadfully meeting the eye, to make of the place an apartment of state. This at last only, though she had enjoyed the palace for three weeks, seemed to count as effective occupation; perhaps because it was the first time she had been alone—really to call alone—since she had left London, it ministered to her first full and unembarrassed sense of what the great Eugenio had done for her. The great Eugenio, recommended by grand-dukes and Americans, had entered her service during the last hours of all—had crossed from Paris, after multiplied pourparlers with Mrs. Stringham, to whom she had allowed more than ever a free hand, on purpose to escort her to the Continent and encompass her there, and had dedicated to her, from the moment of their meeting, all the treasures of his experience. She had judged him in advance—polyglot and universal, very dear and very deep—as probably but a swindler finished to the finger-tips; for he was forever carrying one well-kept Italian hand to his heart and plunging the other straight into her pocket, which, as she had instantly observed him to recognise, fitted it like a glove. The remarkable thing was that these elements of their common consciousness had rapidly gathered into an indestructible link, formed the ground of a happy relation; being by this time, strangely, grotesquely, delightfully, what most kept up confidence between them and what most expressed it.

She had seen quickly enough what was happening—the usual thing again, yet once again. Eugenio had, in an interview of five minutes, understood her, had got hold, like all the world, of the idea not so much of the care with which she must be taken up as of the care with which she must be let down. All the world understood her, all the world had got hold; but for nobody yet, she felt, would the idea have been so close a tie or won from herself so patient a surrender. Gracefully, respectfully, consummately enough—always with hands in position and the look, in his thick neat white hair, smooth fat face and black professional, almost theatrical eyes, as of some famous tenor grown too old to make love, but with an art still to make money—did he on occasion convey to her that she was, of all the clients of his glorious career, the one in whom his interest was most personal and paternal. The others had come in the way of business, but for her his sentiment was special. Confidence rested thus on her completely believing that: there was nothing of which she felt more sure. It passed between them every time they conversed; he was abysmal, but this intimacy lived on the surface. He had taken his place already for her among those who were to see her through, and meditation ranked him, in the constant perspective, for the final function, side by side with poor Susie—whom she was now pitying more than ever for having to be herself so sorry and to say so little about it. Eugenio had the general tact of a residuary legatee—which was a character that could be definitely worn; whereas she could see Susie, in the event of her death, in no character at all, Susie being insistently, exclusively concerned in her mere makeshift duration. This principle, for that matter, Milly at present, with a renewed flare of fancy, felt she should herself have liked to believe in. Eugenio had really done for her more than he probably knew—he didn't after all know everything—in having, for the wind-up of the autumn, on a weak word from her, so admirably, so perfectly established her. Her weak word, as a general hint, had been: "At Venice, please, if possible, no dreadful, no vulgar hotel; but, if it can be at all managed—you know what I mean—some fine old rooms, wholly independent, for a series of months. Plenty of them too, and the more interesting the better: part of a palace, historic and picturesque, but strictly inodorous, where we shall be to ourselves, with a cook, don't you know?—with servants, frescoes, tapestries, antiquities, the thorough make-believe of a settlement."

The proof of how he better and better understood her was in all the place; as to his masterly acquisition of which she had from the first asked no questions. She had shown him enough what she thought of it, and her forbearance pleased him; with the part of the transaction that mainly concerned her she would soon enough become acquainted, and his connexion with such values as she would then find noted could scarce help growing, as it were, still more residuary. Charming people, conscious Venice-lovers, evidently, had given up their house to her, and had fled to a distance, to other countries, to hide their blushes alike over what they had, however briefly, alienated, and over what they had, however durably, gained. They had preserved and consecrated, and she now—her part of it was shameless—appropriated and enjoyed. Palazzo Leporelli held its history still in its great lap, even like a painted idol, a solemn puppet hung about with decorations. Hung about with pictures and relics, the rich Venetian past, the ineffaceable character, was here the presence revered and served: which brings us back to our truth of a moment ago—the fact that, more than ever, this October morning, awkward novice though she might be, Milly moved slowly to and fro as the priestess of the worship. Certainly it came from the sweet taste of solitude, caught again and cherished for the hour; always a need of her nature, moreover, when things spoke to her with penetration. It was mostly in stillness they spoke to her best; amid voices she lost the sense. Voices had surrounded her for weeks, and she had tried to listen, had cultivated them and had answered back; these had been weeks in which there were other things they might well prevent her from hearing. More than the prospect had at first promised or threatened she had felt herself going on in a crowd and with a multiplied escort; the four ladies pictured by her to Sir Luke Strett as a phalanx comparatively closed and detached had in fact proved a rolling snowball, condemned from day to day to cover more ground. Susan Shepherd had compared this portion of the girl's excursion to the Empress Catherine's famous progress across the steppes of Russia; improvised settlements appeared at each turn of the road, villagers waiting with addresses drawn up in the language of London. Old friends in fine were in ambush, Mrs. Lowder's, Kate Croy's, her own; when the addresses weren't in the language of London they were in the more insistent idioms of American centres. The current was swollen even by Susie's social connexions; so that there were days, at hotels, at Dolomite picnics, on lake steamers, when she could almost repay to Aunt Maud and Kate with interest the debt contracted by the London "success" to which they had opened the door.

Mrs. Lowder's success and Kate's, amid the shock of Milly's and Mrs. Stringham's compatriots, failed but little, really, of the concert-pitch; it had gone almost as fast as the boom, over the sea, of the last great native novel. Those ladies were "so different"—different, observably enough, from the ladies so appraising them; it being throughout a case mainly of ladies, of a dozen at once sometimes, in Milly's apartment, pointing, also at once, that moral and many others. Milly's companions were acclaimed not only as perfectly fascinating in themselves, the nicest people yet known to the acclaimers, but as obvious helping hands, socially speaking, for the eccentric young woman, evident initiators and smoothers of her path, possible subduers of her eccentricity. Short intervals, to her own sense, stood now for great differences, and this renewed inhalation of her native air had somehow left her to feel that she already, that she mainly, struck the compatriot as queer and dissociated. She moved such a critic, it would appear, as to rather an odd suspicion, a benevolence induced by a want of complete trust: all of which showed her in the light of a person too plain and too ill-clothed for a thorough good time, and yet too rich and too befriended—an intuitive cunning within her managing this last—for a thorough bad one. The compatriots, in short, by what she made out, approved her friends for their expert wisdom with her; in spite of which judicial sagacity it was the compatriots who recorded themselves as the innocent parties. She saw things in these days that she had never seen before, and she couldn't have said why save on a principle too terrible to name; whereby she saw that neither Lancaster Gate was what New York took it for, nor New York what Lancaster Gate fondly fancied it in coquetting with the plan of a series of American visits. The plan might have been, humorously, on Mrs. Lowder's part, for the improvement of her social position—and it had verily in that direction lights that were perhaps but half a century too prompt; at all of which Kate Croy assisted with the cool controlled facility that went so well, as the others said, with her particular kind of good looks, the kind that led you to expect the person enjoying them would dispose of disputations, speculations, aspirations, in a few very neatly and brightly uttered words, so simplified in sense, however, that they sounded, even when guiltless, like rather aggravated slang. It wasn't that Kate hadn't pretended too that she should like to go to America; it was only that with this young woman Milly had constantly proceeded, and more than ever of late, on the theory of intimate confessions, private frank ironies that made up for their public grimaces and amid which, face to face, they wearily put off the mask.

These puttings-off of the mask had finally quite become the form taken by their moments together, moments indeed not increasingly frequent and not prolonged, thanks to the consciousness of fatigue on Milly's side whenever, as she herself expressed it, she got out of harness. They flourished their masks, the independent pair, as they might have flourished Spanish fans; they smiled and sighed on removing them; but the gesture, the smiles, the sighs, strangely enough, might have been suspected the greatest reality in the business. Strangely enough, we say, for the volume of effusion in general would have been found by either on measurement to be scarce proportional to the paraphernalia of relief. It was when they called each other's attention to their ceasing to pretend, it was then that what they were keeping back was most in the air. There was a difference, no doubt, and mainly to Kate's advantage: Milly didn't quite see what her friend could keep back, was possessed of, in fine, that would be so subject to retention; whereas it was comparatively plain sailing for Kate that poor Milly had a treasure to hide. This was not the treasure of a shy, an abject affection—concealment, on that head, belonging to quite another phase of such states; it was much rather a principle of pride relatively bold and hard, a principle that played up like a fine steel spring at the lightest pressure of too near a footfall. Thus insuperably guarded was the truth about the girl's own conception of her validity; thus was a wondering pitying sister condemned wistfully to look at her from the far side of the moat she had dug round her tower. Certain aspects of the connexion of these young women show for us, such is the twilight that gathers about them, in the likeness of some dim scene in a Maeterlinck play; we have positively the image, in the delicate dusk, of the figures so associated and yet so opposed, so mutually watchful: that of the angular pale princess, ostrich-plumed, black-robed, hung about with amulets, reminders, relics, mainly seated, mainly still, and that of the upright restless slow-circling lady of her court who exchanges with her, across the black water streaked with evening gleams, fitful questions and answers. The upright lady, with thick dark braids down her back, drawing over the grass a more embroidered train, makes the whole circuit, and makes it again, and the broken talk, brief and sparingly allusive, seems more to cover than to free their sense. This is because, when it fairly comes to not having others to consider, they meet in an air that appears rather anxiously to wait for their words. Such an impression as that was in fact grave, and might be tragic; so that, plainly enough, systematically at last, they settled to a care of what they said.

There could be no gross phrasing to Milly, in particular, of the probability that if she wasn't so proud she might be pitied with more comfort—more to the person pitying; there could be no spoken proof, no sharper demonstration than the consistently considerate attitude, that this marvellous mixture of her weakness and of her strength, her peril, if such it were, and her option, made her, kept her, irresistibly interesting. Kate's predicament in the matter was, after all, very much Mrs. Stringham's own, and Susan Shepherd herself indeed, in our Maeterlinck picture, might well have hovered in the gloaming by the moat. It may be declared for Kate, at all events, that her sincerity about her friend, through this time, was deep, her compassionate imagination strong; and that these things gave her a virtue, a good conscience, a credibility for herself, so to speak, that were later to be precious to her. She grasped with her keen intelligence the logic of their common duplicity, went unassisted through the same ordeal as Milly's other hushed follower, easily saw that for the girl to be explicit was to betray divinations, gratitudes, glimpses of the felt contrast between her fortune and her fear—all of which would have contradicted her systematic bravado. That was it, Kate wonderingly saw: to recognise was to bring down the avalanche—the avalanche Milly lived so in watch for and that might be started by the lightest of breaths; though less possibly the breath of her own stifled plaint than that of the vain sympathy, the mere helpless gaping inference of others. With so many suppressions as these, therefore, between them, their withdrawal together to unmask had to fall back, as we have hinted, on a nominal motive—which was decently represented by a joy at the drop of chatter. Chatter had in truth all along attended their steps, but they took the despairing view of it on purpose to have ready, when face to face, some view or other of something. The relief of getting out of harness—that was the moral of their meetings; but the moral of this, in turn, was that they couldn't so much as ask each other why harness need be worn. Milly wore it as a general armour.

She was out of it at present, for some reason, as she hadn't been for weeks; she was always out of it, that is, when alone, and her companions had never yet so much as just now affected her as dispersed and suppressed. It was as if still again, still more tacitly and wonderfully, Eugenio had understood her, taking it from her without a word and just bravely and brilliantly in the name, for instance, of the beautiful day: "Yes, get me an hour alone; take them off—I don't care where; absorb, amuse, detain them; drown them, kill them if you will: so that I may just a little, all by myself, see where I am." She was conscious of the dire impatience of it, for she gave up Susie as well as the others to him—Susie who would have drowned her very self for her; gave her up to a mercenary monster through whom she thus purchased respites. Strange were the turns of life and the moods of weakness; strange the flickers of fancy and the cheats of hope; yet lawful, all the same—weren't they?—those experiments tried with the truth that consisted, at the worst, but in practising on one's self. She was now playing with the thought that Eugenio might inclusively assist her: he had brought home to her, and always by remarks that were really quite soundless, the conception, hitherto ungrasped, of some complete use of her wealth itself, some use of it as a counter-move to fate. It had passed between them as preposterous that with so much money she should just stupidly and awkwardly want—any more want a life, a career, a consciousness, than want a house, a carriage or a cook. It was as if she had had from him a kind of expert professional measure of what he was in a position, at a stretch, to undertake for her; the thoroughness of which, for that matter, she could closely compare with a looseness on Sir Luke Strett's part that—at least in Palazzo Leporelli when mornings were fine—showed as almost amateurish. Sir Luke hadn't said to her "Pay enough money and leave the rest to me"—which was distinctly what Eugenio did say. Sir Luke had appeared indeed to speak of purchase and payment, but in reference to a different sort of cash. Those were amounts not to be named nor reckoned, and such moreover as she wasn't sure of having at her command. Eugenio—this was the difference—could name, could reckon, and prices of his kind were things she had never suffered to scare her. She had been willing, goodness knew, to pay enough for anything, for everything, and here was simply a new view of the sufficient quantity. She amused herself—for it came to that, since Eugenio was there to sign the receipt—with possibilities of meeting the bill. She was more prepared than ever to pay enough, and quite as much as ever to pay too much. What else—if such were points at which your most trusted servant failed—was the use of being, as the dear Susies of earth called you, a princess in a palace?