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Paul Kelver
Paul Kelverполная версия

Полная версия

Paul Kelver

Язык: Английский
Год издания: 2017
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There was a spot – it has been cleared away since to make room for the approach to Greenwich Tunnel – it was then the entrance to a grain depot in connection with the Milwall Docks. A curious brick well it resembled, in the centre of which a roadway wound downward, corkscrew fashion, disappearing at the bottom into darkness under a yawning arch. The place possessed the curious property of being ever filled with a ceaseless murmur, as though it were some aerial maelstrom, drawing into its silent vacuum all wandering waves of sound from the restless human ocean flowing round it. No single tone could one ever distinguish: it was a mingling of all voices, heard there like the murmur of a sea-soaked shell.

We passed through it on our return. Its work for the day was finished, its strange, weary song uninterrupted by the mighty waggons thundering up and down its spiral way. Hal paused, leaning against the railings that encircled its centre, and listened.

“Hark, do you not hear it, Paul?” he asked. “It is the music of Humanity. All human notes are needful to its making: the faint wail of the new-born, the cry of the dying thief; the beating of the hammers, the merry trip of dancers; the clatter of the teacups, the roaring of the streets; the crooning of the mother to her babe, the scream of the tortured child; the meeting kiss of lovers, the sob of those that part. Listen! prayers and curses, sighs and laughter; the soft breathing of the sleeping, the fretful feet of pain; voices of pity, voices of hate; the glad song of the strong, the foolish complaining of the weak. Listen to it, Paul! Right and wrong, good and evil, hope and despair, it is but one voice – a single note, drawn by the sweep of the Player’s hand across the quivering strings of man. What is the meaning of it, Paul? Can you read it? Sometimes it seems to me a note of joy, so full, so endless, so complete, that I cry: ‘Blessed be the Lord whose hammers have beaten upon us, whose fires have shaped us to His ends!’ And sometimes it sounds to me a dying note, so that I could curse Him who in wantonness has wrung it from the anguish of His creatures – till I would that I could fling myself, Prometheus like, between Him and His victims, calling: ‘My darkness, but their light; my agony, O God; their hope!’”

The faint light from a neighbouring gas-lamp fell upon his face that an hour before I had seen the face of a wild beast. The ugly mouth was quivering, tears stood in his great, tender eyes. Could his prayer in that moment have been granted, could he have pressed against his bosom all the pain of the world, he would have rejoiced.

He shook himself together with a laugh. “Come, Paul, we have had a busy afternoon, and I’m thirsty. Let us drink some beer, my boy, good sound beer, and plenty of it.”

My mother fell ill that winter. Mountain born and mountain bred, the close streets had never agreed with her, and scolded by all of us, she promised, “come the fine weather,” to put sentiment behind her, and go away from them.

“I’m thinking she will,” said Hal, gripping my shoulder with his strong hand, “but it’ll be by herself that she’ll go, lad. My wonder is,” he continued, “that she has held out so long. If anything, it is you that have kept her alive. Now that you are off her mind to a certain extent, she is worrying about your father, I expect. These women, they never will believe a man can take care of himself, even in Heaven. She’s never quite trusted the Lord with him, and never will till she’s there to give an eye to things herself.”

Hal’s prophecy fell true. She left “come the fine weather,” as she had promised: I remember it was the first day primroses were hawked in the street. But another death had occurred just before; which, concerning me closely as it does, I had better here dispose of; and that was the death of old Mr. Stillwood, who passed away rich in honour and regret, and was buried with much ostentation and much sincere sorrow; for he had been to many of his clients, mostly old folk, rather a friend than a mere man of business, and had gained from all with whom he had come in contact, respect, and from many real affection.

In conformity with the old legal fashions that in his life he had so fondly clung to, his will was read aloud by Mr. Gadley after the return from the funeral, and many were the tears its recital called forth. Written years ago by himself and never altered, its quaint phraseology was full of kindly thought and expression. No one had been forgotten. Clerks, servants, poor relations, all had been treated with even-handed justice, while for those with claim upon him, ample provision had been made. Few wills, I think, could ever have been read less open to criticism.

Old Gadley slipped his arm into mine as we left the house. “If you’ve nothing to do, young ‘un,” he said, “I’ll get you to come with me to the office. I have got all the keys in my pocket, and we shall be quiet. It will be sad work for me, and I had rather we were alone. A couple of hours will show us everything.”

We lighted the wax candles – old Stillwood could never tolerate gas in his own room – and opening the safe took out the heavy ledgers one by one, and from them Gadley dictated figures which I wrote down and added up.

“Thirty years I have kept these books for him,” said old Gadley, as we laid by the last of them, “thirty years come Christmas next, he and I together. No other hands but ours have ever touched them, and now people to whom they mean nothing but so much business will fling them about, drop greasy crumbs upon them – I know their ways, the brutes! – scribble all over them. And he who always would have everything so neat and orderly!”

We came to the end of them in less than the time old Gadley had thought needful: in such perfect order had everything been maintained. I was preparing to go, but old Gadley had drawn a couple of small keys from his pocket, and was shuffling again towards the safe.

“Only one more,” he explained in answer to my look, “his own private ledger. It will merely be in the nature of a summary, but we’ll just glance through it.”

He opened an inner drawer and took from it a small thick volume bound in green leather and closed with two brass locks. An ancient volume, it appeared, its strong binding faded and stained. Old Gadley sat down with it at the dead man’s own desk, and snuffing the two shaded candles, unlocked and opened it. I was standing opposite, so that the book to me was upside down, but the date on the first page, “1841,” caught my eye, as also the small neat writing now brown with age.

“So neat, so orderly he always was,” murmured old Gadley again, smoothing the page affectionately with his hand, and I waited for his dictation.

But no glib flow of figures fell from him. His eyebrows suddenly contracted, his body stiffened itself. Then for the next quarter of an hour nothing sounded in the quiet room but his turning of the creakling pages. Once or twice he glanced round swiftly over his shoulder, as though haunted by the idea of some one behind him; then back to the neat, closely written folios, his little eyes, now exhibiting a comical look of horror, starting out of his round red face. First slowly, then quickly with trembling hands he turned the pages, till the continual ratling of the leaves sounded like strange, mocking laughter through the silent, empty room; almost one could imagine it coming from some watching creature hidden in the shadows.

The end reached, he sat staring before him, his whole body quivering, great beads of sweat upon his shiny bald head.

“Am I mad?” was all he could find to say. “Kelver, am I mad?”

He handed me the book. It was a cynically truthful record of fraud, extending over thirty years. Every client, every friend, every relative that had fallen into his net he had robbed: the fortunate ones of a part, the majority of their all. Its very first entry debited him with the proceeds of his own partner’s estate. Its last ran – “Re Kelver – various sales of stock.” To his credit were his payments year after year of imaginary interests on imaginary securities, the surplus accounted for with simple brevity: “Transferred to own account.” No record could have been more clear, more frank. Beneath each transaction was written its true history; the actual investments, sometimes necessary, carefully distinguished from the false. In neat red ink would occur here and there a note for his own guidance: “Eldest child comes of age August, ‘73. Be prepared for trustees desiring production.” Turning to “August, ‘73,” one found that genuine investment had been made, to be sold again a few months later on. From beginning to end not a single false step had he committed. Suspicious clients had been ear-marked: the trusting discriminated with gratitude, and milked again and again to meet emergency.

As a piece of organisation it was magnificent. No one but a financial genius could have picked a dozen steps through such a network of chicanery. For half a lifetime he had moved among it, dignified, respected and secure.

Whether even he could have maintained his position for another month was doubtful. Suicide, though hinted at, was proved to have been impossible. It seemed as though with his amazing audacity he had tricked even Death into becoming his accomplice.

“But it is impossible, Kelver!” cried Gadley, “this must be some dream. Stillwood, Waterhead and Royal! What is the meaning of it?”

He took the book into his hands again, then burst into tears. “You never knew him,” wailed the poor little man. “Stillwood, Waterhead and Royal! I came here as office boy fifty years ago. He was more like a friend to me than – ” and again the sobs shook his little fat body.

I locked the books away and put him into his hat and coat. But I had much difficulty in getting him out of the office.

“I daren’t, young ‘un,” he cried, drawing back. “Fifty years I have walked out of this office, proud of it, proud of being connected with it. I daren’t face the street!”

All the way home his only idea was: Could it not be hidden? Honest, kindly little man that he was, he seemed to have no thought for the unfortunate victims. The good name of his master, of his friend, gone! Stillwood, Waterhead and Royal, a by-word! To have avoided that I believe he would have been willing for yet another hundred clients to be ruined.

I saw him to his door, then turned homeward; and to my surprise in a dark by-street heard myself laughing heartily. I checked myself instantly, feeling ashamed of my callousness, of my seeming indifference to the trouble even of myself and my mother. Yet as there passed before me the remembrance of that imposing and expensive funeral with its mournful following of tearful faces; the hushed reading of the will with its accompaniment of rustling approval; the picture of the admirably sympathetic clergyman consoling with white hands Mrs. Stillwood, inclined to hysteria, but anxious concerning her two hundred pounds’ worth of crape which by no possibility of means could now be paid for – recurred to me the obituary notice in “The Chelsea Weekly Chronicle”: the humour of the thing swept all else before it, and I laughed again – I could not help it – loud and long. It was my first introduction to the comedy of life, which is apt to be more brutal than the comedy of fiction.

But nearing home, the serious side of the matter forced itself uppermost. Fortunately, our supposed dividends had been paid to us by Mr. Stillwood only the month before. Could I keep the thing from troubling my mother’s last days? It would be hard work. I should have to do it alone, for a perhaps foolish pride prevented my taking Hal into my confidence, even made his friendship a dread to me, lest he should come to learn and offer help. There is a higher generosity, it is said, that can receive with pleasure as well as bestow favour; but I have never felt it. Could I be sure of acting my part, of not betraying myself to her sharp eyes, of keeping newspapers and chance gossip away from her? Good shrewd Amy I cautioned, but I shrank from even speaking on the subject to Hal, and my fear was lest he should blunder into the subject, which for the usual nine days occupied much public attention. But fortunately he appeared not even to have heard of the scandal.

Possibly had the need lasted longer I might have failed, but as it was, a few weeks saw the end.

“Don’t leave me to-day, Paul,” whispered my mother to me one morning. So I stayed, and in the evening my mother put her arms around my neck and I lay beside her, my head upon her breast, as I used to when a little boy. And when the morning came I was alone.

BOOK II

CHAPTER I

DESCRIBES THE DESERT ISLAND TO WHICH PAUL WAS DRIFTED

“Room to let for a single gentleman.” Sometimes in an idle hour, impelled by foolishness, I will knock at the door. It is opened after a longer or shorter interval by the “slavey” – in the morning, slatternly, her arms concealed beneath her apron; in the afternoon, smart in dirty cap and apron. How well I know her! Unchanged, not grown an inch – her round bewildered eyes, her open mouth, her touzled hair, her scored red hands. With an effort I refrain from muttering: “So sorry, forgot my key,” from pushing past her and mounting two at a time the narrow stairs, carpeted to the first floor, but bare beyond. Instead, I say, “Oh, what rooms have you to let?” when, scuttling to the top of the kitchen stairs, she will call over the banisters: “A gentleman to see the rooms.” There comes up, panting, a harassed-looking, elderly female, but genteel in black. She crushes past the little “slavey,” and approaching, eyes me critically.

“I have a very nice room on the first floor,” she informs me, “and one behind on the third.”

I agree to see them, explaining that I am seeking them for a young friend of mine. We squeeze past the hat and umbrella stand: there is just room, but one must keep close to the wall. The first floor is rather an imposing apartment, with a marble-topped sideboard measuring quite three feet by two, the doors of which will remain closed if you introduce a wad of paper between them. A green table-cloth, matching the curtains, covers the loo-table. The lamp is perfectly safe so long as it stands in the exact centre of the table, but should not be shifted. A paper fire-stove ornament in some mysterious way bestows upon the room an air of chastity. Above the mantelpiece is a fly-blown mirror, between the once gilt frame and glass of which can be inserted invitation cards; indeed, one or two so remain, proving that the tenants even of “bed-sitting-rooms” are not excluded from social delights. The wall opposite is adorned by an oleograph of the kind Cheap Jacks sell by auction on Saturday nights in the Pimlico Road, and warrant as “hand-made.” Generally speaking, it is a Swiss landscape. There appears to be more “body” in a Swiss landscape than in scenes from less favoured localities. A dilapidated mill, a foaming torrent, a mountain, a maiden and a cow can at the least be relied upon. An easy chair (I disclaim all responsibility for the adjective), stuffed with many coils of steel wire, each possessing a “business end” in admirable working order, and covered with horsehair, highly glazed, awaits the uninitiated. There is one way of sitting upon it, and only one: by using the extreme edge, and planting your feet firmly on the floor. If you attempt to lean back in it you inevitably slide out of it. When so treated it seems to say to you: “Excuse me, you are very heavy, and you would really be much more comfortable upon the floor. Thank you so much.” The bed is behind the door, and the washstand behind the bed. If you sit facing the window you can forget the bed. On the other hand, if more than one friend come to call on you, you are glad of it. As a matter of fact, experienced visitors prefer it – make straight for it, refusing with firmness to exchange it for the easy chair.

“And this room is?”

“Eight shillings a week, sir – with attendance, of course.”

“Any extras?”

“The lamp, sir, is eighteenpence a week; and the kitchen fire, if the gentleman wishes to dine at home, two shillings.”

“And fire?”

“Sixpence a scuttle, sir, I charge for coals.”

“It’s rather a small scuttle.”

The landlady bridles a little. “The usual size, I think, sir.” One presumes there is a special size in coal-scuttles made exclusively for lodging-house keepers.

I agree that while I am about it I may as well see the other room, the third floor back. The landlady opens the door for me, but remains herself on the landing. She is a stout lady, and does not wish to dwarf the apartment by comparison. The arrangement here does not allow of your ignoring the bed. It is the life and soul of the room, and it declines to efface itself. Its only possible rival is the washstand, straw-coloured; with staring white basin and jug, together with other appurtenances. It glares defiantly from its corner. “I know I’m small,” it seems to say; “but I’m very useful; and I won’t be ignored.” The remaining furniture consists of a couple of chairs – there is no hypocrisy about them: they are not easy and they do not pretend to be easy; a small chest of light-painted drawers before the window, with white china handles, upon which is a tiny looking-glass; and, occupying the entire remaining space, after allowing three square feet for the tenant, when he arrives, an attenuated four-legged table apparently home-made. The only ornament in the room is, suspended above the fireplace, a funeral card, framed in beer corks. As the corpse introduced by the ancient Egyptians into their banquets, it is hung there perhaps to remind the occupant of the apartment that the luxuries and allurements of life have their end; or maybe it consoles him in despondent moments with the reflection that after all he might be worse off.

The rent of this room is three-and-sixpence a week, also including attendance; lamp, as for the first floor, eighteen-pence; but kitchen fire a shilling.

“But why should kitchen fire for the first floor be two shillings, and for this only one?”

“Well, as a rule, sir, the first floor wants more cooking done.”

You are quite right, my dear lady, I was forgetting. The gentleman in the third floor back! cooking for him is not a great tax upon the kitchen fire. His breakfast, it is what, madam, we call plain, I think. His lunch he takes out. You may see him, walking round the quiet square, up and down the narrow street that, leading to nowhere in particular, is between twelve and two somewhat deserted. He carries a paper bag, into which at intervals, when he is sure nobody is looking, his mouth disappears. From studying the neighbourhood one can guess what it contains. Saveloys hereabouts are plentiful and only twopence each. There are pie shops, where meat pies are twopence and fruit pies a penny. The lady behind the counter, using deftly a broad, flat knife, lifts the little dainty with one twist clean from its tiny dish: it is marvellous, having regard to the thinness of the pastry, that she never breaks one. Roley-poley pudding, sweet and wonderfully satisfying, more especially when cold, is but a penny a slice. Peas pudding, though this is an awkward thing to eat out of a bag, is comforting upon cold days. Then with his tea he takes two eggs or a haddock, the fourpenny size; maybe on rare occasions, a chop or steak; and you fry it for him, madam, though every time he urges on you how much he would prefer it grilled, for fried in your one frying-pan its flavour becomes somewhat confused. But maybe this is the better for him, for, shutting his eyes and trusting only to smell and flavour, he can imagine himself enjoying variety. He can begin with herrings, pass on to liver and bacon, opening his eyes again for a moment perceive that he has now arrived at the joint, and closing them again, wind up with distinct suggestion of toasted cheese, thus avoiding monotony. For dinner he goes out again. Maybe he is not hungry, late meals are a mistake; or, maybe, putting his hand into his pocket and making calculations beneath a lamp-post, appetite may come to him. Then there are places cheerful with the sound of frizzling fat, where fried plaice brown and odorous may be had for three halfpence, and a handful of sliced potatoes for a penny; where for fourpence succulent stewed eels may be discussed; vinegar ad lib.; or for sevenpence – but these are red-letter evenings – half a sheep’s head may be indulged in, which is a supper fit for any king, who happened to be hungry.

I explain that I will discuss the matter with my young friend when he arrives. The landlady says, “Certainly, sir:” she is used to what she calls the “wandering Christian;” and easing my conscience by slipping a shilling into the “slavey’s” astonished, lukewarm hand, I pass out again into the long, dreary street, now echoing maybe to the sad cry of “Muffins!”

Or sometimes of an evening, the lamp lighted, the remnants of the meat tea cleared away, the flickering firelight cosifying the dingy rooms, I go a-visiting. There is no need for me to ring the bell, to mount the stairs. Through the thin transparent walls I can see you plainly, old friends of mine, fashions a little changed, that is all. We wore bell-shaped trousers; eight-and-six to measure, seven-and-six if from stock; fastened our neckties in dashing style with a horseshoe pin. I think in the matter of waistcoats we had the advantage of you; ours were gayer, braver. Our cuffs and collars were of paper: sixpence-halfpenny the dozen, three-halfpence the pair. On Sunday they were white and glistening; on Monday less aggressively obvious; on Tuesday morning decidedly dappled. But on Tuesday evening, when with natty cane, or umbrella neatly rolled in patent leather case, we took our promenade down Oxford Street – fashionable hour nine to ten p.m. – we could shoot our arms and cock our chins with the best. Your india-rubber linen has its advantages. Storm does not wither it; it braves better the heat and turmoil of the day. The passing of a sponge! and your “Dicky” is itself again. We had to use bread-crumbs, and so sacrifice the glaze. Yet I cannot help thinking that for the first few hours, at all events, our paper was more dazzling.

For the rest I see no change in you, old friends. I wave you greeting from the misty street. God rest you, gallant gentlemen, lonely and friendless and despised; making the best of joyless lives; keeping yourselves genteel on twelve, fifteen, or eighteen (ah, but you are plutocrats!) shillings a week; saving something even of that, maybe, to help the old mother in the country, so proud of her “gentleman” son who has book learning and who is “something in the City.” May nothing you dismay. Bullied, and badgered, and baited from nine to six though you may be, from then till bedtime you are rorty young dogs. The half-guinea topper, “as worn by the Prince of Wales” (ah, how many a meal has it not cost!), warmed before the fire, brushed and polished and coaxed, shines resplendent. The second pair of trousers are drawn from beneath the bed; in the gaslight, with well-marked crease from top to toe, they will pass for new. A pleasant evening to you! May your cheap necktie make all the impression your soul can desire! May your penny cigar be mistaken for Havana! May the barmaid charm your simple heart by addressing you as “Baby!” May some sweet shop-girl throw a kindly glance at you, inviting you to walk with her! May she snigger at your humour; may other dogs cast envious looks at you, and may no harm come of it!

You dreamers of dreams, you who while your companions play and sleep will toil upward in the night! You have read Mr. Smiles’ “Self-Help,” Longfellow’s “Psalm of Life,” and so strengthened attack with confidence “French Without a Master,” “Bookkeeping in Six Lessons.” With a sigh to yourselves you turn aside from the alluring streets, from the bright, bewitching eyes, into the stuffy air of Birkbeck Institutions, Polytechnic Schools. May success compensate you for your youth devoid of pleasure! May the partner’s chair you seen in visions be yours before the end! May you live one day in Clapham in a twelve-roomed house!

And, after all, we have our moments, have we not? The Saturday night at the play. The hours of waiting, they are short. We converse with kindred souls of the British Drama, its past and future: we have our views. We dream of Florence This, Kate That; in a little while we shall see her. Ah, could she but know how we loved her! Her photo is on our mantelpiece, transforming the dismal little room into a shrine. The poem we have so often commenced! when it is finished we will post it to her. At least she will acknowledge its receipt; we can kiss the paper her hand has rested on. The great doors groan, then quiver. Ah, the wild thrill of that moment! Now push for all you are worth: charge, wriggle, squirm! It is an epitome of life. We are through – collarless, panting, pummelled from top to toe: but what of that? Upward, still upward; then downward with leaps at risk of our neck, from bench to bench through the gloom. We have gained the front row! Would we exchange sensations with the stallite, strolling languidly to his seat? The extravagant dinner once a week! We banquet a la Francais, in Soho, for one-and-six, including wine. Does Tortoni ever give his customers a repast they enjoy more? I trow not.

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