The Hill of Venus

When Francesco had ensconced himself on the terrace to witness the revels, he had given no thought to the continuation of the same. He wandered through the labyrinthine walks with troubled mind, every now and then shrinking, a listener both unwilling and unwelcome, from sounds that assailed his ear from rose-bower and cypress-wall. Yet the setting of beauty rendered his repugnance languid. He seemed to feel a detaining hand upon him that would not let him escape. Life had ever been, even in his happiest moods, as a masque, lived in a dream. But to-night the masque had seemed very real. The weird loveliness of the pageant had enthralled his soul, had brought home to him with new and intense poignancy the dark fate which lurked in the background. Aimlessly he strolled on, aimlessly he lost himself in the labyrinthine maze, hoping, yet fearing, to meet Ilaria Caselli.

He had noted now and again a girlish figure flitting around his pathway, in an open space, where a murmuring water flowed. It came out into the starlight and he recognized White Oenoné.

She swayed towards him timidly.

"Though Paris be lost to me, are there not other shepherds in the glades of Ida?"

Her tones blended with the murmur of the stream.

The tumult of sense swept over him. He saw her white smiling face so close to his, in the faint light of the moon her hair shone golden. Then he gave a start and thought of Ilaria, and of her strange request.

"Ay – but thy Paris will return, fair nymph," he replied courteously. "For the Greek knights have won Troy-Town at last, and the false witch who lured him from thy side, has sailed for Argos."

He turned away, noting the shade of disappointment in her face. His steps were aimless no longer. Ilaria was not in the rose-garden, nor would he find her on the terraces through which the flickering torch-light gleamed. He hastened onward towards the ilex-wood which bordered on one side close to the castle. In the dense shadow two dim figures stood. He knew without seeing that one was Ilaria.

"Ilaria!" he called.

She started, took a step towards him, then paused.

On her face he noted the same dazed, half-bewildered look which he had discovered thereon in the pageant.

"Ilaria!" he called once more. His voice had still the same purity of tone as in his childhood.

She came to him slowly, holding out both hands.

"Take me away!" she whispered with a shudder.

Then, from the deeper shadow of the wood, there stepped a form of remarkable elegance, advancing with the graceful, but assumed, demeanor of a man immured in his own conceit. He was tall, with a well-poised head of the purely Latin type. The face was long, but unusually handsome; of olive hue with regular features, that revealed many generations of aristocratic ancestry. The nostrils were delicately chiselled, the eyebrows high and narrow, the thin, cynical lips revealed the sensualist. There was nothing in the countenance of Raniero Frangipani to dismay the observer, until one looked at the eyes. They were narrow and intensely black, filled with a baleful brilliance that feared no man, yet revealed to view a soul utterly depraved.

The Frangipani having changed his masque, was clothed in the richest apparel of the time. Long hose of crimson silk encased the legs, rising from soft shoes of the same color. A coat of black silk, embroidered with golden flowers, and the Broken Loaf, the emblem of his house, was confined at the waist with a golden belt, to which was affixed a poniard with an exquisitely jewelled hilt. He advanced with the graceful yet arrogant swing of the bred courtier, yet his handsome face was not pleasant to behold, as he turned to Francesco with an insolent air:

"I think, Messer Villani, you will find the rose-garden more agreeable than the wood!"

Francesco looked at him coldly.

"I am here at the request of Madonna Ilaria," he replied quietly.

"Indeed!" sneered the Frangipani, advancing a step closer. "Madonna Ilaria did not hint that she preferred the society of a marplot to that of a Frangipani!"

Francesco made an impetuous step forward, feeling for his dagger. But Ilaria caught his arm and clung to it. The two were faintly visible in the starlight.

The Frangipani regarded them for a moment with a contemptuous smile.

"I crave your pardon," he then turned with an ironical bow to the girl. "I feared Messer Villani would be too fatigued after his journey in quest of an ancestor!"

Francesco had turned pale at this palpable insult. There was no doubt that the Frangipani had spied upon him for reasons not difficult to surmise. But ere he could carry out his intent, but too plainly revealed in his set features, Ilaria had interposed herself between the two.

"Leave us!" she turned to the Frangipani with a scorn in her voice that caused the latter to start, while she clung to Francesco's arm, hardly less pale than he.

Raniero Frangipani regarded them for a moment in silence, tapped with his foot, like one to whom a new idea has come, then with a long low sound, very much like a snarl, he vanished in the gloom.

Francesco turned to the girl who still clung to him. She knew the look on his face, but there was in it an expression she had never seen before, penetrating, sorrowful, crushed. His breath came and went in gasps, yet he spoke not.

"Francesco," she said after a pause, while she anxiously watched the play of light and shadow on his face. "Listen! Messer Raniero seems to bear you a grudge. Promise me to avoid a meeting with him! He has said much to me, thinking thereby to win my favor. He now knows, – let that suffice!"

"He has told you much? What has he told you?"

"You have not told me what took you away so suddenly!"

He held up his hand deprecatingly.

"A secret mission of the Viceroy's," he said blushing, as he stammered the falsehood. Yet he could not bring himself to avow even to the girl he loved best on earth, his father's shame. The pain of life could not be made less, by adding more pain.

"Trust me!" he begged. "We have always felt together, – I have never deceived you!"

"Until now!" her voice sounded shrill and strained.

"No! Ilaria, no! Were it mine to tell, – there is no secret for you in this heart of mine. But the matter concerns another! Perhaps – in time – "

He broke off and closed his eyes.

"I crave my youth!" cried Ilaria unheeding. "My youth, and the joy of life which comes but once. If one will not give me what I seek – I look elsewhere, if so I may!" Her lips trembled. "Why do you look at me so?" she continued impatiently after an instant's pause. "Before you came into the wood I saw your eyes, and I see them still in the dark! What was the object of that mission?"

Francesco drooped his head, but made no reply. In a clover leaf at his feet a dew-drop mirrored a star, breaking the light into a thousand tiny shafts.

"I will give you your youth," he spoke at last in a low strained voice that sounded like a broken sob.

Ilaria laid her hand on his and spoke low. Her light soft fingers were fevered.

"What do you mean?"

"It is a simple matter!"

She gazed at him startled, terrified. Suddenly she threw her arms about him.

"Forgive me! Forgive!"

He pressed her to his heart and kissed her dark eyes.

Then slowly they retraced their steps towards the castle.

When Francesco reached his chamber, the moon was slowly sinking through the azure night-sky.

He noted it not. It seemed to him he was standing in the midst of a great void. All life about him had died. And he stood there, digging his own grave, and, as the last spade of turf flew up, the stifling night of annihilation swallowed up the universe.

CHAPTER V

WAVES OF DESTINY

WHEN Francesco waked on the following morning, the June sun touched the tree-tops which bounded the western horizon with their delicate feathery twigs. Throughout the castle of Avellino there was the hum and murmur of life. An unusual activity prevailed; the Apulian court was preparing to depart, as the long train of horses and jennets drawn up in the courtyard indicated.

Francesco listened to the dim murmur of familiar voices, and the echoes of laughter which reached his ears as he stood contemplating himself undecidedly in a steel mirror that hung from an iron hook upon his bedroom wall.

Of what use to deck himself in fine raiment for the last time he should ever wear it? Sackcloth was henceforth to be his garment; – what matter if he went unkempt on the last day in the home he loved?

But the thought of the part he wished to play, came back to him. He could not bear the thought that his companions should know of his undoing. Despair is concealed more easily for an hour than unrest. And so Francesco heaved a long heavy sigh and went to the great carven chest wherein he kept his apparel.

Slowly, with the demeanor of one whose heart is not in what he does, he arrayed himself in his splendid court costume, as if preparing to share the gladsomeness of his companions.

He descended into the courtyard as one walking in a dream, and as in a dream his ear caught the sounds of laughter and merriment, such as had not resounded in the Castle of Avellino since the days of Emperor Frederick II.

On every lip were the glad tidings: Conradino had crossed the Alps! Conradino was about to descend into Italy with his iron hosts to claim his heritage. Like an Angel of Vengeance he would march on to Rome, where the arch-enemy of his house sat enthroned in the chair of St. Peter. From all parts of Italy the Ghibellines were flocking to the banners of the golden-haired son of Emperor Conrad IV, – Conradino, as they lovingly called him, – the last Hohenstauffen!

From the adjoining gardens there came sounds of joyous laughter; the music of citherns and lyres rippled enchantingly on the soft breeze of the morning. It was as if an evil spell had been lifted from the land, but the spell had caught one who could not shake it off, as with stony gaze and quivering lips he walked along, noting the preparations for events, in which he was to have no further share. He noted it not that the grooms and lackeys, pages and squires regarded him curiously, as if wondering at his luxurious attire, so little in keeping with the exigencies of a tedious journey. Hardly he noted the casual greeting of a companion who passed hurriedly, as if bent on his own preparations. After rambling aimlessly through the demesne, he bethought himself that the time for repast was at hand, and after pausing here and there, as if to convince himself that what he saw was not the phantom of a mocking dream, he returned to the castle, his heart heavy with the weight of the impending hour.

The banqueting-hall in the Castle of Avellino presented a busy scene. A small army of lackeys and pages was at work preparing a repast, the last the court was to partake ere the Viceroy set out. They were to start at dusk, owing to the extreme noon-day heat in the plains.

One great board stretched down the centre of the room, containing places enough for every occupant of the building.

Presently the doors leading into the banqueting-hall turned inward and a throng of court attendants filed into the dimly lighted room. These were followed by an array of visiting mendicants, who never failed to infest any noble household, and they had scarcely grouped themselves standing about the board, when the Viceroy, arm in arm with Galvano Lancia, entered the hall.

These two seated themselves at the board at once, watching the others as they entered. The women and their escorts, who had entered laughing and chatting among themselves, grew silent as they beheld the Viceroy already seated. One girl, garbed in a flowing gown of sea-green damask, entered the room alone. As she advanced to her place, after the prescribed courtesy to the Viceroy, her dark eyes searchingly scanned the throng of pages. Apparently she did not find among them the one she sought.

"Donna Ilaria looks for her errant knight," whispered Galvano Lancia into the ear of Conrad Capecé.

"Has not Francesco returned?" queried the Viceroy.

"I hardly expected him before to-day, even if the Grand Master's illness has not taken a fatal turn."

"Here are the monks!"

"And there – at the door – "

Conrad Capecé followed the direction of Lancia's gaze.

"Francesco!" – he finished with a gasp, staring bewildered at the youth's dazzling garb, richer even than the Viceroy's.

There was a sudden round of forbidden whispering among Francesco's companions, and significant glances passed between many at the expense of Ilaria Caselli, for Francesco's entrance had been indeed destined to create a commotion among the members of the Vice-regal household.

Conscious to the full that all eyes were upon him, Francesco paused for a moment in the doorway. Then he advanced slowly towards the seat of the Viceroy, a bright smile on his lips, a feeling akin to death freezing his heart. The grace remained still unspoken, while the monks, eager as their worldly brethren, turned upon their stools to gaze at the newcomer.

Francesco was clad in a tunic made of white cloth, heavily embroidered with gold, slashed up the sides far enough to reveal the dusky sheen of his black embroidered hose. His belt was of black and gold, and the dagger it held was hilted with gleaming jewels. The dark hair framed a face as white as his garb and the feverish lustre of the deep set eyes matched the brilliancy of the gems in his belt.

The finishing touch to Francesco's curious attire, the one which gave the greatest significance to his appearance, was that which appeared to link him in some way to the most beautiful girl in the hall. It was a faded rose, which still seemed to cast a crimson shadow upon the gleaming purity of his tunic, the rose he had discarded in his first fit of despair, until he had bethought himself of a better course.

Under the wondering or sneering glances of all these eyes, Francesco, seemingly unabashed, advanced to the Viceroy's chair, and, bending a knee, muttered an apology for his delayed arrival.

Count Capecé bade him arise, saying audibly:

"In truth, Francesco, you shame us all for slovenliness in dress. Sit you here by my side! Your companions yonder have brilliancy enough in their midst. You shall relieve our soberness!"

With an amused smile Galvano Lancia made room between himself and the Viceroy. There was a faint color in the youth's cheeks, as he hastily dropped into the posture for grace. If no one else at the board had perceived it, he, at least, had understood the Viceroy's mild rebuke for overdress, and his mortification was sincere. For Count Capecé was dressed in a sombre suit of dark green, unembroidered and unadorned. Galvano Lancia supplemented him in a tunic of deep red, with black hose and leather belt and pouch, and the other nobles were all attired in garbs suitable for travel. There was a confused hum and medley of voices, but the one all-absorbing topic of discourse was the appearance of Conradino on Italian soil, and the hope of the Ghibellines in the final victory of their cause.

From the first, Francesco was uncomfortable in his new place. In the eyes of his companions, when he could catch them, he read only curiosity, mingled in some instances with envy and malice. This was especially the case at that part of the board where Raniero Frangipani was seated, not too far removed from Ilaria Caselli, although the latter had dropped her eyes, without so much as vouchsafing him a glance.

Francesco noted it all, and between the unmistakable gaze of derision which came to him from the Frangipani and his associates, Ilaria's seeming unconsciousness of his presence, and the well-nigh physical discomfort of being the target of all present, in the seat assigned to him, he felt ill at ease. Before he had entered the room he had absolutely believed in his own ability to act. Now he perceived his mistake. Do what he would, his heart and his expression failed him together.

At last he fixed his eyes upon the figure of her who bore the flower symbol of their relationship. Evidently the scarlet flower was being commented upon from his rightful part of the table, for he beheld Ilaria's color rise. Unexpectedly she turned her head to glance stealthily at the faded petals that burned upon the cold purity of his vestments. In that glance she met his eyes full upon her. A shadow of mingled confusion and anger flitted across her face and, snatching her own rose from her gown, she dropped it on the floor.

Undoubtedly this performance was calculated to throw Francesco into a state of doubt and anxiety as to her feeling for him. Yet, how little did she guess the uselessness of that coquetry! What evermore would he have to do with love or the dallying with it? What woman would be enamored of a sackcloth gown? Yet, at this moment, he perceived that his feeling for her had rooted deeper than he had admitted to himself. And now it seemed to him that, were his well of bitterness to be deepened by one jot, it would drive him mad. And as these cobwebs of thought were spun out in his tired brain, such a black look of despair came upon his face that Ilaria was even prepared to smile upon him when he turned to her again.

Galvano Lancia also saw that expression, and guessed that the Viceroy's idle whim had made the youth uncomfortable enough for this time. But in his address there was also a courtier's purpose which Count Capecé, who was looking on, understood.

"Francesco!"

The youth turned, to find Galvano Lancia's kindly eyes upon him.

"Your father is better of his illness?"

"It is well with my father!" Francesco replied laconically.

As the repast progressed, the situation was becoming almost unbearable for the son of the Grand Master. Only the desire to avoid constituting the target of the almost general curiosity, prompted Francesco to remain at the Viceroy's table. He instinctively knew the eyes of Ilaria to rest upon him and, although not another word had been spoken, the situation was becoming greatly strained. But he did not wish to exhibit the misery which racked his soul with a thousand pangs before the gossiping courtiers and monks. Thus he ate or made a pretence at eating in silence. He had become acutely susceptible to the disagreeable features of his surroundings. The gathering heat and the heavy odor of meats and wines in the immense room, the flickering glare of the torches, the shrillness of the many voices, the noises of laughter which flowed together with the wine, – they all smote his senses with a sharp sting of irritation, disgust and measureless regret. So many, many times had he been part of all this. Now it was going from him. The thought and the attempt at its banishment sickened him. He leaned upon the table, white and faint. His eyes were closed. He had lost the courage to attempt further concealment. He instinctively knew the Frangipani was watching him and there was a suggestion in his gaze which filled him with an inward dread. How would Ilaria take it? What would become of her, after he had gone? He glanced down the board. Flagons of wine and platters of fruit were beginning to be in great demand. Story-telling and jesting, which were wont to drag out repasts to endless hours, had begun. In the midst of it all Count Capecé arose. His move was not instantly perceived, but when he was heard to call upon one of the monks for a blessing, there was a general stir at the board. The blessing given, the Viceroy started from the hall, when he found himself accosted by Francesco, who had stumbled blindly after him.

"May I have a word with you, my lord?"

Count Capecé nodded and Francesco followed him to his private cabinet, the doors of which closed behind him.

The Viceroy had seated himself and silently beckoned to the youth to begin.

With an effort Francesco spoke:

"I returned from San Cataldo last night, but was denied admittance to your Grace, wherefore my presence here may have startled you! – "

There was something like life in Francesco's tone, now the decisive moment had come, and looking down he carefully noted the face of him who was to be his judge.

A silent nod from the Viceroy bade him proceed.

"By your Grace's leave," he continued, with a marked effort, "this must be my last day at the Court of Avellino. I am bidden on a long and tedious journey. My father would have me set out upon it at once! I had wished to acquaint your Grace of the matter last night. I crave permission to quit the royal household, that I may be free to do my father's bidding."

Francesco had spoken with marked slowness and precision, that he might force himself to maintain his calm demeanor. To his own relief he finished the speech with no hint of a break in his tone, though gravely uncomfortable under the Viceroy's steady, searching gaze.

Now, with a quiet gentleness that caused him to start painfully, he felt the latter's hand laid almost tenderly upon his arm. He gave a startled look into the frank, kindly face of the Apulian, and the response that met his eyes forced a swift wave of color into his bloodless cheeks. He would have almost preferred the rude brutality of Anjou's men to this generosity which left him no weapons for defence. He moved uneasily where he stood, and his breath came fast.

He was very near to breaking.

"You have my permission to execute your father's behest," the Viceroy replied while his eyes were fixed on the face of the youth. "Let but the office wait its hour! You have heard the tidings which have brought joy to every Ghibelline heart. You note our preparations to depart. Conradino has crossed the Alps. To him belongs our first duty! We are bound for Pavia!"

Francesco gave an involuntary start.

"I also am bound northward!" he said, and wished he had not spoken.

The Viceroy nodded.

"The better so! You ride with us!"

Francesco looked up appealingly. His misery received a new shock from the Viceroy's lack of comprehension.

"I fear that may not be," he faltered, then noting the Viceroy's puzzled look, he added:

"The office I am bidden to perform, brooks no delay!"

Count Capecé eyed him curiously.

"What business may that be, more cogent than our own? On the hoof-beats of our horses hang the destinies of a kingdom! None may falter, none may turn back! I pry not into the nature of the office you are bidden to perform. Yet all personal interests should be suspended before the one all-absorbing task, that beckons us towards the Po!" —

"This business may not wait!"

It was almost a wail that broke from Francesco's lips. How could he make him understand without revealing his father's shame!

A shadow flitted across the Viceroy's brow.

"You will move the more swiftly in our train!"

A choking sensation had seized the youth.

"It may not be, – I must ride, – alone!" he stammered. All the color had forsaken his face and his knees barely supported his body.

"And when shall you return?" asked the Viceroy, feigning acquiescence.

There was a moment's silence ere Francesco replied:

"I fear, my lord, – I shall not return!"

Count Capecé started.

"You speak as if you were about to renounce the Court of Avellino forever," he replied after a brief pause, charged with apprehension. "What is the meaning of this? Why do you tremble? Your father is better of his illness! No messenger has reached us from San Cataldo. Is not your presence here proof of his recovery?"

"When I left my father's side, his sickness was in nowise lessened," responded Francesco laconically.

"Not lessened!" exclaimed the Viceroy. "Then how came you here?"

"At my father's command I am here!"

"For what purpose?"

"To acquaint you of my choice – of the Church!"

He spoke the words in a hard and dry tone.

Count Capecé had arisen. He was hardly less pale than Francesco, but there was a light in his eyes that burnt into the very soul of the youth.

"You said, your choice?"

"My choice!"

"Ingrate! Renegade!"

Francesco bowed his head.

He no longer attempted to reply, or to vindicate himself. His head had fallen upon his breast. His hot eyes were closed. His temples throbbed dully. He had known it from the start. They would misjudge him, they would misjudge his motives. Years of loyalty spent at the Court of Avellino would not mitigate the judgment of the step he was about to take; they would rather aggravate it. They believed him bought by the Guelphs. And his lips must remain sealed forever! Dared he divulge his father's shame? Dared he cast an aspersion upon the guiltless head of her who had given him birth and life? A life he had not desired, forsooth, yet one that it was his to bear to the end, – whatever that end! —