Wilhelm Meister's Apprenticeship and Travels, Vol. I (of 2)

"Henceforth all my stolen hours of solitude were devoted to perusing the play, to learning it by heart, and picturing in thought how glorious it would be, could I but get the figures, to make them move along with it. In idea I myself became David and Goliath by turns. In every corner of the court-yard, of the stables, of the garden, under all kinds of circumstances, I labored to stamp the whole piece upon my mind; laid hold of all the characters, and learned their speeches by heart, most commonly, however, taking up the parts of the chief personages, and allowing all the rest to move along with them, but as satellites, across my memory. Thus day and night the heroic words of David, wherewith he challenged the braggart giant, Goliath of Gath, kept their place in my thoughts. I often muttered them to myself; while no one gave heed to me, except my father, who, frequently observing some such detached exclamation, would in secret praise the excellent memory of his boy, that had retained so much from only two recitations.

"By this means growing bolder and bolder, I one evening repeated almost the entire piece before my mother, whilst I was busied in fashioning some bits of wax into players. She observed it, questioned me hard; and I confessed.

"By good fortune, this detection happened at a time when the lieutenant had himself been expressing a wish to initiate me in the mysteries of the art. My mother forthwith gave him notice of these unexpected talents; and he now contrived to make my parents offer him a couple of chambers in the top story, which commonly stood empty, that he might accommodate the spectators in the one, while the other held his actors, the proscenium again filling up the opening of the door: my father had allowed his friend to arrange all this; himself, in the mean time, seeming only to look at the transaction, as it were, through his fingers; for his maxim was, that children should not be allowed to see the kindness which is felt towards them, lest their pretensions come to extend too far. He was of opinion, that, in the enjoyments of the young, one should assume a serious air; often interrupting the course of their festivities, to prevent their satisfaction from degenerating into excess and presumption."

CHAPTER VI

"The lieutenant now set up his theatre, and managed all the rest. During the week I readily observed that he often came into the house at unusual hours, and I soon guessed the cause. My eagerness increased immensely; for I well understood, that, till Sunday evening, I could have no share in what was going on. At last the wished-for day arrived. At five in the evening my conductor came, and took me up with him. Quivering with joy, I entered, and descried, on both sides of the framework, the puppets all hanging in order as they were to advance to view. I considered them narrowly, and mounted on the steps, which raised them above the scene, and allowed me to hover aloft over all that little world. Not without reverence did I look down between the pieces of board, and recollect what a glorious effect the whole would produce, and feel into what mighty secrets I was now admitted. We made a trial, which succeeded well.

"Next day a party of children were invited: we performed rarely; except that once, in the fire of action, I let poor Jonathan fall, and was obliged to reach down with my hand, and pick him up, – an accident which sadly marred the illusion, produced a peal of laughter, and vexed me unspeakably. My father, however, seemed to relish this misfortune not a little. Prudently shrouding up the contentment he felt at the expertness of his little boy, after the play was finished, he dwelt on the mistakes we had committed, saying it would all have been very pretty had not this or that gone wrong with us.

"I was vexed to the heart at these things, and sad for all the evening. By next morning, however, I had quite slept off my sorrow, and was blessed in the persuasion, that, but for this one fault, I had acted delightfully. The spectators also flattered me with their unanimous approval: they all maintained, that though the lieutenant, in regard to the coarse and the fine voices, had done great things, yet his declamation was in general too stiff and affected; whereas the new aspirant spoke his Jonathan and David with exquisite grace. My mother in particular commended the gallant tone in which I had challenged Goliath, and acted the modest victor before the king.

"From this time, to my extreme delight, the theatre continued open; and as the spring advanced, so that fires could be dispensed with, I passed all my hours of recreation lying in the garret, and making the puppets caper and play together. Often I invited up my comrades, or my brothers and sisters; but, when they would not come, I staid by myself not the less. My imagination brooded over that tiny world, which soon afterwards acquired another form.

"Scarcely had I once or twice exhibited the first play, for which my scenery and actors had been formed and decorated, when it ceased to give me any pleasure. On the other hand, among some of my grandfather's books, I had happened to fall in with 'The German Theatre,' and a few translations of Italian operas; in which works I soon got very deeply immersed, on each occasion first reckoning up the characters, and then, without further ceremony, proceeding to exhibit the play. King Saul, with his black velvet cloak, was therefore now obliged to personate Darius or Cato, or some other pagan hero; in which cases, it may be observed, the plays were never wholly represented, – for most part, only the fifth acts, where the cutting and stabbing lay.

"It was natural that the operas, with their manifold adventures and vicissitudes, should attract me more than any thing beside. In these compositions I found stormy seas, gods descending in chariots of cloud, and, what most of all delighted me, abundance of thunder and lightning. I did my best with pasteboard, paint, and paper: I could make night very prettily; my lightning was fearful to behold; only my thunder did not always prosper, which, however, was of less importance. In operas, moreover, I found frequent opportunities of introducing my David and Goliath, – persons whom the regular drama would hardly admit. Daily I felt more attachment for the hampered spot where I enjoyed so many pleasures; and, I must confess, the fragrance which the puppets had acquired from the storeroom added not a little to my satisfaction.

"The decorations of my theatre were now in a tolerable state of completeness. I had always had the knack of drawing with compasses, and clipping pasteboard, and coloring figures; and here it served me in good stead. But the more sorry was I, on the other hand, when, as frequently happened, my stock of actors would not suffice for representing great affairs.

"My sisters, dressing and undressing their dolls, awoke in me the project of furnishing my heroes by and by with garments which might also be put off and on. Accordingly, I slit the scraps of cloth from off their bodies, tacked the fragments together as well as possible, saved a particle of money to buy new ribbons and lace, begged many a rag of taffeta, and so formed, by degrees, a full theatrical wardrobe, in which hoop-petticoats for the ladies were especially remembered.

"My troop was now fairly provided with dresses for the most important play, and you might have expected that henceforth one exhibition would follow close upon the heels of another; but it happened with me, as it often happens with children, – they embrace wide plans, make mighty preparations, then a few trials, and the whole undertaking is abandoned. I was guilty of this fault. My greatest pleasure lay in the inventive part, and the employment of my fancy. This or that piece inspired me with interest for a few scenes of it, and immediately I set about providing new apparel suitable for the occasion. In such fluctuating operations, many parts of the primary dresses of my heroes had fallen into disorder, or totally gone out of sight; so that now the first great play could no longer be exhibited. I surrendered myself to my imagination; I rehearsed and prepared forever; built a thousand castles in the air, and failed to see that I was at the same time undermining the foundations of these little edifices."

During this recital, Mariana had called up and put in action all her courtesy for Wilhelm, that she might conceal her sleepiness. Diverting as the matter seemed on one side, it was too simple for her taste, and her lover's view of it too serious. She softly pressed her foot on his, however, and gave him all visible signs of attention and approval. She drank out of his glass: Wilhelm was convinced that no word of his history had fallen to the ground. After a short pause, he said, "It is now your turn, Mariana, to tell me what were your first childish joys. Till now we have always been too busy with the present to trouble ourselves, on either side, about our previous way of life. Let me hear, Mariana, under what circumstances you were reared: what are the first lively impressions which you still remember?"

These questions would have very much embarrassed Mariana, had not Barbara made haste to help her. "Think you," said the cunning old woman, "we have been so mindful of what happened to us long ago, that we have merry things like these to talk about, and, though we had, that we could give them such an air in talking of them?"

"As if they needed it!" cried Wilhelm. "I love this soft, good, amiable creature so much, that I regret every instant of my life which has not been spent beside her. Allow me, at least in fancy, to have a share in thy by-gone life; tell me every thing; I will tell every thing to thee! If possible, we will deceive ourselves, and win back those days that have been lost to love."

"If you require it so eagerly," replied the old dame, "we can easily content you. Only, in the first place, let us hear how your taste for the theatre gradually reached a head; how you practised, how you improved so happily, that now you can pass for a superior actor. No doubt you must have met with droll adventures in your progress. It is not worth while to go to bed now: I have still one flask in reserve; and who knows whether we shall soon all sit together so quiet and cheery again?"

Mariana cast upon her a mournful look, not noticed by Wilhelm, who proceeded with his narrative.

CHAPTER VII

"The recreations of youth, as my companions began to increase in number, interfered with this solitary, still enjoyment. I was by turns a hunter, a soldier, a knight, as our games required; and constantly I had this small advantage above the rest, that I was qualified to furnish them suitably with the necessary equipments. The swords, for example, were generally of my manufacture; I gilded and decorated the scabbards; and a secret instinct allowed me not to stop till our militia was accoutred according to the antique model. Helmets, with plumes of paper, were got ready; shields, even coats of mail, were provided; undertakings in which such of the servants as had aught of the tailor in them, and the seamstresses of the house, broke many a needle.

"A part of my comrades I had now got well equipped; by degrees, the rest were likewise furbished up, though on a thriftier plan; and so a very seemly corps at length was mustered. We marched about the court-yards and gardens, smote fearfully upon each other's shields and heads: many flaws of discord rose among us, but none that lasted.

"This diversion greatly entertained my fellows; but scarcely had it been twice or thrice repeated, when it ceased to content me. The aspect of so many harnessed figures naturally stimulated in my mind those ideas of chivalry, which for some time, since I had commenced the reading of old romances, were filling my imagination.

"Koppen's translation of 'Jerusalem Delivered' at length fell into my hands, and gave these wandering thoughts a settled direction. The whole poem, it is true, I could not read; but there were passages which I learned by heart, and the images expressed in these hovered round me. Particularly was I captivated with Clorinda, and all her deeds and bearing. The masculine womanhood, the peaceful completeness of her being, had a greater influence upon my mind, just beginning to unfold itself, than the factitious charms of Armida; though the garden of that enchantress was by no means an object of my contempt.

"But a hundred and a hundred times, while walking in the evenings on the balcony which stretches along the front of the house, and looking over the neighborhood, as the quivering splendor streamed up at the horizon from the departed sun, and the stars came forth, and night pressed forward from every cleft and hollow, and the small, shrill tone of the cricket tinkled through the solemn stillness, – a hundred and a hundred times have I repeated to myself the history of the mournful duel between Tancred and Clorinda.

"However strongly I inclined by nature to the party of the Christians, I could not help declaring for the Paynim heroine with all my heart when she engaged to set on fire the great tower of the besiegers. And when Tancred in the darkness met the supposed knight, and the strife began between them under that veil of gloom, and the two battled fiercely, I could never pronounce the words, —

"'But now the sure and fated hour is nigh:Clorinda's course is ended, – she must die;' —

without tears rushing into my eyes, which flowed plentifully when the hapless lover, plunging his sword into her breast, opened the departing warrior's helmet, recognized the lady of his heart, and, shuddering, brought water to baptize her.

"How my heart ran over when Tancred struck with his sword that tree in the enchanted wood; when blood flowed from the gash, and a voice sounded in his ears, that now again he was wounding Clorinda; that Destiny had marked him out ever unwittingly to injure what he loved beyond all else.

"The recital took such hold of my imagination, that what I had read of the poem began dimly, in my mind, to conglomerate into a whole; wherewith I was so taken that I could not but propose to have it some way represented. I meant to have Tancred and Rinaldo acted; and, for this purpose, two coats of mail, which I had before manufactured, seemed expressly suitable. The one, formed of dark-gray paper with scales, was to serve for the solemn Tancred; the other, of silver and gilt paper, for the magnificent Rinaldo. In the vivacity of my anticipations, I told the whole project to my comrades, who felt quite charmed with it, except that they could not well comprehend how so glorious a thing could be exhibited, and, above all, exhibited by them.

"Such scruples I easily set aside. Without hesitation, I took upon me, in idea, the management of two rooms in the house of a neighboring playmate; not calculating that his venerable aunt would never give them up, or considering how a theatre could be made of them, whereof I had no settled notion, except that it was to be fixed on beams, to have side-scenes made of parted folding-screens, and on the floor a large piece of cloth. From what quarter these materials and furnishings were to come, I had not determined.

"So far as concerned the forest, we fell upon a good expedient. We betook ourselves to an old servant of one of our families, who had now become a woodman, with many entreaties that he would get us a few young firs and birches; which actually arrived more speedily than we had reason to expect. But, in the next place, great was our embarrassment as to how the piece should be got up before the trees were withered. Now was the time for prudent counsel. We had no house, no scenery, no curtain: the folding-screens were all we had.

"In this forlorn condition we again applied to the lieutenant, giving him a copious description of all the glorious things we meant to do. Little as he understood us, he was very helpful: he piled all the tables he could get in the house or neighborhood, one above the other, in a little room: to these he fixed our folding-screens, and made a back-view with green curtains, sticking up our trees along with it.

"At length the appointed evening came: the candles were lit, the maids and children were sitting in their places, the piece was to go forward, the whole corps of heroes was equipped and dressed, – when each for the first time discovered that he knew not what he was to say. In the heat of invention, being quite immersed in present difficulties, I had forgotten the necessity of each understanding what and where he was to speak; nor, in the midst of our bustling preparations, had it once occurred to the rest; each believing he could easily enact a hero, easily so speak and bear himself, as became the personage into whose world I had transplanted him. They all stood wonder-struck, asking, What was to come first? I alone, having previously got ready Tancred's part, entered solus on the scene, and began reciting some verses of the epic. But as the passage soon changed into narrative, and I, while speaking, was at once transformed into a third party, and the bold Godfredo, when his turn came, would not venture forth, I was at last obliged to take leave of my spectators under peals of laughter, – a disaster which cut me to the heart. Thus had our undertaking proved abortive; but the company still kept their places, still wishing to see something. All of us were dressed: I screwed my courage up, and determined, foul or fair, to give them David and Goliath. Some of my companions had before this helped me to exhibit the puppet-play; all of them had often seen it; we shared the characters among us; each promised to do his best; and one small, grinning urchin painted a black beard upon his chin, and undertook, if any lacuna should occur, to fill it with drollery as harlequin, – an arrangement to which, as contradicting the solemnity of the piece, I did not consent without extreme reluctance; and I vowed within myself, that, if once delivered out of this perplexity, I would think long and well before risking the exhibition of another play."

CHAPTER VIII

Mariana, overpowered with sleep, leaned upon her lover, who clasped her close to him, and proceeded in his narrative; while the old damsel prudently sipped up the remainder of the wine.

"The embarrassment," he said, "into which, along with my companions, I had fallen, by attempting to act a play that did not anywhere exist, was soon forgotten. My passion for representing each romance I read, each story that was told me, would not yield before the most unmanageable materials. I felt convinced that whatever gave delight in narrative must produce a far deeper impression when exhibited: I wanted to have every thing before my eyes, every thing brought forth upon the stage. At school, when the elements of general history were related to us, I carefully marked the passages where any person had been slain or poisoned in a singular way; and my imagination, glancing rapidly along the exposition and intrigue, hastened to the interesting fifth act. Indeed, I actually began to write some plays from the end backwards, without, however, in any of them reaching the beginning.

"At the same time, partly by inclination, partly by the counsel of my good friends, who had caught the fancy of acting plays, I read a whole wilderness of theatrical productions, as chance put them into my hands. I was still in those happy years when all things please us, when number and variety yield us abundant satisfaction. Unfortunately, too, my taste was corrupted by another circumstance. Any piece delighted me especially, in which I could hope to give delight; there were few which I did not peruse in this agreeable delusion: and my lively conceptive power enabling me to transfer myself into all the characters, seduced me to believe that I might likewise represent them all. Hence, in the distribution of the parts, I commonly selected such as did not fit me, and always more than one part, if I could by any means accomplish more.

"In their games, children can make all things out of any: a staff becomes a musket, a splinter of wood a sword, any bunch of cloth a puppet, any crevice a chamber. Upon this principle was our private theatre got up. Totally unacquainted with the measure of our strength, we undertook all: we stuck at no quid pro quo, and felt convinced that every one would take us for what we gave ourselves out to be. Now, however, our affairs went on so soberly and smoothly, that I have not even a curious insipidity to tell you of. We first acted all the few plays in which only males are requisite, next we travestied some of ourselves, and at last took our sisters into the concern along with us. In one or two houses, our amusement was looked upon as profitable; and company was invited to see it. Nor did our lieutenant of artillery now turn his back upon us. He showed us how we ought to make our exits and our entrances; how we should declaim, and with what attitudes and gestures. Yet generally he earned small thanks for his toil, we conceiving ourselves to be much deeper in the secrets of theatrical art than he himself was.

"We very soon began to grow tired of tragedy; for all of us believed, as we had often heard, that it was easier to write or represent a tragedy than to attain proficiency in comedy. In our first attempts, accordingly, we had felt as if exactly in our element: dignity of rank, elevation of character, we studied to approach by stiffness and affectation, and imagined that we succeeded rarely; but our happiness was not complete, except we might rave outright, might stamp with our feet, and, full of fury and despair, cast ourselves upon the ground.

"Boys and girls had not long carried on these amusements in concert, till Nature began to take her course; and our society branched itself off into sundry little love-associations, as generally more than one sort of comedy is acted in the playhouse. Behind the scenes, each happy pair pressed hands in the most tender style; they floated in blessedness, appearing to one another quite ideal persons, when so transformed and decorated; whilst, on the other hand, unlucky rivals consumed themselves with envy, and out of malice and spite worked every species of mischief.

"Our amusements, though undertaken without judgment, and carried on without instruction, were not without their use to us. We trained our memories and persons, and acquired more dexterity in speech and gesture than is usually met with at so early an age. But, for me in particular, this time was in truth an epoch: my mind turned all its faculties exclusively to the theatre; and my highest happiness was in reading, in writing, or in acting, plays.

"Meanwhile the labors of my regular teachers continued: I had been set apart for the mercantile life, and placed under the guidance of our neighbor in the counting-house; yet my spirit at this very time recoiled more forcibly than ever from all that was to bind me to a low profession. It was to the stage that I aimed at consecrating all my powers, – on the stage that I meant to seek all my happiness and satisfaction.

"I recollect a poem, which must be among my papers, where the Muse of tragic art and another female form, by which I personified Commerce, were made to strive very bravely for my most important self. The idea is common, nor do I recollect that the verses were of any worth; but you shall see it, for the sake of the fear, the abhorrence, the love and passion, which are prominent in it. How repulsively did I paint the old housewife, with the distaff in her girdle, the bunch of keys by her side, the spectacles on her nose, ever toiling, ever restless, quarrelsome, and penurious, pitiful and dissatisfied! How feelingly did I describe the condition of that poor man who has to cringe beneath her rod, and earn his slavish day's wages by the sweat of his brow!

"And how differently advanced the other! What an apparition for the overclouded mind! Formed as a queen, in her thoughts and looks she announced herself the child of freedom. The feeling of her own worth gave her dignity without pride: her apparel became her, it veiled her form without constraining it; and the rich folds repeated, like a thousand-voiced echo, the graceful movements of the goddess. What a contrast! How easy for me to decide! Nor had I forgotten the more peculiar characteristics of my Muse. Crowns and daggers, chains and masks, as my predecessors had delivered them, were here produced once more. The contention was keen: the speeches of both were palpably enough contrasted, for at fourteen years of age one usually paints the black lines and the white pretty near each other. The old lady spoke as beseemed a person that would pick up a pin from her path; the other, like one that could give away kingdoms. The warning threats of the housewife were disregarded; I turned my back upon her promised riches: disinherited and naked, I gave myself up to the Muse; she threw her golden veil over me, and called me hers.