The Ball at Sceaux

“I have made my daughter Emilie mistress of her own fate,” was the reply spoken by the Count in a deep voice.

Relations and guests gazed at Mademoiselle de Fontaine with mingled curiosity and pity. The words seemed to declare that fatherly affection was weary of the contest with a character that the whole family knew to be incorrigible. The sons-in-law muttered, and the brothers glanced at their wives with mocking smiles. From that moment every one ceased to take any interest in the haughty girl’s prospects of marriage. Her old uncle was the only person who, as an old sailor, ventured to stand on her tack, and take her broadsides, without ever troubling himself to return her fire.

When the fine weather was settled, and after the budget was voted, the whole family – a perfect example of the parliamentary families on the northern side of the Channel who have a footing in every government department, and ten votes in the House of Commons – flew away like a brood of young birds to the charming neighborhoods of Aulnay, Antony, and Chatenay. The wealthy Receiver-General had lately purchased in this part of the world a country-house for his wife, who remained in Paris only during the session. Though the fair Emilie despised the commonalty, her feeling was not carried so far as to scorn the advantages of a fortune acquired in a profession; so she accompanied her sister to the sumptuous villa, less out of affection for the members of her family who were visiting there, than because fashion has ordained that every woman who has any self-respect must leave Paris in the summer. The green seclusion of Sceaux answered to perfection the requirements of good style and of the duties of an official position.

As it is extremely doubtful that the fame of the “Bal de Sceaux” should ever have extended beyond the borders of the Department of the Seine, it will be necessary to give some account of this weekly festivity, which at that time was important enough to threaten to become an institution. The environs of the little town of Sceaux enjoy a reputation due to the scenery, which is considered enchanting. Perhaps it is quite ordinary, and owes its fame only to the stupidity of the Paris townsfolk, who, emerging from the stony abyss in which they are buried, would find something to admire in the flats of La Beauce. However, as the poetic shades of Aulnay, the hillsides of Antony, and the valley of the Bieve are peopled with artists who have traveled far, by foreigners who are very hard to please, and by a great many pretty women not devoid of taste, it is to be supposed that the Parisians are right. But Sceaux possesses another attraction not less powerful to the Parisian. In the midst of a garden whence there are delightful views, stands a large rotunda open on all sides, with a light, spreading roof supported on elegant pillars. This rural baldachino shelters a dancing-floor. The most stuck-up landowners of the neighborhood rarely fail to make an excursion thither once or twice during the season, arriving at this rustic palace of Terpsichore either in dashing parties on horseback, or in the light and elegant carriages which powder the philosophical pedestrian with dust. The hope of meeting some women of fashion, and of being seen by them – and the hope, less often disappointed, of seeing young peasant girls, as wily as judges – crowds the ballroom at Sceaux with numerous swarms of lawyers’ clerks, of the disciples of Aesculapius, and other youths whose complexions are kept pale and moist by the damp atmosphere of Paris back-shops. And a good many bourgeois marriages have had their beginning to the sound of the band occupying the centre of this circular ballroom. If that roof could speak, what love-stories could it not tell!

This interesting medley gave the Sceaux balls at that time a spice of more amusement than those of two or three places of the same kind near Paris; and it had incontestable advantages in its rotunda, and the beauty of its situation and its gardens. Emilie was the first to express a wish to play at being COMMON FOLK at this gleeful suburban entertainment, and promised herself immense pleasure in mingling with the crowd. Everybody wondered at her desire to wander through such a mob; but is there not a keen pleasure to grand people in an incognito? Mademoiselle de Fontaine amused herself with imagining all these town-bred figures; she fancied herself leaving the memory of a bewitching glance and smile stamped on more than one shopkeeper’s heart, laughed beforehand at the damsels’ airs, and sharpened her pencils for the scenes she proposed to sketch in her satirical album. Sunday could not come soon enough to satisfy her impatience.

The party from the Villa Planat set out on foot, so as not to betray the rank of the personages who were about to honor the ball with their presence. They dined early. And the month of May humored this aristocratic escapade by one of its finest evenings. Mademoiselle de Fontaine was quite surprised to find in the rotunda some quadrilles made up of persons who seemed to belong to the upper classes. Here and there, indeed, were some young men who look as though they must have saved for a month to shine for a day; and she perceived several couples whose too hearty glee suggested nothing conjugal; still, she could only glean instead of gathering a harvest. She was amused to see that pleasure in a cotton dress was so very like pleasure robed in satin, and that the girls of the middle class danced quite as well as ladies – nay, sometimes better. Most of the women were simply and suitably dressed. Those who in this assembly represented the ruling power, that is to say, the country-folk, kept apart with wonderful politeness. In fact, Mademoiselle Emilie had to study the various elements that composed the mixture before she could find any subject for pleasantry. But she had not time to give herself up to malicious criticism, or opportunity for hearing many of the startling speeches which caricaturists so gladly pick up. The haughty young lady suddenly found a flower in this wide field – the metaphor is reasonable – whose splendor and coloring worked on her imagination with all the fascination of novelty. It often happens that we look at a dress, a hanging, a blank sheet of paper, with so little heed that we do not at first detect a stain or a bright spot which afterwards strikes the eye as though it had come there at the very instant when we see it; and by a sort of moral phenomenon somewhat resembling this, Mademoiselle de Fontaine discovered in a young man the external perfection of which she had so long dreamed.

Seated on one of the clumsy chairs which marked the boundary line of the circular floor, she had placed herself at the end of the row formed by the family party, so as to be able to stand up or push forward as her fancy moved her, treating the living pictures and groups in the hall as if she were in a picture gallery; impertinently turning her eye-glass on persons not two yards away, and making her remarks as though she were criticising or praising a study of a head, a painting of genre. Her eyes, after wandering over the vast moving picture, were suddenly caught by this figure, which seemed to have been placed on purpose in one corner of the canvas, and in the best light, like a person out of all proportion with the rest.

The stranger, alone and absorbed in thought, leaned lightly against one of the columns that supported the roof; his arms were folded, and he leaned slightly on one side as though he had placed himself there to have his portrait taken by a painter. His attitude, though full of elegance and dignity, was devoid of affectation. Nothing suggested that he had half turned his head, and bent it a little to the right like Alexander, or Lord Byron, and some other great men, for the sole purpose of attracting attention. His fixed gaze followed a girl who was dancing, and betrayed some strong feeling. His slender, easy frame recalled the noble proportions of the Apollo. Fine black hair curled naturally over a high forehead. At a glance Mademoiselle de Fontaine observed that his linen was fine, his gloves fresh, and evidently bought of a good maker, and his feet were small and well shod in boots of Irish kid. He had none of the vulgar trinkets displayed by the dandies of the National Guard or the Lovelaces of the counting-house. A black ribbon, to which an eye-glass was attached, hung over a waistcoat of the most fashionable cut. Never had the fastidious Emilie seen a man’s eyes shaded by such long, curled lashes. Melancholy and passion were expressed in this face, and the complexion was of a manly olive hue. His mouth seemed ready to smile, unbending the corners of eloquent lips; but this, far from hinting at gaiety, revealed on the contrary a sort of pathetic grace. There was too much promise in that head, too much distinction in his whole person, to allow of one’s saying, “What a handsome man!” or “What a fine man!” One wanted to know him. The most clear-sighted observer, on seeing this stranger, could not have helped taking him for a clever man attracted to this rural festivity by some powerful motive.

All these observations cost Emilie only a minute’s attention, during which the privileged gentleman under her severe scrutiny became the object of her secret admiration. She did not say to herself, “He must be a peer of France!” but “Oh, if only he is noble, and he surely must be – ” Without finishing her thought, she suddenly rose, and followed by her brother the General, she made her way towards the column, affecting to watch the merry quadrille; but by a stratagem of the eye, familiar to women, she lost not a gesture of the young man as she went towards him. The stranger politely moved to make way for the newcomers, and went to lean against another pillar. Emilie, as much nettled by his politeness as she might have been by an impertinence, began talking to her brother in a louder voice than good taste enjoined; she turned and tossed her head, gesticulated eagerly, and laughed for no particular reason, less to amuse her brother than to attract the attention of the imperturbable stranger. None of her little arts succeeded. Mademoiselle de Fontaine then followed the direction in which his eyes were fixed, and discovered the cause of his indifference.

In the midst of the quadrille, close in front of them, a pale girl was dancing; her face was like one of the divinities which Girodet has introduced into his immense composition of French Warriors received by Ossian. Emilie fancied that she recognized her as a distinguished milady who for some months had been living on a neighboring estate. Her partner was a lad of about fifteen, with red hands, and dressed in nankeen trousers, a blue coat, and white shoes, which showed that the damsel’s love of dancing made her easy to please in the matter of partners. Her movements did not betray her apparent delicacy, but a faint flush already tinged her white cheeks, and her complexion was gaining color. Mademoiselle de Fontaine went nearer, to be able to examine the young lady at the moment when she returned to her place, while the side couples in their turn danced the figure. But the stranger went up to the pretty dancer, and leaning over, said in a gentle but commanding tone:

“Clara, my child, do not dance any more.”

Clara made a little pouting face, bent her head, and finally smiled. When the dance was over, the young man wrapped her in a cashmere shawl with a lover’s care, and seated her in a place sheltered from the wind. Very soon Mademoiselle de Fontaine, seeing them rise and walk round the place as if preparing to leave, found means to follow them under pretence of admiring the views from the garden. Her brother lent himself with malicious good-humor to the divagations of her rather eccentric wanderings. Emilie then saw the attractive couple get into an elegant tilbury, by which stood a mounted groom in livery. At the moment when, from his high seat, the young man was drawing the reins even, she caught a glance from his eye such as a man casts aimlessly at the crowd; and then she enjoyed the feeble satisfaction of seeing him turn his head to look at her. The young lady did the same. Was it from jealousy?

“I imagine you have now seen enough of the garden,” said her brother. “We may go back to the dancing.”

“I am ready,” said she. “Do you think the girl can be a relation of Lady Dudley’s?”

“Lady Dudley may have some male relation staying with her,” said the Baron de Fontaine; “but a young girl! – No!”

Next day Mademoiselle de Fontaine expressed a wish to take a ride. Then she gradually accustomed her old uncle and her brothers to escorting her in very early rides, excellent, she declared for her health. She had a particular fancy for the environs of the hamlet where Lady Dudley was living. Notwithstanding her cavalry manoeuvres, she did not meet the stranger so soon as the eager search she pursued might have allowed her to hope. She went several times to the “Bal de Sceaux” without seeing the young Englishman who had dropped from the skies to pervade and beautify her dreams. Though nothing spurs on a young girl’s infant passion so effectually as an obstacle, there was a time when Mademoiselle de Fontaine was on the point of giving up her strange and secret search, almost despairing of the success of an enterprise whose singularity may give some idea of the boldness of her temper. In point of fact, she might have wandered long about the village of Chatenay without meeting her Unknown. The fair Clara – since that was the name Emilie had overheard – was not English, and the stranger who escorted her did not dwell among the flowery and fragrant bowers of Chatenay.

One evening Emilie, out riding with her uncle, who, during the fine weather, had gained a fairly long truce from the gout, met Lady Dudley. The distinguished foreigner had with her in her open carriage Monsieur Vandenesse. Emilie recognized the handsome couple, and her suppositions were at once dissipated like a dream. Annoyed, as any woman must be whose expectations are frustrated, she touched up her horse so suddenly that her uncle had the greatest difficulty in following her, she had set off at such a pace.

“I am too old, it would seem, to understand these youthful spirits,” said the old sailor to himself as he put his horse to a canter; “or perhaps young people are not what they used to be. But what ails my niece? Now she is walking at a foot-pace like a gendarme on patrol in the Paris streets. One might fancy she wanted to outflank that worthy man, who looks to me like an author dreaming over his poetry, for he has, I think, a notebook in his hand. My word, I am a great simpleton! Is not that the very young man we are in search of!”

At this idea the old admiral moderated his horse’s pace so as to follow his niece without making any noise. He had played too many pranks in the years 1771 and soon after, a time of our history when gallantry was held in honor, not to guess at once that by the merest chance Emilie had met the Unknown of the Sceaux gardens. In spite of the film which age had drawn over his gray eyes, the Comte de Kergarouet could recognize the signs of extreme agitation in his niece, under the unmoved expression she tried to give to her features. The girl’s piercing eyes were fixed in a sort of dull amazement on the stranger, who quietly walked on in front of her.

“Ay, that’s it,” thought the sailor. “She is following him as a pirate follows a merchantman. Then, when she has lost sight of him, she will be in despair at not knowing who it is she is in love with, and whether he is a marquis or a shopkeeper. Really these young heads need an old fogy like me always by their side…”

He unexpectedly spurred his horse in such a way as to make his niece’s bolt, and rode so hastily between her and the young man on foot that he obliged him to fall back on to the grassy bank which rose from the roadside. Then, abruptly drawing up, the Count exclaimed:

“Couldn’t you get out of the way?”

“I beg your pardon, monsieur. But I did not know that it lay with me to apologize to you because you almost rode me down.”

“There, enough of that, my good fellow!” replied the sailor harshly, in a sneering tone that was nothing less than insulting. At the same time the Count raised his hunting-crop as if to strike his horse, and touched the young fellow’s shoulder, saying, “A liberal citizen is a reasoner; every reasoner should be prudent.”

The young man went up the bankside as he heard the sarcasm; then he crossed his arms, and said in an excited tone of voice, “I cannot suppose, monsieur, as I look at your white hairs, that you still amuse yourself by provoking duels – ”

“White hairs!” cried the sailor, interrupting him. “You lie in your throat. They are only gray.”

A quarrel thus begun had in a few seconds become so fierce that the younger man forgot the moderation he had tried to preserve. Just as the Comte de Kergarouet saw his niece coming back to them with every sign of the greatest uneasiness, he told his antagonist his name, bidding him keep silence before the young lady entrusted to his care. The stranger could not help smiling as he gave a visiting card to the old man, desiring him to observe that he was living at a country-house at Chevreuse; and, after pointing this out to him, he hurried away.

“You very nearly damaged that poor young counter-jumper, my dear,” said the Count, advancing hastily to meet Emilie. “Do you not know how to hold your horse in? – And there you leave me to compromise my dignity in order to screen your folly; whereas if you had but stopped, one of your looks, or one of your pretty speeches – one of those you can make so prettily when you are not pert – would have set everything right, even if you had broken his arm.”

“But, my dear uncle, it was your horse, not mine, that caused the accident. I really think you can no longer ride; you are not so good a horseman as you were last year. – But instead of talking nonsense – ”

“Nonsense, by Gad! Is it nothing to be so impertinent to your uncle?”

“Ought we not to go on and inquire if the young man is hurt? He is limping, uncle, only look!”

“No, he is running; I rated him soundly.”

“Oh, yes, uncle; I know you there!”

“Stop,” said the Count, pulling Emilie’s horse by the bridle, “I do not see the necessity of making advances to some shopkeeper who is only too lucky to have been thrown down by a charming young lady, or the commander of La Belle-Poule.”

“Why do you think he is anything so common, my dear uncle? He seems to me to have very fine manners.”

“Every one has manners nowadays, my dear.”

“No, uncle, not every one has the air and style which come of the habit of frequenting drawing-rooms, and I am ready to lay a bet with you that the young man is of noble birth.”

“You had not long to study him.”

“No, but it is not the first time I have seen him.”

“Nor is it the first time you have looked for him,” replied the admiral with a laugh.

Emilie colored. Her uncle amused himself for some time with her embarrassment; then he said: “Emilie, you know that I love you as my own child, precisely because you are the only member of the family who has the legitimate pride of high birth. Devil take it, child, who could have believed that sound principles would become so rare? Well, I will be your confidant. My dear child, I see that his young gentleman is not indifferent to you. Hush! All the family would laugh at us if we sailed under the wrong flag. You know what that means. We two will keep our secret, and I promise to bring him straight into the drawing-room.”

“When, uncle?”

“To-morrow.”

“But, my dear uncle, I am not committed to anything?”

“Nothing whatever, and you may bombard him, set fire to him, and leave him to founder like an old hulk if you choose. He won’t be the first, I fancy?”

“You ARE kind, uncle!”

As soon as the Count got home he put on his glasses, quietly took the card out of his pocket, and read, “Maximilien Longueville, Rue de Sentier.”

“Make yourself happy, my dear niece,” he said to Emilie, “you may hook him with any easy conscience; he belongs to one of our historical families, and if he is not a peer of France, he infallibly will be.”

“How do you know so much?”

“That is my secret.”

“Then do you know his name?”

The old man bowed his gray head, which was not unlike a gnarled oak-stump, with a few leaves fluttering about it, withered by autumnal frosts; and his niece immediately began to try the ever-new power of her coquettish arts. Long familiar with the secret of cajoling the old man, she lavished on him the most childlike caresses, the tenderest names; she even went so far as to kiss him to induce him to divulge so important a secret. The old man, who spent his life in playing off these scenes on his niece, often paying for them with a present of jewelry, or by giving her his box at the opera, this time amused himself with her entreaties, and, above all, her caresses. But as he spun out this pleasure too long, Emilie grew angry, passed from coaxing to sarcasm and sulks; then, urged by curiosity, she recovered herself. The diplomatic admiral extracted a solemn promise from his niece that she would for the future be gentler, less noisy, and less wilful, that she would spend less, and, above all, tell him everything. The treaty being concluded, and signed by a kiss impressed on Emilie’s white brow, he led her into a corner of the room, drew her on to his knee, held the card under the thumbs so as to hide it, and then uncovered the letters one by one, spelling the name of Longueville; but he firmly refused to show her anything more.

This incident added to the intensity of Mademoiselle de Fontaine’s secret sentiment, and during chief part of the night she evolved the most brilliant pictures from the dreams with which she had fed her hopes. At last, thanks to chance, to which she had so often appealed, Emilie could now see something very unlike a chimera at the fountain-head of the imaginary wealth with which she gilded her married life. Ignorant, as all young girls are, of the perils of love and marriage, she was passionately captivated by the externals of marriage and love. Is not this as much as to say that her feeling had birth like all the feelings of extreme youth – sweet but cruel mistakes, which exert a fatal influence on the lives of young girls so inexperienced as to trust their own judgment to take care of their future happiness?

Next morning, before Emilie was awake, her uncle had hastened to Chevreuse. On recognizing, in the courtyard of an elegant little villa, the young man he had so determinedly insulted the day before, he went up to him with the pressing politeness of men of the old court.

“Why, my dear sir, who could have guessed that I should have a brush, at the age of seventy-three, with the son, or the grandson, of one of my best friends. I am a vice-admiral, monsieur; is not that as much as to say that I think no more of fighting a duel than of smoking a cigar? Why, in my time, no two young men could be intimate till they had seen the color of their blood! But ‘sdeath, sir, last evening, sailor-like, I had taken a drop too much grog on board, and I ran you down. Shake hands; I would rather take a hundred rebuffs from a Longueville than cause his family the smallest regret.”

However coldly the young man tried to behave to the Comte de Kergarouet, he could not resist the frank cordiality of his manner, and presently gave him his hand.

“You were going out riding,” said the Count. “Do not let me detain you. But, unless you have other plans, I beg you will come to dinner to-day at the Villa Planat. My nephew, the Comte de Fontaine, is a man it is essential that you should know. Ah, ha! And I propose to make up to you for my clumsiness by introducing you to five of the prettiest women in Paris. So, so, young man, your brow is clearing! I am fond of young people, and I like to see them happy. Their happiness reminds me of the good times of my youth, when adventures were not lacking, any more than duels. We were gay dogs then! Nowadays you think and worry over everything, as though there had never been a fifteenth and a sixteenth century.”

“But, monsieur, are we not in the right? The sixteenth century only gave religious liberty to Europe, and the nineteenth will give it political lib – ”

“Oh, we will not talk politics. I am a perfect old woman – ultra you see. But I do not hinder young men from being revolutionary, so long as they leave the King at liberty to disperse their assemblies.”