The Fortune of the Rougons

For a few seconds the young man paused on the edge of the yard and gazed mistrustfully in front of him. He carried a long gun, the butt-end of which was hidden under his jacket, while the barrel, pointed towards the ground, glittered in the moonlight. Pressing the weapon to his side, he attentively examined the square shadows cast by the piles of timber. The ground looked like a chess-board, with black and white squares clearly defined by alternate patches of light and shade. The sawyers’ tressels in the centre of the plot threw long, narrow fantastic shadows, suggesting some huge geometrical figure, upon a strip of bare grey ground. The rest of the yard, the flooring of beams, formed a great couch on which the light reposed, streaked here and there with the slender black shadows which edged the different pieces of timber. In the frigid silence under the wintry moon, the motionless, recumbent poles, stiffened, as it were, with sleep and cold, recalled the corpses of the old cemetery. The young man cast but a rapid glance round the empty space; there was not a creature, not a sound, no danger of being seen or heard. The black patches at the further end caused him more anxiety, but after a brief examination he plucked up courage and hurriedly crossed the wood-yard.

As soon as he felt himself under cover he slackened his pace. He was now in the green pathway skirting the wall behind the piles of planks. Here his very footsteps became inaudible; the frozen grass scarcely crackled under his tread. He must have loved the spot, have feared no danger, sought nothing but what was pleasant there. He no longer concealed his gun. The path stretched away like a dark trench, except that the moonrays, gliding ever and anon between the piles of timber, then streaked the grass with patches of light. All slept, both darkness and light, with the same deep, soft, sad slumber. No words can describe the calm peacefulness of the place. The young man went right down the path, and stopped at the end where the walls of the Jas-Meiffren form an angle. Here he listened as if to ascertain whether any sound might be coming from the adjoining estate. At last, hearing nothing, he stooped down, thrust a plank aside, and hid his gun in a timber-stack.

An old tombstone, which had been overlooked in the clearing of the burial-ground, lay in the corner, resting on its side and forming a high and slightly sloping seat. The rain had worn its edges, and moss was slowly eating into it. Nevertheless, the following fragment of an inscription, cut on the side which was sinking into the ground, might still have been distinguished in the moonlight: “Here lieth.. Marie.. died.” The finger of time had effaced the rest.

When the young man had concealed his gun he again listened attentively, and still hearing nothing, resolved to climb upon the stone. The wall being low, he was able to rest his elbows on the coping. He could, however, perceive nothing except a flood of light beyond the row of mulberry-trees skirting the wall. The flat ground of the Jas-Meiffren spread out under the moon like an immense sheet of unbleached linen; a hundred yards away the farmhouse and its outbuildings formed a still whiter patch. The young man was still gazing anxiously in that direction when, suddenly, one of the town clocks slowly and solemnly struck seven. He counted the strokes, and then jumped down, apparently surprised and relieved.

He seated himself on the tombstone, like one who is prepared to wait some considerable time. And for about half an hour he remained motionless and deep in thought, apparently quite unconscious of the cold, while his eyes gazed fixedly at a mass of shadow. He had placed himself in a dark corner, but the beams of the rising moon had gradually reached him, and at last his head was in the full light.

He was a strong, sturdy-looking lad, with a fine mouth, and soft delicate skin that bespoke youthfulness. He looked about seventeen years of age, and was handsome in a characteristic way.

His thin, long face looked like the work of some master sculptor; his high forehead, overhanging brows, aquiline nose, broad flat chin, and protruding cheek bones, gave singularly bold relief to his countenance. Such a face would, with advancing age, become too bony, as fleshless as that of a knight errant. But at this stage of youth, with chin and cheek lightly covered with soft down, its latent harshness was attenuated by the charming softness of certain contours which had remained vague and childlike. His soft black eyes, still full of youth, also lent delicacy to his otherwise vigorous countenance. The young fellow would probably not have fascinated all women, as he was not what one calls a handsome man; but his features, as a whole, expressed such ardent and sympathetic life, such enthusiasm and energy, that they doubtless engaged the thoughts of the girls of his own part – those sunburnt girls of the South – as he passed their doors on sultry July evenings.

He remained seated upon the tombstone, wrapped in thought, and apparently quite unconscious of the moonlight which now fell upon his chest and legs. He was of middle stature, rather thick-set, with over-developed arms and a labourer’s hands, already hardened by toil; his feet, shod with heavy laced boots, looked large and square-toed. His general appearance, more particularly the heaviness of his limbs, bespoke lowly origin. There was, however, something in him, in the upright bearing of his neck and the thoughtful gleams of his eyes, which seemed to indicate an inner revolt against the brutifying manual labour which was beginning to bend him to the ground. He was, no doubt, an intelligent nature buried beneath the oppressive burden of race and class; one of those delicate refined minds embedded in a rough envelope, from which they in vain struggle to free themselves. Thus, in spite of his vigour, he seemed timid and restless, feeling a kind of unconscious shame at his imperfection. An honest lad he doubtless was, whose very ignorance had generated enthusiasm, whose manly heart was impelled by childish intellect, and who could show alike the submissiveness of a woman and the courage of a hero. On the evening in question he was dressed in a coat and trousers of greenish corduroy. A soft felt hat, placed lightly on the back of his head, cast a streak of shadow over his brow.

As the neighbouring clock struck the half hour, he suddenly started from his reverie. Perceiving that the white moonlight was shining full upon him, he gazed anxiously ahead. Then he abruptly dived back into the shade, but was unable to recover the thread of his thoughts. He now realised that his hands and feet were becoming very cold, and impatience seized hold of him. So he jumped upon the stone again, and once more glanced over the Jas-Meiffren, which was still empty and silent. Finally, at a loss how to employ his time, he jumped down, fetched his gun from the pile of planks where he had concealed it, and amused himself by working the trigger. The weapon was a long, heavy carbine, which had doubtless belonged to some smuggler. The thickness of the butt and the breech of the barrel showed it to be an old flintlock which had been altered into a percussion gun by some local gunsmith. Such firearms are to be found in farmhouses, hanging against the wall over the chimney-piece. The young man caressed his weapon with affection; twenty times or more he pulled the trigger, thrust his little finger into the barrel, and examined the butt attentively. By degrees he grew full of youth enthusiasm, combined with childish frolicsomeness, and ended by levelling his weapon and aiming at space, like a recruit going through his drill.

It was now very nearly eight o’clock, and he had been holding his gun levelled for over a minute, when all at once a low, panting call, light as a breath, came from the direction of the Jas-Meiffren.

“Are you there, Silvere?” the voice asked.

Silvere dropped his gun and bounded on to the tombstone.

“Yes, yes,” he replied, also in a hushed voice. “Wait, I’ll help you.”

Before he could stretch out his arms, however, a girl’s head appeared above the wall. With singular agility the damsel had availed herself of the trunk of a mulberry-tree, and climbed aloft like a kitten. The ease and certainty with which she moved showed that she was familiar with this strange spot. In another moment she was seated on the coping of the wall. Then Silvere, taking her in his arms, carried her, though not without a struggle, to the seat.

“Let go,” she laughingly cried; “let go, I can get down alone very well.” And when she was seated on the stone slab she added:

“Have you been waiting for me long? I’ve been running, and am quite out of breath.”

Silvere made no reply. He seemed in no laughing humour, but gazed sorrowfully into the girl’s face. “I wanted to see you, Miette,” he said, as he seated himself beside her. “I should have waited all night for you. I am going away at daybreak to-morrow morning.”

Miette had just caught sight of the gun lying on the grass, and with a thoughtful air, she murmured: “Ah! so it’s decided then? There’s your gun!”

“Yes,” replied Silvere, after a brief pause, his voice still faltering, “it’s my gun. I thought it best to remove it from the house to-night; to-morrow morning aunt Dide might have seen me take it, and have felt uneasy about it. I am going to hide it, and shall fetch it just before starting.”

Then, as Miette could not remove her eyes from the weapon which he had so foolishly left on the grass, he jumped up and again hid it among the woodstacks.

“We learnt this morning,” he said, as he resumed his seat, “that the insurgents of La Palud and Saint Martin-de-Vaulx were on the march, and spent last night at Alboise. We have decided to join them. Some of the workmen of Plassans have already left the town this afternoon; those who still remain will join their brothers to-morrow.”

He spoke the word brothers with youthful emphasis.

“A contest is becoming inevitable,” he added; “but, at any rate, we have right on our side, and we shall triumph.”

Miette listened to Silvere, her eyes meantime gazing in front of her, without observing anything.

“‘Tis well,” she said, when he had finished speaking. And after a fresh pause she continued: “You warned me, yet I still hoped… However, it is decided.”

Neither of them knew what else to say. The green path in the deserted corner of the wood-yard relapsed into melancholy stillness; only the moon chased the shadows of the piles of timber over the grass. The two young people on the tombstone remained silent and motionless in the pale light. Silvere had passed his arm round Miette’s waist, and she was leaning against his shoulder. They exchanged no kisses, naught but an embrace in which love showed the innocent tenderness of fraternal affection.

Miette was enveloped in a long brown hooded cloak reaching to her feet, and leaving only her head and hands visible. The women of the lower classes in Provence – the peasantry and workpeople – still wear these ample cloaks, which are called pelisses; it is a fashion which must have lasted for ages. Miette had thrown back her hood on arriving. Living in the open air and born of a hotblooded race, she never wore a cap. Her bare head showed in bold relief against the wall, which the moonlight whitened. She was still a child, no doubt, but a child ripening into womanhood. She had reached that adorable, uncertain hour when the frolicsome girl changes to a young woman. At that stage of life a bud-like delicacy, a hesitancy of contour that is exquisitely charming, distinguishes young girls. The outlines of womanhood appear amidst girlhood’s innocent slimness, and woman shoots forth at first all embarrassment, still retaining much of the child, and ever and unconsciously betraying her sex. This period is very unpropitious for some girls, who suddenly shoot up, become ugly, sallow and frail, like plants before their due season. For those, however, who, like Miette, are healthy and live in the open air, it is a time of delightful gracefulness which once passed can never be recalled.

Miette was thirteen years of age, and although strong and sturdy did not look any older, so bright and childish was the smile which lit up her countenance. However, she was nearly as tall as Silvere, plump and full of life. Like her lover, she had no common beauty. She would not have been considered ugly, but she might have appeared peculiar to many young exquisites. Her rich black hair rose roughly erect above her forehead, streamed back like a rushing wave, and flowed over her head and neck like an inky sea, tossing and bubbling capriciously. It was very thick and inconvenient to arrange. However, she twisted it as tightly as possible into coils as thick as a child’s fist, which she wound together at the back of her head. She had little time to devote to her toilette, but this huge chignon, hastily contrived without the aid of any mirror, was often instinct with vigorous grace. On seeing her thus naturally helmeted with a mass of frizzy hair which hung about her neck and temples like a mane, one could readily understand why she always went bareheaded, heedless alike of rain and frost.

Under her dark locks appeared her low forehead, curved and golden like a crescent moon. Her large prominent eyes, her short tip-tilted nose with dilated nostrils, and her thick ruddy lips, when regarded apart from one another, would have looked ugly; viewed, however, all together, amidst the delightful roundness and vivacious mobility of her countenance, they formed an ensemble of strange, surprising beauty. When Miette laughed, throwing back her head and gently resting it on her right shoulder, she resembled an old-time Bacchante, her throat distending with sonorous gaiety, her cheeks round like those of a child, her teeth large and white, her twists of woolly hair tossed by every outburst of merriment, and waving like a crown of vine leaves. To realise that she was only a child of thirteen, one had to notice the innocence underlying her full womanly laughter, and especially the child-like delicacy of her chin and soft transparency of her temples. In certain lights Miette’s sun-tanned face showed yellow like amber. A little soft black down already shaded her upper lip. Toil too was beginning to disfigure her small hands, which, if left idle, would have become charmingly plump and delicate.

Miette and Silvere long remained silent. They were reading their own anxious thoughts, and, as they pondered upon the unknown terrors of the morrow, they tightened their mutual embrace. Their hearts communed with each other, they understood how useless and cruel would be any verbal plaint. The girl, however, could at last no longer contain herself, and, choking with emotion, she gave expression, in one phrase, to their mutual misgivings.

“You will come back again, won’t you?” she whispered, as she hung on Silvere’s neck.

Silvere made no reply, but, half-stifling, and fearing lest he should give way to tears like herself, he kissed her in brotherly fashion on the cheek, at a loss for any other consolation. Then disengaging themselves they again lapsed into silence.

After a moment Miette shuddered. Now that she no longer leant against Silvere’s shoulder she was becoming icy cold. Yet she would not have shuddered thus had she been in this deserted path the previous evening, seated on this tombstone, where for several seasons they had tasted so much happiness.

“I’m very cold,” she said, as she pulled her hood over her head.

“Shall we walk about a little?” the young man asked her. “It’s not yet nine o’clock; we can take a stroll along the road.”

Miette reflected that for a long time she would probably not have the pleasure of another meeting – another of those evening chats, the joy of which served to sustain her all day long.

“Yes, let us walk a little,” she eagerly replied. “Let us go as far as the mill. I could pass the whole night like this if you wanted to.”

They rose from the tombstone, and were soon hidden in the shadow of a pile of planks. Here Miette opened her cloak, which had a quilted lining of red twill, and threw half of it over Silvere’s shoulders, thus enveloping him as he stood there close beside her. The same garment cloaked them both, and they passed their arms round each other’s waist, and became as it were but one being. When they were thus shrouded in the pelisse they walked slowly towards the high road, fearlessly crossing the vacant parts of the wood-yard, which looked white in the moonlight. Miette had thrown the cloak over Silvere, and he had submitted to it quite naturally, as though indeed the garment rendered them a similar service every evening.

The road to Nice, on either side of which the suburban houses are built, was, in the year 1851, lined with ancient elm-trees, grand and gigantic ruins, still full of vigour, which the fastidious town council has replaced, some years since, by some little plane-trees. When Silvere and Miette found themselves under the elms, the huge boughs of which cast shadows on the moonlit footpath, they met now and again black forms which silently skirted the house fronts. These, too, were amorous couples, closely wrapped in one and the same cloak, and strolling in the darkness.

This style of promenading has been instituted by the young lovers of Southern towns. Those boys and girls among the people who mean to marry sooner or later, but who do not dislike a kiss or two in advance, know no spot where they can kiss at their ease without exposing themselves to recognition and gossip. Accordingly, while strolling about the suburbs, the plots of waste land, the footpaths of the high road – in fact, all these places where there are few passers-by and numerous shady nooks – they conceal their identity by wrapping themselves in these long cloaks, which are capacious enough to cover a whole family. The parents tolerate these proceedings; however stiff may be provincial propriety, no apprehensions, seemingly, are entertained. And, on the other hand, nothing could be more charming than these lovers’ rambles, which appeal so keenly to the Southerner’s fanciful imagination. There is a veritable masquerade, fertile in innocent enjoyments, within the reach of the most humble. The girl clasps her sweetheart to her bosom, enveloping him in her own warm cloak; and no doubt it is delightful to be able to kiss one’s sweetheart within those shrouding folds without danger of being recognised. One couple is exactly like another. And to the belated pedestrian, who sees the vague groups gliding hither and thither, ‘tis merely love passing, love guessed and scarce espied. The lovers know they are safely concealed within their cloaks, they converse in undertones and make themselves quite at home; most frequently they do not converse at all, but walk along at random and in silence, content in their embrace. The climate alone is to blame for having in the first instance prompted these young lovers to retire to secluded spots in the suburbs. On fine summer nights one cannot walk round Plassans without coming across a hooded couple in every patch of shadow falling from the house walls. Certain places, the Aire Saint-Mittre, for instance, are full of these dark “dominoes” brushing past one another, gliding softly in the warm nocturnal air. One might imagine they were guests invited to some mysterious ball given by the stars to lowly lovers. When the weather is very warm and the girls do not wear cloaks, they simply turn up their over-skirts. And in the winter the more passionate lovers make light of the frosts. Thus, Miette and Silvere, as they descended the Nice road, thought little of the chill December night.

They passed through the slumbering suburb without exchanging a word, but enjoying the mute delight of their warm embrace. Their hearts were heavy; the joy which they felt in being side by side was tinged with the painful emotion which comes from the thought of approaching severance, and it seemed to them that they could never exhaust the mingled sweetness and bitterness of the silence which slowly lulled their steps. But the houses soon grew fewer, and they reached the end of the Faubourg. There stands the entrance to the Jas-Meiffren, an iron gate fixed to two strong pillars; a low row of mulberry-trees being visible through the bars. Silvere and Miette instinctively cast a glance inside as they passed on.

Beyond the Jas-Meiffren the road descends with a gentle slope to a valley, which serves as the bed of a little rivulet, the Viorne, a brook in summer but a torrent in winter. The rows of elms still extended the whole way at that time, making the high road a magnificent avenue, which cast a broad band of gigantic trees across the hill, which was planted with corn and stunted vines. On that December night, under the clear cold moonlight, the newly-ploughed fields stretching away on either hand resembled vast beds of greyish wadding which deadened every sound in the atmosphere. The dull murmur of the Viorne in the distance alone sent a quivering thrill through the profound silence of the country-side.

When the young people had begun to descend the avenue, Miette’s thoughts reverted to the Jas-Meiffren which they had just left behind them.

“I had great difficulty in getting away this evening,” she said. “My uncle wouldn’t let me go. He had shut himself up in a cellar, where he was hiding his money, I think, for he seemed greatly frightened this morning at the events that are taking place.”

Silvere clasped her yet more lovingly. “Be brave!” said he. “The time will come when we shall be able to see each other freely the whole day long. You must not fret.”

“Oh,” replied the girl, shaking her head, “you are very hopeful. For my part I sometimes feel very sad. It isn’t the hard work which grieves me; on the contrary, I am often very glad of my uncle’s severity, and the tasks he sets me. He was quite right to make me a peasant girl; I should perhaps have turned out badly, for, do you know, Silvere, there are moments when I fancy myself under a curse… I feel, then, that I should like to be dead… I think of you know whom.”

As she spoke these last words, her voice broke into a sob. Silvere interrupted her somewhat harshly. “Be quiet,” he said. “You promised not to think about it. It’s no crime of yours… We love each other very much, don’t we?” he added in a gentler tone. “When we’re married you’ll have no more unpleasant hours.”

“I know,” murmured Miette. “You are so kind, you sustain me. But what am I to do? I sometimes have fears and feelings of revolt. I think at times that I have been wronged, and then I should like to do something wicked. You see I pour forth my heart to you. Whenever my father’s name is thrown in my face, I feel my whole body burning. When the urchins cry at me as I pass, ‘Eh, La Chantegreil,’ I lose all control of myself, and feel that I should like to lay hold of them and whip them.”

After a savage pause she resumed: “As for you, you’re a man; you’re going to fight; you’re very lucky.”

Silvere had let her speak on. After a few steps he observed sorrowfully: “You are wrong, Miette; yours is bad anger. You shouldn’t rebel against justice. As for me, I’m going to fight in defence of our common rights, not to gratify any personal animosity.”

“All the same,” the young girl continued, “I should like to be a man and handle a gun. I feel that it would do me good.”

Then, as Silvere remained silent, she perceived that she had displeased him. Her feverishness subsided, and she whispered in a supplicating tone: “You are not angry with me, are you? It’s your departure which grieves me and awakens such ideas. I know very well you are right – that I ought to be humble.”

Then she began to cry, and Silvere, moved by her tears, grasped her hands and kissed them.

“See, now, how you pass from anger to tears, like a child,” he said lovingly. “You must be reasonable. I’m not scolding you. I only want to see you happier, and that depends largely upon yourself.”

The remembrance of the drama which Miette had so sadly evoked cast a temporary gloom over the lovers. They continued their walk with bowed heads and troubled thoughts.

“Do you think I’m much happier than you?” Silvere at last inquired, resuming the conversation in spite of himself. “If my grandmother had not taken care of me and educated me, what would have become of me? With the exception of my Uncle Antoine, who is an artisan like myself, and who taught me to love the Republic, all my other relations seem to fear that I might besmirch them by coming near them.”