The Country of the Blind, and Other Stories

What was that refined little home to her now, spite of autotypes, Morris papers, and bureaus? Athwart it in letters of fire ran an incredible inscription: "Mrs. Snooks." That may seem a little thing to the reader, but consider the delicate refinement of Miss Winchelsea's mind. Be as refined as you can and then think of writing yourself down: – "Snooks." She conceived herself being addressed as Mrs. Snooks by all the people she liked least, conceived the patronymic touched with a vague quality of insult. She figured a card of grey and silver bearing 'Winchelsea' triumphantly effaced by an arrow, Cupid's arrow, in favour of "Snooks." Degrading confession of feminine weakness! She imagined the terrible rejoicings of certain girl friends, of certain grocer cousins from whom her growing refinement had long since estranged her. How they would make it sprawl across the envelope that would bring their sarcastic congratulations. Would even his pleasant company compensate her for that? "It is impossible," she muttered; "impossible! Snooks!"

She was sorry for him, but not so sorry as she was for herself. For him she had a touch of indignation. To be so nice, so refined, while all the time he was "Snooks," to hide under a pretentious gentility of demeanour the badge sinister of his surname seemed a sort of treachery. To put it in the language of sentimental science she felt he had "led her on."

There were, of course, moments of terrible vacillation, a period even when something almost like passion bid her throw refinement to the winds. And there was something in her, an unexpurgated vestige of vulgarity that made a strenuous attempt at proving that Snooks was not so very bad a name after all. Any hovering hesitation flew before Fanny's manner, when Fanny came with an air of catastrophe to tell that she also knew the horror. Fanny's voice fell to a whisper when she said Snooks. Miss Winchelsea would not give him any answer when at last, in the Borghese, she could have a minute with him; but she promised him a note.

She handed him that note in the little book of poetry he had lent her, the little book that had first drawn them together. Her refusal was ambiguous, allusive. She could no more tell him why she rejected him than she could have told a cripple of his hump. He too must feel something of the unspeakable quality of his name. Indeed he had avoided a dozen chances of telling it, she now perceived. So she spoke of "obstacles she could not reveal" – "reasons why the thing he spoke of was impossible." She addressed the note with a shiver, "E.K. Snooks."

Things were worse than she had dreaded; he asked her to explain. How could she explain? Those last two days in Rome were dreadful. She was haunted by his air of astonished perplexity. She knew she had given him intimate hopes, she had not the courage to examine her mind thoroughly for the extent of her encouragement. She knew he must think her the most changeable of beings. Now that she was in full retreat, she would not even perceive his hints of a possible correspondence. But in that matter he did a thing that seemed to her at once delicate and romantic. He made a go-between of Fanny. Fanny could not keep the secret, and came and told her that night under a transparent pretext of needed advice. "Mr. Snooks," said Fanny, "wants to write to me. Fancy! I had no idea. But should I let him?" They talked it over long and earnestly, and Miss Winchelsea was careful to keep the veil over her heart. She was already repenting his disregarded hints. Why should she not hear of him sometimes – painful though his name must be to her? Miss Winchelsea decided it might be permitted, and Fanny kissed her good-night with unusual emotion. After she had gone Miss Winchelsea sat for a long time at the window of her little room. It was moonlight, and down the street a man sang "Santa Lucia" with almost heart-dissolving tenderness… She sat very still.

She breathed a word very softly to herself. The word was "Snooks." Then she got up with a profound sigh, and went to bed. The next morning he said to her meaningly, "I shall hear of you through your friend."

Mr. Snooks saw them off from Rome with that pathetic interrogative perplexity still on his face, and if it had not been for Helen he would have retained Miss Winchelsea's hold-all in his hand as a sort of encyclopaedic keepsake. On their way back to England Miss Winchelsea on six separate occasions made Fanny promise to write to her the longest of long letters. Fanny, it seemed, would be quite near Mr. Snooks. Her new school – she was always going to new schools – would be only five miles from Steely Bank, and it was in the Steely Bank Polytechnic, and one or two first-class schools, that Mr. Snooks did his teaching. He might even see her at times. They could not talk much of him – she and Fanny always spoke of "him," never of Mr. Snooks – because Helen was apt to say unsympathetic things about him. Her nature had coarsened very much, Miss Winchelsea perceived, since the old Training College days; she had become hard and cynical. She thought he had a weak face, mistaking refinement for weakness as people of her stamp are apt to do, and when she heard his name was Snooks, she said she had expected something of the sort. Miss Winchelsea was careful to spare her own feelings after that, but Fanny was less circumspect.

The girls parted in London, and Miss Winchelsea returned, with a new interest in life, to the Girls' High School in which she had been an increasingly valuable assistant for the last three years. Her new interest in life was Fanny as a correspondent, and to give her a lead she wrote her a lengthy descriptive letter within a fortnight of her return. Fanny answered, very disappointingly. Fanny indeed had no literary gift, but it was new to Miss Winchelsea to find herself deploring the want of gifts in a friend. That letter was even criticised aloud in the safe solitude of Miss Winchelsea's study, and her criticism, spoken with great bitterness, was "Twaddle!" It was full of just the things Miss Winchelsea's letter had been full of, particulars of the school. And of Mr. Snooks, only this much: "I have had a letter from Mr. Snooks, and he has been over to see me on two Saturday afternoons running. He talked about Rome and you; we both talked about you. Your ears must have burnt, my dear…"

Miss Winchelsea repressed a desire to demand more explicit information, and wrote the sweetest, long letter again. "Tell me all about yourself, dear. That journey has quite refreshed our ancient friendship, and I do so want to keep in touch with you." About Mr. Snooks she simply wrote on the fifth page that she was glad Fanny had seen him, and that if he should ask after her, she was to be remembered to him very kindly (underlined). And Fanny replied most obtusely in the key of that "ancient friendship," reminding Miss Winchelsea of a dozen foolish things of those old schoolgirl days at the Training College, and saying not a word about Mr. Snooks!

For nearly a week Miss Winchelsea was so angry at the failure of Fanny as a go-between that she could not write to her. And then she wrote less effusively, and in her letter she asked point-blank, "Have you seen Mr. Snooks?" Fanny's letter was unexpectedly satisfactory. "I have seen Mr. Snooks," she wrote, and having once named him she kept on about him; it was all Snooks – Snooks this and Snooks that. He was to give a public lecture, said Fanny, among other things. Yet Miss Winchelsea, after the first glow of gratification, still found this letter a little unsatisfactory. Fanny did not report Mr. Snooks as saying anything about Miss Winchelsea, nor as looking a little white and worn, as he ought to have been doing. And behold! before she had replied, came a second letter from Fanny on the same theme, quite a gushing letter, and covering six sheets with her loose feminine hand.

And about this second letter was a rather odd little thing that Miss Winchelsea only noticed as she re-read it the third time. Fanny's natural femininity had prevailed even against the round and clear traditions of the Training College; she was one of those she-creatures born to make all her _m'_s and _n'_s and _u'_s and _r'_s and _e'_s alike, and to leave her _o'_s and _a'_s open and her _i'_s undotted. So that it was only after an elaborate comparison of word with word that Miss Winchelsea felt assured Mr. Snooks was not really "Mr. Snooks" at all! In Fanny's first letter of gush he was Mr. "Snooks," in her second the spelling was changed to Mr. "Senoks." Miss Winchelsea's hand positively trembled as she turned the sheet over – it meant so much to her. For it had already begun to seem to her that even the name of Mrs. Snooks might be avoided at too great a price, and suddenly – this possibility! She turned over the six sheets, all dappled with that critical name, and everywhere the first letter had the form of an e! For a time she walked the room with a hand pressed upon her heart.

She spent a whole day pondering this change, weighing a letter of inquiry that should be at once discreet and effectual; weighing, too, what action she should take after the answer came. She was resolved that if this altered spelling was anything more than a quaint fancy of Fanny's, she would write forthwith to Mr. Snooks. She had now reached a stage when the minor refinements of behaviour disappear. Her excuse remained uninvented, but she had the subject of her letter clear in her mind, even to the hint that "circumstances in my life have changed very greatly since we talked together." But she never gave that hint. There came a third letter from that fitful correspondent Fanny. The first line proclaimed her "the happiest girl alive."

Miss Winchelsea crushed the letter in her hand – the rest unread – and sat with her face suddenly very still. She had received it just before morning school, and had opened it when the junior mathematicians were well under way. Presently she resumed reading with an appearance of great calm. But after the first sheet she went on reading the third without discovering the error: – "told him frankly I did not like his name," the third sheet began. "He told me he did not like it himself – you know that sort of sudden, frank way he has" – Miss Winchelsea did know. "So I said, 'couldn't you change it?' He didn't see it at first. Well, you know, dear, he had told me what it really meant; it means Sevenoaks, only it has got down to Snooks – both Snooks and Noaks, dreadfully vulgar surnames though they be, are really worn forms of Sevenoaks. So I said – even I have my bright ideas at times – 'If it got down from Sevenoaks to Snooks, why not get it back from Snooks to Sevenoaks?' And the long and the short of it is, dear, he couldn't refuse me, and he changed his spelling there and then to Senoks for the bills of the new lecture. And afterwards, when we are married, we shall put in the apostrophe and make it Se'noks. Wasn't it kind of him to mind that fancy of mine, when many men would have taken offence? But it is just like him all over; he is as kind as he is clever. Because he knew as well as I did that I would have had him in spite of it, had he been ten times Snooks. But he did it all the same."

The class was startled by the sound of paper being viciously torn, and looked up to see Miss Winchelsea white in the face and with some very small pieces of paper clenched in one hand. For a few seconds they stared at her stare, and then her expression changed back to a more familiar one. "Has any one finished number three?" she asked in an even tone. She remained calm after that. But impositions ruled high that day. And she spent two laborious evenings writing letters of various sorts to Fanny, before she found a decent congratulatory vein. Her reason struggled hopelessly against the persuasion that Fanny had behaved in an exceedingly treacherous manner.

One may be extremely refined and still capable of a very sore heart. Certainly Miss Winchelsea's heart was very sore. She had moods of sexual hostility, in which she generalised uncharitably about mankind. "He forgot himself with me," she said. "But Fanny is pink and pretty and soft and a fool – a very excellent match for a Man." And by way of a wedding present she sent Fanny a gracefully bound volume of poetry by George Meredith, and Fanny wrote back a grossly happy letter to say that it was "all beautiful." Miss Winchelsea hoped that some day Mr. Senoks might take up that slim book and think for a moment of the donor. Fanny wrote several times before and about her marriage, pursuing that fond legend of their "ancient friendship," and giving her happiness in the fullest detail. And Miss Winchelsea wrote to Helen for the first time after the Roman journey, saying nothing about the marriage, but expressing very cordial feelings.

They had been in Rome at Easter, and Fanny was married in the August vacation. She wrote a garrulous letter to Miss Winchelsea, describing her home-coming and the astonishing arrangements of their "teeny, weeny" little house. Mr. Se'noks was now beginning to assume a refinement in Miss Winchelsea's memory out of all proportion to the facts of the case, and she tried in vain to imagine his cultured greatness in a "teeny weeny" little house. "Am busy enamelling a cosy corner," said Fanny, sprawling to the end of her third sheet, "so excuse more." Miss Winchelsea answered in her best style, gently poking fun at Fanny's arrangements, and hoping intensely that Mr. Se'noks might see the letter. Only this hope enabled her to write at all, answering not only that letter but one in November and one at Christmas.

The two latter communications contained urgent invitations for her to come to Steely Bank on a visit during the Christmas holidays. She tried to think that he had told her to ask that, but it was too much like Fanny's opulent good-nature. She could not but believe that he must be sick of his blunder by this time; and she had more than a hope that he would presently write her a letter beginning "Dear Friend." Something subtly tragic in the separation was a great support to her, a sad misunderstanding. To have been jilted would have been intolerable. But he never wrote that letter beginning "Dear Friend."

For two years Miss Winchelsea could not go to see her friends, in spite of the reiterated invitations of Mrs. Sevenoaks – it became full Sevenoaks in the second year. Then one day near the Easter rest she felt lonely and without a soul to understand her in the world, and her mind ran once more on what is called Platonic friendship. Fanny was clearly happy and busy in her new sphere of domesticity, but no doubt he had his lonely hours. Did he ever think of those days in Rome, gone now beyond recalling? No one had understood her as he had done; no one in all the world. It would be a sort of melancholy pleasure to talk to him again, and what harm could it do? Why should she deny herself? That night she wrote a sonnet, all but the last two lines of the octave – which would not come; and the next day she composed a graceful little note to tell Fanny she was coming down.

And so she saw him again.

Even at the first encounter it was evident he had changed; he seemed stouter and less nervous, and it speedily appeared that his conversation had already lost much of its old delicacy. There even seemed a justification for Helen's description of weakness in his face – in certain lights it was weak. He seemed busy and preoccupied about his affairs, and almost under the impression that Miss Winchelsea had come for the sake of Fanny. He discussed his dinner with Fanny in an intelligent way. They only had one good long talk together, and that came to nothing. He did not refer to Rome, and spent some time abusing a man who had stolen an idea he had had for a text-book. It did not seem a very wonderful idea to Miss Winchelsea. She discovered he had forgotten the names of more than half the painters whose work they had rejoiced over in Florence.

It was a sadly disappointing week, and Miss Winchelsea was glad when it came to an end. Under various excuses she avoided visiting them again. After a time the visitor's room was occupied by their two little boys, and Fanny's invitations ceased. The intimacy of her letters had long since faded away.

XXV.

A DREAM OF ARMAGEDDON

The man with the white face entered the carriage at Rugby. He moved slowly in spite of the urgency of his porter, and even while he was still on the platform I noted how ill he seemed. He dropped into the corner over against me with a sigh, made an incomplete attempt to arrange his travelling shawl, and became motionless, with his eyes staring vacantly. Presently he was moved by a sense of my observation, looked up at me, and put out a spiritless hand for his newspaper. Then he glanced again in my direction.

I feigned to read. I feared I had unwittingly embarrassed him, and in a moment I was surprised to find him speaking.

"I beg your pardon?" said I.

"That book," he repeated, pointing a lean finger, "is about dreams."

"Obviously," I answered, for it was Fortnum-Roscoe's Dream States, and the title was on the cover.

He hung silent for a space as if he sought words. "Yes," he said, at last, "but they tell you nothing."

I did not catch his meaning for a second.

"They don't know," he added.

I looked a little more attentively at his face.

"There are dreams," he said, "and dreams." That sort of proposition I never dispute. "I suppose – " he hesitated. "Do you ever dream? I mean vividly."

"I dream very little," I answered. "I doubt if I have three vivid dreams in a year."

"Ah!" he said, and seemed for a moment to collect his thoughts.

"Your dreams don't mix with your memories?" he asked abruptly. "You don't find yourself in doubt: did this happen or did it not?"

"Hardly ever. Except just for a momentary hesitation now and then. I suppose few people do."

"Does he say – " he indicated the book.

"Says it happens at times and gives the usual explanation about intensity of impression and the like to account for its not happening as a rule. I suppose you know something of these theories – "

"Very little – except that they are wrong."

His emaciated hand played with the strap of the window for a time. I prepared to resume reading, and that seemed to precipitate his next remark. He leant forward almost as though he would touch me.

"Isn't there something called consecutive dreaming – that goes on night after night?"

"I believe there is. There are cases given in most books on mental trouble."

"Mental trouble! Yes. I daresay there are. It's the right place for them.

But what I mean – " He looked at his bony knuckles. "Is that sort of thing always dreaming? Is it dreaming? Or is it something else?

Mightn't it be something else?"

I should have snubbed his persistent conversation but for the drawn anxiety of his face. I remember now the look of his faded eyes and the lids red stained – perhaps you know that look.

"I'm not just arguing about a matter of opinion," he said. "The thing's killing me."

"Dreams?"

"If you call them dreams. Night after night. Vivid! – so vivid … this – " (he indicated the landscape that went streaming by the window) "seems unreal in comparison! I can scarcely remember who I am, what business I am on …"

He paused. "Even now – "

"The dream is always the same – do you mean?" I asked.

"It's over."

"You mean?"

"I died."

"Died?"

"Smashed and killed, and now so much of me as that dream was is dead. Dead for ever. I dreamt I was another man, you know, living in a different part of the world and in a different time. I dreamt that night after night. Night after night I woke into that other life. Fresh scenes and fresh happenings – until I came upon the last – "

"When you died?"

"When I died."

"And since then – "

"No," he said. "Thank God! that was the end of the dream…"

It was clear I was in for this dream. And, after all, I had an hour before me, the light was fading fast, and Fortnum-Roscoe has a dreary way with him. "Living in a different time," I said: "do you mean in some different age?"

"Yes."

"Past?"

"No, to come – to come."

"The year three thousand, for example?"

"I don't know what year it was. I did when I was asleep, when I was dreaming, that is, but not now – not now that I am awake. There's a lot of things I have forgotten since I woke out of these dreams, though I knew them at the time when I was – I suppose it was dreaming. They called the year differently from our way of calling the year… What did they call it?" He put his hand to his forehead. "No," said he, "I forget."

He sat smiling weakly. For a moment I feared he did not mean to tell me his dream. As a rule, I hate people who tell their dreams, but this struck me differently. I proffered assistance even. "It began – " I suggested.

"It was vivid from the first. I seemed to wake up in it suddenly. And it's curious that in these dreams I am speaking of I never remembered this life I am living now. It seemed as if the dream life was enough while it lasted. Perhaps – But I will tell you how I find myself when I do my best to recall it all. I don't remember anything clearly until I found myself sitting in a sort of loggia looking out over the sea. I had been dozing, and suddenly I woke up – fresh and vivid – not a bit dreamlike – because the girl had stopped fanning me."

"The girl?"

"Yes, the girl. You must not interrupt or you will put me out."

He stopped abruptly. "You won't think I'm mad?" he said.

"No," I answered; "you've been dreaming. Tell me your dream."

"I woke up, I say, because the girl had stopped fanning me. I was not surprised to find myself there or anything of that sort, you understand. I did not feel I had fallen into it suddenly. I simply took it up at that point. Whatever memory I had of this life, this nineteenth-century life, faded as I woke, vanished like a dream. I knew all about myself, knew that my name was no longer Cooper but Hedon, and all about my position in the world. I've forgotten a lot since I woke – there's a want of connection – but it was all quite clear and matter-of-fact then."

He hesitated again, gripping the window strap, putting his face forward, and looking up to me appealingly.

"This seems bosh to you?"

"No, no!" I cried. "Go on. Tell me what this loggia was like."

"It was not really a loggia – I don't know what to call it. It faced south. It was small. It was all in shadow except the semicircle above the balcony that showed the sky and sea and the corner where the girl stood. I was on a couch – it was a metal couch with light striped cushions – and the girl was leaning over the balcony with her back to me. The light of the sunrise fell on her ear and cheek. Her pretty white neck and the little curls that nestled there, and her white shoulder were in the sun, and all the grace of her body was in the cool blue shadow. She was dressed – how can I describe it? It was easy and flowing. And altogether there she stood, so that it came to me how beautiful and desirable she was, as though I had never seen her before. And when at last I sighed and raised myself upon my arm she turned her face to me – "

He stopped.

"I have lived three-and-fifty years in this world. I have had mother, sisters, friends, wife and daughters – all their faces, the play of their faces, I know. But the face of this girl – it is much more real to me. I can bring it back into memory so that I see it again – I could draw it or paint it. And after all – "

He stopped – but I said nothing.

"The face of a dream – the face of a dream. She was beautiful. Not that beauty which is terrible, cold, and worshipful, like the beauty of a saint; nor that beauty that stirs fierce passions; but a sort of radiation, sweet lips that softened into smiles, and grave gray eyes. And she moved gracefully, she seemed to have part with all pleasant and gracious things – "

He stopped, and his face was downcast and hidden. Then he looked up at me and went on, making no further attempt to disguise his absolute belief in the reality of his story.

"You see, I had thrown up my plans and ambitions, thrown up all I had ever worked for or desired, for her sake. I had been a master man away there in the north, with influence and property and a great reputation, but none of it had seemed worth having beside her. I had come to the place, this city of sunny pleasures, with her, and left all those things to wreck and ruin just to save a remnant at least of my life. While I had been in love with her before I knew that she had any care for me, before I had imagined that she would dare – that we should dare – all my life had seemed vain and hollow, dust and ashes. It was dust and ashes. Night after night, and through the long days I had longed and desired – my soul had beaten against the thing forbidden!