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The Life of Lord Byron
Such was Byron to common observance on his return. I recollect one night meeting him at the Opera. Seeing me with a gentleman whom he did not know, and to whom he was unknown, he addressed me in Italian, and we continued to converse for some time in that language. My friend, who in the meanwhile had been observing him with curiosity, conceiving him to be a foreigner, inquired in the course of the evening who he was, remarking that he had never seen a man with such a Cain-like mark on the forehead before, alluding to that singular scowl which struck me so forcibly when I first saw him, and which appears to have made a stronger impression upon me than it did upon many others. I never, in fact, could overcome entirely the prejudice of the first impression, although I ought to have been gratified by the friendship and confidence with which he always appeared disposed to treat me. When Childe Harold was printed, he sent me a quarto copy before the publication; a favour and distinction I have always prized; and the copy which he gave me of The Bride of Abydos was one he had prepared for a new edition, and which contains, in his own writing, these six lines in no other copy:
Bless’d – as the Muezzin’s strain from Mecca’s wallTo pilgrims pure and prostrate at his call,Soft – as the melody of youthful daysThat steals the trembling tear of speechless praise,Sweet – as his native song to exile’s earsShall sound each tone thy long-loved voice endears.He had not, it is true, at the period of which I am speaking, gathered much of his fame; but the gale was rising – and though the vessel was evidently yielding to the breeze, she was neither crank nor unsteady. On the contrary, the more he became an object of public interest, the less did he indulge his capricious humour. About the time when The Bride of Abydos was published, he appeared disposed to settle into a consistent character – especially after the first sale of Newstead. Before that particular event, he was often so disturbed in his mind, that he could not conceal his unhappiness, and frequently spoke of leaving England for ever.
Although few men were more under the impulses of passion than Lord Byron, there was yet a curious kind of management about him which showed that he was well aware how much of the world’s favour was to be won by it. Long before Childe Harold appeared, it was generally known that he had a poem in the press, and various surmises to stimulate curiosity were circulated concerning it: I do not say that these were by his orders, or under his directions, but on one occasion I did fancy that I could discern a touch of his own hand in a paragraph in the Morning Post, in which he was mentioned as having returned from an excursion into the interior of Africa; and when I alluded to it, my suspicion was confirmed by his embarrassment.
I mention this incident not in the spirit of detraction; for in the paragraph there was nothing of puff, though certainly something of oddity – but as a tint of character, indicative of the appetite for distinction by which, about this period, he became so powerfully incited, that at last it grew into a diseased crave, and to such a degree, that were the figure allowable, it might be said, the mouth being incapable of supplying adequate means to appease it – every pore became another mouth greedy of nourishment. I am, however, hastening on too fast. Lord Byron was, at that time, far indeed from being ruled by any such inordinate passion; the fears, the timidity, and bashfulness of young desire still clung to him, and he was throbbing with doubt if he should be found worthy of the high prize for which he was about to offer himself a candidate. The course he adopted on the occasion, whether dictated by management, or the effect of accident, was, however, well calculated to attract attention to his début as a public man.
When Childe Harold was ready for publication, he determined to make his first appearance as an orator in the House of Lords: the occasion was judiciously chosen, being a debate on the Nottingham frame-breaking bill; a subject on which it was natural to suppose he possessed some local knowledge that might bear upon a question directed so exclusively against transactions in his own county. He prepared himself as the best orators do in their first essays, not only by composing, but writing down, the whole of his speech beforehand. The reception he met with was flattering; he was complimented warmly by some of the speakers on his own side; but it must be confessed that his début was more showy than promising. It lacked weight in metal, as was observed at the time, and the mode of delivery was more like a schoolboy’s recital than a masculine grapple with an argument. It was, moreover, full of rhetorical exaggerations, and disfigured with conceits. Still it scintillated with talent, and justified the opinion that he was an extraordinary young man, probably destined to distinction, though he might not be a statesman.
Mr Dallas gives a lively account of his elation on the occasion. “When he left the great chamber,” says that gentleman, “I went and met him in the passage; he was glowing with success, and much agitated. I had an umbrella in my right hand, not expecting that he would put out his hand to me; in my haste to take it when offered, I had advanced my left hand: ‘What!’ said he, ‘give your friend your left hand upon such an occasion?’ I showed the cause, and immediately changing the umbrella to the other, I gave him my right hand, which he shook and pressed warmly. He was greatly elated, and repeated some of the compliments which had been paid him, and mentioned one or two of the peers who had desired to be introduced to him. He concluded by saying, that he had, by his speech, given me the best advertisement for Childe Harold’s Pilgrimage.”
It is upon this latter circumstance, that I have ventured to state my suspicion, that there was a degree of worldly management in making his first appearance in the House of Lords, so immediately preceding the publication of his poem. The speech was, indeed, a splendid advertisement, but the greater and brighter merits of the poem soon proved that it was not requisite, for the speech made no impression, but the poem was at once hailed with delight and admiration. It filled a vacancy in the public mind, which the excitement and inflation arising from the mighty events of the age, had created. The world, in its condition and circumstances, was prepared to receive a work, so original, vigorous, and beautiful; and the reception was such that there was no undue extravagance in the noble author saying in his memorandum, “I awoke one morning and found myself famous.”
But he was not to be allowed to revel in such triumphant success with impunity. If the great spirits of the time were smitten with astonishment at the splendour of the rising fire, the imps and elves of malignity and malice fluttered their bat-wings in all directions. Those whom the poet had afflicted in his satire, and who had remained quietly crouching with lacerated shoulders in the hope that their flagellation would be forgotten, and that the avenging demon who had so punished their imbecility would pass away, were terrified from their obscurity. They came like moths to the candle, and sarcasms in the satire which had long been unheeded, in the belief that they would soon be forgotten, were felt to have been barbed with irremediable venom, when they beheld the avenger
Towering in his pride of place.
CHAPTER XXVII
Sketches of Character—His Friendly Dispositions—Introduce Prince K—to him—Our last Interview—His continued Kindness towards me—Instance of it to one of my Friends.
For some time after the publication of Childe Harold, the noble author appeared to more advantage than I ever afterwards saw him. He was soothed by success; and the universal applause which attended his poem seemed to make him think more kindly of the world, of which he has too often complained, while it would be difficult to discover, in his career and fortunes, that he had ever received any cause from it to justify his complaint.
At no time, I imagine, could it be said that Lord Byron was one of those men who interest themselves in the concerns of others. He had always too much to do with his own thoughts about himself, to afford time for the consideration of aught that was lower in his affections. But still he had many amiable fits, and at the particular period to which I allude, he evinced a constancy in the disposition to oblige, which proved how little self-control was wanting to have made him as pleasant as he was uniformly interesting. I felt this towards myself in a matter which had certainly the grace of condescension in it, at the expense of some trouble to him. I then lived at the corner of Bridge Street, Westminster, and in going to the House of Lords he frequently stopped to inquire if I wanted a frank. His conversation, at the same time, was of a milder vein, and with the single exception of one day, while dining together at the St Alban’s, it was light and playful, as if gaiety had become its habitude.
Perhaps I regarded him too curiously, and more than once it struck me that he thought so. For at times, when he was in his comfortless moods, he has talked of his affairs and perplexities as if I had been much more acquainted with them than I had any opportunity of being. But he was a subject for study, such as is rarely met with – at least, he was so to me; for his weaknesses were as interesting as his talents, and he often indulged in expressions which would have been blemishes in the reflections of other men, but which in him often proved the germs of philosophical imaginings. He was the least qualified for any sort of business of all men I have ever known; so skinless in sensibility as respected himself, and so distrustful in his universal apprehensions of human nature, as respected others. It was, indeed, a wild, though a beautiful, error of nature, to endow a spirit with such discerning faculties, and yet render it unfit to deal with mankind. But these reflections belong more properly to a general estimate of his character, than to the immediate purpose before me, which was principally to describe the happy effects which the splendid reception of Childe Harold had on his feelings; effects which, however, did not last long. He was gratified to the fullness of his hopes; but the adulation was enjoyed to excess, and his infirmities were aggravated by the surfeit. I did not, however, see the progress of the change, as in the course of the summer I went to Scotland, and soon after again abroad. But on my return, in the following spring, it was very obvious.
I found him, in one respect, greatly improved; there was more of a formed character about him; he was evidently, at the first glance, more mannered, or endeavouring to be so, and easier with the proprieties of his rank; but he had risen in his own estimation above the honours so willingly paid to his genius, and was again longing for additional renown. Not content with being acknowledged as the first poet of the age, and a respectable orator in the House of Lords, he was aspiring to the éclat of a man of gallantry; so that many of the most ungracious peculiarities of his temper, though brought under better discipline, were again in full activity.
Considering how much he was then caressed, I ought to have been proud of the warmth with which he received me. I did not, however, so often see him as in the previous year; for I was then on the eve of my marriage, and I should not so soon, after my return to London, have probably renewed my visits, but a foreign nobleman of the highest rank, who had done me the honour to treat me as a friend, came at that juncture to this country, and knowing I had been acquainted with Lord Byron, he requested me to introduce him to his Lordship. This rendered a visit preliminary to the introduction necessary; and so long as my distinguished friend remained in town, we again often met. But after he left the country my visits became few and far between; owing to nothing but that change in a man’s pursuits and associates which is one among some of the evils of matrimony. It is somewhat remarkable, that of the last visit I ever paid him, he has made rather a particular memorandum. I remember well, that it was in many respects an occasion not to be at once forgotten; for, among other things, after lighter topics, he explained to me a variety of tribulations in his affairs, and I urged him, in consequence, to marry, with the frankness which his confidence encouraged; subjoining certain items of other good advice concerning a liaison which he was supposed to have formed, and which Mr Moore does not appear to have known, though it was much talked of at the time.
During that visit the youthful peculiarities of his temper and character showed all their original blemish. But, as usual, when such was the case, he was often more interesting than when in his discreeter moods. He gave me the copy of The Bride of Abydos, with a very kind inscription on it, which I have already mentioned; but still there was an impression on my mind that led me to believe he could not have been very well pleased with some parts of my counselling. This, however, appears not to have been the case; on the contrary, the tone of his record breathes something of kindness; and long after I received different reasons to believe his recollection of me was warm and friendly.
When he had retired to Genoa, I gave a gentleman a letter to him, partly that I might hear something of his real way of life, and partly in the hope of gratifying my friend by the sight of one of whom he had heard so much. The reception from his Lordship was flattering to me; and, as the account of it contains what I think a characteristic picture, the reader will, I doubt not, be pleased to see so much of it as may be made public without violating the decorum which should always be observed in describing the incidents of private intercourse, when the consent of all parties cannot be obtained to the publication.
Edinburgh, June 3, 1830.
“DEAR GALT, – Though I shall always retain a lively general recollection of my agreeable interview with Lord Byron, at Genoa, in May, 1823, so long a time has since elapsed that much of the aroma of the pleasure has evaporated, and I can but recall generalities. At that time there was an impression in Genoa that he was averse to receive visits from Englishmen, and I was indeed advised not to think of calling on him, as I might run the risk of meeting with a savage reception. However, I resolved to send your note, and to the surprise of every one the messenger brought a most polite answer, in which, after expressing the satisfaction of hearing of his old friend and fellow-traveller, he added that he would do himself the honour of calling on me the next day, which he accordingly did; but owing to the officious blundering of an Italian waiter, who mentioned I was at dinner, his Lordship sent up his card with his compliments that he would not deranger the party. I was determined, however, that he should not escape me in this way, and drove out to his residence next morning, when, upon his English valet taking up my name, I was immediately admitted.
“As every one forms a picture to himself of remarkable characters, I had depicted his Lordship in my mind as a tall, sombre, Childe Harold personage, tinctured somewhat with aristocratic hauteur. You may therefore guess my surprise when the door opened, and I saw leaning upon the lock, a light animated figure, rather petite than otherwise, dressed in a nankeen hussar-braided jacket, trousers of the same material, with a white waistcoat; his countenance pale but the complexion clear and healthful, with the hair coming down in little curls on each side of his fine forehead.
“He came towards me with an easy cheerfulness of manner, and after some preliminary inquiries concerning yourself, we entered into a conversation which lasted two hours, in the course of which I felt myself perfectly at ease, from his Lordship’s natural and simple manners; indeed, so much so, that, forgetting all my anticipations, I found myself conversing with him with as fluent an intercourse of mind as I ever experienced, even with yourself.
“It is impossible for me at present to overtake a detail of what passed, but as it produced a kind of scene, I may mention one incident.
“Having remarked that in a long course of desultory reading, I had read most of what had been said by English travellers concerning Italy; yet, on coming to it I found there was no country of which I had less accurate notions: that among other things I was much struck with the harshness of the language. He seemed to jerk at this, and immediately observed, that perhaps in going rapidly through the country, I might not have had many opportunities of hearing it politely spoken. ‘Now,’ said he, ‘there are supposed to be nineteen dialects of the Italian language, and I shall let you hear a lady speak the principal of them, who is considered to do it very well.’ I pricked up my ears at hearing this, as I considered it would afford me an opportunity of seeing the far-famed Countess Guiccioli. His Lordship immediately rose and left the apartment, returning in the course of a minute or two leading in the lady, and while arranging chairs for the trio, he said to me, ‘I shall make her speak each of the principal dialects, but you are not to mind how I pronounce, for I do not speak Italian well.’ After the scene had been performed he resumed to me, ‘Now what do you think?’ To which I answered, that my opinion still remained unaltered. He seemed at this to fall into a little revery, and then said, abruptly, ‘Why ’tis very odd, Moore thought the same.’ ‘Does your Lordship mean Tom Moore?’ ‘Yes.’ ‘Ah, then, my Lord, I shall adhere with more pertinacity to my opinion, when I hear that a man of his exquisite taste in poetry and harmony was also of that opinion.’
“You will be asking what I thought of the lady; I had certainly heard much of her high personal attractions, but all I can say is, that in my eyes her graces did not rank above mediocrity. They were youth, plumpness, and good-nature.”
CHAPTER XXVIII
A Miff with Lord Byron—Remarkable Coincidences—Plagiarisms of his Lordship
There is a curious note in the memoranda which Lord Byron kept in the year 1813, that I should not pass unnoticed, because it refers to myself, and moreover is characteristic of the excoriated sensibility with which his Lordship felt everything that touched or affected him or his.
When I had read The Bride of Abydos, I wrote to him my opinion of it, and mentioned that there was a remarkable coincidence in the story, with a matter in which I had been interested. I have no copy of the letter, and I forget the expressions employed, but Lord Byron seemed to think they implied that he had taken the story from something of mine.
The note is:
“Galt says there is a coincidence between the first part of The Bride and some story of his, whether published or not, I know not, never having seen it. He is almost the last person on whom any one would commit literary larceny, and I am not conscious of any witting thefts on any of the genus. As to originality, all pretensions are ludicrous; there is nothing new under the sun.”
It is sufficiently clear that he was offended with what I had said, and was somewhat excited. I have not been able at present to find his answer to my letter, but it would appear by the subjoined that he had written to me something which led me to imagine he was offended at my observations, and that I had in consequence deprecated his wrath.
“Dec. 11, 1813.
“MY DEAR GALT, – There was no offence – there could be none. I thought it by no means impossible that we might have hit on something similar, particularly as you are a dramatist, and was anxious to assure you of the truth, viz. that I had not wittingly seized upon plot, sentiment, or incident; and I am very glad that I have not in any respect trenched upon your subjects. Something still more singular is, that the first part, where you have found a coincidence in some events within your observations on life, was drawn from observation of mine also, and I meant to have gone on with the story, but on second thoughts, I thought myself two centuries at least too late for the subject; which, though admitting of very powerful feeling and description, yet is not adapted for this age, at least this country. Though the finest works of the Greeks, one of Schiller’s and Alfieri’s, in modern times, besides several of our old (and best) dramatists, have been grounded on incidents of a similar cast, I therefore altered it as you perceive, and in so doing have weakened the whole, by interrupting the train of thought; and in composition I do not think second thoughts are the best, though second expressions may improve the first ideas.
“I do not know how other men feel towards those they have met abroad, but to me there seems a kind of tie established between all who have met together in a foreign country, as if we had met in a state of pre-existence, and were talking over a life that has ceased; but I always look forward to renewing my travels; and though you, I think, are now stationary, if I can at all forward your pursuits there as well as here, I shall be truly glad in the opportunity. Ever yours very sincerely,
“B.
“P.S. I believe I leave town for a day or two on Monday, but after that I am always at home, and happy to see you till half-past two.”
This letter was dated on Saturday, the 11th of December, 1813. On Sunday, the 12th, he made the following other note in his memorandum book:
“By Galt’s answer, I find it is some story in real life, and not any work with which my late composition coincides. It is still more singular, for mine is drawn from existence also.”
The most amusing part of this little fracas is the denial of his Lordship, as to pilfering the thoughts and fancies of others; for it so happens, that the first passage of The Bride of Abydos, the poem in question, is almost a literal and unacknowledged translation from Goethe, which was pointed out in some of the periodicals soon after the work was published.
Then, as to his not thieving from me or mine, I believe the fact to be as he has stated; but there are singular circumstances connected with some of his other productions, of which the account is at least curious.
On leaving England I began to write a poem in the Spenserian measure. It was called The Unknown, and was intended to describe, in narrating the voyages and adventures of a pilgrim, who had embarked for the Holy Land, the scenes I expected to visit. I was occasionally engaged in this composition during the passage with Lord Byron from Gibraltar to Malta, and he knew what I was about. In stating this, I beg to be distinctly understood, as in no way whatever intending to insinuate that this work had any influence on the composition of Childe Harold’s Pilgrimage, which Lord Byron began to write in Albania; but it must be considered as something extraordinary, that the two works should have been so similar in plan, and in the structure of the verse. His Lordship never saw my attempt that I know of, nor did I his poem until it was printed. It is needless to add, that beyond the plan and verse there was no other similarity between the two works; I wish there had been.