The Black Tulip

Having given utterance to this paternal advice, the worthy Mynheer van Baerle died, to the intense grief of his son Cornelius, who cared very little for the guilders, and very much for his father.

Cornelius then remained alone in his large house. In vain his godfather offered to him a place in the public service, – in vain did he try to give him a taste for glory, – although Cornelius, to gratify his godfather, did embark with De Ruyter upon “The Seven Provinces,” the flagship of a fleet of one hundred and thirty-nine sail, with which the famous admiral set out to contend singlehanded against the combined forces of France and England. When, guided by the pilot Leger, he had come within musket-shot of the “Prince,” with the Duke of York (the English king’s brother) aboard, upon which De Ruyter, his mentor, made so sharp and well directed an attack that the Duke, perceiving that his vessel would soon have to strike, made the best of his way aboard the “Saint Michael”; when he had seen the “Saint Michael,” riddled and shattered by the Dutch broadside, drift out of the line; when he had witnessed the sinking of the “Earl of Sandwich,” and the death by fire or drowning of four hundred sailors; when he realized that the result of all this destruction – after twenty ships had been blown to pieces, three thousand men killed and five thousand injured – was that nothing was decided, that both sides claimed the victory, that the fighting would soon begin again, and that just one more name, that of Southwold Bay, had been added to the list of battles; when he had estimated how much time is lost simply in shutting his eyes and ears by a man who likes to use his reflective powers even while his fellow creatures are cannonading one another; – Cornelius bade farewell to De Ruyter, to the Ruart de Pulten, and to glory, kissed the knees of the Grand Pensionary, for whom he entertained the deepest veneration, and retired to his house at Dort, rich in his well-earned repose, his twenty-eight years, an iron constitution and keen perceptions, and his capital of more than four hundred thousands of florins and income of ten thousand, convinced that a man is always endowed by Heaven with too much for his own happiness, and just enough to make him miserable.

Consequently, and to indulge his own idea of happiness, Cornelius began to be interested in the study of plants and insects, collected and classified the Flora of all the Dutch islands, arranged the whole entomology of the province, on which he wrote a treatise, with plates drawn by his own hands; and at last, being at a loss what to do with his time, and especially with his money, which went on accumulating at a most alarming rate, he took it into his head to select for himself, from all the follies of his country and of his age, one of the most elegant and expensive, – he became a tulip-fancier.

It was the time when the Dutch and the Portuguese, rivalling each other in this branch of horticulture, had begun to worship that flower, and to make more of a cult of it than ever naturalists dared to make of the human race for fear of arousing the jealousy of God.

Soon people from Dort to Mons began to talk of Mynheer van Baerle’s tulips; and his beds, pits, drying-rooms, and drawers of bulbs were visited, as the galleries and libraries of Alexandria were by illustrious Roman travellers.

Van Baerle began by expending his yearly revenue in laying the groundwork of his collection, after which he broke in upon his new guilders to bring it to perfection. His exertions, indeed, were crowned with a most magnificent result: he produced three new tulips, which he called the “Jane,” after his mother; the “Van Baerle,” after his father; and the “Cornelius,” after his godfather; the other names have escaped us, but the fanciers will be sure to find them in the catalogues of the times.

In the beginning of the year 1672, Cornelius de Witt came to Dort for three months, to live at his old family mansion; for not only was he born in that city, but his family had been resident there for centuries.

Cornelius, at that period, as William of Orange said, began to enjoy the most perfect unpopularity. To his fellow citizens, the good burghers of Dort, however, he did not appear in the light of a criminal who deserved to be hung. It is true, they did not particularly like his somewhat austere republicanism, but they were proud of his valour; and when he made his entrance into their town, the cup of honour was offered to him, readily enough, in the name of the city.

After having thanked his fellow citizens, Cornelius proceeded to his old paternal house, and gave directions for some repairs, which he wished to have executed before the arrival of his wife and children; and thence he wended his way to the house of his godson, who perhaps was the only person in Dort as yet unacquainted with the presence of Cornelius in the town.

In the same degree as Cornelius de Witt had excited the hatred of the people by sowing those evil seeds which are called political passions, Van Baerle had gained the affections of his fellow citizens by completely shunning the pursuit of politics, absorbed as he was in the peaceful pursuit of cultivating tulips.

Van Baerle was truly beloved by his servants and labourers; nor had he any conception that there was in this world a man who wished ill to another.

And yet it must be said, to the disgrace of mankind, that Cornelius van Baerle, without being aware of the fact, had a much more ferocious, fierce, and implacable enemy than the Grand Pensionary and his brother had among the Orange party, who were most hostile to the devoted brothers, who had never been sundered by the least misunderstanding during their lives, and by their mutual devotion in the face of death made sure the existence of their brotherly affection beyond the grave.

At the time when Cornelius van Baerle began to devote himself to tulip-growing, expending on this hobby his yearly revenue and the guilders of his father, there was at Dort, living next door to him, a citizen of the name of Isaac Boxtel who from the age when he was able to think for himself had indulged the same fancy, and who was in ecstasies at the mere mention of the word “tulban,” which (as we are assured by the “Floriste Francaise,” the most highly considered authority in matters relating to this flower) is the first word in the Cingalese tongue which was ever used to designate that masterpiece of floriculture which is now called the tulip.

Boxtel had not the good fortune of being rich, like Van Baerle. He had therefore, with great care and patience, and by dint of strenuous exertions, laid out near his house at Dort a garden fit for the culture of his cherished flower; he had mixed the soil according to the most approved prescriptions, and given to his hotbeds just as much heat and fresh air as the strictest rules of horticulture exact.

Isaac knew the temperature of his frames to the twentieth part of a degree. He knew the strength of the current of air, and tempered it so as to adapt it to the wave of the stems of his flowers. His productions also began to meet with the favour of the public. They were beautiful, nay, distinguished. Several fanciers had come to see Boxtel’s tulips. At last he had even started amongst all the Linnaeuses and Tourneforts a tulip which bore his name, and which, after having travelled all through France, had found its way into Spain, and penetrated as far as Portugal; and the King, Don Alfonso VI. – who, being expelled from Lisbon, had retired to the island of Terceira, where he amused himself, not, like the great Conde, with watering his carnations, but with growing tulips – had, on seeing the Boxtel tulip, exclaimed, “Not so bad, by any means!”

All at once, Cornelius van Baerle, who, after all his learned pursuits, had been seized with the tulipomania, made some changes in his house at Dort, which, as we have stated, was next door to that of Boxtel. He raised a certain building in his court-yard by a story, which shutting out the sun, took half a degree of warmth from Boxtel’s garden, and, on the other hand, added half a degree of cold in winter; not to mention that it cut the wind, and disturbed all the horticultural calculations and arrangements of his neighbour.

After all, this mishap appeared to Boxtel of no great consequence. Van Baerle was but a painter, a sort of fool who tried to reproduce and disfigure on canvas the wonders of nature. The painter, he thought, had raised his studio by a story to get better light, and thus far he had only been in the right. Mynheer van Baerle was a painter, as Mynheer Boxtel was a tulip-grower; he wanted somewhat more sun for his paintings, and he took half a degree from his neighbour’s tulips.

The law was for Van Baerle, and Boxtel had to abide by it.

Besides, Isaac had made the discovery that too much sun was injurious to tulips, and that this flower grew quicker, and had a better colouring, with the temperate warmth of morning, than with the powerful heat of the midday sun. He therefore felt almost grateful to Cornelius van Baerle for having given him a screen gratis.

Maybe this was not quite in accordance with the true state of things in general, and of Isaac Boxtel’s feelings in particular. It is certainly astonishing what rich comfort great minds, in the midst of momentous catastrophes, will derive from the consolations of philosophy.

But alas! What was the agony of the unfortunate Boxtel on seeing the windows of the new story set out with bulbs and seedlings of tulips for the border, and tulips in pots; in short, with everything pertaining to the pursuits of a tulip-monomaniac!

There were bundles of labels, cupboards, and drawers with compartments, and wire guards for the cupboards, to allow free access to the air whilst keeping out slugs, mice, dormice, and rats, all of them very curious fanciers of tulips at two thousand francs a bulb.

Boxtel was quite amazed when he saw all this apparatus, but he was not as yet aware of the full extent of his misfortune. Van Baerle was known to be fond of everything that pleases the eye. He studied Nature in all her aspects for the benefit of his paintings, which were as minutely finished as those of Gerard Dow, his master, and of Mieris, his friend. Was it not possible, that, having to paint the interior of a tulip-grower’s, he had collected in his new studio all the accessories of decoration?

Yet, although thus consoling himself with illusory suppositions, Boxtel was not able to resist the burning curiosity which was devouring him. In the evening, therefore, he placed a ladder against the partition wall between their gardens, and, looking into that of his neighbour Van Baerle, he convinced himself that the soil of a large square bed, which had formerly been occupied by different plants, was removed, and the ground disposed in beds of loam mixed with river mud (a combination which is particularly favourable to the tulip), and the whole surrounded by a border of turf to keep the soil in its place. Besides this, sufficient shade to temper the noonday heat; aspect south-southwest; water in abundant supply, and at hand; in short, every requirement to insure not only success but also progress. There could not be a doubt that Van Baerle had become a tulip-grower.

Boxtel at once pictured to himself this learned man, with a capital of four hundred thousand and a yearly income of ten thousand guilders, devoting all his intellectual and financial resources to the cultivation of the tulip. He foresaw his neighbour’s success, and he felt such a pang at the mere idea of this success that his hands dropped powerless, his knees trembled, and he fell in despair from the ladder.

And thus it was not for the sake of painted tulips, but for real ones, that Van Baerle took from him half a degree of warmth. And thus Van Baerle was to have the most admirably fitted aspect, and, besides, a large, airy, and well ventilated chamber where to preserve his bulbs and seedlings; while he, Boxtel, had been obliged to give up for this purpose his bedroom, and, lest his sleeping in the same apartment might injure his bulbs and seedlings, had taken up his abode in a miserable garret.

Boxtel, then, was to have next door to him a rival and successful competitor; and his rival, instead of being some unknown, obscure gardener, was the godson of Mynheer Cornelius de Witt, that is to say, a celebrity.

Boxtel, as the reader may see, was not possessed of the spirit of Porus, who, on being conquered by Alexander, consoled himself with the celebrity of his conqueror.

And now if Van Baerle produced a new tulip, and named it the John de Witt, after having named one the Cornelius? It was indeed enough to choke one with rage.

Thus Boxtel, with jealous foreboding, became the prophet of his own misfortune. And, after having made this melancholy discovery, he passed the most wretched night imaginable.

Chapter 6. The Hatred of a Tulip-fancier

From that moment Boxtel’s interest in tulips was no longer a stimulus to his exertions, but a deadening anxiety. Henceforth all his thoughts ran only upon the injury which his neighbour would cause him, and thus his favourite occupation was changed into a constant source of misery to him.

Van Baerle, as may easily be imagined, had no sooner begun to apply his natural ingenuity to his new fancy, than he succeeded in growing the finest tulips. Indeed; he knew better than any one else at Haarlem or Leyden – the two towns which boast the best soil and the most congenial climate – how to vary the colours, to modify the shape, and to produce new species.

He belonged to that natural, humorous school who took for their motto in the seventeenth century the aphorism uttered by one of their number in 1653, – “To despise flowers is to offend God.”

From that premise the school of tulip-fanciers, the most exclusive of all schools, worked out the following syllogism in the same year: —

“To despise flowers is to offend God.

“The more beautiful the flower is, the more does one offend God in despising it.

“The tulip is the most beautiful of all flowers.

“Therefore, he who despises the tulip offends God beyond measure.”

By reasoning of this kind, it can be seen that the four or five thousand tulip-growers of Holland, France, and Portugal, leaving out those of Ceylon and China and the Indies, might, if so disposed, put the whole world under the ban, and condemn as schismatics and heretics and deserving of death the several hundred millions of mankind whose hopes of salvation were not centred upon the tulip.

We cannot doubt that in such a cause Boxtel, though he was Van Baerle’s deadly foe, would have marched under the same banner with him.

Mynheer van Baerle and his tulips, therefore, were in the mouth of everybody; so much so, that Boxtel’s name disappeared for ever from the list of the notable tulip-growers in Holland, and those of Dort were now represented by Cornelius van Baerle, the modest and inoffensive savant.

Engaging, heart and soul, in his pursuits of sowing, planting, and gathering, Van Baerle, caressed by the whole fraternity of tulip-growers in Europe, entertained nor the least suspicion that there was at his very door a pretender whose throne he had usurped.

He went on in his career, and consequently in his triumphs; and in the course of two years he covered his borders with such marvellous productions as no mortal man, following in the tracks of the Creator, except perhaps Shakespeare and Rubens, have equalled in point of numbers.

And also, if Dante had wished for a new type to be added to his characters of the Inferno, he might have chosen Boxtel during the period of Van Baerle’s successes. Whilst Cornelius was weeding, manuring, watering his beds, whilst, kneeling on the turf border, he analysed every vein of the flowering tulips, and meditated on the modifications which might be effected by crosses of colour or otherwise, Boxtel, concealed behind a small sycamore which he had trained at the top of the partition wall in the shape of a fan, watched, with his eyes starting from their sockets and with foaming mouth, every step and every gesture of his neighbour; and whenever he thought he saw him look happy, or descried a smile on his lips, or a flash of contentment glistening in his eyes, he poured out towards him such a volley of maledictions and furious threats as to make it indeed a matter of wonder that this venomous breath of envy and hatred did not carry a blight on the innocent flowers which had excited it.

When the evil spirit has once taken hold of the heart of man, it urges him on, without letting him stop. Thus Boxtel soon was no longer content with seeing Van Baerle. He wanted to see his flowers, too; he had the feelings of an artist, the master-piece of a rival engrossed his interest.

He therefore bought a telescope, which enabled him to watch as accurately as did the owner himself every progressive development of the flower, from the moment when, in the first year, its pale seed-leaf begins to peep from the ground, to that glorious one, when, after five years, its petals at last reveal the hidden treasures of its chalice. How often had the miserable, jealous man to observe in Van Baerle’s beds tulips which dazzled him by their beauty, and almost choked him by their perfection!

And then, after the first blush of the admiration which he could not help feeling, he began to be tortured by the pangs of envy, by that slow fever which creeps over the heart and changes it into a nest of vipers, each devouring the other and ever born anew. How often did Boxtel, in the midst of tortures which no pen is able fully to describe, – how often did he feel an inclination to jump down into the garden during the night, to destroy the plants, to tear the bulbs with his teeth, and to sacrifice to his wrath the owner himself, if he should venture to stand up for the defence of his tulips!

But to kill a tulip was a horrible crime in the eyes of a genuine tulip-fancier; as to killing a man, it would not have mattered so very much.

Yet Van Baerle made such progress in the noble science of growing tulips, which he seemed to master with the true instinct of genius, that Boxtel at last was maddened to such a degree as to think of throwing stones and sticks into the flower-stands of his neighbour. But, remembering that he would be sure to be found out, and that he would not only be punished by law, but also dishonoured for ever in the face of all the tulip-growers of Europe, he had recourse to stratagem, and, to gratify his hatred, tried to devise a plan by means of which he might gain his ends without being compromised himself.

He considered a long time, and at last his meditations were crowned with success.

One evening he tied two cats together by their hind legs with a string about six feet in length, and threw them from the wall into the midst of that noble, that princely, that royal bed, which contained not only the “Cornelius de Witt,” but also the “Beauty of Brabant,” milk-white, edged with purple and pink, the “Marble of Rotterdam,” colour of flax, blossoms feathered red and flesh colour, the “Wonder of Haarlem,” the “Colombin obscur,” and the “Columbin clair terni.”

The frightened cats, having alighted on the ground, first tried to fly each in a different direction, until the string by which they were tied together was tightly stretched across the bed; then, however, feeling that they were not able to get off, they began to pull to and fro, and to wheel about with hideous caterwaulings, mowing down with their string the flowers among which they were struggling, until, after a furious strife of about a quarter of an hour, the string broke and the combatants vanished.

Boxtel, hidden behind his sycamore, could not see anything, as it was pitch-dark; but the piercing cries of the cats told the whole tale, and his heart overflowing with gall now throbbed with triumphant joy.

Boxtel was so eager to ascertain the extent of the injury, that he remained at his post until morning to feast his eyes on the sad state in which the two cats had left the flower-beds of his neighbour. The mists of the morning chilled his frame, but he did not feel the cold, the hope of revenge keeping his blood at fever heat. The chagrin of his rival was to pay for all the inconvenience which he incurred himself.

At the earliest dawn the door of the white house opened, and Van Baerle made his appearance, approaching the flower-beds with the smile of a man who has passed the night comfortably in his bed, and has had happy dreams.

All at once he perceived furrows and little mounds of earth on the beds which only the evening before had been as smooth as a mirror, all at once he perceived the symmetrical rows of his tulips to be completely disordered, like the pikes of a battalion in the midst of which a shell has fallen.

He ran up to them with blanched cheek.

Boxtel trembled with joy. Fifteen or twenty tulips, torn and crushed, were lying about, some of them bent, others completely broken and already withering, the sap oozing from their bleeding bulbs: how gladly would Van Baerle have redeemed that precious sap with his own blood!

But what were his surprise and his delight! what was the disappointment of his rival! Not one of the four tulips which the latter had meant to destroy was injured at all. They raised proudly their noble heads above the corpses of their slain companions. This was enough to console Van Baerle, and enough to fan the rage of the horticultural murderer, who tore his hair at the sight of the effects of the crime which he had committed in vain.

Van Baerle could not imagine the cause of the mishap, which, fortunately, was of far less consequence than it might have been. On making inquiries, he learned that the whole night had been disturbed by terrible caterwaulings. He besides found traces of the cats, their footmarks and hairs left behind on the battle-field; to guard, therefore, in future against a similar outrage, he gave orders that henceforth one of the under gardeners should sleep in the garden in a sentry-box near the flower-beds.

Boxtel heard him give the order, and saw the sentry-box put up that very day; but he deemed himself lucky in not having been suspected, and, being more than ever incensed against the successful horticulturist, he resolved to bide his time.

Just then the Tulip Society of Haarlem offered a prize for the discovery (we dare not say the manufacture) of a large black tulip without a spot of colour, a thing which had not yet been accomplished, and was considered impossible, as at that time there did not exist a flower of that species approaching even to a dark nut brown. It was, therefore, generally said that the founders of the prize might just as well have offered two millions as a hundred thousand guilders, since no one would be able to gain it.

The tulip-growing world, however, was thrown by it into a state of most active commotion. Some fanciers caught at the idea without believing it practicable, but such is the power of imagination among florists, that although considering the undertaking as certain to fail, all their thoughts were engrossed by that great black tulip, which was looked upon to be as chimerical as the black swan of Horace or the white raven of French tradition.

Van Baerle was one of the tulip-growers who were struck with the idea; Boxtel thought of it in the light of a speculation. Van Baerle, as soon as the idea had once taken root in his clear and ingenious mind, began slowly the necessary planting and cross-breeding to reduce the tulips which he had grown already from red to brown, and from brown to dark brown.

By the next year he had obtained flowers of a perfect nut-brown, and Boxtel espied them in the border, whereas he had himself as yet only succeeded in producing the light brown.

It might perhaps be interesting to explain to the gentle reader the beautiful chain of theories which go to prove that the tulip borrows its colors from the elements; perhaps we should give him pleasure if we were to maintain and establish that nothing is impossible for a florist who avails himself with judgment and discretion and patience of the sun’s heat; the clear water, the juices of the earth, and the cool breezes. But this is not a treatise upon tulips in general; it is the story of one particular tulip which we have undertaken to write, and to that we limit ourselves, however alluring the subject which is so closely allied to ours.