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The Works of Guy de Maupassant, Volume 4
When Count F. met the Princess the next morning in company with other ladies, when the band was playing, she showed an amount of unconstraint which confused him, and while she was joking in the most unembarrassed manner, he turned crimson and stammered out such a lot of nonsense that the ladies noticed it, and made him the target for their wit. None of them was bolder or more confident in their attacks on him than the Princess, so that at last he looked upon the woman who concealed so much passion in her breast, and who yet could command herself so thoroughly, as a kind of miracle, and at last said to himself: "The world is right; woman is a riddle!"
The Princess remained there for some weeks longer, and always maintained the same polite and friendly, but cool and sometimes ironical, demeanor towards him, but he easily endured being looked upon as her unfortunate adorer by the world, for at least every other day a small, scented note, stamped with her arms and signed Leonie, summoned him to the pavilion, and there he enjoyed the full, delightful possession of the beautiful woman. It, however, struck him as strange that she would never let him see her face. Her head was always covered with a thick black veil, through which he could see her eyes, which sparkled with love, glistening; he passed his fingers through her hair, he saw her well-known dresses, and once he succeeded in getting possession of one of her pocket-handkerchiefs, on which the name Leonie and the princely coronet were magnificently embroidered.
When she returned to Vienna for the winter, a note from her invited him to follow her there, and as he had indefinite leave of absence from his regiment, he could obey the commands of his divinity. As soon as he arrived there he received another note, which forbade him to go to her house, but promised him a speedy meeting in his rooms, and so the young officer had the furniture elegantly renovated, and looked forward to a visit from the beautiful woman with all a lover's impatience.
At last she came, wrapped in a magnificent cloak of green velvet, trimmed with ermine, but still thickly veiled, and before she came in she made it a condition that the room in which he received her should be quite dark, and after he had put out all the lights she threw off her fur, and her coldness gave way to the most impetuous tenderness.
"What is the reason that you will never allow me to see your dear, beautiful face?" the officer asked. "It is a whim of mine, and I suppose I have the right to indulge in whims," she said, hastily. "But I so long once more to see your splendid figure and your lovely face in full daylight," the Count continued. "Very well then, you shall see me at the Opera this evening."
She left him at six o'clock, after stopping barely an hour with him, and as soon as her carriage had driven off he dressed and went to the opera. During the overture, he saw the Princess enter her box and looking dazzlingly beautiful; she was wearing the same green velvet cloak, trimmed with ermine, that he had had in his hands a short time before, but almost immediately she let it fall from her shoulders, and showed a bust which was worthy of the Goddess of Love. She spoke with her husband with much animation, and smiled with her usual cold smile, though she did not give her adorer even a passing look, but, in spite of this, he felt the happiest of mortals.
In Vienna, however, the Count was not as fortunate as he had been at Karlsbad, where he had first met her, for his beautiful mistress only came to see him once a week; often she only stopped a short time with him, and once nearly six weeks passed without her favoring him at all, and she did not even make any excuse for remaining away. Just then, however, Leonie's husband accidentally made the young officer's acquaintance at the Jockey Club, took a fancy to him, and asked him to go and see him at his house.
When he called and found the Princess alone his heart felt as if it would burst with pleasure, and seizing her hand, he pressed it ardently to his lips. "What are you doing, Count?" she said, drawing back. "You are behaving very strangely." "We are alone," the young officer whispered, "so why this mask of innocence? Your cruelty is driving me mad, for it is six weeks since you came to see me last." "I certainly think you are out of your mind," the Princess replied, with every sign of the highest indignation, and hastily left the drawing-room. Nothing else remained for the Count but to do the same thing, but his mind was in a perfect whirl, and he was quite incapable of explaining to himself the Princess's enigmatical behavior. He dined at an hotel with some friends, and when he got home he found a note in which the Princess begged him to pardon her, and promised to justify her conduct, for which purpose she would see him at eight o'clock that evening.
Scarcely, however, had he read her note, when two of his brother-officers came to see him, and asked him, with well-simulated anxiety, whether he were ill. When he said that he was perfectly well, one of them continued, laughing: "Then please explain the occurrence that is in everybody's mouth to-day, in which you play such a comical part." – "I, a comical part?" the Count shouted. – "Well, is it not very comical when you call on a lady like Princess Leonie, whom you do not know, to upbraid her for her cruelty, and most unceremoniously call her thou6?"
That was too much; Count F. might pardon the Princess for pretending not to know him in society, but that she should make him a common laughing-stock, nearly drove him mad. "If I call the Princess thou," he exclaimed, "it is because I have the right to do so, as I will prove." – His comrades shrugged their shoulders, but he asked them to come again punctually at seven o'clock, and then he made his preparations.
At eight o'clock his divinity made her appearance, still thickly veiled, but on this occasion wearing a valuable sable cloak. As usual, Count F. took her into the dark-room and locked the outer door; then he opened that which led into his bedroom, and his two friends came in, each with a candle in his hand. – The lady in the sable cloak cried out in terror when Count F. pulled off her veil, but then it was his turn to be surprised, for it was not the Princess Leonie who stood before him, but her pretty lady's-maid, who, now she was discovered, confessed that love had driven her to assume her mistress's part, in which she had succeeded perfectly, on account of the similarity of their figure, eyes and hair. She had found the Count's letter in the Princess's pocket-handkerchief when they were at Karlsbad and had answered it. She had made him happy, and had heightened the illusion which her figure gave rise to by borrowing the Princess's dresses.
Of course the Count was made great fun of, and turned his back on Vienna hastily that same evening, but the pretty lady's-maid also disappeared soon after the catastrophe, and only by those means escaped from her mistress's well-merited anger; for it turned out that that gallant little individual had already played the part of her mistress more than once, and had made all those hopeless adorers of the Princess, who had found favor in her own eyes, happy in her stead.
Thus the enigma was solved which Princess Leonie seemed to have proposed to the world.
A DEER PARK IN THE PROVINCES
It is not very long ago that an Hungarian Prince, who was in an Austrian cavalry regiment, was quartered in a wealthy Austrian garrison town. The ladies of the local aristocracy naturally did everything they could to allure the new comer, who was young, good-looking, animated and amusing, into their nets, and at last one of the ripe beauties, who was now resting there on her amorous laurels, after innumerable victories on the hot floors of Viennese society, succeeded in taking him in her toils, but only for a short time, for she had very nearly reached that limit in age where, on the man's side, love ceases and esteem begins. But she had more sense than most women, and she recognized the fact in good time, and as she did not wish to give up the principal character which she played in society there so easily, she reflected as to what means she could employ to bind him to her in another manner. It is well known that the notorious Marchioness de Pompadour, who was one of the mistresses of Louis XV. of France, when her own charms did not suffice to fetter that changeable monarch, conceived the idea of securing the chief power in the State and in society for herself, by having a pavilion in the deer park, which belonged to her, and where Louis XV. was in the habit of hunting, fitted up with every accommodation of a harem, where she brought beautiful women and girls of all ranks of life to the arms of her royal lover.
Inspired by that historical example, the baroness began to arrange evening parties, balls, and private theatricals in the winter, and in the summer excursions into the country, and thus she gave the Prince, who at that time was still, so to say, at her feet, the opportunity of plucking fresh flowers. But even this clever expedient did not avail in the long run, for beautiful women were scarce in that provincial town, and the few which the local aristocracy could produce were not able to offer the Prince any fresh attractions, when he had made their closer acquaintance. At last, therefore, he turned his back on the highly-born Messalinas, and began to bestow marked attention on the pretty women and girls of the middle classes, either in the streets or when he was in his box at the theater.
There was one girl in particular, the daughter of a well-to-do merchant, who was supposed to be the most beautiful girl in the capital, on to whom his opera glass was constantly leveled, and whom he even followed occasionally without being noticed. But Baroness Pompadour soon got wind of this unprincely taste, and determined to do everything in her power to keep her lover and the whole nobility, which was threatened, from such an unheard-of disgrace, as an intrigue of a Prince with a girl of the middle classes, would have been in her eyes. "It is really sad," the outraged baroness once said to me, "that in these days princes and monarchs choose their mistresses only from the stage, or even from the scum of the people. But it is the fault of our ladies themselves. They mistake their vocation! Ah! Where are those delightful times when the daughters of the first families looked upon it as an honor to become their princes' mistresses?"
Consequently, the horror of the blue-blooded, aristocratic lady was intense when the Prince, in his usual, amiable, careless manner, suggested to her to people her deer park with girls of the lower orders.
"It is a ridiculous prejudice," the Prince said on that occasion, "which obliges us to shut ourselves off from the other ranks, and to confine ourselves altogether to our own circle, for monotony and boredom are the inevitable consequences of it. How many honorable men of sense and education, and especially how many charming women and girls there are, who do not belong to the aristocracy, who would infuse fresh life and a new charm into our dull, listless society! I very much wish that a lady like you would make a beginning, and would give up this exclusiveness, which cannot be maintained in these days, and would enrich our circle with the charming daughters of middle class families."
A wish of the Prince's was as good as a command; so the baroness made a wry face, but she accommodated herself to the circumstances, and promised to invite some of the prettiest girls of the plebs to a ball in a few days. She really issued a number of invitations, and even condescended to drive to the house of each of them in person. "But I must ask one thing of you," she said to each of the pretty girls, "and that is to come dressed as simply as possible; washing muslins will be best. The Prince dislikes all finery and ostentation and he would be very vexed with me if I were the cause of any extravagance on your part."
The great day arrived; it was quite an event for the little town, and all classes of society were in a state of the greatest excitement. The pretty, plebeian girls, with her whom the Prince had first noticed at their head, appeared in all their innocence, in plain, washing dresses, according to the Prince's orders, with their hair plainly dressed, and without any ornaments, except their own fresh, buxom charms. When they were all captives in the den of the proud, aristocratic lioness, the poor little mice were very much terrified when suddenly the aristocratic ladies came into the ball-room, rustling in whole oceans of silks and lace, with their haughty heads changed into so many hanging gardens of Semiramis, loaded with all the treasures of India, and radiant as the sun.
At first the poor girls looked down in shame and confusion, and Baroness Pompadour's eyes glistened with all the joy of triumph, but her ill-natured pleasure did not last long, for the intrigue, on which the Prince's ignoble passions were to make shipwreck, recoiled on the highly-born lady patroness of the deer park.
It was not the aristocratic ladies in their magnificent toilettes that threw the girls from the middle classes into the shade, but, on the contrary, those pretty girls in their washing dresses, and with the plain but splendid ornament of their abundant hair looked far more charming than they would have done in silk dresses with long trains, and with flowers in their hair, and the novelty and unwontedness of their appearance there allured not only the Prince, but all the other gentlemen and officers, so that the proud grand-daughters of the lions, griffins, and eagles, were quite neglected by the gentlemen, who danced almost exclusively with the pretty girls of the middle classes.
The faded lips of the baronesses and countesses uttered many a "For Shame!" but all in vain, neither was it any good for the Baroness to make up her mind that she would never again put a social medley before the Prince in her drawing-room, for he had seen through her intrigue, and gave her up altogether. Sic transit gloria mundi!
She, however, consoled herself as best she could.
THE WHITE LADY
Fortuna, the goddess of chance and good luck, has always been Cupid's best ally and Arnold T., who was a lieutenant in a hussar regiment, was evidently a special favorite of both those roguish deities.
This good-looking, well-bred young officer had been an enthusiastic admirer of the two Countesses W., mother and daughter, during a tolerably long leave of absence, which he spent with his relations in Vienna. He had admired them from the Prater, and worshiped them at the opera, but he had never had an opportunity of making their acquaintance, and when he was back at his dull quarters in Galicia, he liked to think about those two aristocratic beauties. Last summer his regiment was transferred to Bohemia, to a wildly romantic district, that had been made illustrious by a talented writer, which abounded in magnificent woods, lofty mountain-forests and castles, and which was a favorite summer resort of the neighboring aristocracy.
Who can describe his joyful surprise, when he and his men were quartered in an old, weather-beaten castle in the middle of a wood, and he learnt from the house-steward who received him that the owner of the castle was the husband, and, consequently, also the father of his Viennese ideals. An hour after he had taken possession of his old-fashioned, but beautifully furnished, room in a side-wing of the castle, he put on his full-dress uniform, and throwing his dolman over his shoulders, he went to pay his respects to the Count and the ladies.
He was received with the greatest cordiality. The Count was delighted to have a companion when he went out shooting, and the ladies were no less pleased at having some one to accompany them on their walks in the forests, or on their rides, so that he felt only half on the earth, and half in the seventh heaven of Mohammedan bliss. Before supper he had time to inspect the house more closely, and even to take a sketch of the large, gloomy building from a favorable point. The ancient seat of the Counts of W. was really very gloomy; in fact it created a sinister, uncomfortable feeling. The walls, which were crumbling away here and there, and which were covered with dark ivy; the round towers, which harbored jackdaws, owls, and hawks; the Æolian harp, which complained and sighed and wept in the wind; the stones in the castle yard, which were overgrown with grass; the cloisters, in which every footstep re-echoed; the great ancestral portraits which hung on the walls, coated as it were with dark, mysterious veils by the centuries which had passed over them – all this recalled to him the legends and fairy tales of his youth, and he involuntarily thought of the Sleeping Beauty in the Wood, and of Blue Beard, of the cruel mistress of the Kynast,7 and that aristocratic tigress of the Carpathians, who obtained the unfading charms of eternal youth by bathing in human blood.
He came in to supper where he found himself for the first time in company with all the members of the family, just in the frame of mind that was suitable for ghosts, and was not a little surprised when his host told him, half smiling and half seriously, that the "White Lady" was disturbing the castle again, and that she had latterly been seen very often. "Yes, indeed," Countess Ida exclaimed; "You must take care, Baron, for she haunts the very wing where your room is." The hussar was just in the frame of mind to take the matter seriously, but, on the other hand, when he saw the dark, ardent eyes of the Countess, and then the merry blue eyes of her daughter fixed on him, any real fear of ghosts was quite out of the question with him. For Baron T. feared nothing in this world, but he possessed a very lively imagination, which could conjure up threatening forms from another world so plainly that sometimes he felt very uncomfortable at his own fancies. But on the present occasion that malicious apparition had no power over him; the ladies took care of that, for both of them were beautiful and amiable.
The Countess was a mature Venus of thirty-six, of middle height, and with the voluptuous figure of a true Viennese, with bright eyes, thick dark hair, and beautiful white teeth, while her daughter Ida, who was seventeen, had light hair and the pert little nose of the china figures of shepherdesses in the dress of the period of Louis XIV., and was short, slim, and full of French grace. Besides them and the Count, a son of twelve and his tutor were present at supper. It struck the hussar as strange that the tutor, who was a strongly-built young man, with a winning face and those refined manners which the greatest plebeian quickly acquires when brought into close and constant contact with the aristocracy, was treated with great consideration by all the family except the Countess, who treated him very haughtily. She assumed a particularly imperious manner towards her son's tutor, and she either found fault with, or made fun of, everything that he did, while he put up with it all with smiling humility.
Before supper was over their conversation again turned on to the ghost, and Baron T. asked whether they did not possess a picture of the White Lady. "Of course we have one," they all replied at once; whereupon Baron T. begged to be allowed to see it. "I will show it you to-morrow," the Count said. "No, Papa, now, immediately," the younger lady said mockingly; "just before the ghostly hour, such a thing creates a much greater impression."
All who were present, not excepting the boy and his tutor, took a candle and then they walked as if they had formed a torchlight procession, to the wing of the house where the hussar's room was. There was a life-size picture of the White Lady hanging in a Gothic passage near his room, among other ancestral portraits, and it by no means made a terrible impression on anyone who looked at it, but rather the contrary. The ghost, dressed in stiff, gold brocade and purple velvet, and with a hawk on her wrist, looked like one of those seductive Amazons of the fifteenth century, who exercised the art of laying men and game at their feet with equal skill.
"Don't you think that the White Lady is very like mamma?" Countess Ida said, interrupting the Baron's silent contemplation of the picture. "There is no doubt of it," the hussar replied, while the Countess smiled and the tutor turned red, and they were still standing before the picture, when a strong gust of wind suddenly extinguished all the lights, and they all uttered a simultaneous cry. The White Lady, the little Count whispered, but she did not come, and as it was luckily a moonlight night, they soon recovered from their momentary shock. The family retired to their apartments, while the hussar and the tutor went to their own rooms, which were situated in the wing of the castle which was haunted by the White Lady; the officer's being scarcely thirty yards from the portrait, while the tutor's were rather further down the corridor.
The hussar went to bed, and was soon fast asleep, and though he had rather uneasy dreams nothing further happened. But while they were at breakfast the next morning, the Count's body-servant told them, with every appearance of real terror, that as he was crossing the court-yard at midnight, he had suddenly heard a noise like bats in the open cloisters, and when he looked he distinctly saw the White Lady gliding slowly through them; but they merely laughed at the poltroon, and though our hussar laughed also, he fully made up his mind, without saying a word about it, to keep a look-out for the ghost that night.
Again they had supper alone, without any company, had some music and pleasant talk and separated at half-past eleven. The hussar, however, only went to his room for form's sake; he loaded his pistols, and when all was quiet in the castle, he crept down into the court-yard and took up his position behind a pillar which was quite hidden in the shade, while the moon, which was nearly at the full, flooded the cloisters with its clear, pale light.
There were no lights to be seen in the castle except from two windows, which were those of the Countess's apartments, and soon they were also extinguished. The clock struck twelve, and the hussar could scarcely breathe from excitement; the next moment, however, he heard the noise which the Count's body-servant had compared to that of bats, and almost at the same instant a white figure glided slowly through the open cloisters and passed so close to him, that it almost made his blood curdle, and then it disappeared in the wing of the castle which he and the tutor occupied.
The officer who was usually so brave, stood as though he was paralyzed for a few moments, but then he took heart, and feeling determined to make the nearer acquaintance of the spectral beauty, he crept softly up the broad staircase and took up his position in a deep recess in the cloisters, where nobody could see him.
He waited for a long time; he heard every quarter strike, and at last, just before the close of the witching hour, he heard the same noise like the rustling of bats, and then she came, he felt the flutter of her white dress, and she stood before him – it was indeed the Countess.
He presented his pistol at her as he challenged her, but she raised her hand menacingly. "Who are you?" he exclaimed. "If you are really a ghost, prove it, for I am going to fire." "For heaven's sake!" the White Lady whispered, and at the same instant two white arms were thrown round him, and he felt a full, warm bosom heaving against his own.
After that night the ghost appeared more frequently still. Not only did the White Lady make her appearance every night in the cloisters, only to disappear in the proximity of the hussar's rooms as long as the family remained at the castle, but she even followed them to Vienna.
Baron T., who went to that capital on leave of absence during the following winter, and who was the Count's guest at the express wish of his wife, was frequently told by the footman that although hitherto she had seemed to be confined to the old castle in Bohemia, she had shown herself now here, now there, in the mansion in Vienna, in a white dress and making a noise like the wings of a bat, and bearing a striking resemblance to the beautiful Countess.