The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 04 of 12)

Parallel between the Shilluk kings and the King of the Wood at Nemi.

On the whole the theory and practice of the divine kings of the Shilluk correspond very nearly to the theory and practice of the priests of Nemi, the Kings of the Wood, if my view of the latter is correct.60 In both we see a series of divine kings on whose life the fertility of men, of cattle, and of vegetation is believed to depend, and who are put to death, whether in single combat or otherwise, in order that their divine spirit may be transmitted to their successors in full vigour, uncontaminated by the weakness and decay of sickness or old age, because any such degeneration on the part of the king would, in the opinion of his worshippers, entail a corresponding degeneration on mankind, on cattle, and on the crops. Some points in this explanation of the custom of putting divine kings to death, particularly the method of transmitting their divine souls to their successors, will be dealt with more fully in the sequel. Meantime we pass to other examples of the general practice.

The Dinka of the Upper Nile.

The Dinka are a congeries of independent tribes in the valley of the White Nile, whose territory, lying mostly on the eastern bank of the river and stretching from the sixth to the twelfth degree of North Latitude, has been estimated to comprise between sixty and seventy thousand square miles. They are a tall long-legged people rather slender than fat, with curly hair and a complexion of the deepest black. Though ill-fed, they are strong and healthy and in general reach a great age. The nation embraces a number of independent tribes, and each tribe is mainly composed of the owners of cattle; for the Dinka are essentially a pastoral people, passionately devoted to the care of their numerous herds of oxen, though they also keep sheep and goats, and the women cultivate small quantities of millet (durra) and sesame. The tribes have no political union. Each village forms a separate community, pasturing its herds together in the same grass-land. With the change of the seasons the people migrate with their flocks and herds to and from the banks of the Nile. In summer, when the plains near the great river are converted into swamps and covered with clouds of mosquitoes, the herdsmen and their families drive their beasts to the higher land of the interior, where the animals find firm ground, abundant fodder, and pools of water at which to slake their thirst in the fervour of the noonday heat. Here in the clearings of the forest the community takes up its abode, each family dwelling by itself in one or more conical huts enclosed by a strong fence of stakes and thorn-bushes. It is in the patches of open ground about these dwellings that the women grow their scanty crops of millet and sesame. The mode of tillage is rude. The stumps of the trees which have been felled are left standing to a height of several feet; the ground is hacked by the help of a tool between a hoe and a spade, and the weeds are uprooted with the hand. Such as it is, the crop is exposed to the ravages of apes and elephants by night and of birds by day. The hungry blacks do not always wait till the corn is ripe, but eat much of it while the ears are still green. The cattle are kept in separate parks (murahs) away from the villages. It is in the season of the summer rains that the Dinka are most happy and prosperous. Then the cattle find sweet grass, plentiful water, coolness and shade in the forest; then the people subsist in comfort on the milk of their flocks and herds, supplementing it with the millet which they reap and the wild fruits which they gather in the forest; then they brew the native beer, then they marry and dance by night under the bright moon of the serene tropical sky. But in autumn a great change passes over the life of the community. When October has come, the rains are over, the grass of the pastures is eaten down or withered, the pools are dry; thirst compels the whole village, with its lowing herds and bleating flocks, to migrate to the neighbourhood of the river. Now begins a time of privation and suffering. There is no grass for the cattle save in some marshy spots, where the herdsman must fight his rivals in order to win a meagre supply of fodder for his starveling beasts. There is no milk for the people, no fruits on the trees, except a bitter sort of acorns, from which a miserable flour is ground to stay the pangs of hunger. The lean and famished natives are driven to fish in the river for the tubers of water-lilies, to grub in the earth for roots, to boil the leaves of trees, and as a last resource to drink the blood drawn from the necks of their wretched cattle. The gaunt appearance of the people at this season fills the beholder with horror. The herds are decimated by famine, but even more beasts perish by dysentery and other diseases when the first rains cause the fresh grass to sprout.61

Dengdit, the Supreme Being of the Dinka. Totemism of the Dinka.

It is no wonder that the rain, on which the Dinka are so manifestly dependent for their subsistence, should play a great part in their religion and superstition. They worship a supreme being whose name of Dengdit means literally Great Rain.62 It was he who created the world and established the present order of things, and it is he who sends down the rain from the “rain-place,” his home in the upper regions of the air. But according to the Niel Dinka this great being was once incarnate in human form. Born of a woman, who descended from the sky, he became the ancestor of a clan which has the rain for its totem; for the recent researches of Dr. C. G. Seligmann have proved that every Dinka tribe is divided into a number of clans, each of which reveres as its totem a species of animals or plants or other natural objects, such as rain or fire. Animal totems seem to be the commonest; amongst them are the lion, the elephant, the crocodile, the hippopotamus, the fox, the hyaena, and a species of small birds called amur, clouds of which infest the cornfields and do great damage to the crops. Each clan speaks of its totemic animal or plant as its ancestor and refrains from injuring and eating it. Men of the Crocodile clan, for example, call themselves “Brothers of the Crocodile,” and will neither kill nor eat the animal; indeed they will not even eat out of any vessel which has held crocodile flesh. And as they do not injure crocodiles, so they imagine that their crocodile kinsfolk will not injure them; hence men of this clan swim freely in the river, even by night, without fear of being attacked by the dangerous reptiles. And when the totem is a carnivorous animal, members of the clan may propitiate it by killing sheep and throwing out the flesh to be devoured by their animal brethren either on the outskirts of the village or in the river. Members of the Small Bird (amur) clan perform ceremonies to prevent the birds from injuring the crops. The relationship between a clan and its animal ancestor or totem is commonly explained by a legend that in the beginning an ancestress gave birth to twins, one of whom was the totemic animal and the other the human ancestor. Like most totemic clans, the clans of the Dinka are exogamous, that is, no man may marry a woman of his own clan. The descent of the clans is in the paternal line; in other words, every man and woman belongs to his or her father's clan, not to that of his or her mother. But the Rain clan of the Niel Dinka has for its ancestor, as we have seen, the supreme god himself, who deigned to be born of a woman and to live for a long time among men, ruling over them, till at last he grew very old and disappeared appropriately, like Romulus, in a great storm of rain. Shrines erected in his honour appear to be scattered all over the Dinka country and offerings are made at them.

Rain-makers among the Dinka.

Perhaps without being unduly rash we may conjecture that the great god of the Dinka, who gives them the rain, was indeed, what tradition represents him as having been, a man among men, in fact a human rain-maker, whom at his death the superstition of his fellows promoted to the rank of a deity above the clouds. Be that as it may, the human rain-maker (bain) is a very important personage among the Dinka to this day; indeed the men in authority whom travellers dub chiefs or sheikhs are in fact the actual or potential rain-makers of the tribe or community.63 Each of them is believed to be animated by the spirit of a great rain-maker, which has come down to him through a succession of rain-makers; and in virtue of this inspiration a successful rain-maker enjoys very great power and is consulted on all important matters. For example, in the Bor tribe of Dinka at the present time there is an old but active rain-maker named Biyordit, who is reputed to have immanent in him a great and powerful spirit called Lerpiu, and by reason of this reputation he exercises immense influence over all the Dinka of the Bor and Tain tribes. While the mighty spirit Lerpiu is supposed to be embodied in the rain-maker, it is also thought to inhabit a certain hut which serves as a shrine. In front of the hut stands a post to which are fastened the horns of many bullocks that have been sacrificed to Lerpiu; and in the hut is kept a very sacred spear which bears the name of Lerpiu and is said to have fallen from heaven six generations ago. As fallen stars are also called Lerpiu, we may suspect that an intimate connexion is supposed to exist between meteorites and the spirit which animates the rain-maker; nor would such a connexion seem unnatural to the savage, who observes that meteorites and rain alike descend from the sky. In spring, about the month of April, when the new moon is a few days old, a sacrifice of bullocks is offered to Lerpiu for the purpose of inducing him to move Dengdit, the great heavenly rain-maker, to send down rain on the parched and thirsty earth. Two bullocks are led twice round the shrine and afterwards tied by the rain-maker to the post in front of it. Then the drums beat and the people, old and young, men and women, dance round the shrine and sing, while the beasts are being sacrificed, “Lerpiu, our ancestor, we have brought you a sacrifice. Be pleased to cause rain to fall.” The blood of the bullocks is collected in a gourd, boiled in a pot on the fire, and eaten by the old and important people of the clan. The horns of the animals are attached to the post in front of the shrine.

Dinka rain-makers not allowed to die a natural death.

In spite, or rather in virtue, of the high honour in which he is held, no Dinka rain-maker is allowed to die a natural death of sickness or old age; for the Dinka believe that if such an untoward event were to happen, the tribe would suffer from disease and famine, and the herds would not yield their increase. So when a rain-maker feels that he is growing old and infirm, he tells his children that he wishes to die. Among the Agar Dinka a large grave is dug and the rain-maker lies down in it on his right side with his head resting on a skin. He is surrounded by his friends and relatives, including his younger children; but his elder children are not allowed to approach the grave lest in their grief and despair they should do themselves a bodily injury. For many hours, generally for more than a day, the rain-maker lies without eating or drinking. From time to time he speaks to the people, recalling the past history of the tribe, reminding them how he has ruled and advised them, and instructing them how they are to act in the future. Then, when he has concluded his admonition, he tells them that it is finished and bids them cover him up. So the earth is thrown down on him as he lies in the grave, and he soon dies of suffocation. Such, with minor variations, appears to be the regular end of the honourable career of a rain-maker in all the Dinka tribes. The Khor-Adar Dinka told Dr. Seligmann that when they have dug the grave for their rain-maker they strangle him in his house. The father and paternal uncle of one of Dr. Seligmann's informants had both been rain-makers and both had been killed in the most regular and orthodox fashion. Even if a rain-maker is quite young he will be put to death should he seem likely to perish of disease. Further, every precaution is taken to prevent a rain-maker from dying an accidental death, for such an end, though not nearly so serious a matter as death from illness or old age, would be sure to entail sickness on the tribe. As soon as a rain-maker is killed, his valuable spirit is supposed to pass to a suitable successor, whether a son or other near blood relation.

Kings put to death in Unyoro and other parts of Africa.

In the Central African kingdom of Unyoro down to recent years custom required that as soon as the king fell seriously ill or began to break up from age, he should die by his own hand; for, according to an old prophecy, the throne would pass away from the dynasty if ever the king were to die a natural death. He killed himself by draining a poisoned cup. If he faltered or were too ill to ask for the cup, it was his wife's duty to administer the poison.64 When the king of Kibanga, on the Upper Congo, seems near his end, the sorcerers put a rope round his neck, which they draw gradually tighter till he dies.65 If the king of Gingero happens to be wounded in war, he is put to death by his comrades, or, if they fail to kill him, by his kinsfolk, however hard he may beg for mercy. They say they do it that he may not die by the hands of his enemies.66 The Jukos are a heathen tribe of the Benue river, a great tributary of the Niger. In their country “the town of Gatri is ruled by a king who is elected by the big men of the town as follows. When in the opinion of the big men the king has reigned long enough, they give out that ‘the king is sick’ – a formula understood by all to mean that they are going to kill him, though the intention is never put more plainly. They then decide who is to be the next king. How long he is to reign is settled by the influential men at a meeting; the question is put and answered by each man throwing on the ground a little piece of stick for each year he thinks the new king should rule. The king is then told, and a great feast prepared, at which the king gets drunk on guinea-corn beer. After that he is speared, and the man who was chosen becomes king. Thus each Juko king knows that he cannot have very many more years to live, and that he is certain of his predecessor's fate. This, however, does not seem to frighten candidates. The same custom of king-killing is said to prevail at Quonde and Wukari as well as at Gatri.”67 In the three Hausa kingdoms of Gobir, Katsina, and Daura, in Northern Nigeria, as soon as a king shewed signs of failing health or growing infirmity, an official who bore the title of Killer of the Elephant (kariagiwa) appeared and throttled him by holding his windpipe. The king elect was afterwards conducted to the centre of the town, called Head of the Elephant (kan giwa), where he was made to lie down on a bed. Then a black ox was slaughtered and its blood allowed to pour all over his body. Next the ox was flayed, and the remains of the dead king, which had been disembowelled and smoked for seven days over a slow fire, were wrapt up in the hide and dragged along the ground to the place of burial, where they were interred in a circular pit. After his bath of ox blood the new king had to remain for seven days in his mother's house, undergoing ablutions daily. On the eighth day he was conducted in state to his palace. In the kingdom of Daura the new monarch had moreover to step over the corpse of his predecessor.68

The Matiamvo of Angola.

The Matiamvo is a great king or emperor in the interior of Angola. One of the inferior kings of the country, by name Challa, gave to a Portuguese expedition the following account of the manner in which the Matiamvo comes by his end. “It has been customary,” he said, “for our Matiamvos to die either in war or by a violent death, and the present Matiamvo must meet this last fate, as, in consequence of his great exactions, he has lived long enough. When we come to this understanding, and decide that he should be killed, we invite him to make war with our enemies, on which occasion we all accompany him and his family to the war, when we lose some of our people. If he escapes unhurt, we return to the war again and fight for three or four days. We then suddenly abandon him and his family to their fate, leaving him in the enemy's hands. Seeing himself thus deserted, he causes his throne to be erected, and, sitting down, calls his family around him. He then orders his mother to approach; she kneels at his feet; he first cuts off her head, then decapitates his sons in succession, next his wives and relatives, and, last of all, his most beloved wife, called Anacullo. This slaughter being accomplished, the Matiamvo, dressed in all his pomp, awaits his own death, which immediately follows, by an officer sent by the powerful neighbouring chiefs, Caniquinha and Canica. This officer first cuts off his legs and arms at the joints, and lastly he cuts off his head; after which the head of the officer is struck off. All the potentates retire from the encampment, in order not to witness his death. It is my duty to remain and witness his death, and to mark the place where the head and arms have been deposited by the two great chiefs, the enemies of the Matiamvo. They also take possession of all the property belonging to the deceased monarch and his family, which they convey to their own residence. I then provide for the funeral of the mutilated remains of the late Matiamvo, after which I retire to his capital and proclaim the new government. I then return to where the head, legs, and arms have been deposited, and, for forty slaves, I ransom them, together with the merchandise and other property belonging to the deceased, which I give up to the new Matiamvo, who has been proclaimed. This is what has happened to many Matiamvos, and what must happen to the present one.”69

Zulu kings put to death on the approach of old age.

It appears to have been a Zulu custom to put the king to death as soon as he began to have wrinkles or grey hairs. At least this seems implied in the following passage written by one who resided for some time at the court of the notorious Zulu tyrant Chaka, in the early part of the nineteenth century: “The extraordinary violence of the king's rage with me was mainly occasioned by that absurd nostrum, the hair oil, with the notion of which Mr. Farewell had impressed him as being a specific for removing all indications of age. From the first moment of his having heard that such a preparation was attainable, he evinced a solicitude to procure it, and on every occasion never forgot to remind us of his anxiety respecting it; more especially on our departure on the mission his injunctions were particularly directed to this object. It will be seen that it is one of the barbarous customs of the Zoolas in their choice or election of their kings that he must neither have wrinkles nor grey hairs, as they are both distinguishing marks of disqualification for becoming a monarch of a warlike people. It is also equally indispensable that their king should never exhibit those proofs of having become unfit and incompetent to reign; it is therefore important that they should conceal these indications so long as they possibly can. Chaka had become greatly apprehensive of the approach of grey hairs; which would at once be the signal for him to prepare to make his exit from this sublunary world, it being always followed by the death of the monarch.”70 The writer to whom we are indebted for this instructive anecdote of the hair-oil omits to specify the mode in which a grey-haired and wrinkled Zulu chief used “to make his exit from this sublunary world”; but on analogy we may conjecture that he did so by the simple and perfectly sufficient process of being knocked on the head.

Kings of Sofala put to death on account of bodily blemishes.

The custom of putting kings to death as soon as they suffered from any personal defect prevailed two centuries ago in the Caffre kingdom of Sofala, to the north of the present Zululand. We have seen that these kings of Sofala, each of whom bore the official name of Quiteve, were regarded as gods by their people, being entreated to give rain or sunshine, according as each might be wanted.71 Nevertheless a slight bodily blemish, such as the loss of a tooth, was considered a sufficient cause for putting one of these god-men to death, as we learn from the following passage of an old Portuguese historian: “It was formerly the custom of the kings of this land to commit suicide by taking poison when any disaster or natural physical defect fell upon them, such as impotence, infectious disease, the loss of their front teeth, by which they were disfigured, or any other deformity or affliction. To put an end to such defects they killed themselves, saying that the king should be free from any blemish, and if not, it was better for his honour that he should die and seek another life where he would be made whole, for there everything was perfect. But the Quiteve who reigned when I was in those parts would not imitate his predecessors in this, being discreet and dreaded as he was; for having lost a front tooth he caused it to be proclaimed throughout the kingdom that all should be aware that he had lost a tooth and should recognise him when they saw him without it, and if his predecessors killed themselves for such things they were very foolish, and he would not do so; on the contrary, he would be very sorry when the time came for him to die a natural death, for his life was very necessary to preserve his kingdom and defend it from his enemies; and he recommended his successors to follow his example.”72 The same historian tells us that “near the kingdom of Quiteve is another of which Sedanda is king, the laws and customs of which are very similar to those of Quiteve, all these Kaffirs being of the same nation, and these two kingdoms having formerly been one, as I shall relate hereafter. When I was in Sofala it happened that King Sedanda was seized with a severe and contagious leprosy, and seeing that his complaint was incurable, having named the prince who was to succeed him, he took poison and died, according to the custom of those kings when they are afflicted with any physical deformity.”73

Kings required to be unblemished. Courtiers required to imitate their sovereign.

The king of Sofala who dared to survive the loss of his front tooth was thus a bold reformer like Ergamenes, king of Ethiopia. We may conjecture that the ground for putting the Ethiopian kings to death was, as in the case of the Zulu and Sofala kings, the appearance on their person of any bodily defect or sign of decay; and that the oracle which the priests alleged as the authority for the royal execution was to the effect that great calamities would result from the reign of a king who had any blemish on his body; just as an oracle warned Sparta against a “lame reign,” that is, the reign of a lame king.74 It is some confirmation of this conjecture that the kings of Ethiopia were chosen for their size, strength, and beauty long before the custom of killing them was abolished.75 To this day the Sultan of Wadai must have no obvious bodily defect, and the king of Angoy cannot be crowned if he has a single blemish, such as a broken or a filed tooth or the scar of an old wound.76 According to the Book of Acaill and many other authorities no king who was afflicted with a personal blemish might reign over Ireland at Tara. Hence, when the great King Cormac Mac Art lost one eye by an accident, he at once abdicated.77 It is only natural, therefore, to suppose, especially with the other African examples before us, that any bodily defect or symptom of old age appearing on the person of the Ethiopian monarch was the signal for his execution. At a later time it is recorded that if the king of Ethiopia became maimed in any part of his body all his courtiers had to suffer the same mutilation.78 But this rule may perhaps have been instituted at the time when the custom of killing the king for any personal defect was abolished; instead of compelling the king to die because, for example, he had lost a tooth, all his subjects would be obliged to lose a tooth, and thus the invidious superiority of the subjects over the king would be cancelled. A rule of this sort is still observed in the same region at the court of the Sultans of Darfur. When the Sultan coughs, every one makes the sound ts ts by striking the tongue against the root of the upper teeth; when he sneezes, the whole assembly utters a sound like the cry of the jeko; when he falls off his horse, all his followers must fall off likewise; if any one of them remains in the saddle, no matter how high his rank, he is laid on the ground and beaten.79 At the court of the king of Uganda in central Africa, when the king laughs, every one laughs; when he sneezes, every one sneezes; when he has a cold, every one pretends to have a cold; when he has his hair cut, so has everybody.80 At the court of Boni in Celebes it is a rule that whatever the king does all the courtiers must do. If he stands, they stand; if he sits, they sit; if he falls off his horse, they fall off their horses; if he bathes, they bathe, and passers-by must go into the water in the dress, good or bad, which they happen to have on.81 When the emperor of China laughs, the mandarins in attendance laugh also; when he stops laughing, they stop; when he is sad, their countenances are chopfallen; “you would say that their faces are on springs, and that the emperor can touch the springs and set them in motion at pleasure.”82 But to return to the death of the divine king.