The Old Showmen and the Old London Fairs

The policy resolved upon was, therefore, simply one of vexation and annoyance, and contributed nothing to the promotion of morality and order. Johnson and Lee’s theatre, Clarke’s circus, Frazer’s acrobatic entertainment, Laskey’s giant and giantess, and Crockett’s and Reader’s exhibitions of living curiosities, were refused space in Smithfield; and the only shows admitted were the menageries of Wombwell, Hilton, and Wright, and Grove’s theatre of arts. Why the performances of lions and tigers should be regarded with more favour than those of horses, Miss Clarke on the tight-rope be considered a more demoralising spectacle then Miss Hilton or Miss Chapman in a cage of wild beasts, and the serpents and crocodile in Crockett’s caravan more suggestive of immoral ideas than the monkeys in the menageries, is a problem which does not admit of easy solution, and which only an aldermanic mind could have framed.

The suburban fairs were declining so much at this time that Johnson and Lee were deterred by their diminished receipts at Greenwich and Deptford from visiting Ealing, Camberwell, and Enfield; and, on being excluded from Smithfield, proceeded to Chatham, whence they moved to Croydon. The decadence was still more manifest in the following year, and at Enfield an attempt was made by the magistrate to prevent them from opening on the third day, the more officious than learned administrator of the law being ignorant of the fact that, though the fair had for many years been held on two days only, the charter by which it was held allowed three days. Lee had taken care to obtain a copy of the charter, and on the superintendent of police going to the theatre with the magistrate’s order for its immediate removal, he positively refused obedience to the mandate, and produced the charter. The superintendent thereupon apologised, and returned to the magistrate with the news of his discomfiture.

At Bartholomew Fair, Wombwell’s was the only show of any consequence. His collection had at this time grown to be, not only the largest and best travelling, but equal, and in some respects superior, to any in the world. He had twelve lions, besides lionesses and cubs, and eight tigers, a tigress, and cubs, in addition to a puma, a jaguar, a black tiger, several leopards, an ocelot, a serval, and a pair of genets. There were also striped and spotted hyenas, wolves, jackals, coati-mondies, racoons, a polar bear, a sloth bear, black and brown bears, a honey bear, and a couple of porcupines. The hoofed classes were represented by three elephants, a fine one-horned rhinoceros, a pair of gnus, a white antelope, a Brahmin cow, an axis deer, and three giraffes, which had lately been brought from Abyssinia by M. Riboulet, a French traveller, and were the first of their kind ever exhibited in the fair.

Croydon Fair was disturbed this year by a fight between the youths of the East India Company’s military college at Addiscombe, about a mile from the town, and the members of Johnson and Lee’s company. The fracas originated with an insulting remark made by one of the cadets, as they were generally called, to a young lady of the theatrical company, promenading at the time on the parade. The insult was promptly resented by a male member of the troupe, who hurled the offender down the steps. A dozen of his companions immediately rushed up the steps, and assailed the champion, who was supported by the rest of the company; and the consequence was a sharp scrimmage, ending in the arrival of several constables, and the removal to the station-house of as many of the cadets as could not escape by flight. Next morning they were taken before the magistrates, and, being proved to have been the aggressors, they were fined; and from that time the military aspirants of Addiscombe were forbidden to enter the town during the three days of the fair.

Charles Freer was the leading actor of the company at this time, and the principal lady was Mrs. Hugh Campbell, whom I remember seeing a year or two afterwards at the Gravesend theatre. She was subsequently engaged, as was Freer also, at the Pavilion. Her successor on the Richardsonian boards was Mrs. Yates, who was afterwards engaged at the Standard.

The harlequin was a nervous, eccentric, one-eyed young man named Charles Shaw, who was dismissed from the company towards the close of the season on account of his freaks reaching a pitch which at times raised a doubt as to his sanity, besides threatening detriment to the interests of the theatre. When the time approached at which the campaign of 1842 was to be commenced, it was found necessary to advertise for a harlequin; and the announcement of the want produced a response from Charles Wilson, who stated that he had been engaged through the preceding pantomime season at the Birmingham theatre. This gentleman seeming eligible, he was engaged, but was not seen by Lee, or any of the company, until he presented himself at the theatre on Easter Sunday, at Greenwich. Lee was immediately struck with the new harlequin’s remarkable resemblance to the old one, which extended to every feature but the eyes; these were the same colour as Shaw’s, but he had two, while Shaw had lost one. On the second day of the fair, however, it was discovered that the eye which had thus long puzzled every one as to his identity was a glass one; and on his being charged with being Shaw, he acknowledged the deception, observing that he had felt sure that he would not be re-engaged if he applied in his proper name. The deception was pardoned, and Shaw’s subsequent freaks seem to have been fewer, and of a milder character.

The effects of the policy resolved upon by the City authorities in 1840 became more perceptible every year. In 1842, only one of the few shows that appeared in Smithfield issued a bill, which, as a curiosity, being the last ever issued for Bartholomew Fair, I subjoin: —

Extraordinary Phenomenon!!!The greatest wonder in the worldNow Exhibiting Alive,At the Globe Coffee House, No. 30, King Street,Smithfield,A Female Child with Two Perfect Heads,

Named Elizabeth Bedbury, Daughter of Daniel and Jane Bedbury, Born at Wandsworth, Surrey, April 17th, 1842. The public is respectfully informed that the Child is now Living; and hundreds of persons has been to see it, and declares that it is the most Wonderful Phenomenon of Nature they’d ever seen.

Admission 1d. EachNo Deception; if dissatisfied, the Money Returned

Nelson Lee played a trick at Croydon Fair this year which can only be defended on the principle that “all is fair at fair time.” Finding that the Bosjesmans were being exhibited in the town, and were attracting great numbers of persons to their “receptions,” he hung out, on the second day of the fair, a show-cloth with the announcement, in large black letters, “Arrival of the Real Bosjesmen.” to represent the strange specimens of humanity which had lately been discovered in South Africa, and their appearance on the parade in an antic dance produced a rush to witness the further representations of the manners and sports of savage life to be seen inside.

A startling event occurred on the following morning. One of Wombwell’s elephants escaped from confinement, and at the early hour of three in the morning was seen, to the amazement and alarm of old Winter, the watchman, walking in a leisurely manner down High Street. He was in the habit of being taken every morning by his keeper to bathe in Scarbrook pond, a small piece of water skirted by a lane connecting the modern and now principal portion of the town with the Old Town; and on such occasions he was regaled with a bun at a confectioner’s shop at the corner which he had to turn out of High Street, near the Green Dragon. While a constable ran to the George the Fourth, where some of Wombwell’s employés were known to be located, the elephant reached the confectioner’s shop, and, finding it closed, butted the shutters with his enormous head, and, amidst a crash of wood and glass, proceeded to help himself to the delicacies inside. On the arrival of his keeper, the docile beast submitted himself to his guidance, and was led back to his stable; but Wombwell had to pay the confectioner seven or eight pounds for the damage done to the shop window and shutters.

Johnson and Lee commenced the season of 1843 with several members of the Pavilion company in their fair corps; but they attended fewer fairs than in any previous year, and in 1844 their theatre appeared only at Greenwich, Enfield, and Croydon. In the following year, it was burned, while standing in a field at Dartford, and the proprietors, not being insured, suffered a loss of seventeen hundred pounds. Nothing was saved but the parade waggon, which was dragged away before the flames reached it, and, with the scene waggon and other effects which had been bought of Haydon in 1838, formed the nucleus of the new theatre with which the proprietors opened the fair campaign of 1847. Henry Howard joined the travelling company in that year at Ealing Fair, on the closing of the Standard.

During the latter part of their career as proprietors of a travelling theatre, the successors of Richardson found it more profitable to conduct their business on the system, since adopted by Newsome and Hengler with their circuses, of locating the theatre for two or three weeks at a time in some considerable town, than to wander from fair to fair, staying at each place only three or four days. At the present day, the circuses just named draw good houses, as a rule, for three months; but a quarter of a century ago this was not thought practicable, and in 1849, when Johnson and Lee erected their theatre at Croydon (in the Fair Field, but some time before the fair), they did not deem it expedient to extend their stay beyond three weeks. The company was drawn chiefly from the minor theatres of the metropolis, and included Leander Melville, Billington, Seaman, Phillips, Mrs. Barnett, Mrs. Campbell, and Miss Slater. The Stranger was selected for the first night, and drew a good audience, as it invariably does, wherever it is played. Under the able and judicious management of Nelson Lee, and with a change of performances every night, good business was done to the last. The experiment was repeated with equal success at Uxbridge and Reading.

Another step towards the extinction of Bartholomew Fair was taken this year by the exclusion from Smithfield of shows of every description; a step which would have been at least consistent, if the civic authorities had not made arrangements for the standing of shows of all kinds on a large piece of ground adjoining the New North Road, called Britannia Fields, near the site of the Britannia theatre. If the suppression of the fair had been sought on the ground of its interference with the trade and traffic of the city, this step would have been intelligible; but the moral grounds upon which it was urged served to cover with ridicule the removal of what was alleged to be a hot-bed of vice from Smithfield to Hoxton. What right had the corporation to demoralise the dwellers in one part of the metropolis, in order to preserve from further contamination the inhabitants of another part?

Bartholomew Fair was reduced by this step to a dozen stalls, and from that time may be considered as practically extinct. In Britannia Fields, what was called New Bartholomew Fair was attended by the shows which of late years had resorted to Smithfield and one or two others, among which was Reed’s theatre, the prices of admission to which ranged from sixpence to two shillings. The performances consisted of The Scottish Chieftain, in which Saker played Ronald, the principal character, and a pantomime called Harlequin Rambler. Among the minor shows was that of Hales and his sister, the Norfolk giant and giantess, who issued a bill containing the following effusion of the Muse that inspired the poet of Mrs. Jarley’s wax-work: —

“Miss Hales and her Brother are here to be seen,O come let us visit the sweet lovely Queen;Behold she is handsome – in manners polite —Both she and her brother near eight feet in height!I have seen all the tallest in towns far and near,But never their equal to me did appear!All England and Scotland, and Ireland declare,Their like was ne’er seen yet in them anywhere.“Here’s the smallest of women creation can show,Complete in proportion from top to the toe;And a Lady of rank from New Zealand secured,Escap’d from the murder her husband endured!And a fine youthful female presented to sight,All spangled and spotted with brown and with white;Large Crocodiles here, and a Boa behold,With a fine Anaconda all glistening with gold.“Here’s a silver-haired Lady, with skin white as snow,Whose eyes are like rubies that roll to and fro!You will find her a species different from all,The black and the whites, or the low and the tall!But to sing all her beauties I need not begin,Nor the fine azure veins that appear through her skin;For these, mind, no poet or painter can show,But when you behold her, O then you may know!“Exhibitions like this may to us be of use —What a contrast of creatures this world can produce!See the tallest and smallest before us in state.What a prodigy rare and phenomena great!From such wonders eccentric presented to viewWe now may our study of nature pursue;And philosophy truly may draw from it then,That Temp’rance produces the tallest of men.”

Hales made enough money by the exhibition of himself to purchase the lease and goodwill of a public-house in Drury Lane, where he lived several years. Many persons visited the house purposely to see him, but he never appeared in the bar before eleven o’clock, and was careful to avoid making himself too cheap. I saw him once, in crossing the street towards his house, stoop to raise in his arms a little girl, suggesting to my mind the giant and fairy of a pantomime.

In pursuance of the policy indicated in the report of 1840, Bartholomew Fair, now represented by a few stalls, was proclaimed in 1850 by deputy; and this course was followed until 1855, when not a single stall-keeper applied for space, and the ceremony of proclaiming the fair was omitted altogether. The new fair in Britannia Fields was held only two or three years, that concession to the showmen and to the fair-going portion of the public having been designed only for the purpose of facilitating the extinction of the old fair in Smithfield.

Greenwich Fair was the scene in 1850 of an outrageous and dastardly attack on Johnson and Lee’s theatre by a body of soldiers from Woolwich. It seems to have originated in a practical joke played by a soldier upon a young man in the crowd before the theatre, and which, being resented, was followed by an assault. On the latter retreating up the steps of the parade waggon, followed by his assailant, Nelson Lee interposed for his protection, and was himself assaulted by the soldier, who was thereupon ejected. A number of soldiers, witnessing the discomfiture of their comrade, immediately rushed up the steps, and began an indiscriminate attack upon everybody on the parade. The company, finding themselves over-matched, took refuge in the interior, or jumped off the parade, and fled as if for their lives.

An actor named Chappell stood by Nelson Lee after the rest had fled, but he joined in the stampede ultimately, and the proprietor of the theatre was left alone, defending himself and property against a swarm of foes. The story told long afterwards of the harlequin of the company was, that he ran without pause to the railway station, and jumped into a train just starting for London. He then ran from London Bridge to Shoreditch, and rushing, exhausted and excited, into a public-house adjoining the City of London theatre, gasped, “Blood – soldiers – Mr. Lee – frightful affair – three pen’orth o’ brandy!”

The soldiers, having driven their opponents off the field, began destroying the front of the theatre, and smashing the lamps, which, fortunately, were not lighted. If they had been burning, the result would probably have been a terrific conflagration, which might have swept the fair, and destroyed many thousands of pounds’ worth of property. Nelson Lee, resisting with all his might the destruction of his property, had a rope made fast round his body, and was about to be hoisted to the top of the front, when a dozen constables arrived, and the assailants immediately abandoned the field, and, leaping off the parade, mixed with the crowd. Many of them were captured, however, and, being taken before a magistrate, were committed for trial at the ensuing Old Bailey sessions. Johnson and Lee withdrew from the prosecution, however, expecting that their forbearance would be rewarded by pecuniary compensation for the destruction of their property, which the Recorder had suggested should be given by the officers of the regiment to which the offenders belonged; but, on application being made to the officers, they informed Lee that there were no regimental funds available for the purpose, and I believe not a penny was ever received by Johnson and Lee by way of compensation.

During the Whitsuntide Fair, the soldiers were confined to their barracks; but, as many of them were in the habit of visiting the theatre with their friends, this measure diminished the receipts, and thus added loss to loss. Johnson and Lee attended no other fairs that year, but removed the theatre to Croydon, where they erected it in a field adjoining the Addiscombe Road, near the Brighton and South-Eastern railway stations. Henry Howard and Mrs. Campbell played the leading characters here, and afterwards at Hertford and Uxbridge.

Wombwell died this year in his living carriage at Richmond, at the age of seventy-three. He was buried in Highgate cemetery, his coffin being made of oak from the timbers of the Royal George, which sank off Spithead in 1782. As his executors were instructed by his will to have no nails used in its construction, it was put together on the dove-tailing system. The menagerie was divided in accordance with his will into three parts, which were bequeathed respectively to his widow, a niece named Edmunds, and another relative named Day.

The expectation of such results as attended the Hyde Park Fair of 1838 from the concourse of people flocking into the metropolis during the summer of 1851, when the first great international exhibition was held, caused arrangements to be made for a “world’s fair” on a large scale, to be held during the same time at Bayswater. A committee was formed for its organisation and management, consisting of Johnson and Lee, Algar, Mussett, Mills, Trebeck, and Young. Algar was the proprietor of the Crown and Anchor refreshment and dancing booth, well-known to the frequenters of Greenwich and Croydon Fairs; Mussett and Mills were almost as well known as leading names among the stall-keepers attending the great fairs; Trebeck was a toy-dealer in Sun Street, Bishopsgate.

The undertaking was as complete a failure, however, as the fair of 1838 had been a success. The ground was in bad condition, and its softness was a difficulty at the commencement. Mrs. Wombwell’s elephant waggon stuck in the mud, and had to be left there until the next day; and the elephant extricated himself with difficulty by lifting one leg at a time, and stepping upon trusses of straw laid down to give him a firm footing. Edmunds would not venture to the ground which he had taken for his menagerie, but arranged his caravans at the entrance of the field. The weather was cold and cheerless when the fair was opened, and the railway companies had not begun running trains at low fares. When the fine weather and the excursion trains did come, the fair had come to be regarded as a failure, and it never recovered from the chill and blight of its commencement.

Johnson and Lee’s theatre appeared at Greenwich Fair for the last time in 1852, and proceeded thence to Uxbridge, where the company was joined by James Robson, afterwards so famous as a comedian at the Olympic. In the following year, the property was sold by auction, and, as a memorial of an event which has seldom occurred, and will never occur again, I subjoin the advertisement: —

“Notice. – To Carmen, Builders, Proprietors of Tea Gardens, Exhibitors, Van Proprietors, Travelling Equestrians, Providers of Illuminations, &c. – The Travelling Theatrical Property known as Richardson’s Theatre, comprising Covered Vans and Parade Waggons, Scenery, Wings, Stage Front, Orchestra, with a double stock of beautiful scenery, waterproof covering, draperies, massive chandeliers, a great quantity of baize, flags, &c. Large coat of arms, variegated lamps and devices, eight capital 6-inch wheels, parade waggons, with two large flaps to each, two capital excursion vans, trucks, double stock of new scenery, shifting flies, fourteen long forms, large stock of book-cloths and baize of large dimensions, battened dancing-boards, erection of booths, handsome imitation stone front, two capital money-takers’ boxes, with fittings up, handsome ornamental urns, large figures on pedestals, four guns and carriages, handsome pilasters, machinery, flooring throughout the building, with numerous scenery and stage devices, and every other article connected with the stage, a quantity of quartering, iron, old wheels, &c., &c., &c. Which will be sold by auction by Mr. Lloyd, on the premises, Richardson’s Cottage, Horsemonger-lane, Boro’. May be viewed, and catalogues had on the premises, and of the Auctioneers, 5, Hatfield-street, Blackfriars-road.”

The property was completely dispersed; the timber and wood-work being purchased by builders, the waggons by wheelwrights, the canvas and tilt-cloths by farmers, and the green baize, curtains, fittings, etc., by Jew dealers. There is not the shadow of a pretence, therefore, for the use of the name, “Richardson’s theatre,” by any showman of the present day.

The shows travelling after the sale and dispersion of Johnson and Lee’s were, exclusive of menageries and exhibitions, Abbott’s theatre, Jackman’s theatre, and Fossett’s circus. I am not sure that Reed’s theatre was still in existence. Abbott’s theatre was at the Easter fair at Greenwich in 1852, when Charlie Keith, since famous all over Europe as “the roving English clown,” was fulfilling his first engagement in it as an acrobat. Robson, the comedian, was at the same time performing in Jackman’s theatre, from which he transferred his services to Johnson and Lee’s.

Fossett’s circus was pitched that summer at Primrose Hill for a few days, when one of the irregular fairs which are occasionally held in the neighbourhood of London was held. It is a small concern, with only two or three horses. Miss Fossett, the proprietor’s daughter, is a tight-rope performer, in which capacity she appeared a few years ago in Talliott’s circus, when the company and stud appeared one winter in a temporary building at the rear of some small houses in New Street, Lambeth Walk. James Talliott, to whom the houses belong, was then well known to the frequenters of the London music-halls, and may be remembered as a trapeze performer in conjunction with Burnett, who called himself Burnetti, but was known among the professional fraternity as Bruiser. He afterwards performed singly at the Strand Music-hall, now the Gaiety Theatre, and other places of amusement in the metropolis, and has since owned a small circus, with which he travels during the summer within a circle of a dozen miles from London.

Hilton’s menagerie had at this time passed into the possession of Manders, and the lion-tamer of the show was an Irishman named James Strand, who had formerly kept a gingerbread-stall, and had been engaged to perform with the beasts when those attractive exhibitions had been threatened with temporary suspension by the abruptness with which his predecessor, Newsome – a brother, I believe, to the circus-proprietor of that name – had terminated his engagement. Strand’s qualifications for the profession were not equal to his own estimate of them, however, and Manders had to look out for his successor.

One day, when the menagerie was at Greenwich Fair, a powerful-looking negro accosted one of the musicians, saying that he was a sailor just returned from a voyage, and would like a berth in the show. The musician communicated the man’s wish to Manders, and the negro was invited to enter the show. His appearance and confident manner impressed the showman favourably, and, on his being allowed to enter the lion’s cage, at his own request, he displayed so much address and ability to control the animals that he was engaged at once, and “the gingerbread king,” as Strand was called, was informed that his services could, for the future, be dispensed with. This remarkable black man was the famous Macomo, who for several years afterwards travelled with the menagerie, exhibiting in his performances with lions and tigers as much daring as Van Amburgh, and as much coolness as Crockett.