One of Cleopatra's Nights and Other Fantastic Romances

The banquet-hall was of enormous and Babylonian dimensions; the eye could not penetrate its immeasurable depth. Monstrous columns – short, thick, and solid enough to sustain the pole itself – heavily expanded their broad-swelling shafts upon socles variegated with hieroglyphics, and sustained upon their bulging capitals gigantic arcades of granite rising by successive tiers, like vast stairways reversed. Between each two pillars a colossal sphinx of basalt, crowned with the pshent, bent forward her oblique-eyed face and horned chin, and gazed into the hall with a fixed and mysterious look. The columns of the second tier, receding from the first, were more elegantly formed, and crowned in lieu of capitals with four female heads addorsed, wearing caps of many folds and all the intricacies of the Egyptian headdress. Instead of sphinxes, bull-headed idols – impassive spectators of nocturnal frenzy and the furies of orgie – were seated upon thrones of stone, like patient hosts awaiting the opening of the banquet.

A third story, constructed in a yet different style of architecture, with elephants of bronze spouting perfume from their trunks, crowned the edifice; above, the sky yawned like a blue gulf, and the curious stars leaned over the frieze.4

Prodigious stairways of porphyry, so highly polished that they reflected the human body like a mirror, ascended and descended on every hand, and bound together these huge masses of architecture.

We can only make a very rapid sketch here, in order to convey some idea of this awful structure, proportioned out of all human measurements. It would require the pencil of Martin,5 the great painter of enormities passed away, and we can present only a weak pen-picture in lieu of the Apocalyptic depth of his gloomy style; but imagination may supply our deficiencies. Less fortunate than the painter and the musician, we can only present objects and ideas separately in slow succession. We have as yet spoken of the banquet-hall only, without referring to the guests, and yet we have but barely indicated its character. Cleopatra and Meïamoun are waiting for us. We see them drawing near…

Meïamoun was clad in a linen tunic constellated with stars, and a purple mantle, and wore a fillet about his locks, like an Oriental king. Cleopatra was apparelled in a robe of pale green, open at either side, and clasped with golden bees. Two bracelets of immense pearls gleamed around her naked arms; upon her head glimmered the golden-pointed diadem. Despite the smile on her lips, a slight cloud of preoccupation shadowed her fair forehead, and from time to time her brows became knitted in a feverish manner. What thoughts could trouble the great queen? As for Meïamoun, his face wore the ardent and luminous look of one in ecstasy or vision; light beamed and radiated from his brow and temples, surrounding his head with a golden nimbus, like one of the twelve great gods of Olympus.

A deep, heartfelt joy illumined his every feature. He had embraced his restless-winged chimera, and it had not flown from him; he had reached the goal of his life. Though he were to live to the age of Nestor or Priam, though he should behold his veined temples hoary with locks whiter than those of the high priest of Ammon, he could never know another new experience, never feel another new pleasure. His maddest hopes had been so much more than realized that there was nothing in the world left for him to desire.

Cleopatra seated him beside her upon a throne with golden griffins on either side, and clapped her little hands together. Instantly lines of fire, bands of sparkling light, outlined all the projections of the architecture – the eyes of the sphinxes flamed with phosphoric lightnings; the bull-headed idols breathed flame; the elephants, in lieu of perfumed water, spouted aloft bright columns of crimson fire; arms of bronze, each bearing a torch, started from the walls, and blazing aigrettes bloomed in the sculptured hearts of the lotos flowers.

Huge blue flames palpitated in tripods of brass; giant candelabras shook their dishevelled light in the midst of ardent vapors; everything sparkled, glittered, beamed. Prismatic irises crossed and shattered each other in the air. The facets of the cups, the angles of the marbles and jaspers, the chiselling of the vases – all caught a sparkle, a gleam, or a flash as of lightning. Radiance streamed in torrents and leaped from step to step like a cascade, over the porphyry-stairways. It seemed the reflection of a conflagration on some broad river. Had the Queen of Sheba ascended thither she would have caught up the folds of her robe, and believed herself walking in water, as when she stepped upon the crystal pavements of Solomon. Viewed through that burning haze, the monstrous figures of the colossi, the animals, the hieroglyphics, seemed to become animated and to live with a factitious life; the black marble rams bleated ironically, and clashed their gilded horns; the idols breathed harshly through their panting nostrils.

The orgie was at its height: the dishes of phenicopters' tongues, and the livers of scarus fish; the eels fattened upon human flesh, and cooked in brine; the dishes of peacock's brains; the boars stuffed with living birds; and all the marvels of the antique banquets were heaped upon the three table-surfaces of the gigantic triclinium. The wines of Crete, of Massicus, and of Falernus foamed up in cratera wreathed with roses, and filled by Asiatic pages whose beautiful flowing hair served the guests to wipe their hands upon. Musicians playing upon the sistrum, the tympanum, the sambuke, and the harp with one-and-twenty strings filled all the upper galleries, and mingled their harmonies with the tempest of sound that hovered over the feast. Even the deep-voiced thunder could not have made itself heard there.

Meïamoun, whose head was lying on Cleopatra's shoulder, felt as though his reason were leaving him. The banquet-hall whirled around him like a vast architectural nightmare; through the dizzy glare he beheld perspectives and colonnades without end; new zones of porticoes seemed to uprear themselves upon the real fabric, and bury their summits in heights of sky to which Babel never rose. Had he not felt within his hand the soft, cool hand of Cleopatra, he would have believed himself transported into an enchanted world by some witch of Thessaly or Magian of Persia.

Toward the close of the repast hump-backed dwarfs and mummers engaged in grotesque dances and combats; then young Egyptian and Greek maidens, representing the black and white Hours, danced with inimitable grace a voluptuous dance after the Ionian manner.

Cleopatra herself arose from her throne, threw aside her royal mantle, replaced her starry diadem with a garland of flowers, attached golden crotali6 to her alabaster hands, and began to dance before Meïamoun, who was ravished with delight. Her beautiful arms, rounded like the handles of an alabaster vase, shook out bunches of sparkling notes, and her crotali prattled with ever-increasing volubility. Poised on the pink tips of her little feet, she approached swiftly to graze the forehead of Meïamoun with a kiss; then she recommenced her wondrous art, and flitted around him, now backward-leaning, with head reversed, eyes half closed, arms lifelessly relaxed, locks uncurled and loose-hanging like a Bacchante of Mount Mænalus; now again, active, animated, laughing, fluttering, more tireless and capricious in her movements than the pilfering bee. Heart-consuming love, sensual pleasure, burning passion, youth inexhaustible and ever-fresh, the promise of bliss to come – she expressed all…

The modest stars had ceased to contemplate the scene; their golden eyes could not endure such a spectacle; the heaven itself was blotted out, and a dome of flaming vapor covered the hall.

Cleopatra seated herself once more by Meïamoun. Night advanced; the last of the black Hours was about to take flight; a faint blue glow entered with bewildered aspect into the tumult of ruddy light as a moonbeam falls into a furnace; the upper arcades became suffused with pale azure tints – day was breaking.

Meïamoun took the horn vase which an Ethiopian slave of sinister countenance presented to him, and which contained a poison so violent that it would have caused any other vase to burst asunder. Flinging his whole life to his mistress in one last look, he lifted to his lips the fatal cup in which the envenomed liquor boiled up, hissing.

Cleopatra turned pale, and laid her hand on Meïamoun's arm to stay the act. His courage touched her. She was about to say, "Live to love me yet, I desire it!.." when the sound of a clarion was heard. Four heralds-at-arms entered the banquet-hall on horseback; they were officers of Mark Antony, and rode but a short distance in advance of their master. Cleopatra silently loosened the arm of Meïamoun. A long ray of sunlight suddenly played upon her forehead, as though trying to replace her absent diadem.

"You see the moment has come; it is daybreak, it is the hour when happy dreams take flight," said Meïamoun. Then he emptied the fatal vessel at a draught, and fell as though struck by lightning. Cleopatra bent her head, and one burning tear – the only one she had ever shed – fell into her cup to mingle with the molten pearl.

"By Hercules, my fair queen! I made all speed in vain. I see I have come too late," cried Mark Antony, entering the banquet-hall, "the supper is over. But what signifies this corpse upon the pavement?"

"Oh, nothing!" returned Cleopatra, with a smile; "only a poison I was testing with the idea of using it upon myself should Augustus take me prisoner. My dear Lord, will you not please to take a seat beside me, and watch those Greek buffoons dance?"

CLARIMONDE 7

Brother, you ask me if I have ever loved. Yes. My story is a strange and terrible one; and though I am sixty-six years of age, I scarcely dare even now to disturb the ashes of that memory. To you I can refuse nothing; but I should not relate such a tale to any less experienced mind. So strange were the circumstances of my story, that I can scarcely believe myself to have ever actually been a party to them. For more than three years I remained the victim of a most singular and diabolical illusion. Poor country priest though I was, I led every night in a dream – would to God it had been all a dream! – a most worldly life, a damning life, a life of Sardanapalus. One single look too freely cast upon a woman well-nigh caused me to lose my soul; but finally by the grace of God and the assistance of my patron saint, I succeeded in casting out the evil spirit that possessed me. My daily life was long interwoven with a nocturnal life of a totally different character. By day I was a priest of the Lord, occupied with prayer and sacred things; by night, from the instant that I closed my eyes I became a young nobleman, a fine connoisseur in women, dogs, and horses; gambling, drinking, and blaspheming, and when I awoke at early daybreak, it seemed to me, on the other hand, that I had been sleeping, and had only dreamed that I was a priest. Of this somnambulistic life there now remains to me only the recollection of certain scenes and words which I cannot banish from my memory; but although I never actually left the walls of my presbytery, one would think to hear me speak that I were a man who, weary of all worldly pleasures, had become a religious, seeking to end a tempestuous life in the service of God, rather than an humble seminarist who has grown old in this obscure curacy, situated in the depths of the woods and even isolated from the life of the century.

Yes, I have loved as none in the world ever loved – with an insensate and furious passion – so violent that I am astonished it did not cause my heart to burst asunder. Ah, what nights – what nights!

From my earliest childhood I had felt a vocation to the priesthood, so that all my studies were directed with that idea in view. Up to the age of twenty-four my life had been only a prolonged novitiate. Having completed my course of theology I successively received all the minor orders, and my superiors judged me worthy, despite my youth, to pass the last awful degree. My ordination was fixed for Easter week.

I had never gone into the world. My world was confined by the walls of the college and the seminary. I knew in a vague sort of a way that there was something called Woman, but I never permitted my thoughts to dwell on such a subject, and I lived in a state of perfect innocence. Twice a year only I saw my infirm and aged mother, and in those visits were comprised my sole relations with the outer world.

I regretted nothing; I felt not the least hesitation at taking the last irrevocable step; I was filled with joy and impatience. Never did a betrothed lover count the slow hours with more feverish ardor; I slept only to dream that I was saying mass; I believed there could be nothing in the world more delightful than to be a priest; I would have refused to be a king or a poet in preference. My ambition could conceive of no loftier aim.

I tell you this in order to show you that what happened to me could not have happened in the natural order of things, and to enable you to understand that I was the victim of an inexplicable fascination.

At last the great day came. I walked to the church with a step so light that I fancied myself sustained in air, or that I had wings upon my shoulders. I believed myself an angel, and wondered at the sombre and thoughtful faces of my companions, for there were several of us. I had passed all the night in prayer, and was in a condition well-nigh bordering on ecstasy. The bishop, a venerable old man, seemed to me God the Father leaning over his Eternity, and I beheld Heaven through the vault of the temple.

You well know the details of that ceremony – the benediction, the communion under both forms, the anointing of the palms of the hands with the Oil of Catechumens, and then the holy sacrifice offered in concert with the bishop.

Ah, truly spake Job when he declared that the imprudent man is one who hath not made a covenant with his eyes! I accidentally lifted my head, which until then I had kept down, and beheld before me, so close that it seemed that I could have touched her – although she was actually a considerable distance from me and on the further side of the sanctuary railing – a young woman of extraordinary beauty, and attired with royal magnificence. It seemed as though scales had suddenly fallen from my eyes. I felt like a blind man who unexpectedly recovers his sight. The bishop, so radiantly glorious but an instant before, suddenly vanished away, the tapers paled upon their golden candlesticks like stars in the dawn, and a vast darkness seemed to fill the whole church. The charming creature appeared in bright relief against the background of that darkness, like some angelic revelation. She seemed herself radiant, and radiating light rather than receiving it.

I lowered my eyelids, firmly resolved not to again open them, that I might not be influenced by external objects, for distraction had gradually taken possession of me until I hardly knew what I was doing.

In another minute, nevertheless, I reopened my eyes, for through my eyelashes I still beheld her, all sparkling with prismatic colors, and surrounded with such a purple penumbra as one beholds in gazing at the sun.

Oh, how beautiful she was! The greatest painters, who followed ideal beauty into heaven itself, and thence brought back to earth the true portrait of the Madonna, never in their delineations even approached that wildly beautiful reality which I saw before me. Neither the verses of the poet nor the palette of the artist could convey any conception of her. She was rather tall, with a form and bearing of a goddess. Her hair, of a soft blonde hue, was parted in the midst and flowed back over her temples in two rivers of rippling gold; she seemed a diademed queen. Her forehead, bluish-white in its transparency, extended its calm breadth above the arches of her eyebrows, which by a strange singularity were almost black, and admirably relieved the effect of sea-green eyes of unsustainable vivacity and brilliancy. What eyes! With a single flash they could have decided a man's destiny. They had a life, a limpidity, an ardor, a humid light which I have never seen in human eyes; they shot forth rays like arrows, which I could distinctly see enter my heart. I know not if the fire which illumined them came from heaven or from hell, but assuredly it came from one or the other. That woman was either an angel or a demon, perhaps both. Assuredly she never sprang from the flank of Eve, our common mother. Teeth of the most lustrous pearl gleamed in her ruddy smile, and at every inflection of her lips little dimples appeared in the satiny rose of her adorable cheeks. There was a delicacy and pride in the regal outline of her nostrils bespeaking noble blood. Agate gleams played over the smooth lustrous skin of her half-bare shoulders, and strings of great blonde pearls – almost equal to her neck in beauty of color – descended upon her bosom. From time to time she elevated her head with the undulating grace of a startled serpent or peacock, thereby imparting a quivering motion to the high lace ruff which surrounded it like a silver trellis-work.

She wore a robe of orange-red velvet, and from her wide ermine-lined sleeves there peeped forth patrician hands of infinite delicacy, and so ideally transparent that, like the fingers of Aurora, they permitted the light to shine through them.

All these details I can recollect at this moment as plainly as though they were of yesterday, for notwithstanding I was greatly troubled at the time, nothing escaped me; the faintest touch of shading, the little dark speck at the point of the chin, the imperceptible down at the corners of the lips, the velvety floss upon the brow, the quivering shadows of the eyelashes upon the cheeks, I could notice everything with astonishing lucidity of perception.

And gazing I felt opening within me gates that had until then remained closed; vents long obstructed became all clear, permitting glimpses of unfamiliar perspectives within; life suddenly made itself visible to me under a totally novel aspect. I felt as though I had just been born into a new world and a new order of things. A frightful anguish commenced to torture my heart as with red-hot pincers. Every successive minute seemed to me at once but a second and yet a century. Meanwhile the ceremony was proceeding, and I shortly found myself transported far from that world of which my newly-born desires were furiously besieging the entrance. Nevertheless I answered "Yes" when I wished to say "No," though all within me protested against the violence done to my soul by my tongue. Some occult power seemed to force the words from my throat against my will. Thus it is, perhaps, that so many young girls walk to the altar firmly resolved to refuse in a startling manner the husband imposed upon them, and that yet not one ever fulfils her intention. Thus it is, doubtless, that so many poor novices take the veil, though they have resolved to tear it into shreds at the moment when called upon to utter the vows. One dares not thus cause so great a scandal to all present, nor deceive the expectation of so many people. All those eyes, all those wills seem to weigh down upon you like a cope of lead; and, moreover, measures have been so well taken, everything has been so thoroughly arranged beforehand and after a fashion so evidently irrevocable, that the will yields to the weight of circumstances and utterly breaks down.

As the ceremony proceeded the features of the fair unknown changed their expression. Her look had at first been one of caressing tenderness; it changed to an air of disdain and of mortification, as though at not having been able to make itself understood.

With an effort of will sufficient to have uprooted a mountain, I strove to cry out that I would not be a priest, but I could not speak; my tongue seemed nailed to my palate, and I found it impossible to express my will by the least syllable of negation. Though fully awake, I felt like one under the influence of a nightmare, who vainly strives to shriek out the one word upon which life depends.

She seemed conscious of the martyrdom I was undergoing, and, as though to encourage me, she gave me a look replete with divinest promise. Her eyes were a poem; their every glance was a song.

She said to me:

"If thou wilt be mine, I shall make thee happier than God Himself in His paradise. The angels themselves will be jealous of thee. Tear off that funeral shroud in which thou art about to wrap thyself. I am Beauty, I am Youth, I am Life. Come to me! Together we shall be Love. Can Jehovah offer thee aught in exchange? Our lives will flow on like a dream, in one eternal kiss.

Конец ознакомительного фрагмента.

Текст предоставлен ООО «ЛитРес».

Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.

Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

1

Panegyris; pl., panegyreis, – from the Greek [], – signifies the meeting of a whole people to worship at a common sanctuary or participate in a national religious festival. The assemblies at the Olympic, Pythian, Nemean, or Isthmian games were in this sense panegyreis. See Smith's Dict. Antiq. – (Trans.)

2

Conculcatrice des peuples. From the Latin conculcare, to trample under foot: therefore, the epithet literally signifies the "Trampler of nations." (Trans.)

3

The Greeks and Romans usually termed such figures Hermæ or Termini. Caryatides were, strictly, entire figures of women. – (Trans.)

4

Does not this suggest the lines which DeQuincey so much admired? —

"A wilderness of building, sinking far,And self-withdrawn into a wondrous depthFar sinking into splendor, without end.Fabric it seemed of diamond, and of gold,With alabaster domes and silver spires,And blazing terrace upon terrace, highUplifted. Here serene pavilions bright,In avenues disposed; their towers begirtWith battlements that on their restless frontsBore stars."

5

John Martin, the English painter, whose creations were unparalleled in breadth and depth of composition. His pictures seem to have made a powerful impression upon the highly imaginative author of these Romances. There is something in these descriptions of antique architecture that suggests the influence of such pictured fantasies as Martin's "Seventh Plague;" "The Heavenly City;" and perhaps, especially, the famous "Pandemonium," with its infernal splendor, in Martin's illustrations to "Paradise Lost." – (Trans.)

6

Antique castanets. – (Trans.)

7

"La Morte Amoureuse."