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"There!" continued Josephine. "And this does not include the thought and worry she spends upon Mrs. J. Webb Johnston."
"And who, pray, is Mrs. J. Webb Johnston?" I asked.
"Her fascinating, deadly, and demoralizing rival," answered Josephine, with a mournful wag of the head. "I am really very sorry, my dear philosopher, that this fresh complication has appeared, for I really think your Mrs. Sherman had all she could attend to already. But I must be faithful to the truth, even though our cherished hopes are thereby frustrated. Mustn't I, philosopher?"
"Certainly," said I; "but since you instead of me seem to be writing this letter, I suggest that it is time to give our correspondents time to breathe by beginning a fresh paragraph."
To A Modern Woman with Social Ambitions. III
Just as you men – merchants, lawyers, or doctors – " pursued Josephine, reflectively, "deliberately or unconsciously contrast yourselves with your fellows in the same calling and become friendly rivals yet competitors for success and renown, it seems to be inevitable that the modern woman with social ambitions should keep her eye on other modern women with social ambitions and try to make sure that they do not get ahead of her. Your Mrs. Sherman, at the time the newspaper woman visited her, had reached the point where it would naturally occur to her to scan the horizon to observe how the other feminine celebrities of her environment were progressing, and her attention was especially called to the matter by the article on 'Progressive Women.' There she had the opportunity to behold them in their respective glories, and to be jealous of or indifferent to them, according to her judgment as to what each amounted to. It was an interesting list, and she experienced in perusing it, in conjunction with the portraits, some qualms of mild envy on account of several of the progressionists, but the only face and career which really discouraged her were the face and career of the woman I have referred to, Mrs. J. Webb Johnston, or, as every one calls her, Mrs. Webb Johnston.
"When she had finished she felt herself essentially on a par with the others; but in the case of Mrs. Webb Johnston she experienced a frog in her throat, and she looked into distance with a harassed air for more than five minutes. Mrs. Webb Johnston was not a stranger to her, but she was comparatively a novelty. That is, she had appeared on the social stage since Mrs. Sherman herself had become prominent, and had been making mushroom-like progress; such rapid progress in fact that it was only when she read the text of the article that she realized the extent of it. Then it came over her with a rush that she was in peril of being distanced on her own ground. For, to all intents and purposes, they were rivals. Their visiting lists were practically the same; they represented and appealed to the same constituency. In personal appearance she could not justly claim any superiority to Mrs. Webb, who was at least three years her junior in age, and who possessed a certain luscious, Juno-like beauty which was calculated, without question, to dazzle undiscriminating eyes, and which would not be regarded except by the very subtle as inferior in type to her own refined effectiveness. Yes, there was no doubt about Mrs. Webb's physical charms, or her great executive ability, or her enthusiastic devotion to the entire range of interests over which she herself was aiming to hold undisputed sway. Her own ambition was to be the guiding spirit, the modern, original social force above all other modern social forces in her constituency; yet here was another with an evidently similar ambition, and a war-cry or shibboleth which was disconcertingly fetching. I trust you have appreciated, philosopher, that our Mrs. Sherman (I am really sorry for her now, so I call her 'our'), from the very first, has been decorously conservative in her point of view, eschewing cheap and vagabond devices and adhering to elegant and appropriately conventional usages, such as seemed to befit a conscientious woman eager to lead public opinion. If dignified conservatism has been her ruling motive, you will readily appreciate that it would disturb her to find that a Bohemian looseness of social vision distinguished her rival, who had been working her way to the front by the specious cry of 'liberty,' and a seductively expressed intention of freeing the community from the manacles of old fogy conventions. I am sure you will agree, philosopher, that it is natural she should have been worried, or, at least, distracted from settling down to her 'Art in Humble Homes' by this discovery. And investigation and reflection only serve to agitate her still further; for, as the weeks go by, it becomes more and more obvious that the things indicated in the article are true – that Mrs. Webb Johnston is hand in glove with authors, actors, opera-singers, and other celebrities, and that the entertainments which she gives and the conversation heard there lack the dull, cut-and-dried, mechanical flavor observable at ordinary social gatherings. You see the situation, don't you, dear?"
(As Josephine's prophecy has assumed an essay-like or argumentative form, it does not seem to me advisable to interrupt its flow for my correspondents by reciting our side observations, unless they would be material or elucidating. Although her appropriation of my Mrs. Sherman has proved to be a kidnapping of a very serious character, and her conversation is bracketed as a "note," still her remarks seem to me so pertinent that I am prepared to adopt them as a part of my letter.)
"The most perplexing thing, philosopher, for a modern woman with social ambitions who wishes to emulate Madame Récamier or Madame de Staël, is that we have no standards in this country. Public opinion is the only test of conduct. The progressive woman is expected on the one hand to be original, and yet on the other to guide correctly, and public opinion reserves the right to follow blindly and to applaud egregiously and afterward to condemn the leaders whom it has flattered into folly. An ambitious woman (or a man, for the matter of that) needs to-day a clear head, a high sense of responsibility, and a sense of humor if she or he would avoid being led astray by the will-o'-the-wisp crew of surface society livers which pursues talent and originality only to be amused, and who, provided it is amused, forgives everything else, and eggs the performer on to believe that its shallow approval is the real verdict of society. This crew, brought into being by mere wealth, lacking purpose and sneering at it if it threatens to interfere with the progress of the merry-go-round, and backed by the army of society reporters and tittle-tattlers, is a growing factor in our large cities and serves to debauch public sentiment by more and more audacious or frivolous ventures concerning the orthodoxy of which it claims to be the only intelligent judge. We are accustomed to sneer at the formal and confining conventions of older civilizations on the ground that liberty of action is thereby checked and life made artificial, but are we not beginning to discover that there are advantages in a definite prescription as to what gentlemen and ladies can do as compared with a happy-go-lucky system of individual competition in social experiments which, however vulgar and demoralizing, are invariably puffed and glorified by the social gossip editors of a host of newspapers? The subsequent course of Mrs. Sherman's career is an illustration of the plight in which a modern woman with social ambitions is liable to find herself as a result of the democratic habit of constituting the half-educated and often morally obtuse society reporter, her successors and assigns, the sole arbiter of what is socially elegant and invigorating.
"Setting aside the matter of the ethics of her egotism, our lady in question is animated by a conscientious desire to be a refining and admirable influence. It is her ambition to lead, but to lead nobly and unimpeachably. Her entertainments and her posture in and toward society have been pursued on this principle, and she has believed the effect produced by her to be irreproachable intellectual elegance, redeemed from formalism or dullness by scintillating vivacity. The suggestion, therefore, that she is behind the times gives her a genuine shock. She has hitherto prided herself on her mental acumen and on her knowingness. She has considered that she knew life to the dregs, so to speak, for she had passed through a course of French, and translated Russian novels, and acquired thereby a knowledge of things evil, which she kept stored in her inner consciousness as a source of pride and an antidote against undue primness in matters sexual and social. She begins to ask herself if it can possibly be true that she is an old fogy, and lacks breadth of view, and that society in its demands for liberty of conduct and agreeable entertainment is prepared to discard, as outworn and futile, conventions and limitations which she has been disposed to consider essential to civilized and decent deportment. As the result of this reasoning she resolves to cap her rival's next venture with something of her own. So it happens that not long after Mrs. Webb Johnston has summoned a few select spirits to sup and witness Miss Almira Wing, a visiting coryphée, do a skirt dance, Mrs. Sherman issues notes of invitation to what is mysteriously specified as 'An Eclipse Smoke Talk.' This proves to be a small gathering of choice souls to observe a total eclipse of the moon due at two o'clock in the morning from her own roof, and to listen to remarks by a leading astronomer secured for the occasion. This entertainment is a success, and serves to give her new heart. It was bold, still decent. She has preserved her self-respect, yet shown herself alive to the necessity of being original. She is prompt to reinforce it by an evening with a Russian Nihilist, a young woman reputed to have been prominent in plots to assassinate the Czar, and who makes a specialty of narrating her experiences after a Welsh rabbit, cigarette in mouth. Naturally, these enterprises spur Mrs. Webb Johnston to fresh efforts of the imagination. Her guests are beguiled at her next evening by a paper on 'Life among the Mormons,' delivered by one of the early female disciples of that community. No men are invited on this occasion. A fortnight later a very small and secretly invited company are bidden to behold an exhibition of the vagaries of a hypnotic patient.
"This enlargement of her horizon, though stimulating, puts Mrs. Sherman on tenter-hooks. It becomes necessary for her to keep accurately posted as to the comings of celebrities in order to get the first 'go' at them, so to speak, before they fall into the clutches of her rival. As a consequence, aspirants in every line of art or accomplishment who desire to win the patronage of the public ask for the use of her name and receive it. She had been nervous and over-occupied before, but now her days are passed in a ferment. She has recourse to tonics and to sleeping draughts. She feels elated at the success of her enfranchisement, but a feverish interest as to what Mrs. Webb Johnston will do next keeps her uneasy. Nor has she forgotten her serious intentions. She tries to assure herself that her progressiveness is for the benefit of society, and that she is leading it in noble directions. She still retains her scruples. She draws the line on women celebrities of unchaste life. In this she refuses to be led astray by her rival's practices. Mrs. Webb Johnston's openly avowed theory had been that where art was concerned, she chose to ask no questions. Accordingly, she took to her bosom, socially, any one who was brilliant or attractive; and every notoriously erotic actress, singer, dancer, or other artist whose talent had caught the public fancy was invited to her house, and became privileged on very short acquaintance to kiss her and call her by her first name.
"Mrs. Sherman's conscience obliges her to draw this line, but she is conscious that it is an inconvenience to do so, which puts her at a disadvantage. Mrs. Webb Johnston has merely to swoop down on the hotel, or insinuate herself behind the scenes, and offer her visiting card, and presently her cheek, in order to carry off the prize. She cannot but feel that there are advantages in the Bohemian democratic point of view which asks no questions, but takes the good without heeding the ill.
"By refusing social recognition to women whose private characters are disreputable, she is shutting herself off from alluring friendships with sopranos, contraltos, tragediennes, skirt-dancers, music-hall singers, and many other brilliant and fascinating creatures whose presence at her house could not fail to make her entertainments interesting to her guests. All these women are sought out and cherished by Mrs. Webb Johnston.
"The old adage that there are other ways of killing a cat than choking her with cream, comes pertinently to mind in this connection. Conscience is apt to be a tyrant if deliberately overridden, but it may be hoodwinked with comparative complacency. Mrs. Sherman remains true to her principle of excluding meretricious characters from social intercourse with her guests, but she reserves to herself the right of passing on the evidence. Seeing that she had read Madame Bovary and Anna Karénina, was she not amply qualified to detect immorality at first blush? That seemed to be almost an essential attribute of a modern woman with social ambitions.
"The occasion for putting into practice this prerogative was not far to seek. The arrival from Europe of one of the most brilliant of the galaxy of foreign actresses brings her heart into her mouth. She reads eagerly everything which the newspapers have to say about her, and naturally finds nothing there suggestive of impropriety. She buys and scans photographs, and these merely serve to heighten the ideal estimate which has shaped itself in her mind. She refuses to entertain sundry rumors which have reached her to the effect that the lady in question has been successively maintained by a French marquis, and a Russian banker, and was at present reputed to be on unduly intimate terms with the famous leading man of her own troupe. To the person who has confided to her these whisperings she answers, 'I don't believe a word of it,' and then adds, significantly, 'Wait.' The person is a man, and he shrugs his shoulders. But her soul is jubilant in its faith and in the hope that at last she has found a way to compete with Mrs. Webb Johnston.
"On the day when the actress arrives in town Mrs. Sherman goes to see her. The meeting is by appointment at ten o'clock in the morning, and lasts more than two hours. They come down-stairs together with the mien of happy sisters. Mrs. Sherman's face wears a seraphic smile. Her carriage is in waiting, and in it they are driven to her home for luncheon, and on the same evening cards are issued for an after-theatre supper-party as a preliminary announcement of impending festivities. She sends for the man who told her the rumors, and in a triumphant tone says, 'My friend, your stories are untrue; I have been to headquarters. I have seen her and asked her, and she has assured me, with tears in her eyes, that they are a wicked falsehood – a malicious, baseless slander.'
"'Surely,' says the man, 'she ought to know,' and then he shrugs his shoulders again, a caustic act which, though done as a friend, provokes Mrs. Sherman to anger, and puts a chasm between them.
"On this day the cat is killed, and yet the cream is saved. True to her principles, Mrs. Sherman still bars her doors against the wanton, yet never fails to convince herself that she is an infallible judge of virtue. If there are rumors and whisperings in advance, she invariably takes the bull, or, more accurately speaking, the heifer, by the horns and puts the inquiry. The answer settles the matter. It becomes a veritable 'open sesame' to her entertainments and her friendship. She shows herself in public with her arm, metaphorically and literally, around the waist of women whom all men know to be unchaste and living in violation of social laws. They kiss and talk poetry and art and philosophy, and her face gleams with the consciousness of new importance and the realization of her ambition.
"Mrs. Sherman has now reached the point where she feels that she can fairly regard herself as the most busily progressive woman of her community. She has a finger in every pie, literary, artistic, philanthropic, educational, and what not. She is always in a hurry, and she does nothing thoroughly. Her ideas jostle against each other in their promiscuity, and become all jumbled together in her consciousness. Her time is so occupied that when she is doing one thing and talking to one person, some other thing or person is in her mind, though her social skill often enables her to conceal the fact. Her life is one continuous series of kaleidoscopic sensations and emotions without system or result. She is ostensibly a leader, but her leadership suggests only ceaseless activity and indiscriminate, superficial posings and vanities. Her nerves are kept in a constant state of tension by breathless comings and goings, her digestion perpetually tried by the viands of festivities. Nor is her conscience satisfied. A vague unrest pursues her still, torturing her by insinuations of her own utter futility, yet goading her on to fresh efforts. She presently becomes a wreck morally, mentally, and physically, though she preserves a bold front to the world, until one day the news is flashed upon a busy public that she has died suddenly from 'heart failure' following an attack of pneumonia. The physician in attendance shakes his head when asked to give assurance of her recovery. He possesses an instinctive knowledge that she has kept her vitality keyed up to concert pitch by antipyrine, phenacetine, and the other drugs to the use of which modern progressive women are addicted. And so no more of Mrs. Alexander Sherman.
"Of course," continued Josephine, "it was not strictly necessary to kill her. The constitutions of some progressive women seem to be proof against anything. But the chances were in favor of her death. And if the poor thing had lived, what hope was there for anything but a vapid old age, haunted by visions of her decreasing notoriety? And the strangest part of all is that when I began with her I felt hopeful that she would amount to something. The laws of evolution are not to be trifled with, however, even by the wives of philosophers."
To A Modern Woman with Social Ambitions. IV
I feel confident that my correspondent, Number 4, a wife thoroughly happy in the wedded state, will appreciate that there was nothing personal in Josephine's portrayal of Mrs. Alexander Sherman's career. It seems to me that it presents, more clearly than any arguments or words of mine could do, the perils of egotism and superficiality, and that I need not further indicate to my correspondents that to do a little of everything and nothing thoroughly, to be so eager for individuality or notoriety that one is ready to be led instead of to lead, and to discard social canons on the plea of liberty or superior feminine acuteness, will produce a nervous, emotional, gibbering type of character adapted to cause Madame de Staël or Madame Récamier to turn in her grave. Neither you, Number 4, nor Number 5, the radiant, able-bodied spinster, haughtily unconcerned about love and lovers, need fear any detriment to your souls or to your social progress as a consequence of doing some one or two things well, and of refusing to sacrifice your self-respect to the urgency of cheap substitutes for refinement and elegance. Certainly, thoroughness and delicacy of thought and sentiment are essential to the modern woman who would be socially effective in the best sense.
Let me here state that I am entirely conscious that it is not a prerequisite to earnest living to be socially effective at all. One can pursue one's occupation, be it house-keeping, school teaching, scientific philanthropy, or novel writing without taking any part in what is known as society, and still be respectable and worthy in character. Yet if every woman were simply to eat her three meals a day, sleep, be affectionate to her family, reasonably charitable, and do her daily task, the world would lose much of its vivacity, color, and æsthetic interest. As the world is at present constituted the greater mass of human beings, both male and female, are shut off from participation in society in its narrower sense. Their means, their manner of living, and their tastes confine them to very simple or else to very coarse social diversions. Hence we are accustomed to read in the newspapers of "society people," as a term of reproach indicating that portion of the population which cultivates the social or æesthetic side of nature in its leisure hours. The demagogic force of the term is derived from the undeniable existence of a surface element of society, which has been and is still apt to conduct itself in such a manner as to subject itself justly to the charge of frivolity and extravagance. But the unthinking extend its application to the cultivated and intelligent many, who in all countries constitute the best force of the community. Society in this better sense must always exist, and, although the woman who holds herself aloof from it may not be distinctly culpable, there can be no question that those who succeed in participating in the social interests open to them, without neglecting or allowing them to obscure sterner pursuits, live finer and more serviceable lives than those who pass all their hours of relaxation by the chimney-corner, either because they fancy that essential to comfort or because they choose to despise what they call, with a virtuous inflection, "society."
This may sound elementary, but I present it as a premise to which is to follow. You, my correspondents, are ambitious to progress socially, yet doubtless you are not altogether impervious to the seductive suggestion that social interests are hollow and unprofitable. For instance, I feel sure that you, Number 5, the radiant, able-bodied spinster, haughtily unconcerned about love and lovers, feels the pressure of the times, and would regard the life of a Madame de Staël or a Madame Récamier, however brilliant or picturesque, as at variance with modern theories of social utility. I hear you making some such representation as this, which is merely an enlargement of the letter you wrote me: "Here am I, a young woman of some means, without family responsibilities or other demands upon my time. I have no prejudice against marriage; indeed, I earnestly hope to meet some day, some man who will love me and whom I may love, and whose wife I may become; but as I am no longer so young as I was once, being nearly thirty, I have no intention of bothering my head about the subject further, and so put it aside as a contingency. I have no special talent; that is, I never could accomplish anything unusual with my voice, my pen, or a brush. I have taken, and I do take, a strong interest in charitable enterprise and investigation. I belong to philanthropic societies, and it has more than once occurred to me to join a college settlement and live among the poor. I have friends who do that; but I do not feel a special fitness for the work. Nor am I sure that, however valuable that experience may be as a form of loving service to the people one hopes to influence, it can be other than episodic and limited to the individuals who are conscious of the need or of the inspiration. I am painfully aware of the dissipations and vanities of fashionable people, in many of which I have taken part myself, and have no desire to be merely a frivolous devotee of social amusements. And yet I feel sure that the social side is no less genuine in its claims upon us than any other. It seems to me that I might interest myself socially, but I am puzzled by the intricacies of the situation. It is so difficult to be democratic in one's sympathies and yet maintain the old standards of elegance and refinement. To be socially effective one ought to be in touch with modern social tendencies and yet be true to the finest instincts of aspiring womanhood. What can one do to realize this?"
That is, I believe, a clear presentation of your state of mind and its dilemma. Having read of the vicissitudes of Mrs. Alexander Sherman, you have probably a more distinct idea of what you ought not to do; but would have a right to argue that a mere warning loses half its force unless a substitute be supplied. To begin with, you are correct in your assumption – you see I credit you with a considerable intelligence – that if you hope to be effective you must not be content with mere aristocratic elegance. That is a requisite which will gain you a standing within certain narrow limits, and if cleverly cherished, may bring you a surface reputation which the society newspapers will vie with each other to enhance. The acquirement of mere fine ladyism is going on actively in our society, and though it has not turned the heads of so many American women as its opposite, superficial democratic smartness, it seems too apt to fill the breasts of its votaries with a pleasing self-satisfaction, which no suggestion that the gift is not original serves to disturb. It is a product of and inheritance from the older civilizations, and in its most precious but not its exaggerated form, is absolutely essential to the most highly evolved womanhood. A fringe of our people in the North and in the South, and latterly in the West, has always insisted on and cultivated it, generally with much credit, and has thereby evoked the taunt that they were out of sympathy with the institutions of the country. That has been far less true than demagogues would have us believe, but there has been enough truth in it, and there is still enough truth in it to put our well-bred class – "society people," as they are called – on their guard against themselves. There is certainly nothing essentially American in conventional fine manners and in the conventional social tone which people of breeding the world over cultivate, and where these are the possessor's chief or only title to superiority, and are worn as such, there is room for the sneer that he or she is not an American at heart.