P.'s Correspondence (From "Mosses from an Old Manse")

Nathaniel Hawthorne

P.'s Correspondence (From «Mosses from an Old Manse»)

P.'S CORRESPONDENCE

My unfortunate friend P. has lost the thread of his life by the interposition of long intervals of partially disordered reason. The past and present are jumbled together in his mind in a manner often productive of curious results, and which will be better understood after the perusal of the following letter than from any description that I could give. The poor fellow, without once stirring from the little whitewashed, iron-grated room to which he alludes in his first paragraph, is nevertheless a great traveller, and meets in his wanderings a variety of personages who have long ceased to be visible to any eye save his own. In my opinion, all this is not so much a delusion as a partly wilful and partly involuntary sport of the imagination, to which his disease has imparted such morbid energy that he beholds these spectral scenes and characters with no less distinctness than a play upon the stage, and with somewhat more of illusive credence. Many of his letters are in my possession, some based upon the same vagary as the present one, and others upon hypotheses not a whit short of it in absurdity. The whole form a series of correspondence, which, should fate seasonably remove my poor friend from what is to him a world of moonshine, I promise myself a pious pleasure in editing for the public eye. P. had always a hankering after literary reputation, and has made more than one unsuccessful effort to achieve it. It would not be a little odd, if, after missing his object while seeking it by the light of reason, he should prove to have stumbled upon it in his misty excursions beyond the limits of sanity.

LONDON, February 29, 1845.

MY DEAR FRIEND: Old associations cling to the mind with astonishing tenacity. Daily custom grows up about us like a stone wall, and consolidates itself into almost as material an entity as mankind's strongest architecture. It is sometimes a serious question with me whether ideas be not really visible and tangible, and endowed with all the other qualities of matter. Sitting as I do at this moment in my hired apartment, writing beside the hearth, over which hangs a print of Queen Victoria, listening to the muffled roar of the world's metropolis, and with a window at but five paces distant, through which, whenever I please, I can gaze out on actual London, – with all this positive certainty as to my whereabouts, what kind of notion, do you think, is just now perplexing my brain? Why, – would you believe it? – that all this time I am still an inhabitant of that wearisome little chamber, – that whitewashed little chamber, – that little chamber with its one small window, across which, from some inscrutable reason of taste or convenience, my landlord had placed a row of iron bars, – that same little chamber, in short, whither your kindness has so often brought you to visit me! Will no length of time or breadth of space enfranchise me from that unlovely abode? I travel; but it seems to be like the snail, with my house upon my head. Ah, well! I am verging, I suppose, on that period of life when present scenes and events make but feeble impressions in comparison with those of yore; so that I must reconcile myself to be more and more the prisoner of Memory, who merely lets me hop about a little with her chain around my leg.

My letters of introduction have been of the utmost service, enabling me to make the acquaintance of several distinguished characters who, until now, have seemed as remote from the sphere of my personal intercourse as the wits of Queen Anne's time or Ben Jenson's compotators at the Mermaid. One of the first of which I availed myself was the letter to Lord Byron. I found his lordship looking much older than I had anticipated, although, considering his former irregularities of life and the various wear and tear of his constitution, not older than a man on the verge of sixty reasonably may look. But I had invested his earthly frame, in my imagination, with the poet's spiritual immortality. He wears a brown wig, very luxuriantly curled, and extending down over his forehead. The expression of his eyes is concealed by spectacles. His early tendency to obesity having increased, Lord Byron is now enormously fat, – so fat as to give the impression of a person quite overladen with his own flesh, and without sufficient vigor to diffuse his personal life through the great mass of corporeal substance which weighs upon him so cruelly. You gaze at the mortal heap; and, while it fills your eye with what purports to be Byron, you murmur within yourself, "For Heaven's sake, where is he?" Were I disposed to be caustic, I might consider this mass of earthly matter as the symbol, in a material shape, of those evil habits and carnal vices which unspiritualize man's nature and clog up his avenues of communication with the better life. But this would be too harsh; and, besides, Lord Byron's morals have been improving while his outward man has swollen to such unconscionable circumference. Would that he were leaner; for, though he did me the honor to present his hand, yet it was so puffed out with alien substance that I could not feel as if I had touched the hand that wrote Childe Harold.

On my entrance his lordship apologized for not rising to receive me, on the sufficient plea that the gout for several years past had taken up its constant residence in his right foot, which accordingly was swathed in many rolls of flannel and deposited upon a cushion. The other foot was hidden in the drapery of his chair. Do you recollect whether Byron's right or left foot was the deformed one.

The noble poet's reconciliation with Lady Byron is now, as you are aware, of ten years' standing; nor does it exhibit, I am assured, any symptom of breach or fracture. They are said to be, if not a happy, at least a contented, or at all events a quiet couple, descending the slope of life with that tolerable degree of mutual support which will enable them to come easily and comfortably to the bottom. It is pleasant to reflect how entirely the poet has redeemed his youthful errors in this particular. Her ladyship's influence, it rejoices me to add, has been productive of the happiest results upon Lord Byron in a religious point of view. He now combines the most rigid tenets of Methodism with the ultra doctrines of the Puseyites; the former being perhaps due to the convictions wrought upon his mind by his noble consort, while the latter are the embroidery and picturesque illumination demanded by his imaginative character. Much of whatever expenditure his increasing habits of thrift continue to allow him is bestowed in the reparation or beautifying of places of worship; and this nobleman, whose name was once considered a synonyme of the foul fiend, is now all but canonized as a saint in many pulpits of the metropolis and elsewhere. In politics, Lord Byron is an uncompromising conservative, and loses no opportunity, whether in the House of Lords or in private circles, of denouncing and repudiating the mischievous and anarchical notions of his earlier day. Nor does he fail to visit similar sins in other people with the sincerest vengeance which his somewhat blunted pen is capable of inflicting. Southey and he are on the most intimate terms. You are aware that, some little time before the death of Moore, Byron caused that brilliant but reprehensible man to be evicted from his house. Moore took the insult so much to heart that, it is said to have been one great cause of the fit of illness which brought him to the grave. Others pretend that the lyrist died in a very happy state of mind, singing one of his own sacred melodies, and expressing his belief that it would be heard within the gate of paradise, and gain him instant and honorable admittance. I wish he may have found it so.

I failed not, as you may suppose, in the course of conversation with Lord Byron, to pay the weed of homage due to a mighty poet, by allusions to passages in Childe Harold, and Manfred, and Don Juan, which have made so large a portion of the music of my life. My words, whether apt or otherwise, were at least warm with the enthusiasm of one worthy to discourse of immortal poesy. It was evident, however, that they did not go precisely to the right spot. I could perceive that there was some mistake or other, and was not a little angry with myself, and ashamed of my abortive attempt to throw back, from my own heart to the gifted author's ear, the echo of those strains that have resounded throughout the world. But by and by the secret peeped quietly out. Byron, – I have the information from his own lips, so that you need not hesitate to repeat it in literary circles, – Byron is preparing a new edition of his complete works, carefully corrected, expurgated, and amended, in accordance with his present creed of taste, morals, politics, and religion. It so happened that the very passages of highest inspiration to which I had alluded were among the condemned and rejected rubbish which it is his purpose to cast into the gulf of oblivion. To whisper you the truth, it appears to me that his passions having burned out, the extinction of their vivid and riotous flame has deprived Lord Byron of the illumination by which he not merely wrote, but was enabled to feel and comprehend what he had written. Positively he no longer understands his own poetry.

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