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The Death Shot: A Story Retold
The Death Shot: A Story Retoldполная версия

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The Death Shot: A Story Retold

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Short as terrible; in less than ten minutes after its commencement it is all over. The victims have succumbed, their bleeding bodies lie along the pavement. Only those domestics have escaped, who preserved enough presence of mind to get inside rooms, and barricade the doors behind them.

They are not followed; for despite the red murder already done, the action ensuing, tells of only robbery intended.

This evident from the way the savages now go to work. Instead of attempting to reach those they have imprisoned within the dining-room, they place two of their number to stand guard by its door; another pair going on to the gate entrance. These steps taken, the rest, with Fernand still conducting, hurry along the corridor, towards a room which opens at one of its angles. It is the chamber Dupré has chosen for his sleeping apartment, and where he has deposited his treasure. Inside it his cash, at least fifty thousand dollars, most of it in silver, packed in stout boxes.

Fernand carries the key, which he inserts into its lock. The door flies open, and the half-blood enters, closely followed by those who appear all Indians. They go in with the eagerness of tigers springing upon prey, or more like the stealthiness of cats.

Soon they come out again, each bearing a box, of diminutive size, but weight sufficient to test his strength.

Laying these down, they re-enter the room, and return from it similarly loaded.

And so they go and come, carrying out the little boxes, until nearly a score are deposited upon the pavement of the courtyard.

The abstraction of the specie completed, the sentries set by the dining-room door, as also those sent to guard the entrance-gate, are called off; and the band becomes reunited by the treasure, as vultures around a carcass.

Some words are exchanged in undertone. Then each, laying hold of a box – there is one each for nearly all of them – and poising it upon his shoulders, strides off out of the courtyard.

Silently, and in single file, they pass across the cattle corral, on into the garden, down the central walk, and out through the gap by which they came in.

Then on to the glade where they have left their horses.

These they remount, after balancing the boxes upon their saddle-bows, and there securing them with trail-ropes.

Soon as in the saddle they move silently, but quickly away; the half-blood going along with them.

He, too, has a horse, the best in the troop – taken from the stable of the master he has so basely betrayed, so pitilessly plundered.

And that master at the moment nearly mad! Raging frantically around the room where they are left confined, nearly all the others frantic as he. For scarce any of them who has not like reason.

In the darkness groping, confusedly straying over the floor, stunned and stupified, they reel like drunken men; as they come in contact tremblingly interrogating one another as to what can have occurred.

By the silence outside it would seem as if everybody were murdered, massacred – coloured servants within the house, colonists without – all!

And what of Colonel Armstrong’s own daughters? To their father it is a period of dread suspense – an agony indescribable. Much longer continued it would drive him mad. Perhaps he is saved from insanity by anger – by thoughts of vengeance, and the hope of living to accomplish it.

While mutually interrogating, one starts the suggestion that the whole affair may be a travestie– a freak of the younger, and more frolicksome members of the colonist fraternity. Notwithstanding its improbability, the idea takes, and is entertained, as drowning men catch at straws.

Only for an instant. The thing is too serious, affecting personages of too much importance, to be so trifled with. There are none in the settlement who would dare attempt such practical joking with its chief – the stern old soldier, Armstrong. Besides, the sounds heard outside were not those of mirth, mocking its opposite. The shouts and shrieks had the true ring of terror, and the accents of despair.

No. It could not be anything of a merrymaking, but what they at first supposed it – a tragedy.

Their rage returns, and they think only of revenge. As before, but to feel their impotence. The door, again tried, with all their united strength, refuses to stir from its hinges. As easily might they move the walls. The window railings alike resist their efforts; and they at length leave off, despairingly scattering through the room.

One alone remains, clinging to the window bars. It is Hawkins. He stays not with any hope of being able to wrench them off. He has already tested the strength of his arms, and found it insufficient. It is that of his lungs he now is determined to exert, and does so, shouting at the highest pitch of his voice.

Not that he thinks there is any chance of its being heard at the rancheria, nearly a half-mile off, with a grove of thick timber intervening. Besides, at that late hour the settlers will be asleep.

But in the grove between, and nearer, he knows there is a tent; and inside it a man who will be awake, if not dead – his comrade, Cris Tucker.

In the hope Cris may still be in the land of the living, Hawkins leans against the window bars and, projecting his face outward, as far as the jawbones will allow, he gives utterance to a series of shouts, interlarded with exclamations, that in the ears of a sober Puritan would have sounded terribly profane.

Chapter Fifty Three.

A horrid spectacle

On a log outside the tent sits Cris Tucker, with the fire before him, kindled for cooking the turkey. The bird is upon a spit suspended above the blaze. A fat young “gobbler,” it runs grease at every pore, causing the fire to flare up. Literally is it being broiled by its own grease, and is now well-nigh done brown.

Perceiving this, Tucker runs his eyes inquiringly along the path leading towards the mission, at the same time setting his ears to listen. What can be keeping his comrade, who promised so soon to be back?

“Promises are like pie-crust,” says Cris in soliloquy; “Old Hawk aint keeping his, and I guess aint goin’ to. I heard they war to have a big dine up there the night. So I suppose the colonel’s axed him in for a glass o’ his whiskey punch. Hawk’s jest the one to take it – a dozen, if they insist. Well, there’s no reason I should wait supper any longer. I’m ’most famished as it is. Besides, that bird’s gettin’ burnt.”

Rising up from the log, he takes the turkey off the spit, and carries it inside the tent. Then dishing, he sets it upon the table; the dish a large platter of split wood rudely whittled into oblong oval shape, the table a stump with top horizontally hewn, over which the tent has been erected.

Placing a “pone” of corn-bread, and some salt alongside, he sits down; though not yet to commence eating. As certainly his comrade should now soon be back, he will give him ten minutes’ grace.

The position is agreeable, at the same time having its drawbacks. The odour pervading the tent is delicious; still there is the sense of taste to be satisfied, and that of smell but provokes it. The savoury aroma of the roast turkey is keenly appetising, and Cris can’t hold out much longer.

Time passes, and no sign of Hawkins returning. Tucker’s position becomes intolerable; the bird is getting cold, its juices drying up, the repast will be spoilt.

Besides, his comrade has not kept faith with him. In all probability he has eaten supper at the house, and at that moment is enjoying a jorum of whisky punch, quite forgetful of him. Tucker. Cris can stand it no longer; and, drawing out his knife, he takes the turkey by the leg, and cuts a large slice from its breast.

This eaten, another slice of breast is severed and swallowed. Then a wing is carved off, and lastly a leg, which he polishes to the smoothness of a drumstick. —

The young hunter, now no longer ravenous, proceeds more leisurely, and completes his repast by tranquilly chewing up the gizzard, and after it the liver – the last a tit-bit upon the prairies, as in a Strasburg paté.

Washing all down with a gourd of whisky and water, he lights his pipe; and, seated by the mangled remains of the gobbler, commences smoking.

For a time the inhaled nicotine holds him tranquil; though not without wondering why his comrade is so long in patting in an appearance.

When over two hours have elapsed, his wonder becomes changed to anxiety. Not strange it should, recalling the reason why he has been left alone.

This increasing to keen apprehension, he can no longer stay within the tent. He will go up to the house, and find out what is detaining Hawkins.

Donning his skin cap, and stepping out into the open air, he starts off towards the mission-building.

Less than ten minutes’ walking brings him to its walls, by their main front entrance.

There he pauses, surprised at the stillness surrounding the place. It is profound, unnatural.

For some moments he remains in front of the massive pile, looking at it, and listening. Still no sound, within or without.

True, it is time for the inmates to be a-bed.

But if so, where is Hawkins? He may be drinking, but surely not sleeping within!

In any case, Cris deems it his duty to look him up; and with this intent determines to enter.

He is not on terms of social equality with those who occupy the mission; still, under the circumstances, he cannot be considered intruding.

He sees that the great door is closed, but the wicket is ajar; presumptive proof of Hawkins being inside. There are no lights in the front windows, but, as Cris knows, those of the dining-room open backward.

Hesitating no longer, he steps under the arched portal, passes on through the saguan, and once more emerges into moonlight within the patio.

There, suddenly stopping, he stands aghast. For he beholds a sight that almost causes his hair to crisp up, and raise the cap from his head.

Down into the hollow quadrangle – enclosed on every side, except that towards heaven – the moonbeams are falling in full effulgence. By their light he sees forms lying along the pavement in every possible position. They are human bodies – men and boys, among them some whose drapery declares them to be women. They are black, brown, or yellow; but all spotted and spattered with red – with blood! Fresh, but fast freezing in the chill night air, it is already darkened, almost to the hue of ink.

The hunter turns faint, sick, as he contemplates this hecatomb of corpses. A spectacle far more fearful than any ever witnessed upon battle-field. There men lie in death from wounds given, as received under the grand, if delusive, idea of glory. Those Cris Tucker sees must have been struck down by the hand of the assassin!

For a time he stands gazing upon them, scarce knowing what to do.

His first impulse is to turn back, rush out of the courtyard, and away altogether from the place.

But a thought – a loyal thought or instinct, stays him. Where is Hawkins? His body may be among the rest – Cris is almost sure it will be found there – and affection for his friend prompts him to seek for it. There may still be breath in it – a spark of departing life, capable of being called back.

With this hope, however faint, he commences searching among the corpses.

The spectacle, that has sickened, makes his step feeble. He staggers as he passes among the prostrate forms, at times compelled to stride over them.

He examines one after another, bending low down to each – lower where they lie in shadow, and it is more difficult to distinguish their features.

Going the round of the courtyard, he completes the scrutiny of all. Living or dead, Hawkins is not among them.

Nor is there the body of any white man, or woman. The stricken victims are of every age, and both sexes. But all, male as female, are negroes or mulattoes – the slaves of the establishment. Many of them he recognises; knows them to be the house-servants.

Where are their masters? Where everybody? What terrible tragedy has occurred to leave such traces behind? The traces of murder – of wholesale slaughter!

Who have been the murderers, and where are they now? Where is Hawkins?

To the young hunter these self-asked interrogatories occur in quick succession; along with the last a sound reaching his ears which causes him to start, and stand listening acutely for its repetition. It seemed a human voice, as of a man in mortal agony shouting for succour. Faint, as if far off, away at the back of the building.

Continuing to listen, Tucker hears it again, this time recognising the voice of Hawkins.

He does not stay to conjecture why his comrade should be calling in accents of appeal. That they are so is enough for him to hasten to his aid. Clearly the cry comes from outside; and, soon as assured of this, Tucker turns that way, leaps lightly over the dead bodies, glides on along the saguan, and through the open wicket.

Outside he stops, and again listens, waiting for the voice to direct him, which it does.

As before he hears it, shouting for help, now sure it is Hawkins who calls. And sure, also, that the cries come from the eastern side of the building.

Towards this Tucker rushes, around the angle of the wall, breaking through the bushes like a chased bear.

Nor does he again stop till he is under a window, from which the shouts appear to proceed.

Looking up he sees a face, with cheeks pressing distractedly against the bars; at the same time hearing himself hailed in a familiar voice.

“Is’t you, Cris Tucker? Thank the Almighty it is!”

“Sartin it’s me,” Hawkins. “What does it all mean?”

“Mean? That’s more’n I can tell; or any o’ us inside here; though there’s big ends o’ a dozen. We’re shut up, locked in, as ye see. Who’s done it you ought to know, bein’ outside. Han’t you seen the Indians?”

“I’ve seen no Indians; but their work I take it. There’s a ugly sight round t’other side.”

“What sight, Oris? Never mind – don’t stay to talk. Go back, and get something to break open the door of this room. Quick, comrade, quick!”

Without stayin’ for further exchange of speech, the young hunter hurries back into the patio as rapidly as he had quitted it; and laying hold of a heavy beam, brings it like a battering-ram, against the dining-room door.

Massive as this is, and strongly hung upon its hinges, it yields to his strength.

When at length laid open, and those inside released, they look upon a spectacle that sends a thrill of horror through their hearts.

In the courtyard lie ten corpses, all told. True they are but the dead bodies of slaves – to some beholding them scarce accounted as human beings. Though pitied, they are passed over without delay; the thoughts, as the glances, of their masters going beyond, in keen apprehension for the fate of those nearer and dearer.

Escaped from their imprisonment, they rush to and fro, like maniacs let out of a madhouse. Giving to the dead bodies only a passing glance, then going on in fear of finding others by which they will surely stay; all the time talking, interrogating, wildly gesticulating, now questioning Oris Tucker, now one another; in the confusion of voices, some heard inquiring for their wives, some their sisters or sweethearts, all with like eagerness; hopefully believing their dear ones still alive, or despairingly thinking them dead; fearing they may find them with gashed throats and bleeding breasts, like those lying along the flagstones at their feet.

The spectacle before their eyes, appalling though it be, is nought to that conjured up in their apprehensions. What they see may be but a forecast, a faint symbol, of what ere long they may be compelled to look upon.

And amid the many voices shouting for wife, sister, or sweetheart, none so loud, or sad, as that of Colonel Armstrong calling for his daughters.

Chapter Fifty Four.

Riding double

With Colonel Armstrong’s voice in tone of heartrending anguish, goes up that of Dupré calling the names “Helen! Jessie!”

Neither gets response. They on whom they call cannot hear. They are too far off; though nearer, it would be all the same; for both are at the moment hooded like hawks. The serapes thrown over their heads are still on them, corded around their necks, so closely as to hinder hearing, almost stifle their breathing.

Since their seizure nearly an hour has elapsed, and they are scarce yet recovered from the first shock of surprise, so terrible as to have stupified them. No wonder! What they saw before being blinded, with the rough treatment received, were enough to deprive them of their senses.

From the chaos of thought, as from a dread dream, both are now gradually recovering. But, alas! only to reflect on new fears – on the dark future before them. Captive to such captors – red ruthless savages, whose naked arms, already around, have held them in brawny embrace – carried away from home, from all they hold dear, into a captivity seeming hopeless as horrid – to the western woman especially repulsive, by songs sung over her cradle, and tales told throughout her years of childhood – tales of Indian atrocity.

The memory of these now recurring, with the reality itself, not strange that for a time their thoughts, as their senses, are almost paralysed.

Slowly they awake to a consciousness of their situation. They remember what occurred at the moment of their being made captive; how in the clear moonlight they stood face to face with Fernand, listened to his impertinent speeches, saw the savages surrounding them; then, suddenly blinded and seeing no more, felt themselves seized, lifted from their feet, carried off, hoisted a little higher, set upon the backs of horses, and there tied, each to a man already mounted. All these incidents they remember, as one recalls the fleeting phantasmagoria of a dream. But that they were real, and not fanciful, they now too surely know; for the hoods are over their heads, the horses underneath; and the savages to whom they were strapped still there, their bodies in repulsive contact with their own!

That there are only two men, and as many horses, can be told by the hoof-strokes rebounding from the turf; the same sounds proclaiming it a forest path through thick timber, at intervals emerging into open ground, and again entering among trees.

For over an hour this continues; during all the while not a word being exchanged between the two horsemen, or if so, not heard by their captives.

Possibly they may communicate with one another by signs or whispers; as for most part the horses have been abreast, going in single file only where the path is narrow.

At length a halt; of such continuance, as to make the captives suppose they have arrived at some place where they are to pass the remainder of the night. Or it may be but an obstruction; this probable from their hearing a sound, easily understood – the ripple of running water. They have arrived upon the bank of a river.

The San Saba, of course; it cannot be any other. Whether or not, ’tis the same to them. On the banks of the San Saba they are now no safer, than if it were the remotest stream in all the territory of Texas.

Whatever be the river whose waters they can hear coursing past, their guards, now halted upon its bank, have drawn their horses’ heads together, and carry on a conversation. It seems in a strange tongue; but of this the captives cannot be sure, for it is in low tone – almost a whisper – the words indistinguishable amid the rush of the river’s current. If heard, it is not likely they would understand. The two men are Indians, and will talk in the Indian tongue. For this same reason they need have no fear of freely conversing with one another, since the savages will be equally unable to comprehend what they say.

To Helen this thought first presents itself; soon as it does, leading her to call, though timidly and in subdued tone, “Jess!”

She is answered in the same way, Jessie saying, “Helen, I hear you.”

“I only wanted to say a word to cheer you. Have courage. Keep up your heart. It looks dark now; but something may may arise up to save us.”

Chapter Fifty Five.

Tired travellers

The lower crossing of the San Saba, so frequently referred to, calls for topographical description.

At this point the stream, several hundred yards wide, courses in smooth, tranquil current, between banks wooded to the water’s edge. The trees are chiefly cottonwoods, with oak, elm, tulip, wild China, and pecan interspersed; also the magnolia grandiflora; in short, such a forest as may be seen in many parts of the Southern States. On both sides of the river, and for some distance up and down, this timbered tract is close and continuous, extending nearly a mile back from the banks; where its selvedge of thinner growth becomes broken into glades, some of them resembling flower gardens, others dense thickets of the arundo gigantea, in the language of the country, “cane-brakes.” Beyond this, the bottom-land is open meadow, a sea of green waving grass – the gramma of the Mexicans – which, without tree or bush, sweeps in to the base of the bluffs. On each side of the crossing the river is approached by a path, or rather an avenue-like opening in the timber, which shows signs of having been felled; doubtless, done by the former proprietors of the mission, or more like, the soldiers who served its garrison; a road made for military purposes, running between the presidio itself and the town of San Antonio de Bejar. Though again partially overgrown, it is sufficiently clear to permit the passage of wheeled vehicles, having been kept open by roving wild horses, with occasionally some that are tamed and ridden – by Indians on raid.

On its northern side the river is approached by two distinct trails, which unite before entering the wooded tract – their point of union being just at its edge. One is the main road coming from the Colorado; the other only an Indian trace, leading direct to the bluffs and the high land above them. It was by the former that Colonel Armstrong’s train came up the valley, while the latter was the route taken by Hawkins and Tucker in their bootless excursion after buffalo.

On the same evening, when the hunters, returning from their unsuccessful search, repassed the ford, only at a later hour, a party of horsemen is seen approaching it – not by the transverse trace, but the main up-river road. In all there are five of them; four upon horseback, the fifth riding a mule. It is the same party we have seen crossing the Sabine – Clancy and his comrades – the dog still attached to it, the ex-jailer added. They are travelling in haste – have been ever since entering the territory of Texas. Evidence of this in their steeds showing jaded, themselves fatigued. Further proof of it in the fact of their being now close to the San Saba ford, within less than a week after Armstrong’s party passing over, while more than two behind it at starting from the Sabine.

There has been nothing to delay them along the route – no difficulty in finding it. The wheels of the loaded waggons, denting deep in the turf, have left a trail, which Woodley for one could take up on the darkest hour of the darkest night that ever shadowed a Texan prairie. It is night now, about two hours after sundown, as coming up the river road they enter the timber, and approach the crossing place. When within about fifty yards of the ford at a spot where the path widens, they pull up, Woodley and Clancy riding a little apart from the others, as if to hold consultation whether they shall proceed across the stream, or stay where they are for the night.

Clancy wishes to go forward, but Woodley objects, urging fatigue, and saying: —

“It can’t make much diff’rence now, whether we git up thar the night, or take it leezyurly in the cool o’ the mornin’. Since you say ye don’t intend showin’ yourself ’bout the mission buildin’, it’ll be all the better makin’ halt hyar. We kin steal nearer; an’ seelect a campin’ place at the skreek o’ day jest afore sun-up. Arter thet me an’ Ned ’ll enter the settlement, an’ see how things stand.”

“Perhaps you’re right,” responds Clancy, “If you think it better for us to halt here, I shan’t object; though I’ve an idea we ought to go on. It may appear very absurd to you, Sime, but there’s something on my mind – a sort of foreboding.”

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