Four Short Stories By Emile Zola

“I see him,” said she sharply. “Oh, what a mug!”

Horrified, Bordenave had much ado not to give her a kick. But the prince smiled and looked pleased and excited by the remark. He gazed warmly at the little woman who did not care a button for His Highness, and she, on her part, laughed unblushingly. Bordenave, however, persuaded the prince to follow him. Muffat was beginning to perspire; he had taken his hat off. What inconvenienced him most was the stuffy, dense, overheated air of the place with its strong, haunting smell, a smell peculiar to this part of a theater, and, as such, compact of the reek of gas, of the glue used in the manufacture of the scenery, of dirty dark nooks and corners and of questionably clean chorus girls. In the passage the air was still more suffocating, and one seemed to breathe a poisoned atmosphere, which was occasionally relieved by the acid scents of toilet waters and the perfumes of various soaps emanating from the dressing rooms. The count lifted his eyes as he passed and glanced up the staircase, for he was well-nigh startled by the keen flood of light and warmth which flowed down upon his back and shoulders. High up above him there was a clicking of ewers and basins, a sound of laughter and of people calling to one another, a banging of doors, which in their continual opening and shutting allowed an odor of womankind to escape – a musky scent of oils and essences mingling with the natural pungency exhaled from human tresses. He did not stop. Nay, he hastened his walk: he almost ran, his skin tingling with the breath of that fiery approach to a world he knew nothing of.

“A theater’s a curious sight, eh?” said the Marquis de Chouard with the enchanted expression of a man who once more finds himself amid familiar surroundings.

But Bordenave had at length reached Nana’s dressing room at the end of the passage. He quietly turned the door handle; then, cringing again:

“If His Highness will have the goodness to enter – ”

They heard the cry of a startled woman and caught sight of Nana as, stripped to the waist, she slipped behind a curtain while her dresser, who had been in the act of drying her, stood, towel in air, before them.

“Oh, it IS silly to come in that way!” cried Nana from her hiding place. “Don’t come in; you see you mustn’t come in!”

Bordenave did not seem to relish this sudden flight.

“Do stay where you were, my dear. Why, it doesn’t matter,” he said. “It’s His Highness. Come, come, don’t be childish.”

And when she still refused to make her appearance – for she was startled as yet, though she had begun to laugh – he added in peevish, paternal tones:

“Good heavens, these gentlemen know perfectly well what a woman looks like. They won’t eat you.”

“I’m not so sure of that,” said the prince wittily.

With that the whole company began laughing in an exaggerated manner in order to pay him proper court.

“An exquisitely witty speech – an altogether Parisian speech,” as Bordenave remarked.

Nana vouchsafed no further reply, but the curtain began moving. Doubtless she was making up her mind. Then Count Muffat, with glowing cheeks, began to take stock of the dressing room. It was a square room with a very low ceiling, and it was entirely hung with a light-colored Havana stuff. A curtain of the same material depended from a copper rod and formed a sort of recess at the end of the room, while two large windows opened on the courtyard of the theater and were faced, at a distance of three yards at most, by a leprous-looking wall against which the panes cast squares of yellow light amid the surrounding darkness. A large dressing glass faced a white marble toilet table, which was garnished with a disorderly array of flasks and glass boxes containing oils, essences and powders. The count went up to the dressing glass and discovered that he was looking very flushed and had small drops of perspiration on his forehead. He dropped his eyes and came and took up a position in front of the toilet table, where the basin, full of soapy water, the small, scattered, ivory toilet utensils and the damp sponges, appeared for some moments to absorb his attention. The feeling of dizziness which he had experienced when he first visited Nana in the Boulevard Haussmann once more overcame him. He felt the thick carpet soften under foot, and the gasjets burning by the dressing table and by the glass seemed to shoot whistling flames about his temples. For one moment, being afraid of fainting away under the influence of those feminine odors which he now re-encountered, intensified by the heat under the low-pitched ceiling, he sat down on the edge of a softly padded divan between the two windows. But he got up again almost directly and, returning to the dressing table, seemed to gaze with vacant eyes into space, for he was thinking of a bouquet of tuberoses which had once faded in his bedroom and had nearly killed him in their death. When tuberoses are turning brown they have a human smell.

“Make haste!” Bordenave whispered, putting his head in behind the curtain.

The prince, however, was listening complaisantly to the Marquis de Chouard, who had taken up a hare’s-foot on the dressing table and had begun explaining the way grease paint is put on. In a corner of the room Satin, with her pure, virginal face, was scanning the gentlemen keenly, while the dresser, Mme Jules by name, was getting ready Venus’ tights and tunic. Mme Jules was a woman of no age. She had the parchment skin and changeless features peculiar to old maids whom no one ever knew in their younger years. She had indeed shriveled up in the burning atmosphere of the dressing rooms and amid the most famous thighs and bosoms in all Paris. She wore everlastingly a faded black dress, and on her flat and sexless chest a perfect forest of pins clustered above the spot where her heart should have been.

“I beg your pardon, gentlemen,” said Nana, drawing aside the curtain, “but you took me by surprise.”

They all turned round. She had not clothed herself at all, had, in fact, only buttoned on a little pair of linen stays which half revealed her bosom. When the gentlemen had put her to flight she had scarcely begun undressing and was rapidly taking off her fishwife’s costume. Through the opening in her drawers behind a corner of her shift was even now visible. There she stood, bare-armed, bare-shouldered, bare-breasted, in all the adorable glory of her youth and plump, fair beauty, but she still held the curtain with one hand, as though ready to draw it to again upon the slightest provocation.

“Yes, you took me by surprise! I never shall dare – ” she stammered in pretty, mock confusion, while rosy blushes crossed her neck and shoulders and smiles of embarrassment played about her lips.

“Oh, don’t apologize,” cried Bordenave, “since these gentlemen approve of your good looks!”

But she still tried the hesitating, innocent, girlish game, and, shivering as though someone were tickling her, she continued:

“His Highness does me too great an honor. I beg His Highness will excuse my receiving him thus – ”

“It is I who am importunate,” said the prince, “but, madame, I could not resist the desire of complimenting you.”

Thereupon, in order to reach her dressing table, she walked very quietly and just as she was through the midst of the gentlemen, who made way for her to pass.

She had strongly marked hips, which filled her drawers out roundly, while with swelling bosom she still continued bowing and smiling her delicate little smile. Suddenly she seemed to recognize Count Muffat, and she extended her hand to him as an old friend. Then she scolded him for not having come to her supper party. His Highness deigned to chaff Muffat about this, and the latter stammered and thrilled again at the thought that for one second he had held in his own feverish clasp a little fresh and perfumed hand. The count had dined excellently at the prince’s, who, indeed, was a heroic eater and drinker. Both of them were even a little intoxicated, but they behaved very creditably. To hide the commotion within him Muffat could only remark about the heat.

“Good heavens, how hot it is here!” he said. “How do you manage to live in such a temperature, madame?”

And conversation was about to ensue on this topic when noisy voices were heard at the dressing-room door. Bordenave drew back the slide over a grated peephole of the kind used in convents. Fontan was outside with Prulliere and Bosc, and all three had bottles under their arms and their hands full of glasses. He began knocking and shouting out that it was his patron saint’s day and that he was standing champagne round. Nana consulted the prince with a glance. Eh! Oh dear, yes! His Highness did not want to be in anyone’s way; he would be only too happy! But without waiting for permission Fontan came in, repeating in baby accents:

“Me not a cad, me pay for champagne!”

Then all of a sudden he became aware of the prince’s presence of which he had been totally ignorant. He stopped short and, assuming an air of farcical solemnity, announced:

“King Dagobert is in the corridor and is desirous of drinking the health of His Royal Highness.”

The prince having made answer with a smile, Fontan’s sally was voted charming. But the dressing room was too small to accommodate everybody, and it became necessary to crowd up anyhow, Satin and Mme Jules standing back against the curtain at the end and the men clustering closely round the half-naked Nana. The three actors still had on the costumes they had been wearing in the second act, and while Prulliere took off his Alpine admiral’s cocked hat, the huge plume of which would have knocked the ceiling, Bosc, in his purple cloak and tinware crown, steadied himself on his tipsy old legs and greeted the prince as became a monarch receiving the son of a powerful neighbor. The glasses were filled, and the company began clinking them together.

“I drink to Your Highness!” said ancient Bosc royally.

“To the army!” added Prulliere.

“To Venus!” cried Fontan.

The prince complaisantly poised his glass, waited quietly, bowed thrice and murmured:

“Madame! Admiral! Your Majesty!”

Then he drank it off. Count Muffat and the Marquis de Chouard had followed his example. There was no more jesting now – the company were at court. Actual life was prolonged in the life of the theater, and a sort of solemn farce was enacted under the hot flare of the gas. Nana, quite forgetting that she was in her drawers and that a corner of her shift stuck out behind, became the great lady, the queen of love, in act to open her most private palace chambers to state dignitaries. In every sentence she used the words “Royal Highness” and, bowing with the utmost conviction, treated the masqueraders, Bosc and Prulliere, as if the one were a sovereign and the other his attendant minister. And no one dreamed of smiling at this strange contrast, this real prince, this heir to a throne, drinking a petty actor’s champagne and taking his ease amid a carnival of gods, a masquerade of royalty, in the society of dressers and courtesans, shabby players and showmen of venal beauty. Bordenave was simply ravished by the dramatic aspects of the scene and began dreaming of the receipts which would have accrued had His Highness only consented thus to appear in the second act of the Blonde Venus.

“I say, shall we have our little women down?” he cried, becoming familiar.

Nana would not hear of it. But notwithstanding this, she was giving way herself. Fontan attracted her with his comic make-up. She brushed against him and, eying him as a woman in the family way might do when she fancies some unpleasant kind of food, she suddenly became extremely familiar:

“Now then, fill up again, ye great brute!”

Fontan charged the glasses afresh, and the company drank, repeating the same toasts.

“To His Highness!”

“To the army!”

“To Venus!”

But with that Nana made a sign and obtained silence. She raised her glass and cried:

“No, no! To Fontan! It’s Fontan’s day; to Fontan! To Fontan!”

Then they clinked glasses a third time and drank Fontan with all the honors. The prince, who had noticed the young woman devouring the actor with her eyes, saluted him with a “Monsieur Fontan, I drink to your success!” This he said with his customary courtesy.

But meanwhile the tail of his highness’s frock coat was sweeping the marble of the dressing table. The place, indeed, was like an alcove or narrow bathroom, full as it was of the steam of hot water and sponges and of the strong scent of essences which mingled with the tartish, intoxicating fumes of the champagne. The prince and Count Muffat, between whom Nana was wedged, had to lift up their hands so as not to brush against her hips or her breast with every little movement. And there stood Mme Jules, waiting, cool and rigid as ever, while Satin, marveling in the depths of her vicious soul to see a prince and two gentlemen in black coats going after a naked woman in the society of dressed-up actors, secretly concluded that fashionable people were not so very particular after all.

But Father Barillot’s tinkling bell approached along the passage. At the door of the dressing room he stood amazed when he caught sight of the three actors still clad in the costumes which they had worn in the second act.

“Gentlemen, gentlemen,” he stammered, “do please make haste. They’ve just rung the bell in the public foyer.”

“Bah, the public will have to wait!” said Bordenave placidly.

However, as the bottles were now empty, the comedians went upstairs to dress after yet another interchange of civilities. Bosc, having dipped his beard in the champagne, had taken it off, and under his venerable disguise the drunkard had suddenly reappeared. His was the haggard, empurpled face of the old actor who has taken to drink. At the foot of the stairs he was heard remarking to Fontan in his boozy voice:

“I pulverized him, eh?”

He was alluding to the prince.

In Nana’s dressing room none now remained save His Highness, the count and the marquis. Bordenave had withdrawn with Barillot, whom he advised not to knock without first letting Madame know.

“You will excuse me, gentlemen?” asked Nana, again setting to work to make up her arms and face, of which she was now particularly careful, owing to her nude appearance in the third act.

The prince seated himself by the Marquis de Chouard on the divan, and Count Muffat alone remained standing. In that suffocating heat the two glasses of champagne they had drunk had increased their intoxication. Satin, when she saw the gentlemen thus closeting themselves with her friend, had deemed it discreet to vanish behind the curtain, where she sat waiting on a trunk, much annoyed at being compelled to remain motionless, while Mme Jules came and went quietly without word or look.

“You sang your numbers marvelously,” said the prince.

And with that they began a conversation, but their sentences were short and their pauses frequent. Nana, indeed, was not always able to reply. After rubbing cold cream over her arms and face with the palm of her hand she laid on the grease paint with the corner of a towel. For one second only she ceased looking in the glass and smilingly stole a glance at the prince.

“His Highness is spoiling me,” she murmured without putting down the grease paint.

Her task was a complicated one, and the Marquis de Chouard followed it with an expression of devout enjoyment. He spoke in his turn.

“Could not the band accompany you more softly?” he said. “It drowns your voice, and that’s an unpardonable crime.”

This time Nana did not turn round. She had taken up the hare’s-foot and was lightly manipulating it. All her attention was concentrated on this action, and she bent forward over her toilet table so very far that the white round contour of her drawers and the little patch of chemise stood out with the unwonted tension. But she was anxious to prove that she appreciated the old man’s compliment and therefore made a little swinging movement with her hips.

Silence reigned. Mme Jules had noticed a tear in the right leg of her drawers. She took a pin from over her heart and for a second or so knelt on the ground, busily at work about Nana’s leg, while the young woman, without seeming to notice her presence, applied the rice powder, taking extreme pains as she did so, to avoid putting any on the upper part of her cheeks. But when the prince remarked that if she were to come and sing in London all England would want to applaud her, she laughed amiably and turned round for a moment with her left cheek looking very white amid a perfect cloud of powder. Then she became suddenly serious, for she had come to the operation of rouging. And with her face once more close to the mirror, she dipped her finger in a jar and began applying the rouge below her eyes and gently spreading it back toward her temples. The gentlemen maintained a respectful silence.

Count Muffat, indeed, had not yet opened his lips. He was thinking perforce of his own youth. The bedroom of his childish days had been quite cold, and later, when he had reached the age of sixteen and would give his mother a good-night kiss every evening, he used to carry the icy feeling of the embrace into the world of dreams. One day in passing a half-open door he had caught sight of a maidservant washing herself, and that was the solitary recollection which had in any way troubled his peace of mind from the days of puberty till the time of marriage. Afterward he had found his wife strictly obedient to her conjugal duties but had himself felt a species of religious dislike to them. He had grown to man’s estate and was now aging, in ignorance of the flesh, in the humble observance of rigid devotional practices and in obedience to a rule of life full of precepts and moral laws. And now suddenly he was dropped down in this actress’s dressing room in the presence of this undraped courtesan.

He, who had never seen the Countess Muffat putting on her garters, was witnessing, amid that wild disarray of jars and basins and that strong, sweet perfume, the intimate details of a woman’s toilet. His whole being was in turmoil; he was terrified by the stealthy, all-pervading influence which for some time past Nana’s presence had been exercising over him, and he recalled to mind the pious accounts of diabolic possession which had amused his early years. He was a believer in the devil, and, in a confused kind of way, Nana was he, with her laughter and her bosom and her hips, which seemed swollen with many vices. But he promised himself that he would be strong – nay, he would know how to defend himself.

“Well then, it’s agreed,” said the prince, lounging quite comfortably on the divan. “You will come to London next year, and we shall receive you so cordially that you will never return to France again. Ah, my dear Count, you don’t value your pretty women enough. We shall take them all from you!”

“That won’t make much odds to him,” murmured the Marquis de Chouard wickedly, for he occasionally said a risky thing among friends. “The count is virtue itself.”

Hearing his virtue mentioned, Nana looked at him so comically that Muffat felt a keen twinge of annoyance. But directly afterward he was surprised and angry with himself. Why, in the presence of this courtesan, should the idea of being virtuous embarrass him? He could have struck her. But in attempting to take up a brush Nana had just let it drop on the ground, and as she stooped to pick it up he rushed forward. Their breath mingled for one moment, and the loosened tresses of Venus flowed over his hands. But remorse mingled with his enjoyment, a kind of enjoyment, moreover, peculiar to good Catholics, whom the fear of hell torments in the midst of their sin.

At this moment Father Barillot’s voice was heard outside the door.

“May I give the knocks, madame? The house is growing impatient.”

“All in good time,” answered Nana quietly.

She had dipped her paint brush in a pot of kohl, and with the point of her nose close to the glass and her left eye closed she passed it delicately along between her eyelashes. Muffat stood behind her, looking on. He saw her reflection in the mirror, with her rounded shoulders and her bosom half hidden by a rosy shadow. And despite all his endeavors he could not turn away his gaze from that face so merry with dimples and so worn with desire, which the closed eye rendered more seductive. When she shut her right eye and passed the brush along it he understood that he belonged to her.

“They are stamping their feet, madame,” the callboy once more cried. “They’ll end by smashing the seats. May I give the knocks?”

“Oh, bother!” said Nana impatiently. “Knock away; I don’t care! If I’m not ready, well, they’ll have to wait for me!”

She grew calm again and, turning to the gentlemen, added with a smile:

“It’s true: we’ve only got a minute left for our talk.”

Her face and arms were now finished, and with her fingers she put two large dabs of carmine on her lips. Count Muffat felt more excited than ever. He was ravished by the perverse transformation wrought by powders and paints and filled by a lawless yearning for those young painted charms, for the too-red mouth and the too-white face and the exaggerated eyes, ringed round with black and burning and dying for very love. Meanwhile Nana went behind the curtain for a second or two in order to take off her drawers and slip on Venus’ tights. After which, with tranquil immodesty, she came out and undid her little linen stays and held out her arms to Mme Jules, who drew the short-sleeved tunic over them.

“Make haste; they’re growing angry!” she muttered.

The prince with half-closed eyes marked the swelling lines of her bosom with an air of connoisseurship, while the Marquis de Chouard wagged his head involuntarily. Muffat gazed at the carpet in order not to see any more. At length Venus, with only her gauze veil over her shoulders, was ready to go on the stage. Mme Jules, with vacant, unconcerned eyes and an expression suggestive of a little elderly wooden doll, still kept circling round her. With brisk movements she took pins out of the inexhaustible pincushion over her heart and pinned up Venus’ tunic, but as she ran over all those plump nude charms with her shriveled hands, nothing was suggested to her. She was as one whom her sex does not concern.

“There!” said the young woman, taking a final look at herself in the mirror.

Bordenave was back again. He was anxious and said the third act had begun.

“Very well! I’m coming,” replied Nana. “Here’s a pretty fuss! Why, it’s usually I that waits for the others.”

The gentlemen left the dressing room, but they did not say good-by, for the prince had expressed a desire to assist behind the scenes at the performance of the third act. Left alone, Nana seemed greatly surprised and looked round her in all directions.

“Where can she be?” she queried.

She was searching for Satin. When she had found her again, waiting on her trunk behind the curtain, Satin quietly replied:

“Certainly I didn’t want to be in your way with all those men there!”

And she added further that she was going now. But Nana held her back. What a silly girl she was! Now that Bordenave had agreed to take her on! Why, the bargain was to be struck after the play was over! Satin hesitated. There were too many bothers; she was out of her element! Nevertheless, she stayed.

As the prince was coming down the little wooden staircase a strange sound of smothered oaths and stamping, scuffling feet became audible on the other side of the theater. The actors waiting for their cues were being scared by quite a serious episode. For some seconds past Mignon had been renewing his jokes and smothering Fauchery with caresses. He had at last invented a little game of a novel kind and had begun flicking the other’s nose in order, as he phrased it, to keep the flies off him. This kind of game naturally diverted the actors to any extent.

But success had suddenly thrown Mignon off his balance. He had launched forth into extravagant courses and had given the journalist a box on the ear, an actual, a vigorous, box on the ear. This time he had gone too far: in the presence of so many spectators it was impossible for Fauchery to pocket such a blow with laughing equanimity. Whereupon the two men had desisted from their farce, had sprung at one another’s throats, their faces livid with hate, and were now rolling over and over behind a set of side lights, pounding away at each other as though they weren’t breakable.