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Jimmy Quixote: A Novel
"I have not seen you, Jimmy, since – since our marriage day," she said at last, in a low voice. "That – that seems funny – doesn't it; but then, of course – everything is different – isn't it?"
"Of course," he replied. "How have you got on – and how are you living?"
"Very quietly; it is a little place – a mere tiny cottage, far away from everyone; and Patience and I have spent a lot of time out of doors lately. Patience tells me I have roses coming in my cheeks for the first time in my life. That seems strange, too – doesn't it? But then, of course, I'm very happy."
"I'm glad to know that," he forced himself to say.
"Very happy indeed. There is – there's the child; such a lot to do for her. You don't ask about the child, Jimmy?"
"You are going to tell me about her," he said more gently.
She laughed softly, and leaned forward, with her elbows on her knees and her hands clasped; she seemed to be looking far away beyond him. "I think she's the prettiest baby in all the world, Jimmy," she said. "When I wake up in the morning she is there to smile at me; and that begins the day so well, you know. Sometimes she wakes me; a little soft hand digging at me, and trying to open my eyes. I woke in a fright the other night, dreaming that I had lost her; I was almost mad for a moment; I cried out in the darkness; I called on God. And there she was, when the dream had got out of my brain, lying soft and rosy and well beside me. She has dark eyes – like mine; and little hands that double just round one's finger, and hold it. I could sit all day with her holding me like that. But there" – she laughed again, and sat upright – "I'm boring you with all this that means so much to me – aren't I?"
"Oh – no," he replied. "I am – glad to know that you are so happy; I had thought it might be otherwise. Why did you send back the money?"
"I did not need it," she replied. "Our wants are so few, Jimmy – just the tiny house, and the garden – and the baby; I never thought I could be so happy."
"You were very unhappy when I saw you last," he reminded her.
"I've tried to forget – I've almost succeeded," she whispered, with her head bent. "Other thoughts have come to me as time has gone on – thoughts that seemed to grow first when I knew that the child was to be born. I could not tell you what they were, Jimmy; they were wonderful holy thoughts, that came most to me at night; they made everything that had happened seem so poor and so paltry." She sat for a minute or two in silence, and then got up hastily. "Well – I must say good night, Jimmy; I only waited to see you – just for a minute."
"You're not going back to the country to-night?" he said, holding her hand for a moment.
"No – we are staying to-night in London, at the house of a friend of Patience. Patience is looking after little Moira till I get back; so you see I must hurry. It would be dreadful if she woke and called to me, and I wasn't there – wouldn't it?" She laughed again, in that quick nervous fashion of hers, and drew away her hand gently.
"You must let me put you in a cab, at any rate," he said, moving towards the door. But she stopped him.
"It is only a little way, and I shall walk," she said. "I couldn't sit still in any vehicle, however fast; I shall almost run to see her. Good-bye, Jimmy; thank you for this long talk we've had. While I was waiting for you I looked all round your rooms – just peeped at everything, you know; I want to carry away the recollection of them in my mind. I shall tell the child in a whisper where you live, and what it looks like – and what a lot of books there are. Now I'm getting silly again – so I'll go."
She was moving towards the door, with yet some hesitation in her manner – some reluctance at going so abruptly – when there came a sharp knock on the outer door. She drew back, and glanced at Jimmy.
"Someone to see me, I expect – or it may be a message," he said. "Wait one moment, please."
Moira drew back into the room at his bidding. Jimmy strode through the little lobby outside, and opened the door. Ashby Feak stood there, lounging against the side of the doorway, with his hands thrust into his pockets; he nodded coolly, and made a movement to come in. But Jimmy barred the way.
"I'm sorry, Feak," he exclaimed quickly – "but you can't come in now; I – I'm busy. What do you want?"
"I want to have a bit of a talk with you," replied Ashby Feak – "and I mean to have it, if I wait here all night. Five minutes will do – or perhaps less; but it's rather important."
As Jimmy in some dismay fell back before him, the man strode through the lobby, and into the room. He stopped short on seeing Moira standing there; glanced quickly round at Jimmy, who had followed.
"I beg your pardon," said Ashby Feak slowly, with a glance from one to the other – "I did not know you were engaged; you said you were busy. What I have to say – "
Moira broke in quickly. "I was just going. I need not stay a moment. Good-night, Jimmy dear."
The last words were said in a lower tone as she crossed the room to where Jimmy stood; but Ashby Feak heard them; he started, and turned swiftly.
"'Jimmy dear'?" He looked from one to the other with a growing smile on his face. "Won't you introduce me, Larrance?" he asked at last.
"No; this lady is nothing to you," said Jimmy, in a low voice. "Stand aside, please; she is just going."
"She is not going," exclaimed Feak – "not until I know who she is. You know why I ask the question; I am not going to drag in names, especially of women – but this is more than life or death to me. Now, madam – perhaps you'll answer for yourself. Who are you?"
Bewildered, she looked at him for a moment, and then glanced at Jimmy as if for permission; he slowly bowed his head. "I am Mr. Larrance's wife," she said.
Jimmy put up a hand quickly as Ashby Feak would have spoken. "It's quite true; you need not say anything, and I am not going to explain. This leaves you free of course; I will write a letter to-night, putting myself right in that quarter. Good night!"
Ashby Feak, with a nod and a shrug of the shoulders, went out; they heard the door slam behind him. Jimmy moved slowly across to the window, without looking at Moira at all; she was watching him intently. After a pause, in which it seemed that they could hear their very hearts beat, she whispered a question:
"Jimmy – is there someone else?" He did not reply. "Someone else you love, I mean?"
He did not look round at her; he stared down into the dark street below. Across it a man was going hurriedly, and he was going in one direction – straight to Alice.
"Yes," he said at last, in a heavy tone – "there is someone else."
CHAPTER IV
THE LONG NIGHT
Much in the fashion of a bear that has hibernated through a long winter, and has come out lean and hungry into the warmth and brightness of the new summer – so Anthony Ditchburn crawled out of his mean lodging one sunny morning, and looked about him. He was a frowsy, unwholesome-looking bear at the best, and he blinked at the sunshine, basking a little in it with some faint show of pleasure, and facing life again with some show of hope.
Exactly how he had lived during the winter he did not know; it had been a matter of crouching over fires in mean kitchens of lodging houses – sometimes cooking poor food for himself, and sometimes begging it, already cooked, from others; a mean, scraping, starveling existence, going on from day to day. Some part of it had been spent in an infirmary, where he had given much trouble, and had lectured the doctors and nurses cantankerously about his own case and his own symptoms; they had been rather glad to get rid of him. Now, with the sun warming his veins, and putting some strength into his shrunken limbs, he cast about in his mind for someone to whom he could appeal.
A pathetic letter from him had reached Patience in the country; the old woman had been careful to reply, although, somewhat to his disgust, she had merely expressed sorrow for his difficulties, but had sent no money. Finding the letter now, after searching his pockets carefully, he discovered that the address of the place was a comparatively short distance from London; and, the country appealing to him on this bright day, and the chance of free lodging appealing even more strongly, he determined to make his way there. The shiftless life he had led had taught him to make the most of small opportunities; he knew that he might count on a lift in a cart now and then, and might even beg a little on the way, so low had he sunk.
Behold him, therefore, once more stirring in our story – creeping into it, as it were, with no thought of harm, and with only the desire for food and to shelter himself. See him going on his way, counting small possibilities in his mind, and wondering if by chance he might be able to quarter himself upon the two women for some indefinite period.
Drivers proved obdurate, and he got but few lifts upon the road; more than that, the begging was not a success, and he spent one night asleep under a hedge, cursing the stars that shone down upon him and the wind that ruffled his garments. But he went on hopefully, and came at last to the place to which Moira had retreated, and where she lived with old Patience and with the child.
Then it was that Anthony Ditchburn threw himself, with something of zeal, into what appeared to be a curious story. For he was informed merely that Moira was married, and that this was her child; he heard with astonishment that her husband was that Jimmy Larrance who had done great things in London, and who was reputed to be well-to-do. He questioned Patience artfully, but got no nearer to the real heart of the mystery.
They were good friends, he was told; but they preferred to live apart. Yes – Moira was perfectly happy; but they did not see anything of each other, and Jimmy had never been down to the place at all. More than that, they did not expect to see him there. The child, Anthony Ditchburn was told, was more than a year old.
They did not exactly welcome him; but he was by this time an adept in the art of forcing himself upon the unwary, and refusing to be got rid of. There was a small odd room in the house that had in it some old boxes and trunks; and out of these and some rugs and blankets he contrived a bed without their knowledge; and was actually discovered asleep there late at night. And there he camped for a week by night, and shamelessly lived upon them by day.
Also, he made discoveries which might in the future prove useful to himself. Creeping about in a noiseless fashion he had, he came upon Moira and the child more than once in the garden, and listened to what she said; saw her in tears, and saved up that picture in his mind for future use. He meant to turn everything to account; he was presently to visit a certain Mr. James Larrance in London, and to wring his heart (and incidentally his purse) with harrowing tales of a devoted woman, neglected and pining for love; of a child that was being taught to prattle his name.
He made other discoveries too. He found that at a certain still hour of the afternoon, when the child slept, and when old Patience nodded in a shadowy corner of a darkened room, Moira stole out into the garden carrying with her a worn, old writing-case, and that she wrote steadily for quite a long time. And while she wrote she smiled always; the tears were not for that time.
Yet the strange thing was that no letters were ever posted. The post office was quite a long way off, and Anthony more than once proffered his services; but he was smilingly told that there were no letters to go. Yet he certainly saw envelopes; concealing himself in the garden one afternoon, like the base unnatural creature he was, he saw without a blush that she kissed a letter she had put into an envelope and sealed and addressed. That evening he alluded pointedly to the carelessness of people who omitted to post letters, and even told a lengthy anecdote concerning a college friend of his who had lost a valuable appointment by missing a mail; but Moira only smiled and said nothing.
Then he set himself to watch more carefully, and he found that the letters were kept in an old box which stood under a table in the little sitting-room, and that the old box was not locked. Patience not being devoured by curiosity, and the baby taking no interest in such matters, it had not occurred to Moira to put these things away more securely; so that they were at Anthony's mercy. He slipped his shoes one night, and crept down into the room; and went on his knees before the old box, and opened it.
He took out a bundle of letters; noted that each envelope was addressed carefully to "James Larrance, Esq." He noted also that in the bottom of the box were some small garments, delicately made, for the child – mere baby garments. He turned them over ruthlessly in his search for other letters, but found none. He took all the underneath letters from the packet, and deftly arranged the box again so that it should not seem that they were gone – leaving a few of the more recent ones with the garments. Then he closed the box, and crept back to his room.
He felt that he held in his hands material which should indirectly bring him money. He saw a curious romance here, with misunderstandings marring it; two young people separated – and the woman writing to the man, and yet feeling too proud or too much afraid to post the letters. Anthony Ditchburn had no ideas at all regarding the beauty of any such possible story; nor was he working for the good of either side directly. He saw only that they might – young fools that they were! – be brought to some understanding which should make them feel that Anthony Ditchburn was a man to be rewarded. He decided that he would go back to London next day, and would seek out Jimmy; would bring him to his senses, as it were, with a blow from this most powerful weapon; and would then claim his reward afterwards. He slept well, and woke with that determination more strongly in his mind in the morning.
Not daring to approach Patience for necessary money to return to London (for this was a time for haste, and no mere walking methods would serve), he decided that he would get something from Moira; that was legitimate, because, in a sense, he was working for her, and for her future happiness. He waited until he could find her alone in the garden; he pitched a tale of a sudden chance that had come to him in London – a chance for honest work not to be missed. She, for her part, saw only a chance of getting rid of a disagreeable tenant cheaply; she gave him the money at once.
He got back to London, but did not go at once in search of Jimmy; with the little extra money in his pocket, and with the certainty, as he felt, of much more to follow, he determined that he would find a comfortable spot wherein to smoke many pipes, and to drink strong waters, and to while away an hour or two. So that it was quite late in the afternoon when he got to Jimmy's rooms.
The porter told him, with a strange sort of shrug, that Mr. Larrance was at home; it seemed, as the man somewhat disdainfully put it, that Mr. Larrance was generally at home. Not understanding, Anthony Ditchburn climbed the stairs, and knocked at the door; after an extraordinary delay the door was opened, and Jimmy stood there, blinking out at him.
A new Jimmy. A Jimmy with no smartness about him, as it seemed in that first casual glance – a reckless-looking Jimmy, with unkempt hair and unbrushed clothes; moreover, a Jimmy who swayed a little as he stood.
"Good-afternoon, my dear friend," said Anthony, hesitating on the landing. "It is long since I have seen you. I trust you are well."
"No – I'm not; but that doesn't concern you," retorted Jimmy. "You can come in if you like."
It seemed a new sort of room to which Anthony was introduced – not the old hard-working place he had known before. The desk was an untidy wilderness of papers – and yet not the untidy wilderness of the man who works. This was the room of a drone; of a man who slept the days away, and had no future to look to. Anthony Ditchburn saw more than ever, as he thought, that this was an unhappy story which he was to set right; on the one side of the picture – the woman who wept, and who wrote letters that were never sent; on the other side – the man who sat here, gloomy and miserable, and probably longing for the woman he loved and was too proud to approach. This was going to be quite an easy matter, Anthony thought – and the easy reward to follow.
Jimmy had gone back into his rooms, and had dropped in a listless attitude into a chair. Anthony Ditchburn, glancing about, saw a bottle and glass on the table, and smacked his lips audibly. The younger man turned towards him, and after looking at him sourly for a moment, nodded at the bottle.
"You'll find a glass over there; help yourself," he said.
Anthony lost no time in doing so; he mixed a generous measure, and raised his glass to his host. "To your good fortune!" he exclaimed.
Jimmy laughed bitterly; then went to the table and mixed for himself. "Good fortune?" he said, as he drank; "my good fortune has gone long ago. You don't know what you're talking about, Ditchburn, when you talk so glibly of good fortune. I was lucky once," he went on more excitedly, and seeming scarcely to realise to whom he talked, so that he might have a listener. "I had the world at my feet; I was envied by everyone; the game was in my hands. Look at me now!"
He spread out his hands and looked about him; his eyes were bloodshot and savage. Tears of bitterness sprang into them now, and he turned away his head. Mr. Anthony Ditchburn, feeling that the right moment had arrived, began warily to unfold his delicate plot.
"I have had the pleasure, during the past few days, of seeing Mrs. Larrance – your wife," he said. "Sweet girl – I wish I could have seen her happier!"
He stopped on glancing at Jimmy; the young man's eyes were deadly. "So you come from her – do you?" he asked; then, without giving Anthony time to reply, he went on more quickly: "You bring something of a message from her, I suppose? I don't want to hear it; I won't hear it."
Anthony Ditchburn, somewhat taken aback, hesitatingly drew the packet from his pocket, and held it out. "I bring no actual message from her," he began; "but I have some letters here – "
"I won't read them."
"Letters which were never intended to be sent, I believe; quite a number of them – all addressed to you. I saw her weeping once when she mentioned your name to the child; I was quite moved, I assure you."
"Why did you bring them to me?" asked Jimmy. "They are nothing to me."
Anthony Ditchburn cleared his throat for an oration "I bring them," he said, "in the faint hope that it may be my privilege to bring together two young people who are most unhappily estranged. I am an old man, and the world has not used me well; but I would like to think" – Anthony got out a doubtful handkerchief, and dabbed at his eyes – "I would really like to think, as I go down the desolate hill of life, that I have done such a thing as this. You live apart – why? You refuse to see her – again, why?"
"Give me the letters." Jimmy held out his hand for them; snatched them from the hand of the old man, and flung them into a corner. "Sit down," he said roughly, "and listen to what I have to say."
Again it seemed as though he must talk to someone; again it seemed that this old man, derelict though he was, would serve as well as any other. Ditchburn was not particularly interested, because he saw, in the attitude of the younger man, his own chances slipping away; this was not the man who would be likely to reward the ambassador in such a business as this. But he sat down, and listened with something of an air of attention; also, he seized the opportunity to replenish his glass.
"I was a happy man before I married – before I was tricked into marriage," he said. "I might have married in such a fashion as would have gained for me a real helpmate; someone who understood me – someone who would have lifted me up – inspired me. But circumstances I can't explain prevented that; she went (I mean the woman I really loved) into the arms of another man. They were married last week, and that finished me – did for me completely."
"There seems to have been a blunder somewhere certainly," broke in Anthony, a little helplessly.
"Blunder? I should think there has been a blunder," cried Jimmy, with a laugh. "I set out so well; I meant to do such big things; and here, for ever hung round my neck like a millstone, are a wife and child who are nothing to me, and can be nothing. She drags me down, and keeps me down; my work is not what it was; it will never be anything again. I can't write; I can't think; I fly to that" – he flung out a hand towards the bottle on the table – "and so get some relief. That's poor Jimmy Larrance – who married a woman out of pity!"
Anthony Ditchburn coughed again, and shook his head; it seemed the only thing he could do. "Sad – inexpressibly sad," he murmured.
"Sad, indeed," said Jimmy. "But what does it matter? Already people are beginning to say that the work I've done lately – such as it is – isn't what it was; the grip has gone out of it. They begin to hint at failure; and you know how I started a year or two ago – eh?"
"I know – I remember well," murmured Anthony, with another melancholy shake of the head.
"Exactly; even you can be sorry for me. Take another drink; it's the best stuff in the world for a heartache – the best medicine for a failure. You're a failure – aren't you, old Ditchburn; and I'm another; we can shake hands on that!"
Anthony Ditchburn went away that evening – a little unsteadily as to the stairs – but the richer by five pounds. Here was a gold mine indeed; here was a man who, kept in a proper condition of insobriety, might spell luxury for Anthony Ditchburn for some time to come. Only one regret the old man had; that he had given up the letters; he might have done something better with those in the future.
Let it not be supposed for a moment that this attitude on the part of Jimmy had been a mere thing of a moment; it had been steadily growing. He was of that temperament that must brood, and he had had loneliness enough wherein to brood. It had begun on a particular day when Alice had come to him, to demand weakly and tearfully the meaning of a certain letter he had sent her.
He had had to tell her something; he had told her but half. To his credit let it be put that he breathed no word against Moira; it had merely been a mistaken marriage, and they had separated immediately. To his credit, also, be it written that on reflection he decided not to pose in any heroic attitude before Alice; simply as the pathetic victim of a blunder. He had not loved Moira, he had said; he had felt pity for her loneliness, and had married her; that was all. And he remembered now the tears in the blue eyes, and the pathetic quiver in the voice, what time Alice had told him that her heart was breaking.
Nevertheless, she had seen Ashby Feak for a few moments that night, and Ashby Feak had had the good sense not to press his claims at that time. A day or two later he had met her, apparently by chance, and from that time all was smooth sailing. She had written a letter to Jimmy – the letter of an old friend, who dwelt upon the past, but must make the best of the present; and she had spoken with tenderness of the great kindness of Mr. Ashby Feak. And after that – with a decent interval – the wedding.
Once or twice, in that time of his great loneliness, Jimmy had tried to work; had set himself resolutely to it, determining that he would show everyone the stuff that was in him. But always before him rose two pictures – the one of the woman he believed he loved, and whom he had last seen with tears in her blue eyes; the other of the woman to whom he was tied, living her life quietly and happily, as he believed, in the country. And at the thought of those two pictures the pen fell from his hand, and he sought the old consolation.
There cannot be set down here all the incidents of that time – all the slow processes of neglect and carelessness – all the constant telling himself, day after day, that there was nothing for which he need strive. Only in the course of many months certain pictures stand out, and may be recorded.
A day that arrived when, out of some curious hazy dream, he woke to find that he had no money – or, at best, not sufficient for the demands upon him. Which, in process of time, led to his abandonment of those comfortable rooms of his, and a return to something like those he had once occupied in a small court in the neighbourhood of Holborn. That was necessary, for economic reasons; but it did but add to his bitterness against what he regarded as the cause of it all.