The Three Cities Trilogy: Rome, Volume 5

Émile Zola

The Three Cities Trilogy: Rome, Volume 5

PART V

XIV

THAT evening, when Pierre emerged from the Borgo in front of the Vatican, a sonorous stroke rang out from the clock amidst the deep silence of the dark and sleepy district. It was only half-past eight, and being in advance the young priest resolved to wait some twenty minutes in order to reach the doors of the papal apartments precisely at nine, the hour fixed for his audience.

This respite brought him some relief amidst the infinite emotion and grief which gripped his heart. That tragic afternoon which he had spent in the chamber of death, where Dario and Benedetta now slept the eternal sleep in one another's arms, had left him very weary. He was haunted by a wild, dolorous vision of the two lovers, and involuntary sighs came from his lips whilst tears continually moistened his eyes. He had been altogether unable to eat that evening. Ah! how he would have liked to hide himself and weep at his ease! His heart melted at each fresh thought. The pitiful death of the lovers intensified the grievous feeling with which his book was instinct, and impelled him to yet greater compassion, a perfect anguish of charity for all who suffered in the world. And he was so distracted by the thought of the many physical and moral sores of Paris and of Rome, where he had beheld so much unjust and abominable suffering, that at each step he took he feared lest he should burst into sobs with arms upstretched towards the blackness of heaven.

In the hope of somewhat calming himself he began to walk slowly across the Piazza of St. Peter's, now all darkness and solitude. On arriving he had fancied that he was losing himself in a murky sea, but by degrees his eyes grew accustomed to the dimness. The vast expanse was only lighted by the four candelabra at the corners of the obelisk and by infrequent lamps skirting the buildings which run on either hand towards the Basilica. Under the colonnade, too, other lamps threw yellow gleams across the forest of pillars, showing up their stone trunks in fantastic fashion; while on the piazza only the pale, ghostly obelisk was at all distinctly visible. Pierre could scarcely perceive the dim, silent facade of St. Peter's; whilst of the dome he merely divined a gigantic, bluey roundness faintly shadowed against the sky. In the obscurity he at first heard the plashing of the fountains without being at all able to see them, but on approaching he at last distinguished the slender phantoms of the ever rising jets which fell again in spray. And above the vast square stretched the vast and moonless sky of a deep velvety blue, where the stars were large and radiant like carbuncles; Charles's Wain, with golden wheels and golden shaft tilted back as it were, over the roof of the Vatican, and Orion, bedizened with the three bright stars of his belt, showing magnificently above Rome, in the direction of the Via Giulia.

At last Pierre raised his eyes to the Vatican, but facing the piazza there was here merely a confused jumble of walls, amidst which only two gleams of light appeared on the floor of the papal apartments. The Court of San Damaso was, however, lighted, for the conservatory-like glass-work of two of its sides sparkled as with the reflection of gas lamps which could not be seen. For a time there was not a sound or sign of movement, but at last two persons crossed the expanse of the piazza, and then came a third who in his turn disappeared, nothing remaining but a rhythmical far-away echo of steps. The spot was indeed a perfect desert, there were neither promenaders nor passers-by, nor was there even the shadow of a prowler in the pillared forest of the colonnade, which was as empty as the wild primeval forests of the world's infancy. And what a solemn desert it was, full of the silence of haughty desolation. Never had so vast and black a presentment of slumber, so instinct with the sovereign nobility of death, appeared to Pierre.

At ten minutes to nine he at last made up his mind and went towards the bronze portal. Only one of the folding doors was now open at the end of the right-hand porticus, where the increasing density of the gloom steeped everything in night. Pierre remembered the instructions which Monsignor Nani had given him; at each door that he reached he was to ask for Signor Squadra without adding a word, and thereupon each door would open and he would have nothing to do but to let himself be guided on. No one but the prelate now knew that he was there, since Benedetta, the only being to whom he had confided the secret, was dead. When he had crossed the threshold of the bronze doors and found himself in presence of the motionless, sleeping Swiss Guard, who was on duty there, he simply spoke the words agreed upon: "Signor Squadra." And as the Guard did not stir, did not seek to bar his way, he passed on, turning into the vestibule of the Scala Pia, the stone stairway which ascends to the Court of San Damaso. And not a soul was to be seen: there was but the faint sound of his own light footsteps and the sleepy glow of the gas jets whose light was softly whitened by globes of frosted glass. Up above, on reaching the courtyard he found it a solitude, whose slumber seemed sepulchral amidst the mournful gleams of the gas lamps which cast a pallid reflection on the lofty glass-work of the facades. And feeling somewhat nervous, affected by the quiver which pervaded all that void and silence, Pierre hastened on, turning to the right, towards the low flight of steps which leads to the staircase of the Pope's private apartments.

Here stood a superb gendarme in full uniform. "Signor Squadra," said Pierre, and without a word the gendarme pointed to the stairs.

The young man went up. It was a broad stairway, with low steps, balustrade of white marble, and walls covered with yellowish stucco. The gas, burning in globes of round glass, seemed to have been already turned down in a spirit of prudent economy. And in the glimmering light nothing could have been more mournfully solemn than that cold and pallid staircase. On each landing there was a Swiss Guard, halbard in hand, and in the heavy slumber spreading through the palace one only heard the regular monotonous footsteps of these men, ever marching up and down, in order no doubt that they might not succumb to the benumbing influence of their surroundings.

Amidst the invading dimness and the quivering silence the ascent of the stairs seemed interminable to Pierre, who by the time he reached the second-floor landing imagined that he had been climbing for ages. There, outside the glass door of the Sala Clementina, only the right-hand half of which was open, a last Swiss Guard stood watching.

"Signor Squadra," Pierre said again, and the Guard drew back to let him pass.

The Sala Clementina, spacious enough by daylight, seemed immense at that nocturnal hour, in the twilight glimmer of its lamps. All the opulent decorative-work, sculpture, painting, and gilding became blended, the walls assuming a tawny vagueness amidst which appeared bright patches like the sparkle of precious stones. There was not an article of furniture, nothing but the endless pavement stretching away into the semi-darkness. At last, however, near a door at the far end Pierre espied some men dozing on a bench. They were three Swiss Guards. "Signor Squadra," he said to them.

One of the Guards thereupon slowly rose and left the hall, and Pierre understood that he was to wait. He did not dare to move, disturbed as he was by the sound of his own footsteps on the paved floor, so he contented himself with gazing around and picturing the crowds which at times peopled that vast apartment, the first of the many papal ante-chambers. But before long the Guard returned, and behind him, on the threshold of the adjoining room, appeared a man of forty or thereabouts, who was clad in black from head to foot and suggested a cross between a butler and a beadle. He had a good-looking, clean-shaven face, with somewhat pronounced nose and large, clear, fixed eyes. "Signor Squadra," said Pierre for the last time.

The man bowed as if to say that he was Signor Squadra, and then, with a fresh reverence, he invited the priest to follow him. Thereupon at a leisurely step, one behind the other, they began to thread the interminable suite of waiting-rooms. Pierre, who was acquainted with the ceremonial, of which he had often spoken with Narcisse, recognised the different apartments as he passed through them, recalling their names and purpose, and peopling them in imagination with the various officials of the papal retinue who have the right to occupy them. These according to their rank cannot go beyond certain doors, so that the persons who are to have audience of the Pope are passed on from the servants to the Noble Guards, from the Noble Guards to the honorary /Camerieri/, and from the latter to the /Camerieri segreti/, until they at last reach the presence of the Holy Father. At eight o'clock, however, the ante-rooms empty and become both deserted and dim, only a few lamps being left alight upon the pier tables standing here and there against the walls.

And first Pierre came to the ante-room of the /bussolanti/, mere ushers clad in red velvet broidered with the papal arms, who conduct visitors to the door of the ante-room of honour. At that late hour only one of them was left there, seated on a bench in such a dark corner that his purple tunic looked quite black. Then the Hall of the Gendarmes was crossed, where according to the regulations the secretaries of cardinals and other high personages await their masters' return; and this was now completely empty, void both of the handsome blue uniforms with white shoulder belts and the cassocks of fine black cloth which mingled in it during the brilliant reception hours. Empty also was the following room, a smaller one reserved to the Palatine Guards, who are recruited among the Roman middle class and wear black tunics with gold epaulets and shakoes surmounted by red plumes. Then Pierre and his guide turned into another series of apartments, and again was the first one empty. This was the Hall of the Arras, a superb waiting-room with lofty painted ceiling and admirable Gobelins tapestry designed by Audran and representing the miracles of Jesus. And empty also was the ante-chamber of the Noble Guards which followed, with its wooden stools, its pier table on the right-hand surmounted by a large crucifix standing between two lamps, and its large door opening at the far end into another but smaller room, a sort of alcove indeed, where there is an altar at which the Holy Father says mass by himself whilst those privileged to be present remain kneeling on the marble slabs of the outer apartment which is resplendent with the dazzling uniforms of the Guards. And empty likewise was the ensuing ante-room of honour, otherwise the grand throne-room, where the Pope receives two or three hundred people at a time in public audience. The throne, an arm-chair of elaborate pattern, gilded, and upholstered with red velvet, stands under a velvet canopy of the same hue, in front of the windows. Beside it is the cushion on which the Pope rests his foot in order that it may be kissed. Then facing one another, right and left of the room, there are two pier tables, on one of which is a clock and on the other a crucifix between lofty candelabra with feet of gilded wood. The wall hangings, of red silk damask with a Louis XIV palm pattern, are topped by a pompous frieze, framing a ceiling decorated with allegorical figures and attributes, and it is only just in front of the throne that a Smyrna carpet covers the magnificent marble pavement. On the days of private audience, when the Pope remains in the little throne-room or at times in his bed-chamber, the grand throne-room becomes simply the ante-room of honour, where high dignitaries of the Church, ambassadors, and great civilian personages, wait their turns. Two /Camerieri/, one in violet coat, the other of the Cape and the Sword, here do duty, receiving from the /bussolanti/ the persons who are to be honoured with audiences and conducting them to the door of the next room, the secret or private ante-chamber, where they hand them over to the /Camerieri segreti/.

Signor Squadra who, walking on with slow and silent steps, had not yet once turned round, paused for a moment on reaching the door of the /anticamera segreta/ so as to give Pierre time to breathe and recover himself somewhat before crossing the threshold of the sanctuary. The /Camerieri segreti/ alone had the right to occupy that last ante-chamber, and none but the cardinals might wait there till the Pope should condescend to receive them. And so when Signor Squadra made up his mind to admit Pierre, the latter could not restrain a slight nervous shiver as if he were passing into some redoubtable mysterious sphere beyond the limits of the lower world. In the daytime a Noble Guard stood on sentry duty before the door, but the latter was now free of access, and the room within proved as empty as all the others. It was rather narrow, almost like a passage, with two windows overlooking the new district of the castle fields and a third one facing the Piazza of St. Peter's. Near the last was a door conducting to the little throne-room, and between this door and the window stood a small table at which a secretary, now absent, usually sat. And here again, as in all the other rooms, one found a gilded pier table surmounted by a crucifix flanked by a pair of lamps. In a corner too there was a large clock, loudly ticking in its ebony case incrusted with brass-work. Still there was nothing to awaken curiosity under the panelled and gilded ceiling unless it were the wall-hangings of red damask, on which yellow scutcheons displaying the Keys and the Tiara alternated with armorial lions, each with a paw resting on a globe.

Signor Squadra, however, now noticed that Pierre still carried his hat in his hand, whereas according to etiquette he should have left it in the hall of the /bussolanti/, only cardinals being privileged to carry their hats with them into the Pope's presence. Accordingly he discreetly took the young priest's from him, and deposited it on the pier table to indicate that it must at least remain there. Then, without a word, by a simple bow he gave Pierre to understand that he was about to announce him to his Holiness, and that he must be good enough to wait for a few minutes in that room.

On being left to himself Pierre drew a long breath. He was stifling; his heart was beating as though it would burst. Nevertheless his mind remained clear, and in spite of the semi-obscurity he had been able to form some idea of the famous and magnificent apartments of the Pope, a suite of splendid /salons/ with tapestried or silken walls, gilded or painted friezes, and frescoed ceilings. By way of furniture, however, there were only pier table, stools,1 and thrones. And the lamps and the clocks, and the crucifixes, even the thrones, were all presents brought from the four quarters of the world in the great fervent days of jubilee. There was no sign of comfort, everything was pompous, stiff, cold, and inconvenient. All olden Italy was there, with its perpetual display and lack of intimate, cosy life. It had been necessary to lay a few carpets over the superb marble slabs which froze one's feet; and some /caloriferes/ had even lately been installed, but it was not thought prudent to light them lest the variations of temperature should give the Pope a cold. However, that which more particularly struck Pierre now that he stood there waiting was the extraordinary silence which prevailed all around, silence so deep that it seemed as if all the dark quiescence of that huge, somniferous Vatican were concentrated in that one suite of lifeless, sumptuous rooms, which the motionless flamelets of the lamps as dimly illumined.

All at once the ebony clock struck nine and the young man felt astonished. What! had only ten minutes elapsed since he had crossed the threshold of the bronze doors below? He felt as if he had been walking on for days and days. Then, desiring to overcome the nervous feeling which oppressed him – for he ever feared lest his enforced calmness should collapse amidst a flood of tears – he began to walk up and down, passing in front of the clock, glancing at the crucifix on the pier table, and the globe of the lamp on which had remained the mark of a servant's greasy fingers. And the light was so faint and yellow that he felt inclined to turn the lamp up, but did not dare. Then he found himself with his brow resting against one of the panes of the window facing the Piazza of St. Peter's, and for a moment he was thunderstruck, for between the imperfectly closed shutters he could see all Rome, as he had seen it one day from the /loggie/ of Raffaelle, and as he had pictured Leo XIII contemplating it from the window of his bed-room. However, it was now Rome by night, Rome spreading out into the depths of the gloom, as limitless as the starry sky. And in that sea of black waves one could only with certainty identify the larger thoroughfares which the white brightness of electric lights turned, as it were, into Milky Ways. All the rest showed but a swarming of little yellow sparks, the crumbs, as it were, of a half-extinguished heaven swept down upon the earth. Occasional constellations of bright stars, tracing mysterious figures, vainly endeavoured to show forth distinctly, but they were submerged, blotted out by the general chaos which suggested the dust of some old planet that had crumbled there, losing its splendour and reduced to mere phosphorescent sand. And how immense was the blackness thus sprinkled with light, how huge the mass of obscurity and mystery into which the Eternal City with its seven and twenty centuries, its ruins, its monuments, its people, its history seemed to have been merged. You could no longer tell where it began or where it ended, whether it spread to the farthest recesses of the gloom, or whether it were so reduced that the sun on rising would illumine but a little pile of ashes.

However, in spite of all Pierre's efforts, his nervous anguish increased each moment, even in presence of that ocean of darkness which displayed such sovereign quiescence. He drew away from the window and quivered from head to foot on hearing a faint footfall and thinking it was that of Signor Squadra approaching to fetch him. The sound came from an adjacent apartment, the little throne-room, whose door, he now perceived, had remained ajar. And at last, as he heard nothing further, he yielded to his feverish impatience and peeped into this room which he found to be fairly spacious, again hung with red damask, and containing a gilded arm-chair, covered with red velvet under a canopy of the same material. And again there was the inevitable pier table, with a tall ivory crucifix, a clock, a pair of lamps, a pair of candelabra, a pair of large vases on pedestals, and two smaller ones of Sevres manufacture decorated with the Holy Father's portrait. At the same time, however, the room displayed rather more comfort, for a Smyrna carpet covered the whole of the marble floor, while a few arm-chairs stood against the walls, and an imitation chimney-piece, draped with damask, served as counterpart to the pier table. As a rule the Pope, whose bed-chamber communicated with this little throne-room, received in the latter such persons as he desired to honour. And Pierre's shiver became more pronounced at the idea that in all likelihood he would merely have the throne-room to cross and that Leo XIII was yonder behind its farther door. Why was he kept waiting, he wondered? He had been told of mysterious audiences granted at a similar hour to personages who had been received in similar silent fashion, great personages whose names were only mentioned in the lowest whispers. With regard to himself no doubt, it was because he was considered compromising that there was a desire to receive him in this manner unknown to the personages of the Court, and so as to speak with him at ease. Then, all at once, he understood the cause of the noise he had recently heard, for beside the lamp on the pier table of the little throne-room he saw a kind of butler's tray containing some soiled plates, knives, forks, and spoons, with a bottle and a glass, which had evidently just been removed from a supper table. And he realised that Signor Squadra, having seen these things in the Pope's room, had brought them there, and had then gone in again, perhaps to tidy up. He knew also of the Pope's frugality, how he took his meals all alone at a little round table, everything being brought to him in that tray, a plate of meat, a plate of vegetables, a little Bordeaux claret as prescribed by his doctor, and a large allowance of beef broth of which he was very fond. In the same way as others might offer a cup of tea, he was wont to offer cups of broth to the old cardinals his friends and favourites, quite an invigorating little treat which these old bachelors much enjoyed. And, O ye orgies of Alexander VI, ye banquets and /galas/ of Julius II and Leo X, only eight /lire/ a day – six shillings and fourpence – were allowed to defray the cost of Leo XIII's table! However, just as that recollection occurred to Pierre, he again heard a slight noise, this time in his Holiness's bed-chamber, and thereupon, terrified by his indiscretion, he hastened to withdraw from the entrance of the throne-room which, lifeless and quiescent though it was, seemed in his agitation to flare as with sudden fire.

Then, quivering too violently to be able to remain still, he began to walk up and down the ante-chamber. He remembered that Narcisse had spoken to him of that Signor Squadra, his Holiness's cherished valet, whose importance and influence were so great. He alone, on reception days, was able to prevail on the Pope to don a clean cassock if the one he was wearing happened to be soiled by snuff. And though his Holiness stubbornly shut himself up alone in his bed-room every night from a spirit of independence, which some called the anxiety of a miser determined to sleep alone with his treasure, Signor Squadra at all events occupied an adjoining chamber, and was ever on the watch, ready to respond to the faintest call. Again, it was he who respectfully intervened whenever his Holiness sat up too late or worked too long. But on this point it was difficult to induce the Pope to listen to reason. During his hours of insomnia he would often rise and send Squadra to fetch a secretary in order that he might detail some memoranda or sketch out an encyclical letter. When the drafting of one of the latter impassioned him he would have spent days and nights over it, just as formerly, when claiming proficiency in Latin verse, he had often let the dawn surprise him whilst he was polishing a line. But, indeed, he slept very little, his brain ever being at work, ever scheming out the realisation of some former ideas. His memory alone seemed to have slightly weakened during recent times.

Pierre, as he slowly paced to and fro, gradually became absorbed in his thoughts of that lofty and sovereign personality. From the petty details of the Pope's daily existence, he passed to his intellectual life, to the /role/ which he was certainly bent on playing as a great pontiff. And Pierre asked himself which of his two hundred and fifty-seven predecessors, the long line of saints and criminals, men of mediocrity and men of genius, he most desired to resemble. Was it one of the first humble popes, those who followed on during the first three centuries, mere heads of burial guilds, fraternal pastors of the Christian community? Was it Pope Damasus, the first great builder, the man of letters who took delight in intellectual matters, the ardent believer who is said to have opened the Catacombs to the piety of the faithful? Was it Leo III, who by crowning Charlemagne boldly consummated the rupture with the schismatic East and conveyed the Empire to the West by the all-powerful will of God and His Church, which thenceforth disposed of the crowns of monarchs? Was it the terrible Gregory VII, the purifier of the temple, the sovereign of kings; was it Innocent III or Boniface VIII, those masters of souls, nations, and thrones, who, armed with the fierce weapon of excommunication, reigned with such despotism over the terrified middle ages that Catholicism was never nearer the attainment of its dream of universal dominion? Was it Urban II or Gregory IX or another of those popes in whom flared the red Crusading passion which urged the nations on to the conquest of the unknown and the divine? Was it Alexander III, who defended the Holy See against the Empire, and at last conquered and set his foot on the neck of Frederick Barbarossa? Was it, long after the sorrows of Avignon, Julius II, who wore the cuirass and once more strengthened the political power of the papacy? Was it Leo X, the pompous, glorious patron of the Renascence, of a whole great century of art, whose mind, however, was possessed of so little penetration and foresight that he looked on Luther as a mere rebellious monk? Was it Pius V, who personified dark and avenging reaction, the fire of the stakes that punished the heretic world? Was it some other of the popes who reigned after the Council of Trent with faith absolute, belief re-established in its full integrity, the Church saved by pride and the stubborn upholding of every dogma? Or was it a pope of the decline, such as Benedict XIV, the man of vast intelligence, the learned theologian who, as his hands were tied, and he could not dispose of the kingdoms of the world, spent a worthy life in regulating the affairs of heaven?