Rossmoyne

"I am afraid you must have pictured us as ogres," says Miss Priscilla, which idea strikes the old ladies as such a delicious flight of fancy that they laugh outright, and look at each other with intense enjoyment of their little joke.

"Well, of course we couldn't tell what you would be like," says Monica, gravely. "You might have been people likely to impress one with awe; but, as it is– This is Terry," laying her hand upon her brother's arm; "and this is Kit. She is really Katherine, you know, but no one ever calls her by so long a name. She isn't worth it."

At this the three Beresfords laugh among themselves, as children will, at time-worn fun, knowing no fatigue; after which Katherine and Terence are embraced and made much of by their new-found relatives, and freely commented upon.

But ever and anon the eyes of both old ladies wander thoughtfully, admiringly, to where the lissome Monica stands, like a pale, pensive lily.

"But how have you managed to be here so soon?" asks Miss Priscilla, when the impromptu luncheon, improvised by the startled Timothy, has come to an end. The children were all hungry, and have eaten a great deal, and have talked more. Indeed, though Miss Priscilla has been dying to ask this question for a long time, it has been impossible for her to do so, as there has not been so much as a comma in the conversation for the last hour.

The Beresfords are like so many clocks wound up, and bound to go for a certain time whether they like it or not; and, apparently, they do like it. Now they have run down a little, Terence being exhausted after his last laughing attack, and Kit wrapped in contemplation of an old-fashioned hair brooch that is fastening an equally old-fashioned piece of priceless lace that adorns Miss Penelope's throat.

"Well, I can't think how they do it!" she says, lost in admiration of a little slim hair lady bending over a miniature hair urn in the most lachrymose attitude conceivable. "But they have put her eye in wrongly: she looks as if she is dying with laughter."

Here Miss Priscilla edges in her question, as to how they have contrived to be at Moyne at so early an hour.

"We came by the wrong train," says Terry. "We generally do. Ever since we left the South of France – where we were staying with the Bohuns, you know, on our way here – we have been missing our trains right and left, and turning up at all sorts of unexpected places. Haven't we, Kit?"

"You have," says Kit, with suspicious emphasis. "You have such a pretty trick of rushing into the first train you see, without ever asking any one where it is going. No wonder we always turned up at the wrong end."

"You've a pretty trick of putting everything down on other people's shoulders," says Terence, with open disgust. "Whose fault was it we were always so late at the stations that we hadn't time to make inquiries, I'd like to know? Could you," with fine irony, "tell us?"

"Certainly; it was nurse," replies Kit, with dignity.

"Dear me! and where is your nurse now?" asks Miss Priscilla, anxiously. The query is a fortunate one, in that it turns the conversation into a different channel, and checks the eloquence of Kit and Terry, who are plainly on the brink of an open war.

"When last I saw her," says Terence, "she was sitting on the top of our biggest box, with everything else strewn around her, and her feet resting on two brown-paper parcels. – I wonder," says Mr. Beresford, addressing Monica, "what on earth she had in those brown paper parcels. She has been hugging them night and day ever since she left Jerusalem."

"Dynamite," suggested Monica, lightly; whereupon the two Misses Blake turn pale.

"At that rate, Aunt Priscilla, we needn't trouble about her," says Terence, pleasantly, "as she must be blown up by this. None of those clock-work affairs could be arranged to go on much longer. Poor thing! when in the flesh she wasn't half bad. I forgive her everything, – even her undying hatred to myself."

"If she is in fragments, so are our things," says Kit. "I think she needn't have elected to sit on them at the supreme moment."

"You don't really think," says Miss Penelope, in a somewhat troubled tone, remembering how an innocent baker in Rossmoyne had had some of the explosive matter in question thrown into his kitchen the night before last, – "you don't really think that these parcels you speak of contain infernal machines? – Yes, that is what they call them, my dear Priscilla," turning to her sister, as though anxious to apologize for having used a word calculated to lead the mind to the lower regions.

By this time both Kit and Terence are convulsed with delight at the sensation they have created, and would probably have gone on to declare the innocent Mrs. Mitchell an advanced Nihilist of the most dangerous type, but for Monica's coming to the rescue and explaining matters satisfactorily.

"Still, I cannot understand how you got up here so quickly," says Miss Penelope. "You know Moyne – home I hope you will call it for the future, my dears – " with a little fond pat on Monica's hand, "is quite three miles from the station."

"We should have thought nothing of that," says Terence, "but for Kit; she has had a fever, you know," pointing to the child's closely-cropped, dark little head; "so we said we would just stroll on a little and see what the country was like."

"And lovely it is," puts in Kit, enthusiastically. "We got up on a high hill, and saw the sea lying like a great quiet lake beneath us. There was scarcely a ripple on it, and only a soft sound like a sob." Her eyes, that are almost too big for her small face, glow brilliantly.

"And then there came by a man with a cart filled with hay, and he nodded to us and said, 'Good-morning, sir;' and so I nodded back, and said, 'How d'ye do?' to him and asked him was it far to Moyne House. 'A good step,' he said; 'three miles at the very least.'"

"He didn't; he said laste," says Kit, who is plainly in a litigious mood.

"At that," says Monica, breaking in eagerly, feeling, no doubt, she has been left too long out in the cold, and that it is time her voice were heard, "I suppose I looked rather forlorn, because he said, quite nicely 'Maybe ye'd not be too proud, miss, to get into me cart, an I'll dhrive the lot of ye up to the House, where as luck has it, I'm goin' meself.'" She mimicks the soft Southern brogue very prettily.

"So up we got," says Kit, gayly, "and away we went in the nice sweet hay, jog trot, jog trot, and so comfortable."

The Misses Blake by this time are filled with dismay. In Rossmoyne, where families are few and far between, and indecent scandal unknown, the smallest trifles are seized upon with avidity and manufactured into mountains. "A good appearance," Miss Penelope was taught at school, "is the first step in life," and here have these children been making their appearance for the first time in a common hay-cart.

What will Madam O'Connor say? Madam O'Connor's father having always laid claim to being a direct descendant of one of the old kings of Munster, Madam's veins of course are filled with blood royal, and as such are to be held in reverence. What won't this terrible old woman say, when she hears of the Beresfords' escapade?

The Misses Blake sit shivering, blinking their eyelids, and afraid to say anything.

"We got on splendidly," Terence is saying, "and might indeed have finished our journey respectably, but for Monica. She laid our reputation in the dust."

Monica turns upon him an appealing glance from her large soft eyes that would have melted any heart but that of a brother's.

"Aunt Priscilla," says the adamantine youth, "what is the name of the house with a big gate, about a half a mile from this?"

"Coole Castle," replies she, stiffly, the very fact of having to mention the residence of the detested Desmond making her heart beat violently. But Terry is a person blind to speaking glances and deaf to worded hints. In effect, Terry and tact are two; so he goes on, unheeding his aunt's evident disrelish for the subject, —

"Well, just as we got to Coole, I saw a fellow standing inside the entrance-gate, smoking a cigar. I fancied he looked amused, but would have thought nothing of that, only I heard him laugh aloud, and saw he was staring over my head – I was driving – to where Monica and Kit were, on the top of the hay. It occurred to me then to see what the girls were doing, so I stood up on the shaft, and looked, and – "

Here he pauses, as though slightly overcome.

"What, my dear?" asks Miss Priscilla, anxiously.

"There was Monica lying in an æsthetic attitude, —very æsthetic, – with her chin in her hands, and her eyes on the horse's ears, and her thoughts I presume in heaven, or wherever young ladies keep them, and with her heels – "

"It isn't truth! – it isn't!" interrupts Monica, blushing furiously, and speaking with much indignation. "I don't believe a single word of it!"

"And with her heels – "

"Terence!"

"In mid-air. She was kicking them up and down with delight," says Terence, fairly bubbling over with joy at the recollection. "It was the most humiliating sight for a modest brother. I shall never forgive her for it. Besides, the strange young man was – "

"If you say another word," says Monica, white with wrath and tears in her eyes, "I shall never speak to you again, or help you out of any trouble."

This awful threat has the desired effect of reducing Mr. Beresford to subjection. He goes down before the foe, and truckles to her meanly.

"You needn't take it so much to heart," he says soothingly: "there wasn't much in it, after all; and your shoes are very pretty, and so are your feet."

The compliment works wonders; Monica quite brightens up again, but the two old ladies are hopelessly scandalized.

"I feel assured, Terence," says Miss Priscilla, with much dignity, "that under no circumstances could a niece of mine show too much of her – her – "

Here Miss Priscilla blushes, and breaks down.

"Legs?" suggests Terry, politely.

"But who was the strange young man?" asks Miss Penelope, curiously.

"Our friend of the hay-cart said his name was Desmond, and that he was nephew to the master of the house behind the big gates," returns Kit, fluently.

"Desmond!" says Miss Priscilla, greatly agitated. "Let me never hear you mention that name again! It has been our bane! Forget you have ever been so unfortunate as to encounter this young man; and if ill luck should ever drive him across your path again, remember you do not – you never can– know him."

"But I'm certain he will know Monica if he sees her again," says Kit. "He stared at her as if she had seven heads."

"No wonder, considering her equivocal position. And as to knowing Monica, I'm not certain of that, of course, but I'm utterly positive he could swear to her shoes in a crowd," says Terence, with unholy delight. "He was enchanted with them, and with the clocks on her stockings: I think he was taking the pattern of them."

"He was not," says Monica, almost weeping. "He couldn't see them. I was too high up."

"What will you bet he doesn't know the color of them?" asks her tormentor, with a fresh burst of appreciation of the undignified scene. "When I see him again I'll ask him."

"Terence," says Miss Priscilla, growing very pale, "you must never see him again, or, at all events, you must never speak to him. Understand, once for all, that intimacy between us and the inhabitants of Coole is impossible. This feud I hint at touches you even more closely than it touches us, but you cannot feel it more than we do, – perhaps not as much. The honor of our family has suffered at the hands of the Master of Coole. He is the enemy of our house!"

"Priscilla!" murmurs Miss Penelope, in a low and trembling tone.

"Do not try to check me, Penelope. I will speak," says Miss Priscilla, sternly. "This man, years ago, offered one near and dear to us an indignity not to be lightly borne. The world is wide," turning to the astonished children, "you can make friends where you choose; but I would have you recollect that never can a Beresford and a Desmond have aught in common."

"But what have the Desmonds done to us, Aunt Priscilla?" asks Monica, a good deal awed by the old lady's solemnity.

"Some other time you shall know all," says Miss Priscilla in the low tone one might adopt if speaking of the last appalling murder.

"Yes, some other time," echoes Miss Penelope, gently.

CHAPTER III

How Monica studies the landscape.

"Is it thrue, ma'am, what I hear, that ye'll be wantin' a maid for Miss Monica?" asks Mrs. Reilly, the cook at Moyne, dropping a respectful courtesy just inside the drawing-room door. "Ryan let dhrop a word to me about it, so I made so bould, ma'am, as to come upstairs an' tell ye I think I know a girl as will come in handy to ye."

"And who is she, Reilly?" asks Miss Priscilla anxiously.

"She's a very good girl, ma'am, an' smart, an' nate, an' I think ye'll like her," replies cook, who, like all Irish people, finds a difficulty in giving a direct answer to a direct question. Perhaps, too, there is a little wiliness in her determination not to name the new servant's parentage just at present.

"I daresay; I place great reliance upon your opinion, Reilly. But who is she? Does she come from the village, or from one of the farms? I should prefer the farms."

"She's as tidy as she can be," says Mrs. Reilly, amiably but still evasively, "an' a bit of a scholard into the bargain, an' a very civil tongue in her head. She's seventeen all out, ma'am, and never yet gave her mother a saucy word."

"That is as it should be," says Miss Priscilla, commendingly. "You feel a great interest in this girl, I can see. You know her well?"

"Yes, miss. She is me uncle's wife's sisther's child, an' as good a girl as ever stepped in shoe leather."

"She is then?" asks Miss Priscilla, faintly, puzzled by this startling relationship.

"She's that girl of the Cantys', ma'am, and as likely a colleen as ever ye met, though I say it as shouldn't, she being kin-like," says Mrs. Reilly, boldly, seeing her time is come.

"What! that pretty, blue-eyed child that called to see you yesterday? She is from the village, then?" with manifest distaste.

"An' what's the matther wid the village, ma'am?" By this time Mrs. Reilly has her arms akimbo, and has an evident thirst for knowledge full upon her.

"But I fear she is flighty and wild, and not at all domesticated in any way."

"An' who has the face to say that, ma'am? Give me the names of her dethractors," says Mrs. Reilly, in an awful tone, that seemed to demand the blood of the "dethractors."

"I feel sure, Reilly," says Miss Priscilla, slowly, "that you are not aware of the position your arms have taken. It is most unbecoming." Mrs. Reilly's arms dropped to her sides. "And as for this girl you speak of, I hear she is, as I say, very flighty."

"Don't believe a word of it, ma'am," says cook, with virtuous indignation. "Just because she holds up her head a bit, an' likes a ribbon or two, there's no holdin' the gossips down below," indicating the village by a backward jerk of her thumb. "She's as dacent a little sowl as you'd wish to see, an' has as nate a foot as there is in the county. The Cantys has all a character for purty feet."

"Pretty feet are all very well in their way," says Miss Priscilla, nodding her head. "But can she sew? and is she quiet and tractable, and – "

"Divil a thing she can't do, ma'am, axin' yer pardon," says Mrs. Reilly, rather losing herself in the excitement of the moment. "Just thry her, ma'am, an' if ye don't like her, an' if Miss Monica finds even one fault in her, just send her back to her mother. I can't say fairer nor that."

"No, indeed. Very well, Reilly, let her come up to me to-morrow; and see that her inside clothes are all right, and let her know she must never be out after dark."

"Yes, ma'am," says the triumphant Reilly, beating a hasty retreat.

Half an hour afterwards she encounters Monica upon the avenue.

"Why, where are you going, Mrs. Reilly?" asks Monica, seeing that cook is got up in all her war-paint, regardless of expense.

"To mass first, miss," says Mrs. Reilly.

"Where's that?" asks Monica, with foreign ignorance.

"Law! to the chapel, miss," says Reilly, with an amused smile.

"But it isn't Sunday?"

"No, miss. It's a saint's day – may they be good to us!" crossing herself. "It's different with you, miss, you see; but we poor folks, we must say our prayers when we can, or the Virgin will dhrop us out of her mind."

"Is your chapel pretty?" asks Monica, who has now been a week in the country, and through very weariness feels a mad desire to talk to somebody or anybody.

"Faix, it's lovely, miss, since Father Jerry took it in hand! There's the finest pictures ye ever saw on the walls, an' an altar it 'ud do ye good to look at."

"Would it? Then I'll go some day to see it," says Monica, smiling, not knowing that her aunts would as soon let her enter a pandemonium as a Roman Catholic chapel.

Dear old ladies! frightened by shadows, they have been bred in the belief that the Evil One dwells beneath the shade of the Romish Church, and will therefore surely die in it.

"Do, then, agra!" said Mrs. Reilly, who has, of course, like all the other servants, gone down before Monica: "it's proud we'd be to see ye there."

There is no thought of conversion in the woman's mind, you must remember, – merely a hospitable desire to let her know she will be welcome anywhere.

"By the same token, Miss Monica," says she, "there's something I was near forgettin' to tell ye."

"Yes!" says Monica.

"Ye're goin' to have me uncle's wife's niece for yer own maid, miss."

"Am I? I'm glad of that," says Monica, with a native courtesy. "Is she" – with some hesitation and a faint blush – "is she pretty, Reilly?"

"She's the purtiest girl ye ever set eyes on," says Mrs. Reilly, with enthusiasm.

"I'm glad of that; I can't bear ugly people," says Monica.

"Faix, then, there's a bad time before ye wid the ould ladies," mutters Mrs. Reilly, sotto voce, gathering up her cloak and stepping onwards. She is a remarkably handsome woman herself, and so may safely deplore the want of beauty in her betters.

Monica, turning aside, steps on a high bank and looks down towards the village. Through the trees she can see the spire of the old cathedral rising heavenwards. Though Rossmoyne is but a village, it still can boast its cathedral, an ancient edifice, uncouth and unlovely, but yet one of the oldest places of worship in Ireland.

Most of my readers would no doubt laugh it to scorn, but we who belong to it reverence it, and point out with pride to passers by the few quaint marks and tokens that link it to a bygone age.

There is a nave, broad and deep, comprising more than a third of the whole building, with its old broken stone pavement, and high up, carven upon one of its walls the head of St. Faughnan, its patron saint, – a hideous saint, indeed, if he resembled that ancient carving. How often have I gazed upon his unlovely visage, and wondered in my childish fashion why the grace that comes from so divine an origin had not the power to render his servant's face more beautiful!

In these later years they have improved (?) and modernized the old structure. A stone pulpit, huge and clumsy, erected by subscription to the memory of some elderly inhabitant, stands like a misshapen blot before the altar rails; a window, too broad for its length, and generally out of proportion, throws too much light upon the dinginess within; the general character of the ugly old place has lost something, but assuredly gained nothing, by these innovations. It is hard to put "a piece of new cloth on an old garment" successfully.

The village itself stands upon a high hill; the ocean lies at its feet. From Moyne House one can see the shimmer of the great Atlantic as it dances beneath the sunbeams or lashes itself into furious foam under the touch of the north wind. The coastguard station, too, stands out, brilliant in its whitewash, a gleaming spot upon the landscape.

To the left of the station lies Ounahincha, – a long, deep line of sea-beach that would make its fortune as a bathing place under happier auspices and in some more appreciated clime.

Monica, looking down from her height, takes in all the beauties of the landscape that surround her, and lets the music of the melancholy ocean sink into her very soul.

Then she lets her eyes wander to the right, and rest with pardonable curiosity upon Coole Castle, where dwells the ogre of her house. Above Coole, and about two miles farther on, lies Aghyohillbeg, the residence of Madam O'Connor, that terrible descendant of one of Ireland's kings; whilst below, nestling among its firs and beeches, is Kilmore, where the Halfords – a merry tangle of boys and girls – may be seen at all hours.

Then there is the vicarage, where the rector lives with his family, which is large; and nearer to the village, the house that holds the curate and his family, which, of course, is larger. Besides which, Monica can just see from her vantage-ground the wooded slopes of Durrusbeg that have lately called young Ronayne master, – a distant cousin having died most unexpectedly and left him all his property.

Six months ago, Ulic Ronayne was spoken of by anxious matrons as a wild lad, with nothing to recommend him save his handsome face and some naughty stories attached to his name. Now he is pronounced charming, and the naughty stories, which indeed never had any foundation, are discovered to have been disgraceful fabrications. Marriageable daughters are kinder to him than words can say, and are allowed by the most cautious mothers to dance with him as often as they choose, and even to sit unlimited hours with him in secluded corners of conservatories unrebuked.

Truly, O Plutus! thou art a god indeed. Thou hast outlived thy greater brethren. Thy shrine is honored as of old!

After a last lingering glance at the distant ocean and the swelling woods that now in Merry June are making their grandest show, Monica jumps down from her bank again and goes slowly – singing as she goes – towards the river that runs at the end of Moyne.

Down by its banks Moyne actually touches the hated lands of Cooles, a slight boundary fence being all that divides one place from the other. The river rushes eagerly past both, on its way to the sea, murmuring merrily on its happy voyage, as though mocking at human weals and woes and petty quarrels.

Through the waving meadows, over the little brook, past the stile, Monica makes her way, plucking here and there the scarlet poppies, and the blue cornflowers and daisies, "those pearled Arcturi of the earth, the constellated flower that never sets."

The sun is tinting all things with its yellow haze, and is burning to brightest gold the reddish tinge in the girl's hair as she moves with dallying steps through the green fields. She is dressed in a white gown, decked with ribbons of sombre tint, and wears upon her head a huge poky bonnet, from which her face peeps out, half earnest, half coquettish, wholly pure.

Her hands are bare and shapely, but a little brown; some old-fashioned rings glisten on them. She has the tail of her gown thrown negligently over her arm, and with her happy lips parted in song, and her eyes serene as early dawn, she looks like that fair thing of Chaucer's, whose

"Berthe was of the womb of morning dew,And her conception of the joyous prime."

And now the sparkling river comes in sight. Near its brink an old boat-house may be seen fast crumbling to decay; and on the river itself lies, swaying to and fro, a small punt in the very last stages of decline. It is a very terrible little boat, quite at death's door, and might have had those lines of Dante's painted upon it without libel:

"Abandon hope, all ye who enter here."

But Monica, in happy ignorance of rotting timbers, thinks only of the joy she felt last evening when the discovery of this demoralized treasure was made. In the mouldering boat-house she had found it, and so had claimed it for her own.

She had told no one of her secret, not even Kit, who is, as a rule, her prime minister, her confidante, and her shadow. She has, indeed, had great difficulty in escaping from "her shadow" just now, but after much diplomatic toil had managed it. To find herself upon the calm and gentle river, to dream there her own sweet thoughts beneath the kindly shade of the pollard willows, to glide with the stream and bask in the sunlight all alone, has been her desire since yester-eve.