Celebrated Crimes (Complete)

"Pere Lactance, God in heaven will judge between thee and me; I summon thee to appear before Him in thirty days."

Grandier was then seen to make attempts to strangle himself, but either because it was impossible, or because he felt it would be wrong to end his life by his own hands, he desisted, and clasping his hands, prayed aloud —

"Deus meus, ad te vigilo, miserere me."

A Capuchin fearing that he would have time to say more, approached the pile from the side which had not yet caught fire, and dashed the remainder of the holy water in his face. This caused such smoke that Grandier was hidden for a moment from the eyes of the spectators; when it cleared away, it was seen that his clothes were now alight; his voice could still be heard from the midst of the flames raised in prayer; then three times, each time in a weaker voice, he pronounced the name of Jesus, and giving one cry, his head fell forward on his breast.

At that moment the pigeons which had till then never ceased to circle round the stake, flew away, and were lost in the clouds.

Urbain Grandier had given up the ghost.

CHAPTER XII

This time it was not the man who was executed who was guilty, but the executioners; consequently we feel sure that our readers will be anxious to learn something of their fate.

Pere Lactance died in the most terrible agony on September 18th, 1634, exactly a month from the date of Grandier's death. His brother-monks considered that this was due to the vengeance of Satan; but others were not wanting who said, remembering the summons uttered by Grandier, that it was rather due to the justice of God. Several attendant circumstances seemed to favour the latter opinion. The author of the History of the Devils of Loudzin gives an account of one of these circumstances, for the authenticity of which he vouches, and from which we extract the following:

"Some days after the execution of Grandier, Pere Lactance fell ill of the disease of which he died. Feeling that it was of supernatural origin, he determined to take a pilgrimage to Notre Dame des Andilliers de Saumur, where many miracles were wrought, and which was held in high estimation in the neighbourhood. A place in the carriage of the Sieur de Canaye was offered him for the journey; for this gentleman, accompanied by a large party on pleasure bent, was just then setting out for his estate of Grand Fonds, which lay in the same direction. The reason for the offer was that Canaye and his friends, having heard that the last words of Grandier had affected Pere Lactance's mind, expected to find a great deal of amusement in exciting the terrors of their travelling-companion. And in truth, for a day or two, the boon companions sharpened their wits at the expense of the worthy monk, when all at once, on a good road and without apparent cause, the carriage overturned. Though no one was hurt, the accident appeared so strange to the pleasure-seekers that it put an end to the jokes of even the boldest among them. Pere Lactance himself appeared melancholy and preoccupied, and that evening at supper refused to eat, repeating over and over again —

"'It was wrong of me to deny Grandier the confessor he asked for; God is punishing me, God is punishing me!'

"On the following morning the journey was resumed, but the evident distress of mind under which Pere Lactance laboured had so damped the spirits of the party that all their gaiety had disappeared. Suddenly, just outside Fenet, where the road was in excellent condition and no obstacle to their progress apparent, the carriage upset for the second time. Although again no one was hurt, the travellers felt that there was among them someone against whom God's anger was turned, and their suspicions pointing to Pere Lactance, they went on their way, leaving him behind, and feeling very uncomfortable at the thought that they had spent two or three days in his society.

"Pere Lactance at last reached Notre-Dame des Andilliers; but however numerous were the miracles there performed, the remission of the doom pronounced by the martyr on Pere Lactance was not added to their number; and at a quarter-past six on September 18th, exactly a month to the very minute after Grandier's death, Pere Lactance expired in excruciating agony."

Pere Tranquille's turn came four years later. The malady which attacked him was so extraordinary that the physicians were quite at a loss, and forced to declare their ignorance of any remedy. His shrieks and blasphemies were so distinctly heard in the streets, that his brother Franciscans, fearing the effect they would have on his after-reputation, especially in the minds of those who had seen Grandier die with words of prayer on his lips, spread abroad the report that the devils whom he had expelled from the bodies of the nuns had entered into the body of the exorcist. He died shrieking —

"My God! how I suffer! Not all the devils and all the damned together endure what I endure!" His panegyrist, in whose book we find all the horrible details of his death employed to much purpose to illustrate the advantages of belonging to the true faith, remarks —

"Truly big generous heart must have been a hot hell for those fiends who entered his body to torment it."

The following epitaph which was placed over his grave was interpreted, according to the prepossessions of those who read it, either as a testimony to his sanctity or as a proof of his punishment: —

"Here lies Pere Tranquille, of Saint-Remi; a humble Capuchin preacher. The demons no longer able to endure his fearlessly exercised power as an exorcist, and encouraged by sorcerers, tortured him to death, on May 31st, 1638."

But a death about which there could be no doubt as to the cause was that of the surgeon Mannouri, the same who had, as the reader may recollect, been the first to torture Grandier. One evening about ten o'clock he was returning from a visit to a patient who lived on the outskirts of the town, accompanied by a colleague and preceded by his surgery attendant carrying a lantern. When they reached the centre of the town in the rue Grand-Pave, which passes between the walls of the castle grounds and the gardens of the Franciscan monastery, Mannouri suddenly stopped, and, staring fixedly at some object which was invisible to his companions, exclaimed with a start —

"Oh! there is Grandier!

"Where? where?" cried the others.

He pointed in the direction towards which his eyes were turned, and beginning to tremble violently, asked —

"What do you want with me, Grandier? What do you want?"

A moment later he added

"Yes-yes, I am coming."

Immediately it seemed as if the vision vanished from before his eyes, but the effect remained. His brother-surgeon and the servant brought him home, but neither candles nor the light of day could allay his fears; his disordered brain showed him Grandier ever standing at the foot of his bed. A whole week he continued, as was known all over the town, in this condition of abject terror; then the spectre seemed to move from its place and gradually to draw nearer, for he kept on repeating, "He is coming! he is coming!" and at length, towards evening, at about the same hour at which Grandier expired, Surgeon Mannouri drew his last breath.

We have still to tell of M. de Laubardemont. All we know is thus related in the letters of M. de Patin: —

"On the 9th inst., at nine o'clock in the evening, a carriage was attacked by robbers; on hearing the noise the townspeople ran to the spot, drawn thither as much by curiosity as by humanity. A few shots were exchanged and the robbers put to flight, with the exception of one man belonging to their band who was taken prisoner, and another who lay wounded on the paving-stones. This latter died next day without having spoken, and left no clue behind as to who he was. His identity was, however, at length made clear. He was the son of a high dignitary named de Laubardemont, who in 1634, as royal commissioner, condemned Urbain Grandier, a poor, priest of Loudun, to be burnt alive, under the pretence that he had caused several nuns of Loudun to be possessed by devils. These nuns he had so tutored as to their behaviour that many people foolishly believed them to be demoniacs. May we not regard the fate of his son as a chastisement inflicted by Heaven on this unjust judge – an expiation exacted for the pitilessly cruel death inflicted on his victim, whose blood still cries unto the Lord from the ground?"

Naturally the persecution of Urbain Grandier attracted the attention not only of journalists but of poets. Among the many poems which were inspired by it, the following is one of the best. Urbain speaks:

"From hell came the tidings that by horrible sanctionsI had made a pact with the devil to have power over women:Though not one could be found to accuse me.In the trial which delivered me to torture and the stake,The demon who accused me invented and suggested the crime,And his testimony was the only proof against me.The English in their rage burnt the Maid alive;Like her, I too fell a victim to revenge;We were both accused falsely of the same crime;In Paris she is adored, in London abhorred;In Loudun some hold me guilty of witchcraft,Some believe me innocent; some halt between two minds.Like Hercules, I loved passionately;Like him, I was consumed by fire;But he by death became a god.The injustice of my death was so well concealedThat no one can judge whether the flames saved or destroyed me;Whether they blackened me for hell, or purified me for heaven.In vain did I suffer torments with unshaken resolution;They said that I felt no pain, being a sorcerer died unrepentant;That the prayers I uttered were impious words;That in kissing the image on the cross I spat in its face;That casting my eyes to heaven I mocked the saints;That when I seemed to call on God, I invoked the devilOthers, more charitable, say, in spite of their hatred of my crime,That my death may be admired although my life was not blameless;That my resignation showed that I died in hope and faith;That to forgive, to suffer without complaint or murmur,Is perfect love; and that the soul is purifiedFrom the sins of life by a death like mine."

NISIDA-1825

If our readers, tempted by the Italian proverb about seeing Naples and then dying, were to ask us what is the most favourable moment for visiting the enchanted city, we should advise them to land at the mole, or at Mergellina, on a fine summer day and at the hour when some solemn procession is moving out of the cathedral. Nothing can give an idea of the profound and simple-hearted emotion of this populace, which has enough poetry in its soul to believe in its own happiness. The whole town adorns herself and attires herself like a bride for her wedding; the dark facades of marble and granite disappear beneath hangings of silk and festoons of flowers; the wealthy display their dazzling luxury, the poor drape themselves proudly in their rags. Everything is light, harmony, and perfume; the sound is like the hum of an immense hive, interrupted by a thousandfold outcry of joy impossible to describe. The bells repeat their sonorous sequences in every key; the arcades echo afar with the triumphal marches of military bands; the sellers of sherbet and water-melons sing out their deafening flourish from throats of copper. People form into groups; they meet, question, gesticulate; there are gleaming looks, eloquent gestures, picturesque attitudes; there is a general animation, an unknown charm, an indefinable intoxication. Earth is very near to heaven, and it is easy to understand that, if God were to banish death from this delightful spot, the Neapolitans would desire no other paradise.

The story that we are about to tell opens with one of these magical pictures. It was the Day of the Assumption in the year 1825; the sun had been up some four or five hours, and the long Via da Forcella, lighted from end to end by its slanting rays, cut the town in two, like a ribbon of watered silk. The lava pavement, carefully cleaned, shone like any mosaic, and the royal troops, with their proudly waving plumes, made a double living hedge on each side of the street. The balconies, windows, and terraces, the stands with their unsubstantial balustrades, and the wooden galleries set up during the night, were loaded with spectators, and looked not unlike the boxes of a theatre. An immense crowd, forming a medley of the brightest colours, invaded the reserved space and broke through the military barriers, here and there, like an overflowing torrent. These intrepid sightseers, nailed to their places, would have waited half their lives without giving the least sign of impatience.

At last, about noon, a cannon-shot was heard, and a cry of general satisfaction followed it. It was the signal that the procession had crossed the threshold of the church. In the same moment a charge of carabineers swept off the people who were obstructing the middle of the street, the regiments of the line opened floodgates for the overflowing crowd, and soon nothing remained on the causeway but some scared dog, shouted at by the people, hunted off by the soldiers, and fleeing at full speed. The procession came out through the Via di Vescovato. First came the guilds of merchants and craftsmen, the hatters, weavers, bakers, butchers, cutlers, and goldsmiths. They wore the prescribed dress: black coats, knee breeches, low shoes and silver buckles. As the countenances of these gentlemen offered nothing very interesting to the multitude, whisperings arose, little by little, among the spectators, then some bold spirits ventured a jest or two upon the fattest or the baldest of the townsmen, and at last the boldest of the lazzaroni slipped between the soldiers' legs to collect the wax that was running down from the lighted tapers.

After the craftsmen, the religious orders marched past, from the Dominicans to the Carthusians, from the Carmelites to the Capuchins. They advanced slowly, their eyes cast down, their step austere, their hands on their hearts; some faces were rubicund and shining, with large cheek-hones and rounded chins, herculean heads upon bullnecks; some, thin and livid, with cheeks hollowed by suffering and penitence, and with the look of living ghosts; in short, here were the two sides of monastic life.

At this moment, Nunziata and Gelsomina, two charming damsels, taking advantage of an old corporal's politeness, pushed forward their pretty heads into the first rank. The break in the line was conspicuous; but the sly warrior seemed just a little lax in the matter of discipline.

"Oh, there is Father Bruno!" said Gelsomina suddenly. "Good-day, Father Bruno."

"Hush, cousin! People do not talk to the procession."

"How absurd! He is my confessor. May I not say good-morning to my confessor?"

"Silence, chatterboxes!"

"Who was that spoke?"

"Oh, my dear, it was Brother Cucuzza, the begging friar."

"Where is he? Where is he?"

"There he is, along there, laughing into his beard. How bold he is!"

"Ah, God in heaven! If we were to dream of him – "

While the two cousins were pouring out endless comments upon the Capuchins and their beards, the capes of the canons and the surplices of the seminarists, the 'feroci' came running across from the other side to re-establish order with the help of their gun-stocks.

"By the blood of my patron saint," cried a stentorian voice, "if I catch you between my finger and thumb, I will straighten your back for the rest of your days."

"Who are you falling out with, Gennaro?"

"With this accursed hunchback, who has been worrying my back for the last hour, as though he could see through it."

"It is a shame," returned the hunchback in a tone of lamentation; "I have been here since last night, I slept out of doors to keep my place, and here is this abominable giant comes to stick himself in front of me like an obelisk."

The hunchback was lying like a Jew, but the crowd rose unanimously against the obelisk. He was, in one way, their superior, and majorities are always made up of pigmies.

"Hi! Come down from your stand!"

"Hi! get off your pedestal!"

"Off with your hat!"

"Down with your head!"

"Sit down!"

"Lie down!"

This revival of curiosity expressing itself in invectives evidently betokened the crisis of the show. And indeed the chapters of canons, the clergy and bishops, the pages and chamberlains, the representatives of the city, and the gentlemen of the king's chamber now appeared, and finally the king himself, who, bare-headed and carrying a taper, followed the magnificent statue of the Virgin. The contrast was striking: after the grey-headed monks and pale novices came brilliant young captains, affronting heaven with the points of their moustaches, riddling the latticed windows with killing glances, following the procession in an absent-minded way, and interrupting the holy hymns with scraps of most unorthodox conversation.

"Did you notice, my dear Doria, how like a monkey the old Marchesa d'Acquasparta takes her raspberry ice?"

"Her nose takes the colour of the ice. What fine bird is showing off to her?"

"It is the Cyrenian."

"I beg your pardon! I have not seen that name in the Golden Book."

"He helps the poor marquis to bear his cross."

The officer's profane allusion was lost in the prolonged murmur of admiration that suddenly rose from the crowd, and every gaze was turned upon one of the young girls who was strewing flowers before the holy Madonna. She was an exquisite creature. Her head glowing in the sun shine, her feet hidden amid roses and broom-blossom, she rose, tall and fair, from a pale cloud of incense, like some seraphic apparition. Her hair, of velvet blackness, fell in curls half-way down her shoulders; her brow, white as alabaster and polished as a mirror, reflected the rays of the sun; her beautiful and finely arched black eye-brows melted into the opal of her temples; her eyelids were fast down, and the curled black fringe of lashes veiled a glowing and liquid glance of divine emotion; the nose, straight, slender, and cut by two easy nostrils, gave to her profile that character of antique beauty which is vanishing day by day from the earth. A calm and serene smile, one of those smiles that have already left the soul and not yet reached the lips, lifted the corners of her mouth with a pure expression of infinite beatitude and gentleness. Nothing could be more perfect than the chin that completed the faultless oval of this radiant countenance; her neck of a dead white, joined her bosom in a delicious curve, and supported her head gracefully like the stalk of a flower moved by a gentle breeze. A bodice of crimson velvet spotted with gold outlined her delicate and finely curved figure, and held in by means of a handsome gold lace the countless folds of a full and flowing skirt, that fell to her feet like those severe robes in which the Byzantine painters preferred to drape their angels. She was indeed a marvel, and so rare and modest of beauty had not been seen within the memory of man.

Among those who had gazed most persistently at her was observed the young Prince of Brancaleone, one of the foremost nobles of the kingdom. Handsome, rich, and brave, he had, at five-and-twenty, outdone the lists of all known Don Juans. Fashionable young women spoke very ill of him and adored him in secret; the most virtuous made it their rule to fly from him, so impossible did resistance appear. All the young madcaps had chosen him for their model; for his triumphs robbed many a Miltiades of sleep, and with better cause. In short, to get an idea of this lucky individual, it will be enough to know that as a seducer he was the most perfect thing that the devil had succeeded in inventing in this progressive century. The prince was dressed out for the occasion in a sufficiently grotesque costume, which he wore with ironic gravity and cavalier ease. A black satin doublet, knee breeches, embroidered stockings, and shoes with gold buckles, formed the main portions of his dress, over which trailed a long brocaded open-sleeved robe lined with ermine, and a magnificent diamond-hilted sword. On account of his rank he enjoyed the rare distinction of carrying one of the six gilded staves that supported the plumed and embroidered canopy.

As soon as the procession moved on again, Eligi of Brancaleone gave a side glance to a little man as red as a lobster, who was walking almost at his side, and carrying in his right hand, with all the solemnity that he could muster, his excellency's hat. He was a footman in gold-laced livery, and we beg leave to give a brief sketch of his history. Trespolo was the child of poor but thieving parents, and on that account was early left an orphan. Being at leisure, he studied life from an eminently social aspect. If we are to believe a certain ancient sage, we are all in the world to solve a problem: as to Trespolo, he desired to live without doing anything; that was his problem. He was, in turn, a sacristan, a juggler, an apothecary's assistant, and a cicerone, and he got tired of all these callings. Begging was, to his mind, too hard work, and it was more trouble to be a thief than to be an honest man. Finally he decided in favour of contemplative philosophy. He had a passionate preference for the horizontal position, and found the greatest pleasure in the world in watching the shooting of stars. Unfortunately, in the course of his meditations this deserving man came near to dying of hunger; which would have been a great pity, for he was beginning to accustom himself not to eat anything. But as he was predestined by nature to play a small part in our story, God showed him grace for that time, and sent to his assistance – not one of His angels, the rogue was not worthy of that, but – one of Brancaleone's hunting dogs. The noble animal sniffed round the philosopher, and uttered a little charitable growl that would have done credit to one of the brethren of Mount St. Bernard. The prince, who was returning in triumph from hunting, and who, by good luck, had that day killed a bear and ruined a countess, had an odd inclination to do a good deed. He approached the plebeian who was about to pass into the condition of a corpse, stirred the thing with his foot, and seeing that there was still a little hope, bade his people bring him along.

From that day onward, Trespolo saw the dream of his life nearly realised. Something rather above a footman and rather below a house steward, he became the confidant of his master, who found his talents most useful; for this Trespolo was as sharp as a demon and almost as artful as a woman. The prince, who, like an intelligent man as he was, had divined that genius is naturally indolent, asked nothing of him but advice; when tiresome people wanted thrashing, he saw to that matter himself, and, indeed, he was the equal of any two at such work. As nothing in this lower world, however, is complete, Trespolo had strange moments amid this life of delights; from time to time his happiness was disturbed by panics that greatly diverted his master; he would mutter incoherent words, stifle violent sighs, and lose his appetite. The root of the matter was that the poor fellow was afraid of going to hell. The matter was very simple: he was afraid of everything; and, besides, it had often been preached to him that the Devil never allowed a moment's rest to those who were ill-advised enough to fall into his clutches. Trespolo was in one of his good moods of repentance, when the prince, after gazing on the young girl with the fierce eagerness of a vulture about to swoop upon its prey, turned to speak to his intimate adviser. The poor servant understood his master's abominable design, and not wishing to share the guilt of a sacrilegious conversation, opened his eyes very wide and turned them up to heaven in ecstatic contemplation. The prince coughed, stamped his foot, moved his sword so as to hit Trespolo's legs, but could not get from him any sign of attention, so absorbed did he appear in celestial thoughts. Brancaleone would have liked to wring his neck, but both his hands were occupied by the staff of the canopy; and besides, the king was present.

At last they were drawing nearer to the church of St. Clara, where the Neapolitan kings were buried, and where several princesses of the blood, exchanging the crown for the veil, have gone to bury themselves alive. The nuns, novices, and abbess, hidden behind shutters, were throwing flowers upon the procession. A bunch fell at the feet of the Prince of Brancaleone.