
Полная версия
Eleven Possible Cases
CHAPTER III
Judge Favart de Caumartin's residence was a large, rambling structure, more like a hotel than like a private house. Considering that his wife was dead and that he had but one living child, a daughter of seventeen, it was strange that he kept up such an extensive establishment, in which, perhaps, twenty rooms stood richly furnished but unoccupied. It was his pleasure, however, and his pleasure was law.
Mlle. Olympe de Caumartin was greatly surprised when by merest chance she discovered Hepworth Coleman making himself quite at home in a remote room of the house. We have seen how she showed her confusion as she stepped into the doorway and found herself face to face with the young man. The glance that passed between them wrought a wonder in the heart of each. I shall not say that they fell in love at first sight. Love cannot be so accurately traced that its origin can be exactly found out in any particular case. It is enough to record that Mlle. Olympe de Caumartin caught something new, something sweet from that momentary gaze, and shut it up in her heart involuntarily, with a thrill that never again quite left her breast. She was back through halls and rooms to her own boudoir, her cheeks and lips rosy with excitement, and a gentle tremor in her limbs.
That evening in the library the Judge told his daughter that he had given a suit of rooms in the farthest wing of the mansion to a wealthy young gentleman from New York.
"I have had letters from Mr. Cartwright, my banker there, asking me to take care of him, and this seemed the best I could do under the circumstances. I did not see my way to bringing him any nearer to us. We don't care to have another member added to our family, eh, Olympe, dear?"
Mlle. de Caumartin blushed. She may have felt a touch of guilt because she could not muster courage to tell her father that she had already visited Mr. Coleman.
"I have not seen him yet," continued the Judge; "I thought it best to let him have some rest before calling upon him. Cartwright advises me that he is of an excellent family – a man to be given the greatest attention, and for my banker's sake, if for nothing else, I must meet the demand upon my hospitality. He came a fortnight earlier than I expected; but I had Jules watching for him, and you know Jules never fails."
"But you should have told me before, father dear," said Mlle. Olympe. "Only a while ago, while wandering through the distant wing of the house, I invaded this young gentleman's apartment. It surprised him evidently as much as it abashed me."
"The obvious moral of which is," replied the Judge quickly, "that you are hereafter to be more careful about what rooms you are stumbling into." As he spoke his dark oval face, with its fine, grave smile, was almost like a boy's. The flush that lay under the skin shone through with a suggestion of some repressed stimulus, as if a great passion had forced it up. In his eyes an underglow, so to call it, smoldered with fascinating vagueness.
Mlle. Olympe sat for a moment on his knee and stroked his long black hair.
"You will stay with me to-night, father, dear," she presently murmured, coaxingly; "you will not go out to-night."
"I must be gone a little while," he said, rising at once, "but just a little while."
She clung close to him.
"Not this night, please," she urged, with a touching tremor in her voice. "Oh! you remember this night a year ago you had that dreadful adventure in the dark room. You must not go out; please, for my sake, do not."
An expert observer could have seen while this was going on a strange, half-worried, almost fiercely concentrated expression in the Judge's eyes. It was as if he mightily wished to remain with his child, but could not by any effort resist some powerful temptation tugging at him and drawing him away.
He kissed her tenderly, pushed her gently from him and went out.
The girl cast herself upon a sofa and buried her face in her hands, as a vision of that night one year before came up before her eyes.
Some strange masked men had brought her father home far in the night, white as a ghost, helpless, speechless, apparently dead. They put him down there in the room and vanished.
He had no wound, no bruise, no mark of any violence. But he recovered very slowly, and he never told what had befallen him.
Mlle. Olympe knew of her father's frequent duels, and if he had been brought in dead or badly off on account of pistol ball or rapier thrust she would not have been surprised beyond measure, but this mysterious performance of the masked men and the unaccountable condition of the Judge were taken hold upon by her imagination and raised to the highest power of romantic meaning.
A year had passed, and she might not have recalled the exact anniversary but for the prattle of an old servant to the effect that she had seen her master, the Judge, marching at the head of a company of masked men, himself wearing an "invisible" mask and a queer black velvet cap.
Mlle. Olympe observed that her father was flushed as if with wine, and his bearing was indicative of some subtile and indescribable excitement within him. When he went away she felt that something startling was going to happen soon.
CHAPTER IV
When Hepworth Coleman suddenly found himself a prisoner in that close, dark room, he did not at first suspect any treachery on the part of Judge Favart de Caumartin. He expected that gentleman to return in the course of a few minutes, but this favorable impression was soon removed by certain startling events that crowded one upon another.
First a low, rumbling, clanging sound, like the beating of metallic gongs in the distance, came through the walls and filled the cell. Then as this died away to utter silence he heard tumultuous whispering all around, above, below. The thousand voices all seemed to be saying the same thing, which presently he made out to be the words: "The Krewe is coming; make ready for the Krewe!" When the whispering ended little purple lights began to flash here and there, but so mysteriously glinted that he could not locate them, and these were followed by phantom faces, wan, waxen, faintly luminous, appearing and fading instantly, succeeded by intense darkness.
Now, Hepworth Coleman was a man of iron nerve, an athlete in body and spirit, who, although full of romantic and poetic impulses, was at the base of his character as brave and steadfast as a lion. Still, even the best courage has its moment of faltering, and just at the point when one whole wall of his cell was withdrawn, so that he stood in the full glare of twenty brilliant chandeliers that lighted a large, gorgeously decorated hall, he felt the blood grow stiflingly heavy on his heart. Before him stood a file of fantastic figures, men oddly clad and strangely armed, who clashed their brazen shields together and pointed their swords at his breast. On the walls of the spacious room hung weird-looking trophies, skulls, pictures of dead men, ghastly and livid, pistols, swords, and strange banners. The floor was carpeted with heavy Persian tapestry, thickly padded underneath.
Coleman stood gazing while the file of armed men – perhaps platoon would be more correct – went through some silent but intricate evolutions after beating their shields together and threatening him with their swords. When the movements were ended one of the masters came up to him and struck him lightly with the flat of his weapon across the cheek, saying in a loud whisper:
"Beware! you are in imminent danger."
Coleman took him at his word and instantly let go a blow from the shoulder. His close-set fist met the masker's jaw with a sound of crushing pasteboard, and down went the man outstretched at full length on the floor, his shield and sword giving forth a muffled clang as they crossed upon the soft carpet.
Quick as a cat Coleman leaped forward and picked up the sword, a beautiful rapier, and, assuming a defensive attitude, cried out boldly:
"Come one at a time and I will fight you all!"
The fantastic figures looked at one another with evident questioning, though not a word was said.
Meantime the fallen one scrambled to his feet and swore two or three bitter French oaths. The leader rebuked him with gestures.
"Come one at a time, you cowardly villains," repeated Coleman, "and I'll soon finish you all. Come on, the first one, if you dare meet a man!"
He was terribly angry, but his voice was steady and even.
There was a space of silence. Then the leader said something to one of the men, who immediately cast aside his shield and advanced with his rapier.
It was a short conflict. Coleman disarmed his antagonist with ease in less than a minute.
Another man came on and shared the same fate, with the addition of a prick through the wrist of the sword-arm.
This was exhilarating to Coleman in his exasperation at being made the butt of some mysterious trick.
"Come next," he cried; "I want the best of you – and the best is a coward. Come on!"
Evidently the mystic band now felt the gravity that the occasion was assuming. The maskers looked to their leader.
"Don't stand there afraid," sneered Coleman; "come on and get your turn. Who's next?"
One after another responded, only to fare badly. As yet, however, all had escaped without deadly hurt, when the leader himself made ready to fight. Those who had come to grief were quietly cared for by others, and all seemed to treat the proceedings as by no means startling or even unusual.
When the leader threw aside his shield and took off his tall plume-covered hat, Coleman was able to recognize Judge Favart de Caumartin, more by his form and bearing than by any disclosure of his features.
As the Judge handled his rapier, all the company of maskers, even the sorely-wounded ones, came forward to look on with eager expectation. His was steel that never yet had failed to find the vitals of his opponent. But, on the other hand, there stood Coleman, steadfast and alert, the very picture of strength and will, and the embodiment of quickness and certainty, his sword bearing at its point a tiny red clot of blood.
They looked with straining eyes and did not feel sure of the result even with their captain as their champion.
"Come on, sir, and take your punishment, you cowardly leader of cowards!" exclaimed Coleman in a most exasperating tone. "Don't stand there dreading it. Pluck up a little nerve and come on!"
It is useless to say that Judge Favart de Caumartin needed no bullying of this sort to urge him into combat. With beautiful swiftness and grace he sprang forward and at once took the offensive. Then followed sword play that was amazing to look at. Each combatant showed that mastery of the fencing art which makes the weapon appear to be a part of the man. So swiftly leaped the shining shafts of steel that the eye saw only fine symmetrical figures shimmering between the fighters, while spangles of fire leaped from the crossing edges. Coleman felt at once that he had met his match; the Judge tingled with the discovery that here at last was a master.
From the first it was a fight to the death if possible. Neither could hope to disarm the other, nor was there probability of any mere disablement ending the contest. The watchers, looking on in breathless suspense, heard with intensely straining ears the almost magically rapid clinking of the blades.
Coleman fought as if with the energy of all the accumulated romance of his recent experiences, half recognizing, as he parried and thrust and feinted and recovered guard, the vivid picturesqueness, the melodramatic unreality, and yet the deadly intensity of the situation. He did not know where he was or why he had been brought there. The whole affair had mystery enough in it to have destroyed the will power of any weaker man; but to him, while the strangeness affected his imagination, there was nothing in the matter to make him falter or to weaken the force of his arm. A fine glow of enthusiasm flashed indeed into his blood, and with it an access of cunning grace and swift certainty of hand and eye. The feeling prevailed that he had in some strange way stepped out of the real world into the world of romance, and as he fought, the charm of heroism fell upon him, and, like the knights of old, he felt the strength of a glorious desperation. All round him the vague spirit of dreamland seemed to hover, though the hideous pictures of skeletons and cadavers gleamed real enough in the glare of the chandeliers. What inspired him most, however, was the knowledge that he was trying his force with that of the greatest duellist in the world, and one who had always killed his man.
There was something more that gave spirit and courage to Coleman: he was in some indirect way remembering the beautiful girl who had appeared at the door of his room, and he half imagined that he was doing battle for the right to know more of her. Youth is a mystery in itself, and love knows no law of origin or of progress. By some cerebral slight, some trick of thinking under a thought, so to say, Coleman was making a love dream keep time to the ringing strokes of his sword. A girl whose name he did not know, whose voice he had never heard, was inspiring him as he strained every nerve.
As the combat proceeded, the lookers-on saw that Coleman's play was new to the Judge, who found great difficulty in meeting and parrying certain eccentric movements that invariably ended in a thrust of lightning quickness. Presently the Judge tore off his mask with his left hand. He had to do this at the risk of his life, for he could not breath freely with it on. But his great skill saved him even then; nay, more, it came near giving him the victory. As Coleman lunged, the agile creole leaped aside and returned quickly with a wicked thrust that barely reached his adversary's breast, piercing it to the depth of a half inch.
Now the fight took on more of passion and less of grace, as if the men felt that it was to be a test of strength at last. Round and round, back and forth, this way and that, they leaped, and recoiled, and advanced; their faces – one dark and beautiful as a southern night, the other fair and magnetic as a New England June day – fixed and staring, the white froth gathering on their lips.
When the end came it was like nothing ever before witnessed in a New Orleans duel. How it happened not one of the observers could tell; but the two men appeared to rush into each other's arms, and then it was seen that each had run the other through.
That broke the charm. The masked men sprang forward and separated the combatants, and all began to speak at once.
CHAPTER V
Judge Favart de Caumartin and Hepworth Coleman were, by order of the Judge himself, taken to the Judge's mansion, where their wounds were examined by physicians and surgeons quickly summoned.
Mlle. Olympe de Caumartin found herself nursing two almost dying patients at the same time. Although she suspected that this was the result of a duel between her father and the young stranger, she was not told the secret of the affair until long afterward.
Strange to say, although the Judge was much the older man, and was wounded much nearer the heart, he recovered and was walking about in his house before Coleman had even taken a turn for the better. The first thing he did was to order his daughter to cease her nursing of the young man.
"It is not proper," he said, "for a young girl to be the nurse of a man who is a stranger."
Mlle. Olympe blushed scarlet, and was so much confused that she could not find a word to say. It had been a great pleasure to her to wait upon Coleman, who, though for the greater part of the time quite insensible of her presence, seemed to respond better to her care than to the treatment of the doctors. She had been having her sweet dream, was in love with him, indeed, and the command of her father struck her like a blow.
Judge Favart de Caumartin suspected the truth about his daughter, and was not slow in making up his mind in the matter. He gave strict orders that the hall between Coleman's rooms and the rest of the mansion should be kept at all times locked and barred.
Love laughs at such precautions. Hepworth Coleman, during his convalescence, lay on his back and thought of nobody but Mlle. Olympe, and when at last he was able to get up he sent for her. It so chanced that the Judge, having got well in a measure, was gone up to Natchez on business.
Mlle. Olympe did not go to see the young man; but she wrote him a note explaining her father's wishes.
"But he has never forbidden you to come to see me when you are able to walk so far as to the library," she added very frankly, "and I see no reason why you should stay away."
When the Judge returned it was too late to interfere, as he soon discovered, and he had to bow to the inevitable.
The mystery of the adventure with the masked men in that secret salle has never been further explained. Judge Favart de Caumartin would not consent to his daughter's marriage until he had exacted a promise from Coleman that he would never divulge what he knew.
The truth was that Coleman knew very little. He tried to discover the blind alley into which the Judge had led him on that eventful evening, but there was no such alley to discover. The whereabouts of the mysterious hall cannot be pointed out to-day, although from that memorable Tuesday in the spring of 1820 up to the Mardi-Gras of 1891, every anniversary of the Mystic Krewe has been duly celebrated by a fantastic band that at a certain hour of the night parades the streets of New Orleans. I do not refer to the regular carnival societies. These are but playful imitations of mystery. The genuine Krewe, as weirdly, strange and mysterious as ever, may be seen only on Royal Street, a small band headed by a tall, slender, dark man, who wears an invisible mask and a quaint black velvet cap. Where they come from nobody has ever been able to discover. Who they are is not known even to the great Rex, the king of the Carnival.
Hepworth Coleman and Mlle. Olympe de Caumartin were married in due time and lived on Royal Street all their lives. Every year on the evening of Mardi-Gras, they were called upon to give dinner to the Mystic Krewe, thirteen in number, who ate in silence with their masks on. The last of these dinners was in 1860. That year saw the twain, who for forty years had been happy together, laid in their tomb side by side.
Strangely enough there is no record whatever of Judge Favart de Caumartin's death; indeed, there is a tradition to the effect that he it is who still leads the Mystic Krewe.
STRANGE ADVENTURES OF A MILLION DOLLARS
BY INGERSOLL LOCKWOODOld New Yorkers may remember Dingee's famous Club House in lower Greene Street. From 1800 to 1850 it was the most fashionable gambling house in the metropolis, its founder, Alphonse Dingee, having been the first to introduce roulette and rouge et noir into the new world. It was in 1850 or a little later that ill health obliged his son Cyrill to sell the business out. He retired to his country seat at Bricksburg, quite a palatial residence for those days, where he died shortly after, leaving a round million dollars and one child, a daughter, Daisy. Spite of the fact that she was popularly known throughout the country as the "gambler's daughter," there were several respectable young men in the place who would have been only too happy to administer an estate worth a round million with Daisy thrown in for better or worse.
But Daisy Dingee knew what she wanted, and it was nothing more nor less than an alliance with the most aristocratic family in the country, to wit: the Delurys, whose large white mansion at the other end of the town was as tumble-down and shabby looking as Daisy's was neat, fresh, and well kept. Miss Dingee, therefore, proceeded to throw herself at the head of one Monmouth Delury, mentally and physically a colorless sort of an individual, who, for want of sufficient intellect to make an honest living, passed his time going to seed with the thousand or so acres of land belonging to him and his maiden sisters, Hetty, Prudence, and Martha, three women who walked as stiff as they talked, although they never were known to discuss any subject other than the Delury family.
When Daisy's proposition was made known to them they tried to faint, but were too stiff to fall over, and were obliged to content themselves with gasping out:
"What! Daisy Dingee marry our brother, the head of the Delury family!"
But it was the first idea that had ever entered the brother's head, and he clung to it with a parent's affection for his first born. In a few months Mr. and Mrs. Monmouth Delury set out for Paris with that proverbial speed with which Americans betake themselves to the French capital when occasion offers. They found it a much pleasanter place than Bricksburg. Delury improved rapidly and Daisy fell quite in love with him, made her will in his favor, contracted the typhoid fever and died.
Whereupon the really disconsolate widower sent for his three sisters to join him. They had but one objection to going, that was to part company with the dear old homestead, but they overcame it the day after receiving Monmouth's letter, which happened to be a Friday, and took the Saturday's steamer.
To confess the truth, the Delurys had been so land-poor that their spare aristocratic figures were rather the result of necessity than inclination. Six months of Paris life under the benign protection of Dingee's round million made different women of them. It was wonderful what a metamorphosis Parisian dressmakers and restaurateurs effected in their figures. They became round and plump. They stopped talking about Bricksburg, signed themselves the Misses Delury of New York, enrolled themselves as patrons of art, gave elegant dinners, and in a very short time set up pretensions to being the leaders of the American colony.
But remorseless fate was at their heels. Figaro unearthed the secret of old Dingee's million, and the Delurys suddenly found themselves the sensation of Paris, the butt of ridicule in the comic papers. Monmouth had been in poor health for several months, and this killed him.
Dingee's million was now in the eye of the law divided up among his three sisters, but fate willed it otherwise, for the following year Hetty, the eldest, died of Roman fever, and six months later Prudence fell a victim to rat poison in a small hotel at Grasse, City of Delightful Odors, in the south of France, whither she had gone in search of balmy air for her sister Martha, who had suddenly developed symptoms of consumption.
Left thus alone in the world with old Dingee's million and an incurable ailment, Martha's only ambition was to reach Bricksburg and die in the old white Delury mansion. It seemed to her that its great spacious rooms would enable her to breathe more easily and to fight death off for possibly another year.
But it was not to be. She got as far as Paris when old Dingee's million again changed hands, going this time by will to Martha's only relatives, twin brothers, John and William Winkletip, produce dealers in Washington street, New York.
The will was a peculiar one, as was to be expected:
I give, devise, and bequeath all the property popularly known as the "Dingee Million" to my cousins John and William Winkletip, produce dealers of New York, as joint tenants for their lives and the life of each of them, with remainder over to the eldest son of the survivor, his heirs and assigns forever; provided, that said remainder man shall be of full age at the time of his father's decease, and shall thereupon enter the ministry of the Methodist Episcopal Church and devote his life and the income of this estate to the encouragement of legislative enactment throughout the United States for the suppression of gambling and wager laying.
In default of such male heir, the Dingee million was to be divided up among certain religious and eleemosynary institutions.
When the cablegram from Paris informing them of their extraordinary luck reached the Winkletip Brothers, they were down in the cellar of the old tenement which served as their place of business, with their long jean coats on, busily engaged in sorting onions. As the Winkletips were only a little past fifty, and as strong as hickory knobs, their families were quite satisfied to get only a life estate in the Dingee million, for, barring accidents, the brothers had twenty-five or thirty years to live yet.