The Works of Guy de Maupassant, Volume 3

A fortnight in Paris in the family house at Auteuil, a fortnight in which to try on dresses and bonnets and to show themselves, and then Trouville, Aix or Biarritz, the whole show complete, with parties succeeding parties, money was spent as if they did not know its value, balls at the Casinos, constant flirtations, compromising intimacies, and those kind of admirers who immediately surround two pretty women, one in the radiant beauty of her eighteen years, and the other in the brightness of that maturity, which beautiful September days bring with them.

Unfortunately, however, they had to do the same thing over again every year, and as if bad luck were continuing to follow them implacably, Madame de Maurillac and her daughter did not succeed in their endeavors, and did not manage during her usual absence from home, to pick up some nice fellow who fell in love immediately, who took them seriously, and asked for Fabienne's hand, consequently, they were very unhappy. Their energies flagged, and their courage left them like water that escapes, drop by drop, through a crack in a jug. They grew low-spirited and no longer dared to be open towards each other and to exchange confidences and projects.

Fabienne, with her pale cheeks, her large eyes with blue circles round them and her tight lips, looked like some captive princess who is tormented by constant ennui, and troubled by evil suggestions; who dreams of flight, and of escape from that prison where fate holds her captive.

One night, when the sky was covered with heavy thunderclouds and the heat was most oppressive, Madame de Maurillac called her daughter whose room was next to hers. After calling her loudly for some time in vain, she sprang out of bed in terror and almost broke open the door with her trembling hands. The room was empty, and the pillows untouched.

Then, nearly mad and foreseeing some irreparable misfortune, the poor woman ran all over the large house, and then rushed out into the garden, where the air was heavy with the scent of flowers. She had the appearance of some wild animal that is being pursued by a pack of hounds, tried to penetrate the darkness with her anxious looks, and gasped as if some one were holding her by the throat; but suddenly she staggered, uttered a painful cry and fell down in a fit.

There before her, in the shadow of the myrtle trees, Fabienne was sitting on the knees of a man – of the gardener – with both her arms round his neck and kissing him ardently, and as if to defy her, and to show her how vain all her precautions and her vigilance had been, the girl was telling her lover in the country dialect, and in a cooing and delightful voice, how she adored him and that she belonged to him…

Madame de Maurillac is in a lunatic asylum, and Fabienne has married the gardener.

What could she have done better?

GHOSTS

Just at the time when the Concordat was in its most flourishing condition, a young man belonging to a wealthy and highly respected middle class family went to the office of the head of the police at P – , and begged for his help and advice, which was immediately promised him.

"My father threatens to disinherit me," the young man then began, "although I have never offended against the laws of the State, of morality or of his paternal authority, merely because I do not share his blind reverence for the Catholic Church and her Ministers. On that account he looks upon me, not merely as Latitudinarian, but as a perfect Atheist, and a faithful old manservant of ours, who is much attached to me, and who accidentally saw my father's will, told me in confidence that he had left all his property to the Jesuits. I think this is highly suspicious, and I fear that the priests have been maligning me to my father. Until less than a year ago, we used to live very quietly and happily together, but ever since he has had so much to do with the clergy, our domestic peace and happiness are at an end."

"What you have told me," the official replied, "is as likely as it is regrettable, but I fail to see how I can interfere in the matter. Your father is in the full possession of all his mental faculties, and can dispose of all his property exactly as he pleases. I also think that your protest is premature; you must wait until his will can legally take effect, and then you can invoke the aid of justice; I am sorry to say that I can do nothing for you."

"I think you will be able to," the young man replied; "for I believe that a very clever piece of deceit is being carried on here."

"How? Please explain yourself more clearly."

"When I remonstrated with him, yesterday evening, he referred to my dead mother, and at last assured me, in a voice of the deepest conviction, that she had frequently appeared to him, and had threatened him with all the torments of the damned, if he did not disinherit his son, who had fallen away from God, and leave all his property to the Church. Now I do not believe in ghosts."

"Neither do I," the police director replied; "but I cannot well do anything on this dangerous ground, if I had nothing but superstitions to go upon. You know how the Church rules all our affairs since the Concordat with Rome, and if I investigate this matter, and obtain no results, I am risking my post. It would be very different if you could adduce any proofs for your suspicions. I do not deny that I should like to see the clerical party, which will, I fear, be the ruin of Austria, receive a staggering blow; try, therefore, to get to the bottom of this business, and then we will talk it over again."

About a month passed, without the young Latitudinarian being heard of; but then he suddenly came one evening, evidently in a great state of excitement, and told him that he was in a position to expose the priestly deceit which he had mentioned, if the authorities would assist him. The police director asked for further information.

"I have obtained a number of important clues," the young man said. "In the first place, my father confessed to me, that my mother did not appear to him in our house, but in the churchyard where she is buried. My mother was consumptive for many years, and a few weeks before her death she went to the village of S – , where she died and was buried. In addition to this, I found out from our footman, that my father has already left the house twice, late at night, in company of X – , the Jesuit priest, and that on both occasions he did not return till morning. Each time he was remarkably uneasy and low-spirited after his return, and had three masses said for my dead mother. He also told me just now, that he has to leave home this evening on business, but immediately he told me that, our footman saw the Jesuit go out of the house. We may, therefore, assume that he intends this evening to consult the spirit of my dead mother again, and this would be an excellent opportunity for getting on the track of the matter, if you do not object to opposing the most powerful force in the Empire, for the sake of such an insignificant individual as myself."

"Every citizen has an equal right to the protection of the State," the police director replied; "and I think that I have shown often enough, that I am not wanting in courage to perform my duty, no matter how serious the consequences may be; but only very young men act without any prospects of success, as they are carried away by their feelings. When you came to me the first time, I was obliged to refuse your request for assistance, but to-day your shares have risen in value. It is now eight o'clock, and I shall expect you in two hours' time, here in my office. At present, all you have to do is to hold your tongue; everything else is my affair."

As soon as it was dark, four men got into a closed carriage in the yard of the police office, and were driven in the direction of the village of S – ; their carriage, however, did not enter the village, but stopped at the edge of a small wood in the immediate neighborhood. Here they all four alighted; they were the police director, accompanied by the young Latitudinarian, a police sergeant and an ordinary policeman, who was, however, dressed in plain clothes.

"The first thing for us to do is to examine the locality carefully," the police director said; "it is eleven o'clock and the exorcisers of ghosts will not arrive before midnight, so we have time to look round us, and to take our measure."

The four men went to the churchyard, which lay at the end of the village, near the little wood. Everything was as still as death, and not a soul was to be seen. The sexton was evidently sitting in the public house, for they found the door of his cottage locked, as well as the door of the little chapel that stood in the middle of the churchyard.

"Where is your mother's grave?" the police director asked; but as there were only a few stars visible, it was not easy to find it, but at last they managed it, and the police director looked about in the neighborhood of it.

"The position is not a very favorable one for us," he said at last; "there is nothing here, not even a shrub, behind which we could hide."

But just then the policeman said that he had tried to get into the sexton's hut through the door or the window, and that at last he had succeeded in doing so by breaking open a square in a window, which had been mended with paper, and that he had opened it and obtained possession of the key, which he brought to the police director.

His plans were very quickly settled. He had the chapel opened and went in with the young Latitudinarian; then he told the police sergeant to lock the door behind him and to put the key back where he had found it, and to shut the window of the sexton's cottage carefully. Lastly, he made arrangements as to what they were to do, in case anything unforeseen should occur, whereupon the sergeant and the constable left the churchyard, and lay down in a ditch at some distance from the gate, but opposite to it.

Almost as soon as the clock struck half-past eleven, they heard steps near the chapel, whereupon the police director and the young Latitudinarian went to the window, in order to watch the beginning of the exorcism, and as the chapel was in total darkness, they thought that they should be able to see, without being seen; but matters turned out differently from what they expected.

Suddenly, the key turned in the lock, and they barely had time to conceal themselves behind the altar, before two men came in, one of whom was carrying a dark lantern. One was the young man's father, an elderly man of the middle class, who seemed very unhappy and depressed, the other the Jesuit father K – , a tall, thin, big-boned man, with a thin, bilious face, in which two large gray eyes shone restlessly under their bushy, black eyebrows. He lit the tapers, which were standing on the altar, and then began to say a Requiem Mass; while the old man knelt on the altar steps and served him.

When it was over, the Jesuit took the book of the Gospels and the holy water sprinkler, and went slowly out of the chapel, while the old man followed him, with the holy water basin in one hand and a taper in the other. Then the police director left his hiding place, and stooping down, so as not to be seen, he crept to the chapel window, where he cowered down carefully, and the young man followed his example. They were now looking straight on his mother's grave.

The Jesuit, followed by the superstitious old man, walked three times round the grave; then he remained standing before it, and by the light of the taper, he read a few passages from the Gospel; then he dipped the holy water sprinkler three times into the holy water basin, and sprinkled the grave three times; then both returned to the chapel, knelt down outside it with their faces towards the grave, and began to pray aloud, until at last the Jesuit sprang up, in a species of wild ecstasy, and cried out three times in a shrill voice:

"Exsurge! Exsurge! Exsurge!"1

Scarcely had the last word of the exorcism died away, when thick, blue smoke rose out of the grave, which rapidly grew into a cloud, and began to assume the outlines of a human body, until at last a tall, white figure stood behind the grave, and beckoned with its hand.

"Who art thou?" the Jesuit asked solemnly, while the old man began to cry.

"When I was alive, I was called Anna Maria B – ," the ghost replied in a hollow voice.

"Will you answer all my questions?" the priest continued.

"As far as I can."

"Have you not yet been delivered from purgatory by our prayers, and all the masses for your soul, which we have said for you?"

"Not yet, but soon, soon I shall be."

"When?"

"As soon as that blasphemer, my son, has been punished."

"Has that not already happened? Has not your husband disinherited his lost son, and made the Church his heir, in his place?"

"That is not enough."

"What must he do besides?"

"He must deposit his will with the Judicial Authorities, as his last will and testament, and drive the reprobate out of his house."

"Consider well what you are saying. Must this really be?"

"It must, or otherwise I shall have to languish in purgatory much longer," the sepulchral voice replied with a deep sigh; but the next moment it yelled out in terror:

"Oh! Good Lord!" and the ghost began to run away as fast as it could. A shrill whistle was heard, and then another, and the police director laid his hand on the shoulder of the exorcisor, accompanied with the remark:

"You are in custody."

Meanwhile, the police sergeant and the policeman, who had come into the churchyard, had caught the ghost, and dragged it forward. It was the sexton, who had put on a flowing, white dress, and who wore a wax mask, which bore striking resemblance to his mother, as the son declared.

When the case was heard, it was proved that the mask had been very skillfully made from a portrait of the deceased woman. The Government gave orders that the matter should be investigated as secretly as possible, and left the punishment of Father K – to the spiritual authorities, which was a matter of course, at a time when priests were outside the jurisdiction of the Civil Authorities; and it is needless to say that he was very comfortable during his imprisonment, in a monastery in a part of the country which abounded with game and trout.

The only valuable result of the amusing ghost story was, that it brought about a reconciliation between father and son, and the former, as a matter of fact, felt such deep respect for priests and their ghosts in consequence of the apparition, that a short time after his wife had left purgatory for the last time, in order to talk with him, he turned Protestant.

CRASH

Love is stronger than death, and consequently also, than the greatest crash.

A young, and by no means bad-looking son of Palestine, and one of the barons of the Almanac of the Ghetto, who had left the field covered with wounds in the last general engagement on the Stock Exchange, used to go very frequently to the Universal Exhibition in Vienna in 1873, in order to divert his thoughts, and to console himself amidst the varied scenes, and the numerous objects of attraction there. One day he met a newly married couple in the Russian section, who had a very old coat of arms, but on the other hand, a very modest income.

This latter circumstance had frequently emboldened the stockbroker to make secret overtures to the delightful little lady; overtures which might have fascinated certain Viennese actresses, but which were sure to insult a respectable woman. The baroness, whose name appeared in the Almanack de Gotha, therefore felt something very like hatred for the man from the Ghetto, and for a long time her pretty little head had been full of various plans of revenge.

The stockbroker, who was really, and even passionately in love with her, got close to her in the Exhibition buildings, which he could do all the more easily, since the little woman's husband had taken to flight, foreseeing mischief, as soon as she went up to the show-case of a Russian fur dealer, before which she remained standing in rapture.

"Do look at that lovely fur," the baroness said, while her dark eyes expressed her pleasure; "I must have it."

But she looked at the white ticket on which the price was marked.

"Four thousand roubles," she said in despair; "that is about six thousand florins."

"Certainly," he replied, "but what of that? It is a sum not worth mentioning in the presence of such a charming lady."

"But my husband is not in a position …"

"Be less cruel than usual for once," the man from the Ghetto said to the young woman in a low voice, "and allow me to lay this sable skin at your feet."

"I presume that you are joking."

"Not I …"

"I think you must be joking, as I cannot think that you intend to insult me."

"But, Baroness, I love you…"

"That is one reason more why you should not make me angry."

"But …"

"Oh! I am in such a rage," the energetic little woman said; "I could flog you like Venus in the Fur2 did her slave."

"Let me be your slave," the Stock Exchange baron replied ardently, "and I will gladly put up with everything from you. Really, in this sable cloak, and with a whip in your hand, you would make a most lovely picture of the heroine of that story."

The baroness looked at the man for a moment with a peculiar smile.

"Then if I were to listen to you favorably, you would let me flog you?" she said after a pause.

"With pleasure."

"Very well," she replied quickly. "You will let me give you twenty-five cuts with a whip, and I will be yours after the twenty-fifth blow."

"Are you in earnest?"

"Fully."

The man from the Ghetto took her hand, and pressed it ardently to his lips.

"When may I come?"

"To-morrow evening at eight o'clock."

"And I may bring the sable cloak and the whip with me?"

"No, I will see about that myself."

The next evening the enamored stockbroker came to the house of the charming little Baroness, and found her alone, lying on a couch, wrapped in a dark fur, while she held a dog whip in her small hand, which the man from the Ghetto kissed.

"You know our agreement," she began.

"Of course I do," the Stock Exchange baron replied. "I am to allow you to give me twenty-five cuts with the whip, and after the twenty-fifth you will listen to me."

"Yes, but I am going to tie your hands first of all."

The amorous baron quietly allowed this new Delila to tie his hands behind him, and then at her bidding, he knelt down before her, and she raised her whip and hit him hard.

"Oh! That hurts me most confoundedly," he exclaimed.

"I mean it to hurt you," she said with a mocking laugh, and went on thrashing him without mercy. At last the poor fool groaned with pain, but he consoled himself with the thought that each blow brought him nearer to his happiness.

At the twenty-fourth cut, she threw the whip down.

"That only makes twenty-four," the beaten would-be, Don Juan, remarked.

"I will make you a present of the twenty-fifth," she said with a laugh.

"And now you are mine, altogether mine," he exclaimed ardently.

"What are you thinking of?"

"Have I not let you beat me?"

"Certainly; but I promised you to grant your wish after the twenty-fifth blow, and you have only received twenty-four," the cruel little bit of virtue cried, "and I have witnesses to prove it."

With these words, she drew back the curtains over the door, and her husband, followed by two other gentlemen came out of the next room, smiling. For a moment the stockbroker remained speechless on his knees before the beautiful woman; then he gave a deep sigh, and sadly uttered that one, most significant word:

"Crash!"

AN HONEST IDEAL

Among my numerous friends in Vienna, there is one who is an author, and who has always amused me by his childish idealism.

Not by his idealism from an abstract point of view, for in spite of my Pessimism I am an absurd Idealist, and because I am perfectly well aware of this, I as a rule never laugh at people's Idealism, but his sort of Idealism was really too funny.

He was a serious man of great capabilities who only just fell short of being learned, with a clear, critical intellect; a man without any illusions about Society, the State, Literature, or anything else, and especially not about women; but yet he was the craziest Optimist as soon as he got upon the subject of actresses, theatrical princesses and heroines; he was one of those men, who, like Hackländer, cannot discover the Ideal of Virtue anywhere, except in a ballet girl.

My friend was always in love with some actress or other; of course only Platonically, and from preference with some girl of rising talent, whose literary knight he constituted himself, until the time came when her admirers laid something much more substantial than laurel wreaths at her feet; then he withdrew and sought for fresh talent which would allow itself to be patronized by him.

He was never without the photograph of his ideal in his breast pocket, and when he was in a good temper he used to show me one or other of them, whom I had never seen, with a knowing smile, and once, when we were sitting in a café in the Prater, he took out a portrait without saying a word, and laid it on the table before me.

It was the portrait of a beautiful woman, but what struck me in it first of all was not the almost classic cut of her features, but her white eyes.

"If she had not the black hair of a living woman, I should take her for a statue," I said.

"Certainly," my friend replied; "for a statue of Venus, perhaps for the Venus of Milo, herself."

"Who is she?"

"A young actress."

"That is a matter of course in your case; what I meant was, what is her name?"

My friend told me, and it was a name which is at present one of the best known on the German stage, with which a number of terrestrial adventures are connected, as every Viennese knows, with which those of Venus herself were only innocent toying, but which I then heard for the first time.

My idealist described her as a woman of the highest talent, which I believed, and as an angel of purity, which I did not believe; on that particular occasion, however, I at any rate did not believe the contrary.

A few days later, I was accidentally turning over the leaves of the portrait album of another intimate friend of mine, who was a thoroughly careless, somewhat dissolute Viennese, and I came across that strange female face with the dead eyes again.

"How did you come by the picture of this Venus?" I asked him.

"Well, she certainly is a Venus," he replied, "but one of that cheap kind who are to be met with in the Graben3, which is their ideal grove…"

"Impossible!"

"I give you my word of honor it is so."

I could say nothing more after that. So my intellectual friend's new ideal, that woman of the highest dramatic talent, that wonderful woman with the white eyes, was a street Venus!

But my friend was right in one respect. He had not deceived himself with regard to her wonderful dramatic gifts, and she very soon made a career for herself; far from being a mute character on a suburban stage, she rose in two years to be the leading actress at one of the principal theaters.

My friend interested himself on her behalf with the manager of it, who was not blinded by any prejudices. She acted in a rehearsal, and pleased him; whereupon he sent her to star in the provinces, and my friend accompanied her, and took care she was well puffed.

She went on the boards as Schiller's Marie Stuart, and achieved the most brilliant success, and before she had finished her starring tour, she obtained an engagement at a large theater in a Northern town, where her appearance was the signal for a triumphant success.

Her reputation, that is, her reputation as a most gifted actress, grew very high in less than a year, and the manager of the Court theater invited her to star at the Court theater.

She was received with some suspicion at first, but she soon overcame all prejudices and doubts; the applause grew more and more vehement at every act, and at the close of the performance, her future was decided. She obtained a splendid engagement, and soon afterwards became an actress at the Court theater.