Side-stepping with Shorty

"Say, Swifty," I sings out, "don't forget about Cornie."

"Ahr, chee!" says he, and off they goes down the chute for another ten-cent ride.

But say, I'm glad all them South Brooklyn art clothes ain't goin' to be wasted.

XVIII

PLAYING WILBUR TO SHOW

It's all right. You can put the Teddy sign on anything you read in the papers about matrimony's bein' a lost art, and collectin' affinities bein' the latest fad; for the plain, straight, old, love-honour-and-cherish business is still in the ring. I have Pinckney's word for it, and Pinckney ought to know. Oh, yes, he's an authority now. Sure, it was Miss Gerty, the twin tamer. And say, what do you suppose they did with that gift pair of terrors, Jack and Jill, while they was makin' the weddin' tour? Took 'em along. Honest, they travels for ten weeks with two kids, five trunks, and a couple of maids.

"You don't look like no honeymoon couple," says I, when I meets 'em in Jersey City. "I'd take you for an explorin' party."

"We are," says Pinckney, grinnin'. "We've been explorin' the western part of the United States. We have discovered Colorado Springs, the Yosemite, and a lot more very interesting places, all over again."

"You'll be makin' a new map, I expect," says I.

"It would be new to most New Yorkers," says he.

And I've been tryin' ever since to figure out whether or no that's a knock. Now and then I has a suspicion that Pinckney's acquired some new bug since he's been out through the alfalfa belt; but maybe his idea of the West's bein' such a great place only comes from the fact that Gerty was produced there. Perhaps it's all he says too; but I notice he seems mighty glad to get back to Main-st., N. Y. You'd thought so if you'd seen the way he trails me around over town the first day after he lands. We was on the go from noon until one A. M., and his cab bill must have split a twenty up fine.

What tickles me, though, is that he's the same old Pinckney, only more so. Bein' married don't seem to weigh no heavier on his mind than joinin' another club. So, instead of me losin' track of him altogether, he shows up here at the Studio oftener than before. And that's how it was he happens to be on hand when this overgrown party from the ham orchard blows in.

Just at the minute, though, Pinckney was back in the dressin' room, climbin' into his frock coat after our little half-hour session on the mat; so Swifty Joe and me was the reception committee.

As the door opens I looks up to see about seven foot of cinnamon brown plaid cloth, – a little the homeliest stuff I ever see used for clothes, – a red and green necktie, a face the colour of a ripe tomato, and one of these buckskin tinted felt hats on top of that. Measurin' from the peak of the Stetson to the heels of his No. 14 Cinderellas, he must have been some under ninety inches, but not much. And he has all the grace of a water tower. Whoever tried to build that suit for him must have got desperate and cut it out with their eyes shut; for it fit him only in spots, and them not very near together. But what can you do with a pair of knock knees and shoulders that slope like a hip roof?

Not expectin' any freaks that day, and bein' too stunned to make any crack on our own hook, me and Swifty does the silent gawp, and waits to see if it can talk. For a minute he looks like he can't. He just stands here with his mouth half open, grinnin' kind of sheepish and good natured, as if we could tell what he wanted just by his looks. Fin'lly I breaks the spell.

"Hello, Sport," says I. "If you see any dust on top of that chandelier, don't mention it."

He don't make any reply to that, just grins a little wider; so I gives him a new deal.

"You'll find Huber's museum down on 14th-st.," says I. "Or have you got a Bowery engagement?"

This seems to twist him up still more; but it pulls the cork. "Excuse me, friends," says he; "but I'm tryin' to round up an eatin' house that used to be hereabouts."

"Eatin' house?" says I. "If you mean the fried egg parlour that was on the ground floor, that went out of business months ago. But there's lots more just as good around on Sixth-ave., and some that carry stock enough to fill you up part way, I guess."

"I wa'n't lookin' to grub up just yet," says he. "I was huntin' for – for some one that worked there."

And say, you wouldn't have thought anyone with a natural sunset colour like that could lay on a blush. But he does, and it's like throwin' the red calcium on a brick wall.

"Oh, tush, tush!" says I. "You don't mean to tell me a man of your size is trailin' some Lizzie Maud?"

He cants his head on one side, pulls out a blue silk handkerchief, and begins to wind it around his fore finger, like a bashful kid that's been caught passin' a note in school.

"Her – her name's Zylphina," says he, – "Zylphina Beck."

"Gee!" says I. "Sounds like a new kind of music box. No relation, I hope?"

"Not yet," says he, swingin' his shoulders; "but we've swapped rings."

"Of all the cut-ups!" says I. "And just what part of the plowed fields do you and Zylphina hail from?"

"Why, I'm from Hoxie," says he, as though that told the whole story.

"Do tell!" says I. "Is that a flag station or just a four corners? Somewhere in Ohio, ain't it?"

"Sheridan County, Kansas," says he.

"Well, well!" says I. "Now I can account for your size. Have to grow tall out there, don't you, so's not to get lost in the wheat patch?"

Say, for a josh consumer, he was the easiest ever. All he does is stand there and grin, like he was the weak end of a variety team. But it seems a shame to crowd a willin' performer; so I was just tellin' him he'd better go out and hunt up a city directory in some drug store, when Pinckney shows up, lookin' interested.

"There!" says I. "Here's a man now that'll lead you straight to Zylphina in no time. Pinckney, let me make you acquainted with Mister – er – "

"Cobb," says the Hoxie gent, "Wilbur Cobb."

"From out West," I puts in, givin' Pinckney the nudge. "He's yours."

It ain't often I has a chance to unload anything like that on Pinckney, so I rubs it in. The thoughts of him towin' around town a human extension like this Wilbur strikes Swifty Joe so hard that he most has a chokin' fit.

But you never know what turn Pinckney's goin' to give to a jolly. He don't even crack a smile, but reaches up and hands Mr. Cobb the cordial shake, just as though he'd been a pattern sized gent dressed accordin' to the new fall styles.

"Ah!" says Pinckney. "I'm very glad to meet anyone from the West. What State, Mr. Cobb?"

And inside of two minutes he's gettin' all the details of this Zylphina hunt, from the ground up, includin' an outline of Wilbur's past life.

Seems that Wilbur'd got his first start in Maine; but 'way back before he could remember much his folks had moved to Kansas on a homestead. Then, when Wilbur tossled out, he takes up a quarter section near Hoxie, and goes to corn farmin' for himself, raisin' a few hogs as a side line. Barrin' bein' caught in a cyclone or two, and gettin' elected junior kazook of the Sheridan County Grange, nothin' much happened to Wilbur, until one day he took a car ride as far west as Colby Junction.

That's where he meets up with Zylphina. She was jugglin' stop over rations at the railroad lunch counter. Men must have been mighty scarce around the junction, or else she wants the most she can get for the money; for, as she passes Wilbur a hunk of petrified pie and draws him one muddy, with two lumps on the saucer, she throws in a smile that makes him feel like he'd stepped on a live third rail.

Accordin' to his tell, he must have hung around that counter all day, eatin' through the pie list from top to bottom and back again, until it's a wonder his system ever got over the shock. But Zylphina keeps tollin' him on with googoo eyes and giggles, sayin' how it does her good to see a man with a nice, hearty appetite, and before it come time for him to take the night train back they'd got real well acquainted. He finds out her first name, and how she's been a whole orphan since she was goin' on ten.

After that Wilbur makes the trip to Colby Junction reg'lar every Sunday, and they'd got to the point of talkin' about settin' the day when she was to become Mrs. Cobb, when Zylphina gets word that an aunt of hers that kept a boardin' house in Fall River, Massachusetts, wants her to come on East right away. Aunty has some kind of heart trouble that may finish her any minute, and, as Zylphina was the nearest relation she had, there was a show of her bein' heiress to the whole joint.

Course, Zylphina thinks she ought to tear herself loose from the pie counter; but before she quits the junction her and Wilbur takes one last buggy ride, with the reins wound around the whip socket most of the way. She weeps on Wilbur's shirt front, and says no matter how far off she is, or how long she has to wait for him to come, she'll always be his'n on demand. And Wilbur says that just as soon as he can make the corn and hog vineyard hump itself a little more, he'll come.

So Zylphina packs a shoe box full of fried chicken, blows two months' wages into a yard of yellow railroad ticket, and starts toward the cotton mills. It's a couple of months before Wilbur gets any letter, and then it turns out to be a hard luck tale, at that. Zylphina has found out what a lime tastes like. She's discovered that the Fall River aunt hasn't anything more the matter with her heart than the average landlady, and that what she's fell heiress to is only a chance to work eighteen hours a day for her board. So she's disinherited herself and is about to make a bold jump for New York, which she liked the looks of as she came through, and she'll write more later on.

It was later – about six months. Zylphina says she's happy, and hopes Wilbur is the same. She's got a real elegant job as cashier in a high-toned, twenty-five cent, reg'lar-meal establishment, and all in the world she has to do is to sit behind a wire screen and make change. It's different from wearin' an apron, and the gents what takes their food there steady treats her like a perfect lady. New York is a big place; but she's getting so she knows her way around quite well now, and it would seem funny to go back to a little one-horse burg like Colby.

And that's all. Nothin' about her bein' Wilbur's on demand, or anything of that kind. Course, it's an antique old yarn; but it was all fresh to Wilbur. Not bein' much of a letter writer, he keeps on feedin' the hogs punctual, and hoein' the corn, and waitin' for more news. But there's nothin' doin'.

"Then," says he, "I got to thinkin' and thinkin', and this fall, being as how I was coming as far east as Chicago on a shipper's pass, I reckons I'd better keep right on here, hunt Zylphina up, and take her back with me."

The way he tells it was real earnest, and at some points them whey coloured eyes of his moistens up good an' dewy; but he finishes strong and smilin'. You wouldn't guess, though, that any corn fed romance like that would stir up such a blood as Pinckney? A few months back he wouldn't have listened farther'n the preamble; but now he couldn't have been more interested if this was a case of Romeo Astor and Juliet Dupeyster.

"Shorty," says he, "can't we do something to help Mr. Cobb find this young lady?"

"Do you mean it," says I, "or are you battin' up a josh?"

He means it, all right. He spiels off a lot of gush about the joy of unitin' two lovin' hearts that has got strayed; so I asks Wilbur if he can furnish any description of Zylphina. Sure, he can. He digs up a leather wallet from his inside pocket and hands out a tintype of Miss Beck, one of these portraits framed in pale pink paper, taken by a wagon artist that had wandered out to the junction.

Judgin' by the picture, Zylphina must have been a sure enough prairie-rose. She's wearin' her hair loose over her shoulders, and a genuine Shy Ann hat, one of those ten-inch brims with the front pinned back. The pug nose and the big mouth wa'n't just after the Venus model; but it's likely she looked good to Wilbur. I takes one squint and hands it back.

"Nix, never!" says I. "I've seen lots of fairies on 42d-st., but none like that. Put it back over your heart, Wilbur, and try an ad. in the lost column."

But Pinckney ain't willin' to give up so easy. He says how Mr. Cobb has come more'n a thousand miles on this tender mission, and it's up to us to do our best towards helping him along. I couldn't see just where we was let into this affair of Wilbur's; but as Pinckney's so set on it, I begins battin' my head for a way of takin' up the trail.

And it's wonderful what sleuth work you can do just by usin' the 'phone liberal. First I calls up the agent of the buildin', and finds that the meal fact'ry has moved over to Eighth-ave. Then I gets that number and brings Zylphina's old boss to the wire. Sure, he remembers Miss Beck. No, she ain't with him now. He thinks she took a course in manicurin', and one of the girls says she heard of her doin' the hand holdin' act in an apartment hotel on West 35th-st. After three tries we has Zylphina herself on the 'phone.

"Guess who's here," says I.

"That you, Roland?" says she.

"Aw, pickles!" says I. "Set the calendar back a year or so, and then come again. Ever hear of Wilbur, from Hoxie, Kan.?"

Whether it was a squeal or a snicker, I couldn't make out; but she was on. As I couldn't drag Wilbur up to the receiver, I has to carry through the talk myself, and I makes a date for him to meet her in front of the hotel at six-thirty that evenin', when the day shift of nail polishers goes off duty.

"Does that suit, Wilbur?" says I.

Does it? You never saw so much pure joy spread over a single countenance as what he flashes up. He gives me a grip I can feel yet, and the grin that opens his face was one of these reg'lar ear connectors. Pinckney was tickled too, and it's all I can do to get him off one side where I can whisper confidential.

"Maybe it ain't struck you yet," says I, "that Zylphina's likely to have changed some in her ideas as to what a honey boy looks like. Now Wilbur's all right in his way; but ain't he a little rugged to spring on a lady manicure that hasn't seen him for some time?"

And when Pinckney comes to take a close view, he agrees that Mr. Cobb is a trifle fuzzy. "But we can spruce him up," says Pinckney. "There are four hours to do it in."

"Four weeks would be better," says I; "it's considerable of a contract."

That don't bother Pinckney any. He's got nothing else on hand for the afternoon, and he can't plan any better sport than improvin' Wilbur's looks so Zylphina's first impression'll be a good one.

He begins by making Wilbur peel the cinnamon brown costume, drapin' him in a couple of bath robes, while Swifty takes the suit out to one of these pants-pressed-while you wait places. When it comes back with creases in the legs, he hustles Wilbur into a cab and starts for a barber shop.

Say, I don't suppose Cobb'll ever know it; but if he'd been huntin' for expert help along that line, he couldn't have tumbled into better hands than he did when Pinckney gets interested in his case. When they floats in again, along about six o'clock, I hardly knows Wilbur for the same party. He's wearin' a long black ulster that covers up most of the plaid nightmare; he's shook the woolly lid for a fall block derby, he's had his face scraped and powdered, and his neck ringlets trimmed up; and he even sports a pair of yellow kids and a silver headed stick.

"Gosh!" says I. "Looks like you'd run him through a finishing machine. Why, he'll have Zylphina after him with a net."

"Yes," says Pinckney. "I fancy he'll do now."

As for Wilbur, he only looks good natured and happy. Course, Pinckney wants to go along with him, to see that it all turns out right; and he counts me in too, so off we starts. I was a little curious to get a glimpse of Zylphina myself, and watch how stunned she'd be. For we has it all framed up how she'll act. Havin' seen the tintype, I can't get it out of my head that she's still wearin' her hair loose and looking like M'liss in the first act.

"Hope she'll be on time," says I, as we turns the corner.

There was more or less folks goin' and comin' from the ladies' entrance; but no girl like the one we was lookin' for. So we fetches up in a bunch opposite the door and prepares to wait. We hadn't stood there a minute, before there comes a squeal from behind, and some one says:

"Why, Wilbur Cobb! Is that you?"

And what do you guess shows up? There at the curb is a big, open tourin' car, – one of the opulent, shiny kind, – with a slick looking shuffer in front, and, standin' up in the tonneau, a tart little lady wearin' Broadway clothes that was right up to the minute, hair done into breakfast rolls behind, and a long pink veil streamin' down her back. Only by the pug nose and the mouth could I guess that it might be Zylphina. And it was.

There wa'n't any gettin' away from the fact that she was a little jarred at seein' Wilbur lookin' so cute; but that was nothin' to the jolt she handed us. Mr. Cobb, he just opens his mouth and gazes at her like she was some sort of an exhibit. And Pinckney, who'd been expectin' something in a dollar-thirty-nine shirtwaist and a sagged skirt, is down and out. It didn't take me more'n a minute to see that if Zylphina has got to the stage where she wears pony jackets and rides in expensive bubbles, our little pie counter romance is headed for the ash can.

"Stung in both eyes!" says I under my breath, and falls back.

"Well, well!" says Zylphina, holdin' out three fingers. "When did you hit Broadway, Wilbur?"

It was all up to Cobb then. He drifts up to the tonneau and gathers in the fingers dazed like, as if he was walkin' in his sleep; but he gets out somethin' about bein' mighty glad to see her again.

Zylphina sizes him up kind of curious, and smiles. "You must let me introduce you to my friend," says she. "Roland, this is Mr. Cobb, from Kansas."

Mr. Shuffer grins too, as he swaps grips with Wilbur. It was a great joke.

"He's awfully nice to me, Roland is," says Zylphina, with a giggle. "And ain't this a swell car, though? Roland takes me to my boardin' house in it 'most every night. But how are the corn and hogs doin', Wilbur?"

Say, there was a topic Wilbur was up on. He throws her a grateful grin and proceeds to unlimber his conversation works. He tells Zylphina how many acres he put into corn last spring, how much it shucked to the acre, and how many head of hogs he has just sent to the ham and lard lab'ratory. That brand of talk sounds kind of foolish there under the arc lights; but Zylphina pricks up her ears.

"Ten carloads of hogs!" says she. "Is that a kid, or are you just havin' a dream?"

"I cal'late it'll be twenty next fall," says he, fishin' for somethin' in his pocket. "Here's the packing house receipts for the ten, anyway."

"Let's see," says she, and by the way she skins her eye over them documents you could tell that Zylphina'd seen the like before. Also she was somethin' of a ready reckoner.

"Oh, Wilbur!" says she, makin' a flyin' leap and landin' with her arms around his neck. "I'm yours, Wilbur, I'm yours!"

And Wilbur, he gathers her in.

"Roland," says I, steppin' up to the shuffer, "you can crank up. Hoxie's won out in the tenth."

XIX

AT HOME WITH THE DILLONS

I was expectin' to put in a couple of days doin' the sad and lonely, Sadie havin' made a date to run out to Rocky wold for the week end; but Friday night when I'm let off at the seventh floor of the Perzazzer – and say, no matter how many flights up home is, there's no place like it – who should I see but Sadie, just takin' off her hat. Across by the window is one of the chamber maids, leanin' up against the casing and snifflin' into the expensive draperies.

"Well, well!" says I. "Is this a rehearsal for a Hank Ibsen sprinkler scene, or is it a case of missin' jewels?"

"It's nothing of the sort, Shorty," says Sadie, giving me the shut-off signal. Then she turns to the girl with a "There, there, Nora! Everything will be all right. And I will be around Sunday afternoon. Run along now, and don't worry." With that she leads Nora out to the door and sends her away with a shoulder pat.

"Who's been getting friendly with the help now; eh, Sadie?" says I. "And what's the woe about?"

Course she begins at the wrong end, and throws in a lot of details that only lumbers up the record; but after she's been talkin' for half an hour – and Sadie can separate herself from a lot of language in that time – I gets a good workin' outline of this domestic tragedy that has left damp spots on our window curtains.

It ain't near so harrowin', though, as you might suspect. Seems that Nora has the weepin' habit. That's how Sadie come to remember havin' seen her before. Also it counts for Nora's shiftin' so often. Folks like Mrs. Purdy Pell and the Twombley-Cranes can't keep a girl around that's liable to weep into the soup or on the card tray. If it wa'n't for that, Nora'd been all right; for she's a neat lookin' girl, handy and willin', – one of these slim, rosy cheeked, black haired, North of Ireland kind, that can get big wages, when they have the sense, which ain't often.

Well, she'd changed around until she lands here in the fresh linen department, workin' reg'lar twelve-hour shifts, one afternoon off a week, and a four-by-six room up under the copper roof, with all the chance in the world to weep and no one to pay any attention to her, until Sadie catches her at it. Trust Sadie!

When she finds Nora leakin' her troubles out over an armful of clean towels, she drags her in here and asks for the awful facts. Then comes the fam'ly history of the Dillons, beginnin' on the old rent at Ballyshannon and endin' in a five-room flat on Double Fifth-ave. When she comes to mentionin' Larry Dillon, I pricks up my ears.

"What! Not the old flannel mouth that's chopped tickets at the 33d-st. station ever since the L was built?" says I.

"He's been discharged," says Sadie. "Did you know him?"

Did I know Larry? Could anyone live in this burg as long as I have, without gettin' acquainted with that Old Country face, or learnin' by heart his "Ha-a-a-ar-lem thr-r-rain! Ha-a-a-ar-lem!"? There's other old timers that has the brogue, but never a one could touch Larry. A purple faced, grumpy old pirate, with a disposition as cheerful as a man waitin' his turn at the dentist's, and a heart as big as a ham, he couldn't speak a civil word if he tried; but he was always ready to hand over half his lunch to any whimperin' newsy that came along, and he's lent out more nickels that he'll ever see again.

But about the other Dillons, I got my first news from Sadie. There was four of 'em, besides Nora. One was Tom, who had a fine steady job, drivin' a coal cart for the Consolidated. A credit to the family, Tom was; havin' a wife and six kids of his own, besides votin' the straight Tammany ticket since he was nineteen. Next there was Maggie, whose man was on the stage, – shiftin' scenery. Then there was Kate, the lady sales person, who lived with the old folks. And last there was Aloysius, the stray; and wherever he was, Heaven help him! for he was no use whatever.

"I take it that 'Loyshy's the brunette Southdown of the Dillon flock," says I. "What particular brand of cussedness does he make a specialty of?"

Sadie says that Nora hadn't gone much into particulars, except that when last heard of he'd joined the Salvationists, which had left old Larry frothin' at the mouth. He'd threatened to break Aloysius into two pieces on sight, and he'd put the ban on speakin' his name around the house.

"Followin' the tambourine!" says I. "That's a queer stunt for a Dillon. The weeps was for him, then?"

They wa'n't. 'Loyshy's disappearin' act had been done two or three years back. The tears was all on account of the fortieth weddin' anniversary of the Dillons, fallin' as it did just a week after Larry had the spell of rheumatism which got him laid off for good. It's a nice little way the Inter-Met. people has of rewardin' the old vets. An inspector finds Larry, with his hand tied to the chopper handle, takes a look at his cramped up fingers, puts down his number, and next payday he gets the sack.

"So you've found another candidate for your private pension list, have you, Sadie?" says I.