Phantastes, a Faerie Romance for Men and Women

Titel: Phantastes, a Faerie Romance for Men and Women

von Scott Hemphill, L. M. Montgomery, L. Frank Baum, John Milton, René Descartes, Baroness Emmuska Orczy Orczy, Karl Marx, Friedrich Engels, Edgar Rice Burroughs, Unknown, Norman F. Joly, Norman Coombs, David Slowinski, Mark Twain, Henry David Thoreau, Stephen Crane, John Goodwin, Nathaniel Hawthorne, Winn Schwartau, Odd De Presno, Sir Walter Scott, Jules Verne, Mary Wollstonecraft Shelley, United States. Central Intelligence Agency, United States, Canada, Willa Sibert Cather, Anthony Hope, Edwin Abbott Abbott, Charles Dickens, Frederick Douglass, William Shakespeare, Bruce Sterling, Franklin Delano Roosevelt, Jane Austen, Thomas Hardy, Sir Arthur Conan Doyle, Edna St. Vincent Millay, Gene Stratton-Porter, Richard McGowan, Frances Hodgson Burnett, United States. Bureau of the Census, Electronic Frontier Foundation, Robert Louis Stevenson, Anonymous, Jerry Bonnell, Robert Nemiroff, Andrew Lang, G. K. Chesterton, John Bunyan, Sunzi 6th cent. B.C., Harold Frederic, Mary Wollstonecraft, Victor Hugo, René Doumic, Upton Sinclair, Virginia Woolf, George Eliot, Thomas Paine, Benjamin Franklin, Plato, Samuel Taylor Coleridge, Ruth M. Sprague, William Dean Howells, Wilkie Collins, Jean Webster, H. G. Wells, Kate Chopin, Mark Eliot Laxer, Louisa May Alcott, Frank Norris, Edith Wharton, S. D. Humphrey, Henry Hunt Snelling, William Morris, Mrs. Susanna Rowson, Christopher Morley, Sax Rohmer, Oscar Wilde, Gaston Leroux, Henry James, Project Gutenberg, Harriet Beecher Stowe, Various, Robert W. Service, A. B. Paterson, Henry Lawson, Jack London, Laozi, D. H. Lawrence, Julius Caesar, Joseph Conrad, W. Somerset Maugham, George MacDonald, Marcus Tullius Cicero, Virgil, Theodore Dreiser, Giuseppe Salza, Rudyard Kipling, ca. 50 BCE-16 BCE Sextus Propertius, Robert A. Harris, William Wells Brown, graf Leo Tolstoy, Omar Khayyám, Michael Hart, Library of Congress. Copyright Office, Coalition for Networked Information, Geoffrey Chaucer, Adam Lindsay Gordon, Hiram Corson, Robert Browning, Amy Lowell, Rupert Brooke, Joyce Kilmer, John Gower, Saki, Kenneth Grahame, Anna Sewell, Martin Luther, Philipp Melanchthon, National Atomic Museum, Alexander William Kinglake, Charles John Cutcliffe Wright Hyne, Amelia Edith Huddleston Barr, James Branch Cabell, Bayard Taylor, Horatio Alger, Booth Tarkington, Hjalmar Hjorth Boyesen, Michael Husted, Émile Gaboriau, Jerome K. Jerome, Stephen Vincent Benét, Edwin Arlington Robinson, J. Frank Dobie, Joseph Rodman Drake, Eliot Gregory, John Fox

ISBN 978-3-7429-0286-3

Alle Rechte vorbehalten.

Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.

PHANTASTES

A FAERIE ROMANCE FOR MEN AND WOMEN

By George Macdonald

A new Edition, with thirty-three new Illustrations by Arthur Hughes;

edited by Greville MacDonald (Illustrations not available)

Contents

PREFACE

PHANTASTES A FAERIE ROMANCE

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV

PREFACE

For offering this new edition of my father's Phantastes, my reasons are three. The first is to rescue the work from an edition illustrated without the author's sanction, and so unsuitably that all lovers of the book must have experienced some real grief in turning its pages. With the copyright I secured also the whole of that edition and turned it into pulp.

My second reason is to pay a small tribute to my father by way of personal gratitude for this, his first prose work, which was published nearly fifty years ago. Though unknown to many lovers of his greater writings, none of these has exceeded it in imaginative insight and power of expression. To me it rings with the dominant chord of his life's purpose and work.

My third reason is that wider knowledge and love of the book should be made possible. To this end I have been most happy in the help of my father's old friend, who has illustrated the book. I know of no other living artist who is capable of portraying the spirit of Phantastes; and every reader of this edition will, I believe, feel that the illustrations are a part of the romance, and will gain through them some perception of the brotherhood between George MacDonald and Arthur Hughes.

GREVILLE MACDONALD.

September 1905.

PHANTASTES A FAERIE ROMANCE

CHAPTER I

I awoke one morning with the usual perplexity of mind which accompanies the return of consciousness. As I lay and looked through the eastern window of my room, a faint streak of peach-colour, dividing a cloud that just rose above the low swell of the horizon, announced the approach of the sun. As my thoughts, which a deep and apparently dreamless sleep had dissolved, began again to assume crystalline forms, the strange events of the foregoing night presented themselves anew to my wondering consciousness. The day before had been my one-and-twentieth birthday. Among other ceremonies investing me with my legal rights, the keys of an old secretary, in which my father had kept his private papers, had been delivered up to me. As soon as I was left alone, I ordered lights in the chamber where the secretary stood, the first lights that had been there for many a year; for, since my father's death, the room had been left undisturbed. But, as if the darkness had been too long an inmate to be easily expelled, and had dyed with blackness the walls to which, bat-like, it had clung, these tapers served but ill to light up the gloomy hangings, and seemed to throw yet darker shadows into the hollows of the deep-wrought cornice. All the further portions of the room lay shrouded in a mystery whose deepest folds were gathered around the dark oak cabinet which I now approached with a strange mingling of reverence and curiosity. Perhaps, like a geologist, I was about to turn up to the light some of the buried strata of the human world, with its fossil remains charred by passion and petrified by tears. Perhaps I was to learn how my father, whose personal history was unknown to me, had woven his web of story; how he had found the world, and how the world had left him. Perhaps I was to find only the records of lands and moneys, how gotten and how secured; coming down from strange men, and through troublous times, to me, who knew little or nothing of them all. To solve my speculations, and to dispel the awe which was fast gathering around me as if the dead were drawing near, I approached the secretary; and having found the key that fitted the upper portion, I opened it with some difficulty, drew near it a heavy high-backed chair, and sat down before a multitude of little drawers and slides and pigeon-holes. But the door of a little cupboard in the centre especially attracted my interest, as if there lay the secret of this long-hidden world. Its key I found.

One of the rusty hinges cracked and broke as I opened the door: it revealed a number of small pigeon-holes. These, however, being but shallow compared with the depth of those around the little cupboard, the outer ones reaching to the back of the desk, I concluded that there must be some accessible space behind; and found, indeed, that they were formed in a separate framework, which admitted of the whole being pulled out in one piece. Behind, I found a sort of flexible portcullis of small bars of wood laid close together horizontally. After long search, and trying many ways to move it, I discovered at last a scarcely projecting point of steel on one side. I pressed this repeatedly and hard with the point of an old tool that was lying near, till at length it yielded inwards; and the little slide, flying up suddenly, disclosed a chamber—empty, except that in one corner lay a little heap of withered rose-leaves, whose long-lived scent had long since departed; and, in another, a small packet of papers, tied with a bit of ribbon, whose colour had gone with the rose-scent. Almost fearing to touch them, they witnessed so mutely to the law of oblivion, I leaned back in my chair, and regarded them for a moment; when suddenly there stood on the threshold of the little chamber, as though she had just emerged from its depth, a tiny woman-form, as perfect in shape as if she had been a small Greek statuette roused to life and motion. Her dress was of a kind that could never grow old-fashioned, because it was simply natural: a robe plaited in a band around the neck, and confined by a belt about the waist, descended to her feet. It was only afterwards, however, that I took notice of her dress, although my surprise was by no means of so overpowering a degree as such an apparition might naturally be expected to excite. Seeing, however, as I suppose, some astonishment in my countenance, she came forward within a yard of me, and said, in a voice that strangely recalled a sensation of twilight, and reedy river banks, and a low wind, even in this deathly room:—

"Anodos, you never saw such a little creature before, did you?"

"No," said I; "and indeed I hardly believe I do now."

"How can such a very little creature as you grant or refuse anything?"

"Is that all the philosophy you have gained in one-and-twenty years?" said she. "Form is much, but size is nothing. It is a mere matter of relation. I suppose your six-foot lordship does not feel altogether insignificant, though to others you do look small beside your old Uncle Ralph, who rises above you a great half-foot at least. But size is of so little consequence with old me, that I may as well accommodate myself to your foolish prejudices."

So saying, she leapt from the desk upon the floor, where she stood a tall, gracious lady, with pale face and large blue eyes. Her dark hair flowed behind, wavy but uncurled, down to her waist, and against it her form stood clear in its robe of white.

"Now," said she, "you will believe me."

Overcome with the presence of a beauty which I could now perceive, and drawn towards her by an attraction irresistible as incomprehensible, I suppose I stretched out my arms towards her, for she drew back a step or two, and said—

"Foolish boy, if you could touch me, I should hurt you. Besides, I was two hundred and thirty-seven years old, last Midsummer eve; and a man must not fall in love with his grandmother, you know."

"But you are not my grandmother," said I.

"How do you know that?" she retorted. "I dare say you know something of your great-grandfathers a good deal further back than that; but you know very little about your great-grandmothers on either side. Now, to the point. Your little sister was reading a fairy-tale to you last night."

"She was."

"When she had finished, she said, as she closed the book, 'Is there a fairy-country, brother?' You replied with a sigh, 'I suppose there is, if one could find the way into it.'"

"I did; but I meant something quite different from what you seem to think."

"Never mind what I seem to think. You shall find the way into Fairy Land to-morrow. Now look in my eyes."

Eagerly I did so. They filled me with an unknown longing. I remembered somehow that my mother died when I was a baby. I looked deeper and deeper, till they spread around me like seas, and I sank in their waters. I forgot all the rest, till I found myself at the window, whose gloomy curtains were withdrawn, and where I stood gazing on a whole heaven of stars, small and sparkling in the moonlight. Below lay a sea, still as death and hoary in the moon, sweeping into bays and around capes and islands, away, away, I knew not whither. Alas! it was no sea, but a low bog burnished by the moon. "Surely there is such a sea somewhere!" said I to myself. A low sweet voice beside me replied—

"In Fairy Land, Anodos."

I turned, but saw no one. I closed the secretary, and went to my own room, and to bed.

All this I recalled as I lay with half-closed eyes. I was soon to find the truth of the lady's promise, that this day I should discover the road into Fairy Land.

CHAPTER II

While these strange events were passing through my mind, I suddenly, as one awakes to the consciousness that the sea has been moaning by him for hours, or that the storm has been howling about his window all night, became aware of the sound of running water near me; and, looking out of bed, I saw that a large green marble basin, in which I was wont to wash, and which stood on a low pedestal of the same material in a corner of my room, was overflowing like a spring; and that a stream of clear water was running over the carpet, all the length of the room, finding its outlet I knew not where. And, stranger still, where this carpet, which I had myself designed to imitate a field of grass and daisies, bordered the course of the little stream, the grass-blades and daisies seemed to wave in a tiny breeze that followed the water's flow; while under the rivulet they bent and swayed with every motion of the changeful current, as if they were about to dissolve with it, and, forsaking their fixed form, become fluent as the waters.

My dressing-table was an old-fashioned piece of furniture of black oak, with drawers all down the front. These were elaborately carved in foliage, of which ivy formed the chief part. The nearer end of this table remained just as it had been, but on the further end a singular change had commenced. I happened to fix my eye on a little cluster of ivy-leaves. The first of these was evidently the work of the carver; the next looked curious; the third was unmistakable ivy; and just beyond it a tendril of clematis had twined itself about the gilt handle of one of the drawers. Hearing next a slight motion above me, I looked up, and saw that the branches and leaves designed upon the curtains of my bed were slightly in motion. Not knowing what change might follow next, I thought it high time to get up; and, springing from the bed, my bare feet alighted upon a cool green sward; and although I dressed in all haste, I found myself completing my toilet under the boughs of a great tree, whose top waved in the golden stream of the sunrise with many interchanging lights, and with shadows of leaf and branch gliding over leaf and branch, as the cool morning wind swung it to and fro, like a sinking sea-wave.

After washing as well as I could in the clear stream, I rose and looked around me. The tree under which I seemed to have lain all night was one of the advanced guard of a dense forest, towards which the rivulet ran. Faint traces of a footpath, much overgrown with grass and moss, and with here and there a pimpernel even, were discernible along the right bank. "This," thought I, "must surely be the path into Fairy Land, which the lady of last night promised I should so soon find." I crossed the rivulet, and accompanied it, keeping the footpath on its right bank, until it led me, as I expected, into the wood. Here I left it, without any good reason: and with a vague feeling that I ought to have followed its course, I took a more southerly direction.

CHAPTER III

The trees, which were far apart where I entered, giving free passage to the level rays of the sun, closed rapidly as I advanced, so that ere long their crowded stems barred the sunlight out, forming as it were a thick grating between me and the East. I seemed to be advancing towards a second midnight. In the midst of the intervening twilight, however, before I entered what appeared to be the darkest portion of the forest, I saw a country maiden coming towards me from its very depths. She did not seem to observe me, for she was apparently intent upon a bunch of wild flowers which she carried in her hand. I could hardly see her face; for, though she came direct towards me, she never looked up. But when we met, instead of passing, she turned and walked alongside of me for a few yards, still keeping her face downwards, and busied with her flowers. She spoke rapidly, however, all the time, in a low tone, as if talking to herself, but evidently addressing the purport of her words to me.

She seemed afraid of being observed by some lurking foe. "Trust the Oak," said she; "trust the Oak, and the Elm, and the great Beech. Take care of the Birch, for though she is honest, she is too young not to be changeable. But shun the Ash and the Alder; for the Ash is an ogre,—you will know him by his thick fingers; and the Alder will smother you with her web of hair, if you let her near you at night." All this was uttered without pause or alteration of tone. Then she turned suddenly and left me, walking still with the same unchanging gait. I could not conjecture what she meant, but satisfied myself with thinking that it would be time enough to find out her meaning when there was need to make use of her warning, and that the occasion would reveal the admonition. I concluded from the flowers that she carried, that the forest could not be everywhere so dense as it appeared from where I was now walking; and I was right in this conclusion. For soon I came to a more open part, and by-and-by crossed a wide grassy glade, on which were several circles of brighter green. But even here I was struck with the utter stillness. No bird sang. No insect hummed. Not a living creature crossed my way. Yet somehow the whole environment seemed only asleep, and to wear even in sleep an air of expectation. The trees seemed all to have an expression of conscious mystery, as if they said to themselves, "we could, an' if we would." They had all a meaning look about them. Then I remembered that night is the fairies' day, and the moon their sun; and I thought—Everything sleeps and dreams now: when the night comes, it will be different. At the same time I, being a man and a child of the day, felt some anxiety as to how I should fare among the elves and other children of the night who wake when mortals dream, and find their common life in those wondrous hours that flow noiselessly over the moveless death-like forms of men and women and children, lying strewn and parted beneath the weight of the heavy waves of night, which flow on and beat them down, and hold them drowned and senseless, until the ebbtide comes, and the waves sink away, back into the ocean of the dark. But I took courage and went on. Soon, however, I became again anxious, though from another cause. I had eaten nothing that day, and for an hour past had been feeling the want of food. So I grew afraid lest I should find nothing to meet my human necessities in this strange place; but once more I comforted myself with hope and went on.

Before noon, I fancied I saw a thin blue smoke rising amongst the stems of larger trees in front of me; and soon I came to an open spot of ground in which stood a little cottage, so built that the stems of four great trees formed its corners, while their branches met and intertwined over its roof, heaping a great cloud of leaves over it, up towards the heavens. I wondered at finding a human dwelling in this neighbourhood; and yet it did not look altogether human, though sufficiently so to encourage me to expect to find some sort of food. Seeing no door, I went round to the other side, and there I found one, wide open. A woman sat beside it, preparing some vegetables for dinner. This was homely and comforting. As I came near, she looked up, and seeing me, showed no surprise, but bent her head again over her work, and said in a low tone:

"Did you see my daughter?"

"I believe I did," said I. "Can you give me something to eat, for I am very hungry?" "With pleasure," she replied, in the same tone; "but do not say anything more, till you come into the house, for the Ash is watching us."

Having said this, she rose and led the way into the cottage; which, I now saw, was built of the stems of small trees set closely together, and was furnished with rough chairs and tables, from which even the bark had not been removed. As soon as she had shut the door and set a chair—

"You have fairy blood in you," said she, looking hard at me.

"How do you know that?"

"You could not have got so far into this wood if it were not so; and I am trying to find out some trace of it in your countenance. I think I see it."

"What do you see?"

"Oh, never mind: I may be mistaken in that."

"But how then do you come to live here?"

"Because I too have fairy blood in me."

Here I, in my turn, looked hard at her, and thought I could perceive, notwithstanding the coarseness of her features, and especially the heaviness of her eyebrows, a something unusual—I could hardly call it grace, and yet it was an expression that strangely contrasted with the form of her features. I noticed too that her hands were delicately formed, though brown with work and exposure.

"I should be ill," she continued, "if I did not live on the borders of the fairies' country, and now and then eat of their food. And I see by your eyes that you are not quite free of the same need; though, from your education and the activity of your mind, you have felt it less than I. You may be further removed too from the fairy race."

I remembered what the lady had said about my grandmothers.

Here she placed some bread and some milk before me, with a kindly apology for the homeliness of the fare, with which, however, I was in no humour to quarrel. I now thought it time to try to get some explanation of the strange words both of her daughter and herself.

"What did you mean by speaking so about the Ash?"

She rose and looked out of the little window. My eyes followed her; but as the window was too small to allow anything to be seen from where I was sitting, I rose and looked over her shoulder. I had just time to see, across the open space, on the edge of the denser forest, a single large ash-tree, whose foliage showed bluish, amidst the truer green of the other trees around it; when she pushed me back with an expression of impatience and terror, and then almost shut out the light from the window by setting up a large old book in it.

"In general," said she, recovering her composure, "there is no danger in the daytime, for then he is sound asleep; but there is something unusual going on in the woods; there must be some solemnity among the fairies to-night, for all the trees are restless, and although they cannot come awake, they see and hear in their sleep."