What's Wrong with the World

But we have delayed the main argument too long for the parenthetical purpose of showing that the great democratic dream, like the great mediaeval dream, has in a strict and practical sense been a dream unfulfilled. Whatever is the matter with modern England it is not that we have carried out too literally, or achieved with disappointing completeness, either the Catholicism of Becket or the equality of Marat. Now I have taken these two cases merely because they are typical of ten thousand other cases; the world is full of these unfulfilled ideas, these uncompleted temples. History does not consist of completed and crumbling ruins; rather it consists of half-built villas abandoned by a bankrupt-builder. This world is more like an unfinished suburb than a deserted cemetery.

VI. THE ENEMIES OF PROPERTY

But it is for this especial reason that such an explanation is necessary on the very threshold of the definition of ideals. For owing to that historic fallacy with which I have just dealt, numbers of readers will expect me, when I propound an ideal, to propound a new ideal. Now I have no notion at all of propounding a new ideal. There is no new ideal imaginable by the madness of modern sophists, which will be anything like so startling as fulfilling any one of the old ones. On the day that any copybook maxim is carried out there will be something like an earthquake on the earth. There is only one thing new that can be done under the sun; and that is to look at the sun. If you attempt it on a blue day in June, you will know why men do not look straight at their ideals. There is only one really startling thing to be done with the ideal, and that is to do it. It is to face the flaming logical fact, and its frightful consequences. Christ knew that it would be a more stunning thunderbolt to fulfil the law than to destroy it. It is true of both the cases I have quoted, and of every case. The pagans had always adored purity: Athena, Artemis, Vesta. It was when the virgin martyrs began defiantly to practice purity that they rent them with wild beasts, and rolled them on red-hot coals. The world had always loved the notion of the poor man uppermost; it can be proved by every legend from Cinderella to Whittington, by every poem from the Magnificat to the Marseillaise. The kings went mad against France not because she idealized this ideal, but because she realized it. Joseph of Austria and Catherine of Russia quite agreed that the people should rule; what horrified them was that the people did. The French Revolution, therefore, is the type of all true revolutions, because its ideal is as old as the Old Adam, but its fulfilment almost as fresh, as miraculous, and as new as the New Jerusalem.

But in the modern world we are primarily confronted with the extraordinary spectacle of people turning to new ideals because they have not tried the old. Men have not got tired of Christianity; they have never found enough Christianity to get tired of. Men have never wearied of political justice; they have wearied of waiting for it.

Now, for the purpose of this book, I propose to take only one of these old ideals; but one that is perhaps the oldest. I take the principle of domesticity: the ideal house; the happy family, the holy family of history. For the moment it is only necessary to remark that it is like the church and like the republic, now chiefly assailed by those who have never known it, or by those who have failed to fulfil it. Numberless modern women have rebelled against domesticity in theory because they have never known it in practice. Hosts of the poor are driven to the workhouse without ever having known the house. Generally speaking, the cultured class is shrieking to be let out of the decent home, just as the working class is shouting to be let into it.

Now if we take this house or home as a test, we may very generally lay the simple spiritual foundations of the idea. God is that which can make something out of nothing. Man (it may truly be said) is that which can make something out of anything. In other words, while the joy of God be unlimited creation, the special joy of man is limited creation, the combination of creation with limits. Man’s pleasure, therefore, is to possess conditions, but also to be partly possessed by them; to be half-controlled by the flute he plays or by the field he digs. The excitement is to get the utmost out of given conditions; the conditions will stretch, but not indefinitely. A man can write an immortal sonnet on an old envelope, or hack a hero out of a lump of rock. But hacking a sonnet out of a rock would be a laborious business, and making a hero out of an envelope is almost out of the sphere of practical politics. This fruitful strife with limitations, when it concerns some airy entertainment of an educated class, goes by the name of Art. But the mass of men have neither time nor aptitude for the invention of invisible or abstract beauty. For the mass of men the idea of artistic creation can only be expressed by an idea unpopular in present discussions – the idea of property. The average man cannot cut clay into the shape of a man; but he can cut earth into the shape of a garden; and though he arranges it with red geraniums and blue potatoes in alternate straight lines, he is still an artist; because he has chosen. The average man cannot paint the sunset whose colors be admires; but he can paint his own house with what color he chooses, and though he paints it pea green with pink spots, he is still an artist; because that is his choice. Property is merely the art of the democracy. It means that every man should have something that he can shape in his own image, as he is shaped in the image of heaven. But because he is not God, but only a graven image of God, his self-expression must deal with limits; properly with limits that are strict and even small.

I am well aware that the word “property” has been defied in our time by the corruption of the great capitalists. One would think, to hear people talk, that the Rothchilds and the Rockefellers were on the side of property. But obviously they are the enemies of property; because they are enemies of their own limitations. They do not want their own land; but other people’s. When they remove their neighbor’s landmark, they also remove their own. A man who loves a little triangular field ought to love it because it is triangular; anyone who destroys the shape, by giving him more land, is a thief who has stolen a triangle. A man with the true poetry of possession wishes to see the wall where his garden meets Smith’s garden; the hedge where his farm touches Brown’s. He cannot see the shape of his own land unless he sees the edges of his neighbor’s. It is the negation of property that the Duke of Sutherland should have all the farms in one estate; just as it would be the negation of marriage if he had all our wives in one harem.

VII. THE FREE FAMILY

As I have said, I propose to take only one central instance; I will take the institution called the private house or home; the shell and organ of the family. We will consider cosmic and political tendencies simply as they strike that ancient and unique roof. Very few words will suffice for all I have to say about the family itself. I leave alone the speculations about its animal origin and the details of its social reconstruction; I am concerned only with its palpable omnipresence. It is a necessity far mankind; it is (if you like to put it so) a trap for mankind. Only by the hypocritical ignoring of a huge fact can any one contrive to talk of “free love”; as if love were an episode like lighting a cigarette, or whistling a tune. Suppose whenever a man lit a cigarette, a towering genie arose from the rings of smoke and followed him everywhere as a huge slave. Suppose whenever a man whistled a tune he “drew an angel down” and had to walk about forever with a seraph on a string. These catastrophic images are but faint parallels to the earthquake consequences that Nature has attached to sex; and it is perfectly plain at the beginning that a man cannot be a free lover; he is either a traitor or a tied man. The second element that creates the family is that its consequences, though colossal, are gradual; the cigarette produces a baby giant, the song only an infant seraph. Thence arises the necessity for some prolonged system of co-operation; and thence arises the family in its full educational sense.

It may be said that this institution of the home is the one anarchist institution. That is to say, it is older than law, and stands outside the State. By its nature it is refreshed or corrupted by indefinable forces of custom or kinship. This is not to be understood as meaning that the State has no authority over families; that State authority is invoked and ought to be invoked in many abnormal cases. But in most normal cases of family joys and sorrows, the State has no mode of entry. It is not so much that the law should not interfere, as that the law cannot. Just as there are fields too far off for law, so there are fields too near; as a man may see the North Pole before he sees his own backbone. Small and near matters escape control at least as much as vast and remote ones; and the real pains and pleasures of the family form a strong instance of this. If a baby cries for the moon, the policeman cannot procure the moon – but neither can he stop the baby. Creatures so close to each other as husband and wife, or a mother and children, have powers of making each other happy or miserable with which no public coercion can deal. If a marriage could be dissolved every morning it would not give back his night’s rest to a man kept awake by a curtain lecture; and what is the good of giving a man a lot of power where he only wants a little peace? The child must depend on the most imperfect mother; the mother may be devoted to the most unworthy children; in such relations legal revenges are vain. Even in the abnormal cases where the law may operate, this difficulty is constantly found; as many a bewildered magistrate knows. He has to save children from starvation by taking away their breadwinner. And he often has to break a wife’s heart because her husband has already broken her head. The State has no tool delicate enough to deracinate the rooted habits and tangled affections of the family; the two sexes, whether happy or unhappy, are glued together too tightly for us to get the blade of a legal penknife in between them. The man and the woman are one flesh – yes, even when they are not one spirit. Man is a quadruped. Upon this ancient and anarchic intimacy, types of government have little or no effect; it is happy or unhappy, by its own sexual wholesomeness and genial habit, under the republic of Switzerland or the despotism of Siam. Even a republic in Siam would not have done much towards freeing the Siamese Twins.

The problem is not in marriage, but in sex; and would be felt under the freest concubinage. Nevertheless, the overwhelming mass of mankind has not believed in freedom in this matter, but rather in a more or less lasting tie. Tribes and civilizations differ about the occasions on which we may loosen the bond, but they all agree that there is a bond to be loosened, not a mere universal detachment. For the purposes of this book I am not concerned to discuss that mystical view of marriage in which I myself believe: the great European tradition which has made marriage a sacrament. It is enough to say here that heathen and Christian alike have regarded marriage as a tie; a thing not normally to be sundered. Briefly, this human belief in a sexual bond rests on a principle of which the modern mind has made a very inadequate study. It is, perhaps, most nearly paralleled by the principle of the second wind in walking.

The principle is this: that in everything worth having, even in every pleasure, there is a point of pain or tedium that must be survived, so that the pleasure may revive and endure. The joy of battle comes after the first fear of death; the joy of reading Virgil comes after the bore of learning him; the glow of the sea-bather comes after the icy shock of the sea bath; and the success of the marriage comes after the failure of the honeymoon. All human vows, laws, and contracts are so many ways of surviving with success this breaking point, this instant of potential surrender.

In everything on this earth that is worth doing, there is a stage when no one would do it, except for necessity or honor. It is then that the Institution upholds a man and helps him on to the firmer ground ahead. Whether this solid fact of human nature is sufficient to justify the sublime dedication of Christian marriage is quite an other matter, it is amply sufficient to justify the general human feeling of marriage as a fixed thing, dissolution of which is a fault or, at least, an ignominy. The essential element is not so much duration as security. Two people must be tied together in order to do themselves justice; for twenty minutes at a dance, or for twenty years in a marriage In both cases the point is, that if a man is bored in the first five minutes he must go on and force himself to be happy. Coercion is a kind of encouragement; and anarchy (or what some call liberty) is essentially oppressive, because it is essentially discouraging. If we all floated in the air like bubbles, free to drift anywhere at any instant, the practical result would be that no one would have the courage to begin a conversation. It would be so embarrassing to start a sentence in a friendly whisper, and then have to shout the last half of it because the other party was floating away into the free and formless ether. The two must hold each other to do justice to each other. If Americans can be divorced for “incompatibility of temper” I cannot conceive why they are not all divorced. I have known many happy marriages, but never a compatible one. The whole aim of marriage is to fight through and survive the instant when incompatibility becomes unquestionable. For a man and a woman, as such, are incompatible.

VIII. THE WILDNESS OF DOMESTICITY

In the course of this crude study we shall have to touch on what is called the problem of poverty, especially the dehumanized poverty of modern industrialism. But in this primary matter of the ideal the difficulty is not the problem of poverty, but the problem of wealth. It is the special psychology of leisure and luxury that falsifies life. Some experience of modern movements of the sort called “advanced” has led me to the conviction that they generally repose upon some experience peculiar to the rich. It is so with that fallacy of free love of which I have already spoken; the idea of sexuality as a string of episodes. That implies a long holiday in which to get tired of one woman, and a motor car in which to wander looking for others; it also implies money for maintenances. An omnibus conductor has hardly time to love his own wife, let alone other people’s. And the success with which nuptial estrangements are depicted in modern “problem plays” is due to the fact that there is only one thing that a drama cannot depict – that is a hard day’s work. I could give many other instances of this plutocratic assumption behind progressive fads. For instance, there is a plutocratic assumption behind the phrase “Why should woman be economically dependent upon man?” The answer is that among poor and practical people she isn’t; except in the sense in which he is dependent upon her. A hunter has to tear his clothes; there must be somebody to mend them. A fisher has to catch fish; there must be somebody to cook them. It is surely quite clear that this modern notion that woman is a mere “pretty clinging parasite,” “a plaything,” etc., arose through the somber contemplation of some rich banking family, in which the banker, at least, went to the city and pretended to do something, while the banker’s wife went to the Park and did not pretend to do anything at all. A poor man and his wife are a business partnership. If one partner in a firm of publishers interviews the authors while the other interviews the clerks, is one of them economically dependent? Was Hodder a pretty parasite clinging to Stoughton? Was Marshall a mere plaything for Snelgrove?

But of all the modern notions generated by mere wealth the worst is this: the notion that domesticity is dull and tame. Inside the home (they say) is dead decorum and routine; outside is adventure and variety. This is indeed a rich man’s opinion. The rich man knows that his own house moves on vast and soundless wheels of wealth, is run by regiments of servants, by a swift and silent ritual. On the other hand, every sort of vagabondage of romance is open to him in the streets outside. He has plenty of money and can afford to be a tramp. His wildest adventure will end in a restaurant, while the yokel’s tamest adventure may end in a police-court. If he smashes a window he can pay for it; if he smashes a man he can pension him. He can (like the millionaire in the story) buy an hotel to get a glass of gin. And because he, the luxurious man, dictates the tone of nearly all “advanced” and “progressive” thought, we have almost forgotten what a home really means to the overwhelming millions of mankind.

For the truth is, that to the moderately poor the home is the only place of liberty. Nay, it is the only place of anarchy. It is the only spot on the earth where a man can alter arrangements suddenly, make an experiment or indulge in a whim. Everywhere else he goes he must accept the strict rules of the shop, inn, club, or museum that he happens to enter. He can eat his meals on the floor in his own house if he likes. I often do it myself; it gives a curious, childish, poetic, picnic feeling. There would be considerable trouble if I tried to do it in an A.B.C. tea-shop. A man can wear a dressing gown and slippers in his house; while I am sure that this would not be permitted at the Savoy, though I never actually tested the point. If you go to a restaurant you must drink some of the wines on the wine list, all of them if you insist, but certainly some of them. But if you have a house and garden you can try to make hollyhock tea or convolvulus wine if you like. For a plain, hard-working man the home is not the one tame place in the world of adventure. It is the one wild place in the world of rules and set tasks. The home is the one place where he can put the carpet on the ceiling or the slates on the floor if he wants to. When a man spends every night staggering from bar to bar or from music-hall to music-hall, we say that he is living an irregular life. But he is not; he is living a highly regular life, under the dull, and often oppressive, laws of such places. Some times he is not allowed even to sit down in the bars; and frequently he is not allowed to sing in the music-halls. Hotels may be defined as places where you are forced to dress; and theaters may be defined as places where you are forbidden to smoke. A man can only picnic at home.

Now I take, as I have said, this small human omnipotence, this possession of a definite cell or chamber of liberty, as the working model for the present inquiry. Whether we can give every English man a free home of his own or not, at least we should desire it; and he desires it. For the moment we speak of what he wants, not of what he expects to get. He wants, for instance, a separate house; he does not want a semi-detached house. He may be forced in the commercial race to share one wall with another man. Similarly he might be forced in a three-legged race to share one leg with another man; but it is not so that he pictures himself in his dreams of elegance and liberty. Again, he does not desire a flat. He can eat and sleep and praise God in a flat; he can eat and sleep and praise God in a railway train. But a railway train is not a house, because it is a house on wheels. And a flat is not a house, because it is a house on stilts. An idea of earthy contact and foundation, as well as an idea of separation and independence, is a part of this instructive human picture.

I take, then, this one institution as a test. As every normal man desires a woman, and children born of a woman, every normal man desires a house of his own to put them into. He does not merely want a roof above him and a chair below him; he wants an objective and visible kingdom; a fire at which he can cook what food he likes, a door he can open to what friends he chooses. This is the normal appetite of men; I do not say there are not exceptions. There may be saints above the need and philanthropists below it. Opalstein, now he is a duke, may have got used to more than this; and when he was a convict may have got used to less. But the normality of the thing is enormous. To give nearly everybody ordinary houses would please nearly everybody; that is what I assert without apology. Now in modern England (as you eagerly point out) it is very difficult to give nearly everybody houses. Quite so; I merely set up the desideratum; and ask the reader to leave it standing there while he turns with me to a consideration of what really happens in the social wars of our time.

IX. HISTORY OF HUDGE AND GUDGE

There is, let us say, a certain filthy rookery in Hoxton, dripping with disease and honeycombed with crime and promiscuity. There are, let us say, two noble and courageous young men, of pure intentions and (if you prefer it) noble birth; let us call them Hudge and Gudge. Hudge, let us say, is of a bustling sort; he points out that the people must at all costs be got out of this den; he subscribes and collects money, but he finds (despite the large financial interests of the Hudges) that the thing will have to be done on the cheap if it is to be done on the spot. He therefore, runs up a row of tall bare tenements like beehives; and soon has all the poor people bundled into their little brick cells, which are certainly better than their old quarters, in so far as they are weather proof, well ventilated and supplied with clean water. But Gudge has a more delicate nature. He feels a nameless something lacking in the little brick boxes; he raises numberless objections; he even assails the celebrated Hudge Report, with the Gudge Minority Report; and by the end of a year or so has come to telling Hudge heatedly that the people were much happier where they were before. As the people preserve in both places precisely the same air of dazed amiability, it is very difficult to find out which is right. But at least one might safely say that no people ever liked stench or starvation as such, but only some peculiar pleasures en tangled with them. Not so feels the sensitive Gudge. Long before the final quarrel (Hudge v. Gudge and Another), Gudge has succeeded in persuading himself that slums and stinks are really very nice things; that the habit of sleeping fourteen in a room is what has made our England great; and that the smell of open drains is absolutely essential to the rearing of a viking breed.

But, meanwhile, has there been no degeneration in Hudge? Alas, I fear there has. Those maniacally ugly buildings which he originally put up as unpretentious sheds barely to shelter human life, grow every day more and more lovely to his deluded eye. Things he would never have dreamed of defending, except as crude necessities, things like common kitchens or infamous asbestos stoves, begin to shine quite sacredly before him, merely because they reflect the wrath of Gudge. He maintains, with the aid of eager little books by Socialists, that man is really happier in a hive than in a house. The practical difficulty of keeping total strangers out of your bedroom he describes as Brotherhood; and the necessity for climbing twenty-three flights of cold stone stairs, I dare say he calls Effort. The net result of their philanthropic adventure is this: that one has come to defending indefensible slums and still more indefensible slum-landlords, while the other has come to treating as divine the sheds and pipes which he only meant as desperate. Gudge is now a corrupt and apoplectic old Tory in the Carlton Club; if you mention poverty to him he roars at you in a thick, hoarse voice something that is conjectured to be “Do ‘em good!” Nor is Hudge more happy; for he is a lean vegetarian with a gray, pointed beard and an unnaturally easy smile, who goes about telling everybody that at last we shall all sleep in one universal bedroom; and he lives in a Garden City, like one forgotten of God.

Such is the lamentable history of Hudge and Gudge; which I merely introduce as a type of an endless and exasperating misunderstanding which is always occurring in modern England. To get men out of a rookery men are put into a tenement; and at the beginning the healthy human soul loathes them both. A man’s first desire is to get away as far as possible from the rookery, even should his mad course lead him to a model dwelling. The second desire is, naturally, to get away from the model dwelling, even if it should lead a man back to the rookery. But I am neither a Hudgian nor a Gudgian; and I think the mistakes of these two famous and fascinating persons arose from one simple fact. They arose from the fact that neither Hudge nor Gudge had ever thought for an instant what sort of house a man might probably like for himself. In short, they did not begin with the ideal; and, therefore, were not practical politicians.