The Miracles of Antichrist

It was the evening before the wedding. The parents of the bridegroom were awaiting their son. He was to come home from the mines towards night; but he never came. Later in the night a servant was sent to the Grotte mines to look for him, and found him a mile from Girgenti. He lay murdered at the roadside.

A search for the murderer was immediately instituted. Strict examinations of the miners were held, but the culprit could not be discovered. There were no witnesses; no one could be prevailed upon to betray a comrade.

Then Margherita Cornado appeared and denounced Orestes, who was the son of her god-mother, Santuzza, and who had not moved to Racalmuto at all.

She did it although she had heard afterwards that her betrothed had been guilty of everything of which Santuzza had accused him. She did it although she herself had sealed his doom by kissing the knife.

She had hardly accused Orestes before she repented of it; she was filled with the anguish of remorse.

In another land what she had done would not have been considered a crime, but it is so regarded in Sicily. A Sicilian would rather die than be an informer.

Margherita Cornado enjoyed no rest either by night or by day. She had a continual aching feeling of anguish in her heart, a great unhappiness dwelt in her.

She was not severely judged, because every one knew that she had loved the murdered man and thought that Santuzza had been too cruel towards her. No one spoke of her disdainfully, and no one refused to salute her.

But it made no difference to her that others were kind to her. Remorse filled her soul and tortured her like an aching wound. Orestes had been sentenced to the galleys for life. Santuzza had died a few weeks after her son’s sentence had been passed, and Margherita could not ask forgiveness of either of them.

She called on the saints, but they would not help her. It seemed as if nothing in the world could have the power to free her from the horror of remorse.

At that time the famous Franciscan monk, Father Gondo, was sojourning in the neighborhood of Girgenti. He was preaching a pilgrimage to Diamante.

It did not disturb Father Gondo not to have the pope acknowledge the Christ-image in the church of San Pasquale as a miracle-worker. He had met the blind singers on his wanderings and had heard them tell of the image. Through long, happy nights he had sat at the feet of Father Elia and Brother Tommaso, and from sunset to sunrise they had told him of the image.

And now the famous preacher had begun to send all who were in trouble to the great miracle-worker. He warned the people not to let that holy time pass unheeded. “The Christchild,” he said, “had not hitherto been much worshipped in Sicily. The time had come when he wished to possess a church and followers. And to effect it he let his holy image perform miracle after miracle.”

Father Gondo, who had passed his novitiate in the monastery of Aracoeli on the Capitol, told the people of the image of the Christchild that was there, and of the thousand miracles he had performed. “And now that good little child wishes to be worshipped in Sicily,” said Father Gondo. “Let us hesitate no longer, and hasten to him. For the moment heaven is generous. Let us be the first to acknowledge the image! Let us be like the shepherds and wise men of the East; let us go to the holy child while he is still lying on his bed of straw in the miserable hut!”

Margherita Cornado was filled with a new hope when she heard him. She was the first to obey Father Gondo’s summons. After her others joined him also. Forty pilgrims marched with him through the plateaus of the inland to Diamante.

They were all very poor and unhappy. But Father Gondo made them march with song and prayer. Soon their eyes began to shine as if the star of Bethlehem had gone before them.

“Do you know,” said Father Gondo, “why God’s son is greater than all the saints? Because he gives the soul holiness; because he forgives sins; because he grants to the spirit a blessed trust in God; because his kingdom is not of this world.”

When his little army looked tired, he gave them new life by telling them of the miracles the image had performed. The legends of the blind singers were like cooling drinks and cheering wine. The poor wanderers in the barren lands of Sicily walked with a lighter step, as if they were on their way to Nazareth to see the carpenter’s son.

“He will take all our burdens from us,” said Father Gondo. “When we come back our hearts will be freed from every care.”

And during the wandering through the scorched, glowing desert, where no trees gave cooling shade, and where the water was bitter with salt and sulphur, Margherita Cornado felt that her heart’s torments were relieved. “The little king of heaven will take away my pain,” she said.

At last, one day in May, the pilgrims reached the foot of the hill of Diamante. There the desert stopped. They saw about them groves of olive-trees and fresh green leaves. The mountain shone; the town shone. They felt that they had come to a place in the shadow of God’s grace.

They toiled joyfully up the zigzag path, and with loud and exultant voices sang an old pilgrims’ song.

When they had gone some way up the mountain, people came running from Diamante to meet them. When the people heard the monotonous sound of the old song, they threw aside their work and hurried out. And the people of Diamante embraced and kissed the pilgrims.

They had expected them long ago; they could not understand why they had not come before. The Christ-image of Diamante was a wonderful miracle-worker; he was so compassionate, so loving that every one ought to come to him.

When Margherita Cornado heard them she felt as if her heart was already healed of its pain. All the people of Diamante comforted her and encouraged her. “He will certainly help you; he helps every one,” they said. “No one has prayed to him in vain.”

At the town-gate the pilgrims parted. The townspeople took them to their homes, so that they might rest after their journey. In an hour they were all to meet at the Porta Etnea in order to go out to the image together.

But Margherita had not the patience to wait a whole hour. She asked her way out to the church of San Pasquale and went there alone before all the others.

When Father Gondo and the pilgrims came out to San Pasquale an hour later, they saw Margherita Cornado sitting on the platform by the high altar. She was sitting still and did not seem to notice their coming. But when Father Gondo came close up to her, she started up as if she had lain in wait for him and threw herself upon him. She seized him by the throat and tried to strangle him.

She was big, splendidly developed and strong. It was only after a severe struggle that Father Gondo and two of the pilgrims succeeded in subduing her. She was quite mad, and so violent that she had to be bound.

The pilgrims had come in a solemn procession; they sang, and held burning candles in their hands. There was a long line of them, for many people from Diamante had joined them. Those who came first immediately stopped their singing; those coming after had noticed nothing and continued their song. But then the news of what had happened passed from file to file, and wherever it came the song stopped. It was horrible to hear how it died away and changed into a low wail.

All the weary pilgrims realized that they had failed in their coming. All their laborious wanderings had been in vain. They were disappointed in their beautiful hopes. The holy image would have no consolation to offer them.

Father Gondo himself was in despair. It was a more severe blow to him than to any one else, for each one of the others had only his own sorrow to think of, but he bore the sorrows of all those people in his heart. What answer could he give to all the hopes he had awakened in them?

Suddenly one of his beautiful, child-like smiles passed over his face. The image must wish to test his faith and that of the others. If only they did not fail, they would certainly be helped.

He began again to sing the pilgrim song in his clear voice and went up to the altar.

But as he came nearer to the image, he broke off in his song again. He stopped and looked at the image with staring eyes. Then he stretched out his hand, took the crown and brought it close to his eyes. “It is written there; it is written there,” he murmured. And he let the crown fall from his hand and roll down on the stone floor.

From that moment Father Gondo knew that the outcast from Aracoeli was before him.

But he did not immediately cry it out to the people, but said instead, with his usual gentleness, —

“My friends, I wish to tell you something strange.”

He told them of the Englishwoman who had wished to steal the Christ-image of Aracoeli. And he told how the image had been called Antichrist and had been cast out into the world.

“I still remember old Fra Simone,” said Father Gondo. “He never showed me the image without saying: ‘It was this little hand that rang. It was this little foot that kicked on the door.’

“But when I asked Fra Simone what had become of the other image, he always said: ‘What should have become of him? The dogs of Rome have probably dragged him away and torn him to pieces.’”

When Father Gondo had finished speaking, he went, still quite slowly and quietly, and picked up the crown that he had just let fall to the floor.

“Now read that!” he said. And he let the crown go from man to man. The people stood with their wax-candles in their hands and lighted up the crown with them. Those who could read, read; the others saw that at least there was an inscription.

And each one who had held the crown in his hand instantly extinguished his candle.

When the last candle was put out, Father Gondo turned to his pilgrims who had gathered about him. “I have brought you here,” he said to them, “that you might find one who gives the soul peace and an entry to God’s kingdom; but I have brought you wrong, for this one has no such thing to give. His kingdom is only of this world.

“Our unfortunate sister has gone mad,” continued Father Gondo, “because she came here and hoped for heavenly benefits. Her reason gave way when her prayers were not heard. He could not hear her, for his kingdom is only of this world.”

He was silent a moment, and they all looked up at him to find out what they ought to think of it all.

He asked as quietly as before: “Shall an image which bears such words in its crown any longer be allowed to desecrate an altar?”

“No, no!” cried the pilgrims. The people of Diamante stood silent.

Father Gondo took the image in his hands and carried it on his outstretched arms through the church and towards the door.

But although the Father had spoken gently and humbly, his eyes had rested the whole time sternly and with compelling force on the crowd of people. There was not one there whom he had not subdued and mastered by the strength of his will. Every one had felt paralyzed and without the power of thinking independently.

As Father Gondo approached the door, he stopped and looked around. One last commanding glance fell on the people.

“The crown also,” said Father Gondo. And the crown was handed to him.

He set the image down and went out under the stone canopy that protected the image of San Pasquale. He whispered a word to a couple of pilgrims, and they hurried away. They soon came back with their arms full of branches and logs. They laid them down before Father Gondo and set them on fire.

All who had been in the church had crowded out. They stood in the yard outside the church, still subdued, with no will of their own. They saw that the monk meant to burn their beloved image that helped them so, and yet they made no resistance. They could not understand themselves why they did not try to save the image.

When Father Gondo saw the fire kindle and therefore felt that the image was entirely in his power, he straightened himself and his eyes flashed.

“My poor children,” he said gently, and turned to the people of Diamante. “You have been harboring a terrible guest. How is it possible for you not to have discovered who he is?

“What ought I to believe of you?” he continued more sternly. “You yourselves say that the image has given you everything for which you have prayed. Has no one in Diamante in all these years prayed for the forgiveness of sins and the peace of the soul?

“Can it be possible? The people of Diamante have not had anything to pray for except lottery numbers and good years and daily bread and health and money. They have asked for nothing but the good of this world. Not one has needed to pray for heavenly grace.

“Can it really be? No, it is impossible,” said Father Gondo joyfully, as if filled with a sudden hope. “It is I who have made a mistake. The people of Diamante have understood that I would not lay the image on the fire without asking and investigating about it. You are only waiting for me to be silent to step forward and give your testimony.

“Many will now come and say: ‘That image has made me a believer;’ and many will say: ‘He has granted me the forgiveness of sins;’ and many will say: ‘He has opened my eyes, so that I have been able to gaze on the glory of heaven.’ They will come forward and speak, and I shall be mocked and derided and compelled to bear the image to the altar and acknowledge that I have been mistaken.”

Father Gondo stopped speaking and smiled invitingly at the people. A quick movement passed through the crowd of listeners. Several seemed to have the intention of coming forward and testifying. They came a few steps, but then they stopped.

“I am waiting,” said the Father, and his eyes implored and called on the people to come.

No one came. The whole mass of people was in wailing despair that they would not testify to the advantage of their beloved image. But no one did so.

“My poor children,” said Father Gondo, sadly. “You have had Antichrist among you, and he has got possession of you. You have forgotten heaven. You have forgotten that you possess a soul. You think only of this world.

“Formerly it was said that the people of Diamante were the most religious in Sicily. Now it must be otherwise. The inhabitants of Diamante are slaves of the world. Perhaps they are even infidel socialists, who love only the earth. They can be nothing else. They have had Antichrist among them.”

When the people were accused in such a way, they seemed at last to be about to rise in resistance. An angry muttering passed through the ranks.

“The image is holy,” one cried. “When he came San Pasquale’s bells rang all day.”

“Could they ring for less time to warn you of such a misfortune?” rejoined the monk.

He went on with his accusations with growing violence. “You are idolaters, not Christians. You serve him because he helps you. There is nothing of the spirit of holiness in you.”

“He has been kind and merciful, like Christ,” answered the people.

“Is not just that the misfortune?” said the Father, and now all of a sudden he was terrible in his wrath. “He has taken the likeness of Christ to lead you astray. In that way he has been able to weave his web about you. By scattering gifts and blessings over you, he has lured you into his net and made you slaves of the world. Or is it not so? Perhaps some one can come forward and say the contrary? Perhaps he has heard that some one who is not present to-day has prayed to the image for a heavenly grace.”

“He has taken away the power of a jettatore,” said one.

“Is it not he who is as great in evil as the jettatore who has power over him?” answered the father, bitterly.

They made no other attempts to defend the image. Everything that they said seemed only to make the matter worse.

Several looked round for Donna Micaela, who was also present. She stood among the crowd, heard and saw everything, but made no attempt to save the image.

When Father Gondo had said that the image was Antichrist she had been terrified, and when he showed that the people of Diamante had only asked for the good of this world, her terror had grown. She had not dared to do anything.

But when he said that she and all the others were in the power of Antichrist, something in her rose against him. “No, no,” she said, “it cannot be so.” If she should believe that an evil power had governed her during so many years, her reason would give way. And her reason began to defend itself.

Her faith in the supernatural broke in her like a string too tightly stretched. She could not follow it any longer.

With infinite swiftness everything of the supernatural that she herself had experienced flashed through her mind, and she passed sentence on it. Was there a single proven miracle? She said to herself that there were coincidences, coincidences.

It was like unravelling a skein. From what she herself had experienced she passed to the miracles of other times. They were coincidences. They were hypnotism. They were possibly legends, most of them.

The raging monk continued to curse the people with terrible words. She tried to listen to him to get away from her own thoughts. But all she thought was that what he said was madness and lies.

What was going on in her? Was she becoming an atheist?

She looked about for Gaetano. He was there also; he stood on the church steps quite near the monk. His eyes rested on her. And as surely as if she had told him it, he knew what was passing in her. But he did not look as if he were glad or triumphant. He looked as if he wished to stop Father Gondo, to save a little vestige of faith for her.

Donna Micaela’s thoughts had no mercy. They went on and robbed her soul. All the glowing world of the supernatural was destroyed, crushed. She said to herself that no one knew anything of celestial matters, nor could know anything. Many messages had gone from earth to heaven. None had gone from heaven to earth.

“But I will still believe in God,” she said, and clasped her hands as if still to hold fast the last and best.

“Your eyes, people of Diamante, are wild and evil,” said Father Gondo. “God is not in you. Antichrist has driven God away from you.”

Donna Micaela’s eyes again sought Gaetano’s. “Can you give a poor, doubting creature something on which to live?” they seemed to ask. His eyes met hers with proud confidence. He read in her beautiful, imploring eyes how her trembling soul clung to him for support. He did not doubt for a moment that he would be able to make her life beautiful and rich.

She thought of the joy that always met him wherever he showed himself. She thought of the joy that had roared about her that night in Palermo. She knew that it rose from the new faith in a happy earth. Could that faith and that joy take possession of her also?

She wrung her hands in anguish. Could that new faith be anything to her? Would she not always feel as unhappy as now?

Father Gondo bent forward over the fire.

“I say to you once more,” he cried, “if only one person comes and says that this image has saved his soul, I will not burn it.”

Donna Micaela had a sudden feeling that she did not wish the poor image to be destroyed. The memory of the most beautiful hours of her life was bound to it.

“Gandolfo, Gandolfo,” she whispered. She had just seen him beside her.

“Yes, Donna Micaela.”

“Do not let him burn the image, Gandolfo!”

The monk had repeated his question once, twice, thrice. No one came forward to defend the image. But little Gandolfo crept nearer and nearer.

Father Gondo brought the image ever closer to the fire.

Involuntarily Gaetano had bent forward. Involuntarily a proud smile passed over his face. Donna Micaela saw that he felt that Diamante belonged to him. The monk’s wild proceedings made Gaetano master of their souls.

She looked about in terror. Her eyes wandered from face to face. Was the same thing going on in all those people’s souls as in her own? She thought she saw that it was so.

“Thou, Antichrist,” said Father Gondo, threateningly, “dost thou see that no one has thought of his soul as long as thou hast been here? Thou must perish.”

Father Gondo laid the outcast on the pyre.

But the image had not lain there more than a second before Gandolfo seized him.

He caught him up, lifted him high above his head, and ran. Father Gondo’s pilgrims hurried after him, and there began a wild chase down Monte Chiaro’s precipices.

But little Gandolfo saved the image.

Down the road a big, heavy travelling-carriage came driving. Gandolfo, whose pursuers were close at his heels, knew nothing better to do than to throw the image into the carriage.

Then he let himself be caught. When his pursuers wished to hurry after the carriage, he stopped them. “Take care; the lady in the carriage is English.”

It was Signora Favara, who had at last wearied of Diamante and was travelling out into the world once more. And she was allowed to go away unmolested. No Sicilian dares to lay hands on an Englishwoman.

V

A FRESCO OF SIGNORELLI

A week later Father Gondo was in Rome. He was granted an interview with the old man in the Vatican and told him how he had found Antichrist in the likeness of Christ, how the former had entangled the people of Diamante in worldliness, and how he, Father Gondo, had wished to burn him. He also told how he had not been able to lead the people back to God. Instead, all Diamante had fallen into unbelief and socialism. No one there cared for his soul; no one thought of heaven. Father Gondo asked what he should do with those unfortunate people.

The old pope, who is wiser than any one now living, did not laugh at Father Gondo’s story; he was deeply distressed by it.

“You have done wrong; you have done very wrong,” he said.

He sat silent for a while and pondered; then he said: “You have not seen the Cathedral in Orvieto?” – “No, Holy Father.” – “Then go there now and see it,” said the pope; “and when you come back again, you shall tell me what you have seen there.”

Father Gondo obeyed. He went to Orvieto and saw the most holy Cathedral. And in two days he was back in the Vatican.

“What did you see in Orvieto?” the pope asked him.

Father Gondo said that in one of the chapels of the Cathedral he had found some frescoes of Luca Signorelli, representing “The Last Judgment.” But he had not looked at either the “Last Judgment” or at the “Resurrection of The Dead.” He had fixed all his attention on the big painting which the guide called “The Miracles of Antichrist.”

“What did you see in it?” asked the pope.

“I saw that Signorelli had painted Antichrist as a poor and lowly man, just as the Son of God was when he lived here on earth. I saw that he had dressed him like Christ and given him Christ’s features.”

“What more did you see?” said the pope.

“The first thing that I saw in the fresco was Antichrist preaching so that the rich and the mighty came and laid their treasures at his feet.

“The second thing I saw was a sick man brought to Antichrist and healed by him.

“The third thing I saw was a martyr proclaiming Antichrist and suffering death for him.

“The fourth thing I saw in the great wall-picture was the people hastening to a great temple of peace, the spirit of evil hurled from heaven, and all men of violence killed by heaven’s thunderbolts.”

“What did you think when you saw that?” asked the pope.

“When I saw it, I thought: ‘That Signorelli was mad. Does he mean that in the time of Antichrist evil shall be conquered, and the earth become holy as a paradise?’”

“Did you see anything else?”

“The fifth thing I saw depicted in the painting was the monks and priests piled up on a big bonfire and burned.

“And the sixth and last thing I saw was the Devil whispering in Antichrist’s ear, and suggesting to him how he was to act and speak.”

“What did you think when you saw that?”

“I said to myself: ‘That Signorelli is not mad; he is a prophet. Antichrist will certainly come in the likeness of Christ and make a paradise of the world. He will make it so beautiful that the people will forget heaven. And it will be the world’s most terrible temptation.’”

“Do you understand now,” said the pope, “that there was nothing new in all that you told me? The Church has always known that Antichrist would come, armed with the virtues of Christ.”