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On the Makaloa Mat/Island Tales
On the Makaloa Mat/Island Talesполная версия

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On the Makaloa Mat/Island Tales

Язык: Английский
Год издания: 2017
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"So, with true alii-authority of command, saying, 'You will immediately follow after me,' I dived in. Everything he had said was correct. I found the entrance to the subterranean passage, swam carefully through it, cutting my shoulder once on the lava- sharp roof, and emerged in the darkness and air. But before I could count thirty, he broke water beside me, rested his hand on my arm to make sure of me, and directed me to swim ahead of him for the matter of a hundred feet or so. Then we touched bottom and climbed out on the rocks. And still no light, and I remember I was glad that our altitude was too high for centipedes.

"He had brought with him a coconut calabash, tightly stoppered, of whale-oil that must have been landed on Lahaina beach thirty years before. From his mouth he took a water-tight arrangement of a matchbox composed of two empty rifle-cartridges fitted snugly together. He lighted the wicking that floated on the oil, and I looked about, and knew disappointment. No burial-chamber was it, but merely a lava tube such as occurs on all the islands.

"He put the calabash of light into my hands and started me ahead of him on the way, which he assured me was long, but not too long. It was long, at least a mile in my sober judgment, though at the time it seemed five miles; and it ascended sharply. When Ahuna, at the last, stopped me, I knew we were close to our goal. He knelt on his lean old knees on the sharp lava rock, and clasped my knees with his skinny arms. My hand that was free of the calabash lamp he placed on his head. He chanted to me, with his old cracked, quavering voice, the line of my descent and my essential high alii- ness. And then he said:

"'Tell neither Kanau nor Hiwilani aught of what you are about to behold. There is no sacredness in Kanau. His mind is filled with sugar and the breeding of horses. I do know that he sold a feather cloak his grandfather had worn to that English collector for eight thousand dollars, and the money he lost the next day betting on the polo game between Maui and Oahu. Hiwilani, your mother, is filled with sacredness. She is too much filled with sacredness. She grows old, and weak-headed, and she traffics over-much with sorceries.'

"'No,' I made answer. 'I shall tell no one. If I did, then would I have to return to this place again. And I do not want ever to return to this place. I'll try anything once. This I shall never try twice.'

"'It is well,' he said, and arose, falling behind so that I should enter first. Also, he said: 'Your mother is old. I shall bring her, as promised, the bones of her mother and of her grandfather. These should content her until she dies; and then, if I die before her, it is you who must see to it that all the bones in her family collection are placed in the Royal Mausoleum.'

"I have given all the Islands' museums the once-over," Prince Akuli lapsed back into slang, "and I must say that the totality of the collections cannot touch what I saw in our Lakanaii burial-cave. Remember, and with reason and history, we trace back the highest and oldest genealogy in the Islands. Everything that I had ever dreamed or heard of, and much more that I had not, was there. The place was wonderful. Ahuna, sepulchrally muttering prayers and meles, moved about, lighting various whale-oil lamp-calabashes. They were all there, the Hawaiian race from the beginning of Hawaiian time. Bundles of bones and bundles of bones, all wrapped decently in tapa, until for all the world it was like the parcels- post department at a post office.

"And everything! Kahilis, which you may know developed out of the fly-flapper into symbols of royalty until they became larger than hearse-plumes with handles a fathom and a half and over two fathoms in length. And such handles! Of the wood of the kauila, inlaid with shell and ivory and bone with a cleverness that had died out among our artificers a century before. It was a centuries-old family attic. For the first time I saw things I had only heard of, such as the pahoas, fashioned of whale-teeth and suspended by braided human hair, and worn on the breast only by the highest of rank.

"There were tapes and mats of the rarest and oldest; capes and leis and helmets and cloaks, priceless all, except the too-ancient ones, of the feathers of the mamo, and of the iwi and the akakane and the o-o. I saw one of the mamo cloaks that was superior to that finest one in the Bishop Museum in Honolulu, and that they value at between half a million and a million dollars. Goodness me, I thought at the time, it was lucky Kanau didn't know about it.

"Such a mess of things! Carved gourds and calabashes, shell- scrapers, nets of olona fibre, a junk of ie-ie baskets, and fish- hooks of every bone and spoon of shell. Musical instruments of the forgotten days – ukukes and nose flutes, and kiokios which are likewise played with one unstoppered nostril. Taboo poi bowls and finger bowls, left-handed adzes of the canoe gods, lava-cup lamps, stone mortars and pestles and poi-pounders. And adzes again, a myriad of them, beautiful ones, from an ounce in weight for the finer carving of idols to fifteen pounds for the felling of trees, and all with the sweetest handles I have ever beheld.

"There were the kaekeekes – you know, our ancient drums, hollowed sections of the coconut tree, covered one end with shark-skin. The first kaekeeke of all Hawaii Ahuna pointed out to me and told me the tale. It was manifestly most ancient. He was afraid to touch it for fear the age-rotted wood of it would crumble to dust, the ragged tatters of the shark-skin head of it still attached. 'This is the very oldest and father of all our kaekeekes,' Ahuna told me. 'Kila, the son of Moikeha, brought it back from far Raiatea in the South Pacific. And it was Kila's own son, Kahai, who made that same journey, and was gone ten years, and brought back with him from Tahiti the first breadfruit trees that sprouted and grew on Hawaiian soil.'

"And the bones and bones! The parcel-delivery array of them! Besides the small bundles of the long bones, there were full skeletons, tapa-wrapped, lying in one-man, and two- and three-man canoes of precious koa wood, with curved outriggers of wiliwili wood, and proper paddles to hand with the io-projection at the point simulating the continuance of the handle, as if, like a skewer, thrust through the flat length of the blade. And their war weapons were laid away by the sides of the lifeless bones that had wielded them – rusty old horse-pistols, derringers, pepper-boxes, five-barrelled fantastiques, Kentucky long riffles, muskets handled in trade by John Company and Hudson's Bay, shark-tooth swords, wooden stabbing-knives, arrows and spears bone-headed of the fish and the pig and of man, and spears and arrows wooden-headed and fire-hardened.

"Ahuna put a spear in my hand, headed and pointed finely with the long shin-bone of a man, and told me the tale of it. But first he unwrapped the long bones, arms, and legs, of two parcels, the bones, under the wrappings, neatly tied like so many faggots. 'This,' said Ahuna, exhibiting the pitiful white contents of one parcel, 'is Laulani. She was the wife of Akaiko, whose bones, now placed in your hands, much larger and male-like as you observe, held up the flesh of a large man, a three-hundred pounder seven- footer, three centuries agone. And this spear-head is made of the shin-bone of Keola, a mighty wrestler and runner of their own time and place. And he loved Laulani, and she fled with him. But in a forgotten battle on the sands of Kalini, Akaiko rushed the lines of the enemy, leading the charge that was successful, and seized upon Keola, his wife's lover, and threw him to the ground, and sawed through his neck to the death with a shark-tooth knife. Thus, in the old days as always, did man combat for woman with man. And Laulani was beautiful; that Keola should be made into a spearhead for her! She was formed like a queen, and her body was a long bowl of sweetness, and her fingers lomi'd' (massaged) 'to slimness and smallness at her mother's breast. For ten generations have we remembered her beauty. Your father's singing boys to-day sing of her beauty in the hula that is named of her! This is Laulani, whom you hold in your hands.'

"And, Ahuna done, I could but gaze, with imagination at the one time sobered and fired. Old drunken Howard had lent me his Tennyson, and I had mooned long and often over the Idyls of the King. Here were the three, I thought – Arthur, and Launcelot, and Guinevere. This, then, I pondered, was the end of it all, of life and strife and striving and love, the weary spirits of these long- gone ones to be invoked by fat old women and mangy sorcerers, the bones of them to be esteemed of collectors and betted on horse- races and ace-fulls or to be sold for cash and invested in sugar stocks.

"For me it was illumination. I learned there in the burial-cave the great lesson. And to Ahuna I said: 'The spear headed with the long bone of Keola I shall take for my own. Never shall I sell it. I shall keep it always.'

"'And for what purpose?' he demanded. And I replied: 'That the contemplation of it may keep my hand sober and my feet on earth with the knowledge that few men are fortunate enough to have as much of a remnant of themselves as will compose a spearhead when they are three centuries dead.'

"And Ahuna bowed his head, and praised my wisdom of judgment. But at that moment the long-rotted olona-cord broke and the pitiful woman's bones of Laulani shed from my clasp and clattered on the rocky floor. One shin-bone, in some way deflected, fell under the dark shadow of a canoe-bow, and I made up my mind that it should be mine. So I hastened to help him in the picking up of the bones and the tying, so that he did not notice its absence.

"'This,' said Ahuna, introducing me to another of my ancestors, 'is your great-grandfather, Mokomoku, the father of Kaaukuu. Behold the size of his bones. He was a giant. I shall carry him, because of the long spear of Keola that will be difficult for you to carry away. And this is Lelemahoa, your grandmother, the mother of your mother, that you shall carry. And day grows short, and we must still swim up through the waters to the sun ere darkness hides the sun from the world.'

"But Ahuna, putting out the various calabashes of light by drowning the wicks in the whale-oil, did not observe me include the shinbone of Laulani with the bones of my grandmother."

The honk of the automobile, sent up from Olokona to rescue us, broke off the Prince's narrative. We said good-bye to the ancient and fresh-pensioned wahine, and departed. A half-mile on our way, Prince Akuli resumed.

"So Ahuna and I returned to Hiwilani, and to her happiness, lasting to her death the year following, two more of her ancestors abided about her in the jars of her twilight room. Also, she kept her compact and worried my father into sending me to England. I took old Howard along, and he perked up and confuted the doctors, so that it was three years before I buried him restored to the bosom of my family. Sometimes I think he was the most brilliant man I have ever known. Not until my return from England did Ahuna die, the last custodian of our alii secrets. And at his death-bed he pledged me again never to reveal the location in that nameless valley, and never to go back myself.

"Much else I have forgotten to mention did I see there in the cave that one time. There were the bones of Kumi, the near demigod, son of Tui Manua of Samoa, who, in the long before, married into my line and heaven-boosted my genealogy. And the bones of my great- grandmother who had slept in the four-poster presented her by Lord Byron. And Ahuna hinted tradition that there was reason for that presentation, as well as for the historically known lingering of the Blonde in Olokona for so long. And I held her poor bones in my hands – bones once fleshed with sensate beauty, informed with sparkle and spirit, instinct with love and love-warmness of arms around and eyes and lips together, that had begat me in the end of the generations unborn. It was a good experience. I am modern, 'tis true. I believe in no mystery stuff of old time nor of the kahunas. And yet, I saw in that cave things which I dare not name to you, and which I, since old Ahuna died, alone of the living know. I have no children. With me my long line ceases. This is the twentieth century, and we stink of gasolene. Nevertheless these other and nameless things shall die with me. I shall never revisit the burial-place. Nor in all time to come will any man gaze upon it through living eyes unless the quakes of earth rend the mountains asunder and spew forth the secrets contained in the hearts of the mountains."

Prince Akuli ceased from speech. With welcome relief on his face, he removed the lei hala from his neck, and, with a sniff and a sigh, tossed it into concealment in the thick lantana by the side of the road.

"But the shin-bone of Laulani?" I queried softly.

He remained silent while a mile of pasture land fled by us and yielded to caneland.

"I have it now," he at last said. "And beside it is Keola, slain ere his time and made into a spear-head for love of the woman whose shin-bone abides near to him. To them, those poor pathetic bones, I owe more than to aught else. I became possessed of them in the period of my culminating adolescence. I know they changed the entire course of my life and trend of my mind. They gave to me a modesty and a humility in the world, from which my father's fortune has ever failed to seduce me.

"And often, when woman was nigh to winning to the empery of my mind over me, I sought Laulani's shin-bone. And often, when lusty manhood stung me into feeling over-proud and lusty, I consulted the spearhead remnant of Keola, one-time swift runner, and mighty wrestler and lover, and thief of the wife of a king. The contemplation of them has ever been of profound aid to me, and you might well say that I have founded my religion or practice of living upon them."

WAIKIKI, HONOLULU, HAWAIIAN ISLANDS.

July 16, 1916.

THE WATER BABY

I lent a weary ear to old Kohokumu's interminable chanting of the deeds and adventures of Maui, the Promethean demi-god of Polynesia who fished up dry land from ocean depths with hooks made fast to heaven, who lifted up the sky whereunder previously men had gone on all-fours, not having space to stand erect, and who made the sun with its sixteen snared legs stand still and agree thereafter to traverse the sky more slowly – the sun being evidently a trade unionist and believing in the six-hour day, while Maui stood for the open shop and the twelve-hour day.

"Now this," said Kohokumu, "is from Queen Lililuokalani's own family mele:

"Maui became restless and fought the sunWith a noose that he laid.And winter won the sun,And summer was won by Maui.. "

Born in the Islands myself, I knew the Hawaiian myths better than this old fisherman, although I possessed not his memorization that enabled him to recite them endless hours.

"And you believe all this?" I demanded in the sweet Hawaiian tongue.

"It was a long time ago," he pondered. "I never saw Maui with my own eyes. But all our old men from all the way back tell us these things, as I, an old man, tell them to my sons and grandsons, who will tell them to their sons and grandsons all the way ahead to come."

"You believe," I persisted, "that whopper of Maui roping the sun like a wild steer, and that other whopper of heaving up the sky from off the earth?"

"I am of little worth, and am not wise, O Lakana," my fisherman made answer. "Yet have I read the Hawaiian Bible the missionaries translated to us, and there have I read that your Big Man of the Beginning made the earth, and sky, and sun, and moon, and stars, and all manner of animals from horses to cockroaches and from centipedes and mosquitoes to sea lice and jellyfish, and man and woman, and everything, and all in six days. Why, Maui didn't do anything like that much. He didn't make anything. He just put things in order, that was all, and it took him a long, long time to make the improvements. And anyway, it is much easier and more reasonable to believe the little whopper than the big whopper."

And what could I reply? He had me on the matter of reasonableness. Besides, my head ached. And the funny thing, as I admitted it to myself, was that evolution teaches in no uncertain voice that man did run on all-fours ere he came to walk upright, that astronomy states flatly that the speed of the revolution of the earth on its axis has diminished steadily, thus increasing the length of day, and that the seismologists accept that all the islands of Hawaii were elevated from the ocean floor by volcanic action.

Fortunately, I saw a bamboo pole, floating on the surface several hundred feet away, suddenly up-end and start a very devil's dance. This was a diversion from the profitless discussion, and Kohokumu and I dipped our paddles and raced the little outrigger canoe to the dancing pole. Kohokumu caught the line that was fast to the butt of the pole and under-handed it in until a two-foot ukikiki, battling fiercely to the end, flashed its wet silver in the sun and began beating a tattoo on the inside bottom of the canoe. Kohokumu picked up a squirming, slimy squid, with his teeth bit a chunk of live bait out of it, attached the bait to the hook, and dropped line and sinker overside. The stick floated flat on the surface of the water, and the canoe drifted slowly away. With a survey of the crescent composed of a score of such sticks all lying flat, Kohokumu wiped his hands on his naked sides and lifted the wearisome and centuries-old chant of Kuali:

"Oh, the great fish-hook of Maui!Manai-i-ka-lani – "made fast to the heavens"!An earth-twisted cord ties the hook,Engulfed from lofty Kauiki!Its bait the red-billed Alae,The bird to Hina sacred!It sinks far down to Hawaii,Struggling and in pain dying!Caught is the land beneath the water,Floated up, up to the surface,But Hina hid a wing of the birdAnd broke the land beneath the water!Below was the bait snatched awayAnd eaten at once by the fishes,The Ulua of the deep muddy places!

His aged voice was hoarse and scratchy from the drinking of too much swipes at a funeral the night before, nothing of which contributed to make me less irritable. My head ached. The sun- glare on the water made my eyes ache, while I was suffering more than half a touch of mal de mer from the antic conduct of the outrigger on the blobby sea. The air was stagnant. In the lee of Waihee, between the white beach and the roof, no whisper of breeze eased the still sultriness. I really think I was too miserable to summon the resolution to give up the fishing and go in to shore.

Lying back with closed eyes, I lost count of time. I even forgot that Kohokumu was chanting till reminded of it by his ceasing. An exclamation made me bare my eyes to the stab of the sun. He was gazing down through the water-glass.

"It's a big one," he said, passing me the device and slipping over- side feet-first into the water.

He went under without splash and ripple, turned over and swam down. I followed his progress through the water-glass, which is merely an oblong box a couple of feet long, open at the top, the bottom sealed water-tight with a sheet of ordinary glass.

Now Kohokumu was a bore, and I was squeamishly out of sorts with him for his volubleness, but I could not help admiring him as I watched him go down. Past seventy years of age, lean as a toothpick, and shrivelled like a mummy, he was doing what few young athletes of my race would do or could do. It was forty feet to bottom. There, partly exposed, but mostly hidden under the bulge of a coral lump, I could discern his objective. His keen eyes had caught the projecting tentacle of a squid. Even as he swam, the tentacle was lazily withdrawn, so that there was no sign of the creature. But the brief exposure of the portion of one tentacle had advertised its owner as a squid of size.

The pressure at a depth of forty feet is no joke for a young man, yet it did not seem to inconvenience this oldster. I am certain it never crossed his mind to be inconvenienced. Unarmed, bare of body save for a brief malo or loin cloth, he was undeterred by the formidable creature that constituted his prey. I saw him steady himself with his right hand on the coral lump, and thrust his left arm into the hole to the shoulder. Half a minute elapsed, during which time he seemed to be groping and rooting around with his left hand. Then tentacle after tentacle, myriad-suckered and wildly waving, emerged. Laying hold of his arm, they writhed and coiled about his flesh like so many snakes. With a heave and a jerk appeared the entire squid, a proper devil-fish or octopus.

But the old man was in no hurry for his natural element, the air above the water. There, forty feet beneath, wrapped about by an octopus that measured nine feet across from tentacle-tip to tentacle-tip and that could well drown the stoutest swimmer, he coolly and casually did the one thing that gave to him and his empery over the monster. He shoved his lean, hawk-like face into the very centre of the slimy, squirming mass, and with his several ancient fangs bit into the heart and the life of the matter. This accomplished, he came upward, slowly, as a swimmer should who is changing atmospheres from the depths. Alongside the canoe, still in the water and peeling off the grisly clinging thing, the incorrigible old sinner burst into the pule of triumph which had been chanted by the countless squid-catching generations before him:

"O Kanaloa of the taboo nights!Stand upright on the solid floor!Stand upon the floor where lies the squid!Stand up to take the squid of the deep sea!Rise up, O Kanaloa!Stir up! Stir up! Let the squid awake!Let the squid that lies flat awake! Let the squid that lies spread out.. "

I closed my eyes and ears, not offering to lend him a hand, secure in the knowledge that he could climb back unaided into the unstable craft without the slightest risk of upsetting it.

"A very fine squid," he crooned. "It is a wahine" (female) "squid. I shall now sing to you the song of the cowrie shell, the red cowrie shell that we used as a bait for the squid – "

"You were disgraceful last night at the funeral," I headed him off. "I heard all about it. You made much noise. You sang till everybody was deaf. You insulted the son of the widow. You drank swipes like a pig. Swipes are not good for your extreme age. Some day you will wake up dead. You ought to be a wreck to-day – "

"Ha!" he chuckled. "And you, who drank no swipes, who was a babe unborn when I was already an old man, who went to bed last night with the sun and the chickens – this day are you a wreck. Explain me that. My ears are as thirsty to listen as was my throat thirsty last night. And here to-day, behold, I am, as that Englishman who came here in his yacht used to say, I am in fine form, in devilish fine form."

"I give you up," I retorted, shrugging my shoulders. "Only one thing is clear, and that is that the devil doesn't want you. Report of your singing has gone before you."

"No," he pondered the idea carefully. "It is not that. The devil will be glad for my coming, for I have some very fine songs for him, and scandals and old gossips of the high aliis that will make him scratch his sides. So, let me explain to you the secret of my birth. The Sea is my mother. I was born in a double-canoe, during a Kona gale, in the channel of Kahoolawe. From her, the Sea, my mother, I received my strength. Whenever I return to her arms, as for a breast-clasp, as I have returned this day, I grow strong again and immediately. She, to me, is the milk-giver, the life- source – "

"Shades of Antaeus!" thought I.

"Some day," old Kohokumu rambled on, "when I am really old, I shall be reported of men as drowned in the sea. This will be an idle thought of men. In truth, I shall have returned into the arms of my mother, there to rest under the heart of her breast until the second birth of me, when I shall emerge into the sun a flashing youth of splendour like Maui himself when he was golden young."

"A queer religion," I commented.

"When I was younger I muddled my poor head over queerer religions," old Kohokumu retorted. "But listen, O Young Wise One, to my elderly wisdom. This I know: as I grow old I seek less for the truth from without me, and find more of the truth from within me. Why have I thought this thought of my return to my mother and of my rebirth from my mother into the sun? You do not know. I do not know, save that, without whisper of man's voice or printed word, without prompting from otherwhere, this thought has arisen from within me, from the deeps of me that are as deep as the sea. I am not a god. I do not make things. Therefore I have not made this thought. I do not know its father or its mother. It is of old time before me, and therefore it is true. Man does not make truth. Man, if he be not blind, only recognizes truth when he sees it. Is this thought that I have thought a dream?"

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