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The Ancient Law
While she talked she was busily selecting the choicest bit of bacon for Bill's plate, and as Ordway left the house a little later, he saw her toiling up the staircase with her husband's breakfast on a tin tray in her hands.
"If you think I'm goin' to set an' wait all day for you to get out o' bed, you've jest about clean lost yo' wits, Bill Twine," she remarked in furious tones, as she flung open a door on the landing above.
Out of doors Ordway found that the wind had died down, though a sharp edge of frost was still in the air. The movement of the day had already begun; and as he passed the big house on the brow of the hill he saw a pretty girl, with her hair tied back with a velvet ribbon, run along the gravelled walk to meet the postman at the gate. A little farther, when he had reached the corner, he turned back to hand his letter to the postman, and found to his surprise that the pretty girl was still gazing after him. No possible interest could attach to her in his thoughts; and with a careless acknowledgment of her beauty, she faded from his consciousness as rapidly as if she had been a ray of sunshine which he had admired as he passed along. Then as he turned into the main street at the corner, he saw that Emily Brooke was riding slowly up the hill on her old white horse. She still wore her red cape, which fell over the saddle on one side, and completely hid the short riding-skirt beneath. On her head there was a small knitted Tam-o'-shanter cap, and this, with the easy freedom of her seat in the saddle, gave her an air which was gallant rather than graceful. The more feminine adjective hardly seemed to apply to her at the moment; she looked brave, strong, buoyant, a creature that had not as yet become aware of its sex. Yet she was older, he discovered now, than he had at first imagined her to be. In the barn he had supposed her age to be not more than twenty years; seen in the morning light it was impossible to decide whether she was a year younger or ten years older than he had believed. The radiant energy in her look belonged, after all, less to the accident of youth than to some enduring quality of spirit.
As she neared him, she looked up from her horse's neck, rested her eyes upon him for an instant, and smiled brightly, much as a charming boy might have done. Then, just as she was about to pass on, the girth of her saddle slipped under her, and she was thrown lightly to the ground, while the old horse stopped and stood perfectly motionless above her.
"My skirt has caught in the stirrup," she said to Ordway, and while he bent to release her, he noticed that she clung, not to his arm, but to the neck of the horse for support.
To his surprise there was neither embarrassment nor amusement in her voice. She spoke with the cool authority which had impressed him during the incident of the ram's attack upon "Sis Mehitable."
"I don't think it is quite safe yet," he said, after he had drawn the rotten girth as tight as he dared. "It looks as if it wouldn't last, you see."
"Well, I dare say, it may be excused after forty years of service," she returned, smiling.
"What? this saddle? It does look a little quaint when one examines it."
"Oh, it's been repaired, but even then one must forgive an old servant for growing decrepit."
"Then you'll ride it again?" he asked, seeing that she was about to mount.
"Of course – this isn't my first tumble – but Major expects them now and he knows how to behave. So do I," she added, laughing, "you see it doesn't take me by surprise."
"Yes, I see it doesn't," he answered gaily.
"Then if you chance to be about the next time it happens, I hope it won't disturb you either," she remarked, as she rode up the hill.
The meeting lingered in Ordway's mind with a freshness which was associated less with the incident itself than with some vivid quality in the appearance of the girl. Her face, her voice, her carriage – even the little brown curls blowing on her temples, all united in his thoughts to form a memory in which Alice appeared to hold a place. Why should this country girl, he wondered, bring back to him so clearly the figure of his daughter?
But there was no room for a memory in his life just now, and by the time he reached Baxter's Warehouse, he had forgotten the interest aroused in him a moment before. Baxter had not yet appeared in his office, but two men, belonging evidently to the labouring class, were talking together under the brick archway. When Ordway joined them they did not interrupt their conversation, which he found, after a minute, to concern the domestic and financial troubles of the one whom he judged to be the poorer of the two. He was a meanly clad, wretched looking workman, with a shock of uncombed sandy hair, a cowed manner, and the expression of one who has been beaten into apathy rather than into submission. A sordid pathos in his voice and figure brought Ordway a step closer to his side, and after a moment's careless attention, he found his mind adjusting itself to the small financial problems in which the man had become entangled. The workman had been forced to borrow upon his pathetic personal securities; and in meeting from year to year the exorbitant rate of interest, he had paid back several times the sum of the original debt. Now his wife was ill, with an incurable cancer; he had no hope, as he advanced beyond middle age, of any increase in his earning capacity, and the debt under which he had struggled so long had become at the end an intolerable burden. His wife had begged him to consult a lawyer – but who, he questioned doggedly, would take an interest in him since he had no money for a fee? He was afraid of lawyers anyway, for he could give you a hundred cases where they had stood banded together against the poor.
As Ordway listened to the story, he felt for an instant a return of his youthful enthusiasm, and standing there amid the tobacco stems in Baxter's warehouse, he remembered a great flour trust from which he had withdrawn because it seemed to him to bear unjustly upon the small, isolated farmers. Beyond this he went back still further to his college days, when during his vacation, he had read Virginia law in the office of his uncle, Richard Ordway, in the town of Botetourt. He could see the shining rows of legal volumes in the walnut bookcases, the engraving of Latane's Burial, framed in black wood above the mantel, and against this background the silent, gray haired, self-righteous old man so like his father. Through the window, he could see still the sparrows that built in the ivied walls of the old church.
With a start he came back to the workman, who was unfolding his troubles in an abandon of misery under the archway.
"If you'll talk things over with me to-night when we get through work, I think I may be able to straighten them out for you," he said.
The man stared at him out of his dogged eyes with a helpless incredulity.
"But I ain't got any money," he responded sullenly, as if driven to the defensive.
"Well, we'll see," said Ordway, "I don't want your money."
"You want something, though – my money or my vote, and I ain't got either."
Ordway laughed shortly. "I? – oh, I just want the fun," he answered.
The beginning was trivial enough, the case sordid, and the client only a dull-witted labourer; but to Ordway it came as the commencement of the new life for which he had prayed – the life which would find its centre not in possession, but in surrender, which would seek as its achievement not personal happiness, but the joy of service.
CHAPTER VI
The Pretty Daughter Of The Mayor
THE pretty girl whom Ordway had seen on the gravelled walk was Milly Trend, the only child of the Mayor of Tappahannock. People said of Jasper Trend that his daughter was the one soft spot in a heart that was otherwise as small and hard as a silver dollar, and of Milly Trend the same people said – well, that she was pretty. Her prettiness was invariably the first and the last thing to be mentioned about her. Whatever sterner qualities she may have possessed were utterly obscured by an exterior which made one think of peach blossoms and spring sunshine. She had a bunch of curls the colour of ripe corn, which she wore tied back from her neck with a velvet ribbon; her eyes were the eyes of a baby; and her mouth had an adorable little trick of closing over her small, though slightly prominent teeth. The one flaw in her face was this projection of her teeth, and when she looked at herself in the glass it was her habit to bite her lips closely together until the irregular ivory line was lost. It was this fault, perhaps, which kept her prettiness, though it was superlative in its own degree, from ever rising to the height of beauty. In Milly's opinion it had meant the difference between the glory of a world-wide reputation and the lesser honour of reigning as the acknowledged belle of Tappahannock. She remembered that the magnificent manager of a theatrical company, a gentleman who wore a fur-lined coat and a top hat all day long, had almost lost his train while he stopped to look back at her on the crowded platform of the station. Her heart had beat quickly at the tribute, yet even in that dazzling minute she had felt a desperate certainty that her single imperfection would decide her future. But for her teeth, she was convinced to-day, that he might have returned.
If a woman cannot be a heroine in reality, perhaps the next best thing is to look as if she might have been one in the age of romance; and this was what Milly Trend's appearance suggested to perfection. Her manner of dressing, the black velvet ribbon on her flaxen curls, her wide white collars open at her soft throat, her floating sky-blue sashes and the delicate peach bloom of her cheeks and lips – all these combined to produce a poetic atmosphere about an exceedingly poetic little figure. Being plain she would probably have made currant jelly for her pastor, and have taught sedately in the infant class in Sunday school: being pretty she read extravagant romances and dreamed strange adventures of fascinating highwaymen on lonely roads.
But many a woman who has dreamed of a highwayman at eighteen has compromised with a bank clerk at twenty-two. Even at Tappahannock – the veriest prose piece of a town – romance might sometimes bud and blossom, though it usually brought nothing more dangerous than respectability to fruit. Milly had read Longfellow and Lucille, and her heroic ideal had been taken bodily from one of Bulwer's novels. She had played the graceful part of heroine in a hundred imaginary dramas; yet in actual life she had been engaged for two years to a sandy-haired, freckled face young fellow, who chewed tobacco, and bought the dry leaf in lots for a factory in Richmond. From romance to reality is a hard distance, and the most passionate dreamer is often the patient drudge of domestic service.
And yet even to-day Milly was not without secret misgivings as to the wisdom of her choice. She knew he was not her hero, but in her short visits to larger cities she had met no one who had come nearer her ideal lover. To be sure she had seen this ideal, in highly coloured glimpses, upon the stage – though these gallant gentlemen in trunks had never so much as condescended to glance across the foot-lights to the little girl in the dark third row of the balcony. Then, too, all the ladies upon the stage were beautiful enough for any hero, and just here she was apt to remember dismally the fatal projection of her teeth.
So, perhaps, after all, Harry Banks was as near Olympus as she could hope to approach; and there was a mild consolation in the thought that there was probably more sentiment in the inner than in the outward man. Whatever came of it, she had learned that in a prose age it is safer to think only in prose.
On the morning upon which Ordway had first passed her gate, she had left the breakfast table at the postman's call, and had run down the gravelled walk to receive a letter from Mr. Banks, who was off on a short business trip for his firm. With the letter in her hand she had turned to find Ordway's blue eyes fixed in careless admiration upon her figure; and for one breathless instant she had felt her insatiable dream rise again and clutch at her heart. Some subtle distinction in his appearance – an unlikeness to the masculine portion of Tappahannock – had caught her eye in spite of his common and ill-fitting clothes. Though she had known few men of his class, the sensitive perceptions of the girl had made her instantly aware of the difference between him and Harry Banks. For a moment her extravagant fancy dwelt on his figure – on this distinction which she had noticed, on his square dark face and the singular effect of his bright blue eyes. Then turning back in the yard, she went slowly up the gravelled walk, while she read with a vague feeling of disappointment the love letter written laboriously by Mr. Banks. It was, doubtless, but the average love letter of the average plain young man, but to Milly in her rosy world of fiction, it appeared suddenly as if there had protruded upon her attention one of the great, ugly, wholesome facts of life. What was the use, she wondered, in being beautiful if her love letters were to be filled with enthusiastic accounts of her lover's prowess in the tobacco market?
At the breakfast table Jasper Trend was pouring maple syrup on the buckwheat cakes he had piled on his plate, and at the girl's entrance he spoke without removing his gaze from the plated silver pitcher in his hand.
"Any letters, daughter?" he inquired, carefully running his knife along the mouth of the pitcher to catch the last drop of syrup.
"One," said Milly, as she sat down beside the coffee pot and looked at her father with a ripple of annoyance in her babyish eyes.
"I reckon I can guess about that all right," remarked Jasper with his cackling chuckle, which was as little related to a sense of humour as was the beating of a tin plate. He was a long, scraggy man, with drab hair that grew in scallops on his narrow forehead and a large nose where the prominent red veins turned purple when he became excited.
"There's a stranger in town, father," said Milly as she gave him his second cup of coffee. "I think he is boarding at Mrs. Twine's."
"A drummer, I reckon – thar're a plenty of 'em about this season."
"No, I don't believe he is a drummer – he isn't – isn't quite so sparky looking. But I wish you wouldn't say 'thar,' father. You promised me you wouldn't do it."
"Well, it ain't stood in the way of my getting on," returned Jasper without resentment. Had Milly told him to shave his head, he might have protested freely, but in the end he would have gone out obediently to his barber. Yet people outside said that he ground the wages of his workers in the cotton mills down to starvation point, and that he had been elected Mayor not through popularity, but through terror. It was rumoured even that he stood with his wealth behind the syndicate of saloons which was giving an ugly local character to the town. But whatever his public vices may have been, his private life was securely hedged about by the paternal virtues.
"I can't place him, but I'm sure he isn't a 'buyer,'" repeated Milly, after a moment's devotion to the sugar bowl.
"Well, I'll let you know when I see him," responded Jasper as he left the table and got into his overcoat, while Milly jumped up to wrap his neck in a blue spotted muffler.
When he had gone from the house, she took out her lover's letter again, but it proved, on a second trial, even more unsatisfactory than she had found it to be at her first reading. As a schoolgirl Milly had known every attribute of her divinity from the chivalry of his soul to the shining gloss upon his boots – but to-day there remained to her only the despairing conviction that he was unlike Banks. Banks appeared to her suddenly in the hard prosaic light in which he, on his own account, probably viewed his tobacco. Even her trousseau and the lace of her wedding gown ceased to afford her the shadow of consolation, since she remembered that neither of these accessories would occupy in marriage quite so prominent a place as Banks.
The next day Ordway passed at the same hour, still on the opposite side of the street. After this she began to watch regularly for his figure, looking for it when it appeared on Mrs. Twine's little porch, and following it wistfully until it was lost beyond the new brick church at the corner. She was not aware of cultivating a facile sentiment about the stranger, but place a riotous imagination in an empty house and it requires little effort to weave a romance from the opposite side of the street. Distance, that subtle magnifier of attachments, had come to her aid now as it had failed her in the person of Harry Banks. Even from across the street it was impossible to invest Mr. Banks with any quality which might have suggested an historic background or a mysterious past. He was flagrantly, almost outrageously himself; in no fictitious circumstances could he have appeared as anything except the unvarnished fact that he was. No legendary light could have glorified his features or improved the set of his trousers – which had taken their shape and substance from the legs within. With these features and in these trousers, she felt that he must usurp the sacred precincts where her dream had dwelt. "It would all be so easy if one could only be born where one belongs," she cried out hopelessly, in the unconscious utterance of a philosophy larger than her own.
And so as the week went by, she allowed her rosy fancies to surround the figure that passed three times daily along the sidewalk across the way. In the morning he walked by with a swinging stride; at midday he passed rapidly, absorbed in thought; in the evening he came back slowly, sometimes stopping to watch the sunset from the brow of the hill. Not since the first morning had he turned his blue eyes toward Milly's gate.
At the end of the month Mr. Banks returned to Tappahannock from a business trip through the tobacco districts. He was an ugly, freckled face, sandy-haired young fellow – an excellent judge of tobacco – with a simple soul that attired itself in large checks, usually of a black and white variety. On the day of his first visit to Milly he wore a crimson necktie pierced by a scarf-pin bearing a turtle-dove in diamonds.
"Who's that fellow over there?" he inquired as Ordway came up the hill to his dinner. "I wonder if he's the chap Hudge was telling me about at breakfast?"
"Oh, I don't know," answered Milly, in a voice that sounded flat in her own ears. "Nobody knows anything about him, father says. But what was Hudge telling you?" she asked, impelled by a devouring yet timid curiosity.
"Well, if he's the man I mean, he seems to be a kind of revivalist out of a job – or something or other queer. Hudge says he broke up a fight last Saturday evening in Kelly's saloon – that's the place you've never heard the name of, I reckon," he added hesitatingly, "it's where all the factory hands gather after work on Saturday to drink up their week's wages."
For once Milly's interest was stronger than her modesty.
"And did he fight?" she demanded in a suspense that was almost breathless.
"He wasn't there, you know – only passing along the street outside, at least that's what they say – when the rumpus broke out. Then he went in through the window and – "
"And?" repeated Milly, with an entrancing vision of heroic blows, for beneath her soft exterior the blood of the primitive woman flowed.
"And preached!" finished Banks, with a prodigious burst of merriment.
"Preached?" gasped Milly, "do you mean a sermon?"
"Not a regular sermon, but he spoke just like a preacher for a solid hour. Before he'd finished the men who were drunk were crying like babies and the men who weren't were breaking their necks to sign the pledge – at any rate that's something like the tale they tell. There was never such speaking (Hudge says he was there) heard before in Tappahannock, and Kelly is as mad as a hornet because he swears the town is going dry."
"And he didn't strike a single blow?" asked Milly, with a feeling of disappointment.
"Why, he had those drunken fools all blubbering like kids," said Banks, "and then when it was over he got hold of Kit Berry (he started the row, you know) and carried him all the way home to the little cottage in the hollow across the town where Kit lives with his mother. Next Sunday if it's fine there's going to be an open air meeting in Baxter's field."
There was a sore little spot in Milly's heart, a vague sentiment of disenchantment. Her house of dreams, which she had reared so patiently, stood cold and tenantless once more.
"Did you ever find out his name?" she asked, with a last courageous hope.
"Smith," replied Banks, with luminous simplicity. "The boys have nick-named him 'Ten Commandment Smith.'"
"Ten Commandment Smith?" echoed Milly in a lifeless voice. Her house of dreams had tottered at the blow and fallen from its foundation stone.
CHAPTER VII
Shows The Graces Of Adversity
ON the morning after the episode in the barroom which Banks had described to Milly, Ordway found Baxter awaiting him in a condition which in a smaller person would have appeared to be a flutter of excitement.
"So you got mixed up in a barroom row last night, I hear, Smith?"
"Well, hardly that," returned Ordway, smiling as he saw the other's embarrassment break out in drops of perspiration upon his forehead. "I was in it, I admit, but I can't exactly say that I was 'mixed up.'"
"You got Kit Berry out, eh? – and took him home."
"Nothing short of a sober man could have done it. He lives on the other side of the town in Bullfinch's Hollow."
"Oh, I've been there," said Baxter, "I've taken him home myself."
The boyish sparkle had leaped to Ordway's eyes which appeared in the animation of the moment to lend an expression of gaiety to his face. As Baxter looked at him he felt something of the charm which had touched the drunken crowd in the saloon.
"His mother was at my house before breakfast," he said, in a tone that softened as he went on until it sounded as if his whole perspiring person had melted into it. "She was in a great state, poor creature, for it seemed that when Kit woke up this morning he promised her never to touch another drop."
"Well, I hope he'll keep his word, but I doubt it," responded Ordway. He thought of the bare little room he had seen last night, of the patched garments drying before the fire, of the scant supper spread upon the table, and of the gray-haired, weeping woman who had received his burden from him.
"He may – for a week," commented Baxter, and he added with a big, shaking laugh, "they tell me you gave 'em a sermon that was as good as a preacher's."
"Nonsense. I got angry and spoke a few words, that's all."
"Well, if they were few, they seem to have been pretty pointed. I hear Kelly closed his place two hours before midnight. Even William Cotton went home without falling once, he said."
"There was a good reason for that. I happened to have some information Cotton wanted."
"I know," said Baxter, drawing out the words with a lingering emphasis while his eyes searched Ordway's face with a curiosity before which the younger man felt himself redden painfully. "Cotton told me you got him out of a scrape as well as a lawyer could have done."
"I remembered the law and wrote it down for him, that's all."
"Have you ever practised law in Virginia?"
"I've never practised anywhere, but I intended to when – " he was going to add "when I finished college," but with a sudden caution, he stopped short and then selected his words more carefully, "when I was a boy. I read a good deal then and some of it still sticks in my memory."
"I see," commented Baxter. His heart swelled until he became positively uncomfortable, and he coughed loudly in the effort to appear perfectly indifferent. What was it about the chap, he questioned, that had pulled at him from the start? Was it only the peculiar mingling of pathos and gaiety in his look?
"Well, I wouldn't set about reforming things too much if I were you," he said at last, "it ain't worth it, for even when people accept the reforms they are pretty likely to reject the reformer. A man's got to have a mighty tough stomach to be able to do good immoderately. But all the same," he concluded heartily, "you're the right stuff and I like you. I respect pluck no matter whether it comes out in preaching or in blows. I reckon, by the way, if you'd care to turn bookkeeper, you'd be worth as good as a hundred a month to me."