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Pharais; and, The Mountain Lovers
Pharais; and, The Mountain Loversполная версия

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Pharais; and, The Mountain Lovers

Язык: Английский
Год издания: 2017
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It was on the dawn of December that the child died. It seemed to lapse from life as an ebbing wavelet from a pool.

The evening before, Alastair had carried the little one to the shore. He had never understood that the child's eyes were sealed, and often thought that it slept when it was really awake. When he came to a favourite pool of his, that at low tide was wont to flush with any red light spilled across the wave he held his tiny burden up laughing and crooning to it.

"Look, my pretty one," he would murmur, "that red light is the blood of your elder brother. Fair is He, the white Christ. He has put that there to show that He loves you." Or, again, he would kneel, and with one hand warily move aside the bladder-wrack and other sea-weeds; and then, pointing into the translucent water, would tell the blind sleeper to look into the heart of the pool and he would see, far down beyond a vast vista of white columns, flight after flight of shining golden stairs, which led at last to a great gate flashing like the sea in the noon-dazzle. And at the gate was a little child like unto himself, singing a sweet song; and just within the gate was a beautiful spirit, whose face was that of Lora, and who could not sing as the little child did, because, though she was clad with joy as with a robe, in her eyes there was still a last lingering mist of human tears.

"And in Pharais, my bonnie," he would add whisperingly in the child's unheeding ear, "in Pharais there are no tears shed, though in the remotest part of it there is a grey pool, the weeping of all the world, fed everlastingly by the myriad eyes that every moment are somewhere wet with sorrow, or agony, or vain regret, or vain desire. And those who go there stoop, and touch their eyelids with that grey water; and it is as balm to them, and they go healed of their too great joy: and their songs thereafter are the sweetest that are sung in the ways of Pharais."

Often Lora or Mary would be with him when he was thus speaking; for each was fearful lest some day he should discover that his little uan was blind, and could never even open the sealed lids.

But on that last twilight of November Alastair seemed to have been impressed by the passive stillness of the child, and to be troubled when he looked at it. He had kissed the eyes again and again, but they had not opened; he had whispered loving words in the tiny ears, but they had not hearkened.

All that night he was restless, and rose often to look at the two sleepers in the bed opposite his own. Just before dawn, he looked for the last time. He was satisfied now. The little one smiled … but it was because that in the soundless, breathless passage from one darkness to another, it had heard a sweet voice at last, and at last had, with suddenly illumined eyes, beheld a new glory.

So white and still was it that, when the cold of the tiny hands against her bosom awoke Lora, she lay looking upon it for a while, rapt in a new and strange awe. Then, having aroused Mary, she went to Seumas, and brought him into the room. Mary had already waked Alastair, and he sat holding the small white body on his knees, stroking it gently.

When Lora told him that their baby was dead, and asked him if he knew what she said, he did not reply; but a tear rolled down his cheek, and he put his hand to his heart as though to still the ache of his inarticulate pain.

But after Mary had read from the Book of Psalms, and prayed in a low voice, all rose and passed out into the sunshine; and Alastair, already oblivious of his loss, went down by the shore, and smiled with pleasure at the leap and fall, and chime and whisper, and sweet, low laughter of the sunny waters.

About a hundred yards inland from the cottage, a gigantic pointed stone rises from out of the heather. It is known among the isles as Fingal's Bolt, though neither Fionn nor his son, Ossian, ever threw that huge, flat-sided, fang-like rock. A few rude lines and even letters are still discernible on the side next the sun; but there is probably none who could decipher that old-world rune, carved in bygone ages by the hand of a Druid.

Of all places in the island, except the rocky headlands whose flanks were laved by the sea, this Stone of the Past, as Seumas called it, was that most frequented by Alastair. At its base he had listened, as a boy, to the tales of the old islander; beneath it, his fantasy now persuaded him, was one of the hidden ways that led to that House of Paradise of which he so often dreamed.

There the four silent mourners met that afternoon to fulfil the wish of one among them, who loved to think that his little uan would come back some moonshine night or in a still dawn, and, taking their hands, lead his father and mother by that secret pathway through Domhan Tòir to Tir-na-h'Oigh, whence, in good time, they would arise and go up into Pharais.

Lora had already been on the spot with Seumas. While the latter had dug the place of sleep, she, with white chalk picked from the shore, had printed in large, heavy letters these words upon the seaward side of the stone:

"Take unto Thy compassion this little one, and us who follow."

There were no words spoken as Mary, kneeling, took the child from Lora's arms, and laid it, wrapped in a white sheet filled with fragrant gale, in the wood-shored grave that had been reverently prepared.

The afternoon had grown chill. Seaward, a gray mass had risen as if out of the waste of waters.

All were still kneeling – while Seumas laid turf and heather above the small wooden lid covering the narrow house that would give the body sanctuary for a time – when the snow began to come down.

There was no wind, so the flakes fell light as feathers, grey in the gathering dusk as the down that falls from the wind-swept breasts of wild swans in their flight to or from the Polar seas.

Denser and denser it came; soundless at first, but after a while with a faint rustling and whirling, as though the flakes were wings of invisible birds of silence.

The grey gloom thickened. Already the sea was obscured. Its voice was audible the more loudly … a calling voice; but dull, listless, melancholy with ancient, unforgotten pain and all its burthen of immemorial lore.

The four mourners rose. The two women, with bowed heads, murmured words of prayer and farewell. Seumas, crossing himself, muttered: "Deireadh gach comuinn, sgaoileadh; deireadh gach cogaidh, sith" – "the end of all meetings, parting; the end of all striving, peace." Alastair looked eagerly through the snow-dusk lest the child should come again at once and go by them unseen.

By the time they reached home, there was a thick twilight all about them. A little later, looking out into the night, they saw the flakes drift over and past them like a myriad of winged things hurrying before a wind that pursued, devouring. The island lay in a white shroud. At the extreme margin, a black, pulsating line seemed to move sinuously from left to right.

Suddenly a deeper sound boomed from the sea, though no wind ruffled the drifts which already lay thick in the hollows. Till midnight, and for an hour beyond, this voice of the sea was as the baying of a monstrous hound.

None in the homestead slept. The silence, broken only by that strange, menacing baying of the waves as they roamed through the solitudes environing the isle, was so intense that sometimes the ears echoed as with the noise of a rush of wings, or as with the sonorous suspensions between the striking of bell and bell in monotonously swung chimes.

Then again, suddenly, and still without the coming of wind, the sea ceased its hoarse, angry baying, and, after lapse within lapse till its chime was almost inaudible, gave forth in a solemn dirge the majestic music of its inmost heart.

At last, after long vigils, all slept, though none so deeply, so unawakeningly as Lora.

Three hours before dawn the snow ceased to fall. An icy sparkle glittered league after league oceanward, as the star-rays pierced the heaving flanks and bowed heads of the sea-horses which had abruptly sprung up before the advancing ground-swell.

The cold was the cold of the Black Frost – bitter, sharp as a sword, nigh unendurable.

Shortly after dawn, Alastair awoke, shivering. He rose, threw some more peats on the fire; and then, having dressed and wrapped his plaid about him, and softly opened and closed the door, stepped out into the snow.

His breath caught with the cold, and a greater weakness even than that customary of late made him reel, then lean against the wall for a few minutes.

Soon his faintness passed. The exceeding beauty of sunrise over that vast stretch of waters, over the isle in its stainless white shroud, filled him with an exalted joy. Thereafter, for a time, he walked to and fro; sometimes staring absently seaward, again glancing curiously at his shadow – scarce more insubstantial than he himself had grown within the last month, and particularly within the last few days – as it lay upon or moved bluely athwart the snow.

After a brief space, a rapt look came into his face. He turned, and gazed expectantly at the door.

No one coming forth, he entered, and, with a loving smile, crossed to Lora's bed.

"Sweetheart … my white flower … come. It is so beautiful. Pharais has opened to us at last. I can see the steps gleaming gold within the yellow shine of the sun. Beyond, I saw a mist of waving wings. Come, Lora… Come!"

Cold and white was she as the snow. Alastair bent, kissed her lips, but was so wrought by his vision that he did not notice the chill of them, nor see the blue shadow in the pallor of the face.

"Ah, mùirnean, mo mùirnean, see, I will carry you," he murmured suddenly.

He stooped, lifted the beautiful dead body he had loved so well, and, staggering beneath the weight, half carried, half dragged it to the snow-slope beyond the door. Gently he placed Lora down. Then, going for and returning with a deer-skin, laid her upon it, and sat down beside her.

For a brief while, he waited patiently for her awakening. Then his eyes wandered again, now fixed upon the majesty of the sea, reaching intolerably grand from endless horizons to horizons without end; now upon the immense dome of the sky, where, amid the deepest blue, high in the north-west the moon turned a disc of pale gold out of an almost imperceptible flush, and confronted the flashing, blazing sunfire that, in the south-east, moved swiftly upward.

Suddenly he leaned forward; his lips parted; his eyes agleam with the inner flame that consumed him.

"Lora … Lora, my fawn," he whispered. "Look! The gates are opening! Dear, all is well at the last. God has given me back to you. My trouble is healed. Speak to me, dear; too great is my happiness!"

No sound: no movement of the hands: no stir of the closed eyelids.

"Lora!"

It was strange. But he would be patient.

Idly he watched a small, grey snow-cloud passing low above the island.

A warm breath reached the heart of it, and set the myriad wings astir. Down, straight down above the isle and for a few fathoms beyond it, they fluttered waveringly.

The fall was like a veil suspended over Ithona: a veil so thin, so transparent, that the sky was visible through it as an azure dusk; and beneath it, the sea as a blue-flowing lawn whereover its skirts trailed; while behind it, the rising sunfire was a shimmer of amber-yellow that made every falling flake glisten like burnished gold. The wind was utterly still; the sky cloudless, but for that thin, evanishing veil of dropping gold.

The sea lay breathing in a deep calm all around the isle. But, from its heart that never slumbers, rose as of yore, and for ever, a rumour as of muffled prophesyings, a Voice of Awe, a Voice of Dread.

THE MOUNTAIN LOVERS

TO* * * * * *Dum juga montis aper, fluvios dum piscis amabit,Dumque thymo pascentur apes, dum rore cicadae;Semper honos, nomenque tuum, laudesque manebunt.

I

The wind sighed through the aisles of the hill-forest. Among the lower-set pines there was an accompanying sound as of multitudinous baffled wings. This travelling voice was upon the mountain in a myriad utterance. Round the forehead of Ben Iolair it moved as an eagle moves, sweeping in vast circles: the rhythm of its flight reiterated variously against walls of granite, gigantic boulders, and rain-scooped, tempest-worn crags and pinnacles. Lower were corries, furrows that seemed to have been raked into the breast of the hill in some olden time when the solitudes were not barren. Therein the wind slid with a hollow, flute-like call. This deepened into an organ-note of melancholy, when glens, filled with birchen undergrowth and running water, were aloud with the rumour of its passages. Upon the heights, upon the flanks, upon all the sunswept mass of Iolair, the rushing noise of its pinions was as the prolonged suspiration of the sea. Beyond the forest of pines it swooped adown the strath, and raced up the narrow neck of the Pass of the Eagles, and leaped onward again athwart and over the slopes of Tornideon that, gigantic in swarthy gloom, stood over against Ben Iolair.

In the heart of the pinewoods it was meshed as in a net. The sighing of it through the green-gloom avenues, warm with the diffused ruddiness of the pine-bark, was as the sound of distant water falling from infrequent ledge to ledge in a mountain gorge. Intent by the fringe of the forest, or even upon the underslopes still flooded with afternoon sunlight, one might have heard its rising and falling sough as it bore downward beneath the weight of the branches, or slipped from bole to bole and round ancient girths.

Here and there a hollow was still as deep water. Not a sigh breathed upon the mossy ground, thickly covered in parts with cones and the myriad-shed needles of the pines. Not a murmur came from the spell-bound trees. The vast boughs hung motionless in the silent air. Sometimes the upper branches stirred, but while the shadow-haunted plumes ruffled as with a passing breath, it was with a slow, solemn, soundless rhythm.

In one of those sanctuaries of peace, where the forest was thinner and everywhere luminous with the flowing gold of the setting sun, a child danced blithely to and fro, often clapping her hands, but without word or sound, and with her wild-fawn eyes ceaselessly alert yet unquestioning and unsmiling.

In that solitary place she was doubly alone. No eyes were there to espy her, save those of the cushats and a thrush whose heart beat wildly against her callow brood. She was like the spirit of woodland loneliness: a lovely thing of fantasy that might recreate its beauty the next moment in a medley of sun-rays, or as a floating golden light about the green boles, or as a windflower swaying among the tree-roots with its own exquisite vibration of life. So elemental was she, then and there, that if she herself had passed into the rhythm of her rapt dance and so merged into the cadence of the wind among leaves and branches, or into the remoter murmuring of the mountain burns and of the white cataracts even then leaping into the sun-dazzle and seeming never to fall though for ever falling – if this change had been wrought, as the swift change from shadow-gloom to sun-gloom, nothing of it would have seemed unnatural. She was as absolutely one with nature as though she were a dancing sunbeam, or the brief embodiment of the joy of the wind.

As the child danced, a human mote in that vast area of sun-splashed woodland, the light flooded in upon her scanty and ragged dress of brown homespun, from which her arms and legs emerged as the white chestnut-buds from their sheaths of amber. Her skin was of the hue and smoothness of crudded cream, where not sunburnt to the brown of the wallflower. Dark as were her heavily lashed eyes, her hair, a mass of short curls creeping and twisting and leaping throughout a wild and tangled waviness, was of a wonderful white-like yellow, as of the sheen of wheat on a windy August noon or the strange amber-gold of the harvest-moon when rising through a sigh of mist. She was beautiful, but rather with the promise of beauty than beauty itself – as the bud of the moss-rose is lovely but has a fairer loveliness in fee. Though her face was pale, its honeysuckle-pallor was so wrought by the sun and wind that her cheeks had the glow of sunlit hill-water. In every line, in every contour of her body, in every movement, every pose, a beautiful untutored grace displayed itself. A glimpse of the secret of all this winsomeness opened at times in the eyes. These were full of a changing light. The "breath" was upon her: on her rhythmic limbs, on her flowing hair, on her parted lips.

To and fro, flickeringly as a leaf shadow, the small body tripped and leapt. Sometimes she raised her arms when with tossed-back head she sprang to one side or forward: sometimes she clapped her hands, and a smile for a moment dreamed rather than lay upon her face. But none seeing her could have thought she danced out of mere glee. No birdeen of laughter slipped from the little lips: the eyes had a steadfast intensity amid all their waywardness. Either the child was going through this fantastic byplay for some ulterior reason, or she was wrought by an ecstasy that could be expressed only in this way. Perhaps no one who had met a glance of those wildwood eyes could have doubted that she was rapt by an unconscious fantasy of rhythm.

A stillness had grown about the heart even of the patient mavis in the rowan beside the winding shadow-haunted pool, a few yards away from the spot where the child soundlessly danced. A clear call came from its mate ever and again: neither feared any longer this dancer in the sunset-shine. The cushats crooned unheedingly. In a glade above, a roe stood, gazing wonder-stricken: but after a restless pawing of the ground she lidded her unquiet eyes, and browsed contentedly under the fern.

Suddenly the dancer stopped. She stood in that exquisite poise of arrested motion which for a moment the wave has when it lifts its breast against the wind. Intently she listened: with eyes dilated and nostrils swiftly expanding and contracting, like any wild thing of the woodlands.

A voice, strangely harsh in its high, thin falsetto, resounded from the upper glades.

"Oona!"

The child smiled, relaxed from her intent attitude, and listlessly moved a step or two forward.

"Oona! Oona!! Oona!"

"It is Nial," she muttered. "I don't want him. I am tired of helping him to look for his soul."

The words came from her lips in smileless earnestness. To her, evidently, so fantastical a quest had nothing in it of surprise or strangeness.

The startled roe had already fled. The merest rustle of the bracken hinted the whither-away of its flight. Instinctively, Oona noticed the sound, and her eyes looked beyond a distant clump of pines in time to see a gleam of something brown leap out of and into the tall fern, as a seabird among green running billows.

Almost simultaneously she caught a glimpse of an uncouth dwarfish figure moving slowly through the pine-glades.

Swift as a bird to its covert she slipped into the dusk of the neighbouring savannah of bracken.

"Oona!"

The voice was nearer, but from its greater lift in the air the child knew that Nial had stopped, and was doubtless looking about him. She made no response. If the searcher were but ten yards away he would not have discovered her. No fox among the root crannies, no hare crouching low in her form, could have more easily evaded detection.

"Oona!"

The voice was now further away. Clearly Nial had turned westward, and was moving through the glade beyond the pool. Once more she heard the harsh, thin voice; but now it was crooning a song wherewith she was familiar, the words of which simulated the plaining of the wild-dove:

"Oona, Oona, mo ghraidh:Oona, Oona, mo ghraidh:Mùirnean, Mùirnean, Mùirnean,Oona, Oona, mo ghraidh!"

Then the silence closed in about her again. A relative silence, for she heard the hum of the brown bee drowsily fumbling to its nest under a bramble, the whir of the stag-moth, the innumerable indeterminate rustle and hum of the woodlands in summer. The cushats crooned ever and again, hushfully nestling amid the green dusk of the boughs. A fern-owl swooped through the glades, whence already the sunset light had vanished, and after every short flight it would poise on a pine-branch and emit its resonant whir. In the hollow where Oona lay there was still no breath of air; but overhead the wind stirred the plumes of every tree-crest, and its voice, vibrant, full of rising and falling flute-like calls, loudly surgent, haunting-sweet, was audible on all sides and beyond upon the uplands of Iolair.

The gloaming, creeping from under the bracken and down from amid the branches of the pines, had begun to fill the forest with veils of shadow. It was for this Oona had waited. Gently disparting the bracken, and, herself almost as insubstantial and soundless as a shadow, with one swift glance around her, she vanished into the darkness that involved the columnar pine-glades.

In the dim, fragrant May-bloom there seemed nothing astir save white moths, which flickered from bush to bush. The deer, if any were there, were resting; the roosting black-cock were as silent as the doves. The remoter dusk was full of the voices of the wind, but those distant aerial sounds were as the wings that fan the courts of Silence.

Shadow after shadow moved out of the twilight: soft velvety things, though intangible, that lay drowsily upon the boughs of the pines, or slipped after each other through the intricacies of the fern.

Round the pool were many of those lovely silent children of the dusk. Dim scores were massed under the branches, or crept among the willows. Some hung from the sprays of the birches, peering into the ominous blackness of the water underneath. Others, straight and intent, or all tremulous and wavering, stood among the reeds, the most sensitive of which had still a vague breath of sound. Many of these merged into the pool, but their ranks never thinned. By every reed stood a shadow, intent, inclined before a wind that blew not. Of all that passed into the water not one reached the star that gleamed and moved, and seemed to lift and fall in the heart of the pool. Not one crossed the faintly luminous semi-circle that lay upon the surface. Each sank down, down, till the star in the depths shone far above. But by the upper margins of the pool, where the pines ran steeply toward it, one shadow sat that did not waver, did not move, that grew darker and more dark, blackly distinct, though all around was blurred or fugitive.

The night advanced. The shadows moved onward before it, or were enveloped in its folds. Though in the forest no travelling susurrus was audible, the wind had arisen again upon the heights. Restless, forlorn, it lifted its wild wings from steep to steep. Its vibrant rise, its baffled fall, re-echoed faintly or dully. At times there was a thin, shrewd, infinitely remote whistling. This was the myriad air-spray of the wind driven through the spires of the heather.

With the second hour of the night the moon rose over the shoulder of Iolair. For a time a gold dust had glittered along the edges of the granite precipices. Then the summit of the mountain had gleamed like a vast bronze altar lit by hidden lamps. Suddenly, almost in a moment, a gigantic arm swung upward an immense globe of fire.

As the moon rose she emitted a more yellow flame. Downward a flood of orange glory poured upon the highest peaks – barren, scoriated, lifeless, but for the lichens that thrive upon snows and chill dews. The globe – in which, as in the sun, could be seen a whirling of light – rapidly diminished in size. Less portentous, it swung through space in an added loveliness. Serene, equable, its yellow glow spread over mountain and forest, down every broad strath, each grave-dark glen, down every straggling hillside corrie.

The coming of the moonbeams wrought a fantastic new life in the forest. The lightward boughs took on a proud armour. The branches moved against the night, mailed like serpents with moving scales of gold and silver.

When the first comers reached the pool they fell upon it with delight. Forward they leapt, and bathed their lovely golden bodies in the water, which held them to itself with joy. A score died to make a silver ripple, a hundred perished to fill every handsbreath of water as with melted ore. When a water-snake darted from the reeds and shot across the surface, its flight dissipated innumerable vibrations and delicate fugitive cup-like hollows and waverings, aureate or radiant with white fires. A few fish rose from the weeds and crevices, where they had lain like drifting leaves. When their fins shivered above the surface there was a momentary dazzle, as though a little flame of moonfire had fallen and for a moment flared unquenched.

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