Lest We Forget: Chicago's Awful Theater Horror

Marshall Everett

Chicago's Awful Theater Horror

INTRODUCTION

By the Rt. Rev. Samuel Fallows, D.D., LL.D

When Chicago was burning, a little girl in a christian home in a neighboring city stamped her foot indignantly on the floor and said: "Why doesn't God put out the fire?"

The cry of many an agonized heart, beating in children of a larger growth, has been: "Why doesn't a God of wisdom and love prevent such an awful occurrence as the Iroquois fire?" "I have lost all faith in God," said a dear friend of mine, as its full meaning began to break upon him.

When we were carrying out the dying and the dead from that horrible darkness and choking smoke to the outer air, those of us who were wont to pray could only say, "O God have mercy! O God have mercy!"

But there must be no panic in our faculties. Reason must not desert her rightful throne. Blinded by tears, we must not in our consuming passion of resentment against the sickening catastrophe, attempt with our puny arms to strike against God. He did not cause the calamity. No responsibility for it can be rolled upon Him. God is law; and his laws had been palpably broken by human negligence and incompetency. God is love; and human greed and selfishness had violated every principle of love which "worketh no ill to his neighbor."

God cannot coerce man, as one by sheer brute force can another. The savage father may break both the body and soul of his child. Not so God, those of his children. Man must render a voluntary obedience to the Divine command. By pains and crosses and sorrows and shame he may be led to that surrender. But he must say with a free, princely spirit at last, "I will to do thy will O God."

It is the old problem of evil with which this terrible tragedy has brought us face to face. The generic evil, out of which all evils spring, every giant intellect of the ages has grappled with, and it has thrown them all. The question is not "Why should God permit this special evil to come to us, which has well nigh paralyzed our city and thrilled the civilized world both with horror and sympathy, but why did he create the world at all and put man upon it?" The finite cannot measure the Infinite. Imperfection belongs to the one; perfection to the other. Where there is imperfection there is always the possibility of evil.

A reverent faith will bow before the mystery and yet master it with an undaunted courage. Evil must exist if the Universe is to be. The Universe is, and it is the best possible Universe God can create. If he could have given us a better one he would not be the God we revere.

Evil is the vast, dark background against which He brings out the brightest pictures of beauty and life. From a "Paradise Lost" comes forth a "Paradise Regained" with its transcendent glory of progress, and allegiance to law and love.

"Calvary and Easter Day,Earth's saddest day and gladdest day,Were but one day apart."

God did not forsake his son in that supreme hour of anguish upon the Cross, when he cried out "My God, My God, why hast thou forsaken me?" He has never forsaken his world, nor the sinning and suffering souls that are in it. "God in history," is faith's jubilant assertion. He is in its minutest incidents and in its mightiest events, "in the rocking of a baby's cradle and the shaking of a monarch's throne," in the fiery furnace of the Iroquois Theater and in the most joyous assembly of his adoring saints.

God permitted this great evil in harmony with man's free will; he did not cause it. The evidence is overwhelming that human law, as well as divine law, had been consciously or unconsciously defied. Two thousand lives or more were brought together in a building professedly fire-proof, and warranted as the best, because the latest of its kind, in the city if not of the continent. It was not fire proof. The law forbade the crowding of aisles; they were filled from end to end, until almost every inch of standing room was taken up. The unusual number of exits was boasted of. Most of them were unseen or actually bolted and locked. The alleged fire proof curtain was a flimsy sham, and was resolved in almost a moment of time, into scattered fragments by the surging flames. The scenery was of the most combustible material, loaded down with paint and oil. Not a bucket of water was on the stage, and only one water stand-pipe without any hose. There never had been a fire apparatus of any kind in the balcony or the gallery. There was none in the auditorium except one small water stand pipe. There was not a fireman to answer the call for help. At no time had there been a fire drill by the employes of the theater. There were no notices posted to tell what to do in case of fire. There was no fire alarm box anywhere in the structure. Common prudence and common sense were completely set aside. Coroner Traeger in advance of the final finding of the jury, is reported to have said: "Sufficient proof has been already found to show that there was gross mismanagement and carelessness. There is no need of denial. Instead of being the safest theater in Chicago, the Iroquois was the unsafest."

But He who "maketh the wrath of man to praise him," who is ever bringing good out of evil, will overrule and is already overruling this dire calamity for the well being of mankind.

As I looked upon the charred and mangled and bruised bodies of tender women and little children and once strong men; as I listened to the moans of agony, and the cry of the living, tortured ones for help and for loved friends whom they had left behind or been separated from as the fiery blast swept them onward and outward, I said in my haste, "you all are 'martyrs by the pang without the palm'." I do not say it now. Martyrs indeed they were, by the criminal neglect of recreant men. But the palm is theirs. They have saved others, themselves they could not save. Thousands, perhaps millions, will in the future be secure in their places of resort, because these went on that fateful day to their inevitable doom. Mayors, architects, fire-inspectors, managers, stage carpenters, electricians, ushers and chiefs of police in every city have had their duty burned into their inmost consciousness by this consuming fire.

Human law, which has been so flagrantly set at naught, demands punishment. The public conscience will be outraged if the guilty parties do not meet stern, inexorable justice. It is not vengeance that is sought, for "Vengeance is mine, I will repay, saith the Lord."

But those who are immediately responsible, have not been the only transgressors, although they must suffer for their own guilt, and also vicariously for the sins of omission by others. For we have all sinned and come short of our duty. A common blame rests upon the whole community. Many a minister has been preaching upon the fire, but has his own church, perhaps crowded to the door, been safe while his eager congregation has listened to his impassioned utterances? Suppose the unexpected had happened, and the cry of fire had been heard and bursting flames been seen, would his hearers have escaped unhurt? Not if the church doors swung inward instead of outward; not if the means of escape were not abundant; not if camp chairs blocked the passages to the street. Who then would have been responsible? The clergymen, the church officers, the janitor, with the municipal or legal authorities would have had to share the blame.

Nearly two score of our city school teachers perished in the theater. How many school buildings are in such an imperfect condition today that thousands of young lives are in constant danger? Suppose again the unexpected should happen and tragedies be enacted which might even surpass the Iroquois disaster, would the Mayor, and his subordinates and the Board of Education and the teachers be held guiltless? Yet that fearful contingency might have taken place.

It is a question seriously to be considered whether or not the great majority of the apartment buildings in Chicago have the doors of the main entrance swinging outwards. I have climbed to the fourth and fifth stories of some of these edifices in which there are dark, narrow stair cases, and all the doors swing inwards. There is not a single element of fire proofing in them. I have gone up, in open elevators, in manufactories and office buildings where scores and hundreds of persons are employed, and have never felt safe a moment while remaining in them. They are fire traps of the worst description.

There are hotels whose very construction invites the devouring flames. There are stores crowded literally with thousands of persons on special occasions, where the consequences in case of fire would eclipse by far the Iroquois holocaust. No coaxing, or pleading, or grafting, or business considerations should stand in the way both of speedy condemnation and renovation in all these cases by our city officers.

Man is greater than Mammon. The sanctity of human life must be held supreme. The body is more than raiment and the soul than the body. A new civic spirit must pervade the people as the saltness the sea. Duty must tower infinitely above self-indulgence. Law must take the place of luck.

The plain lesson for our whole country and the world is to be alert to meet the dangers which may menace human life in the home, the workshop, the manufactory, the hotel, the theater, the church. Let ample means of exit be provided and always known to audiences. The tendency to a panic is always increased when people are apprehensive of danger and believe that they are hemmed in. Fear is contagious. A crowd feels and does not reason. Self-preservation, the first law of nature, asserts itself the more vehemently when the way of escape is uncertain. Panics may not always be prevented, but their dangers will be greatly diminished if every individual knows that he may with comparative leisure get out when he wishes so to do.

In the theater let it be known that every modern contrivance has been employed to secure safety. Let the curtain be of steel and so arranged that it will have full play to work in its grooves. Let automatic sprinklers be provided. Let the firemen in costume be in plain sight. Let the policemen be in full evidence. Let the aisles always be clear. Let there be ample room between the seats, and let the seats be easily raised to afford rapid departure. Let the ushers be drilled like soldiers to keep their places and allay confusion. All these and other things of like character appeal forcibly to the reasoning powers and tend to give an audience self command.

In many of our public schools the pupils are occasionally called from their rooms, during recitation hours, and promptly assembling are marched in an orderly way out of the building. This is an excellent plan.

Two marked instances of superb self-control among children in the panic at the Iroquois theater have been brought to my notice. Two little daughters of a highly esteemed friend slid down the balusters from the upper balcony and reached the main floor unhurt. One of my Sunday School teachers met a young lad she knew, leading by the hand a girl younger than himself to her home. They were sitting together when the stampede took place. "Jump on my shoulders," said the boy. Then holding her fast by her feet, he said: "Now use your fists and fight for all you're worth." Bending his head he forced his way with his conquering heroine to life. Let every safeguard that human ingenuity can devise be furnished and yet there always remains the personal element to be taken into the account. Habitual practice of self-control in daily life will help give coolness and calmness in times of peril. Keeping one's head in the ordinary things prevents its losing when the extraordinary occurs.

MEMORIAL PRAYER

The Rt. Rev. Samuel Fallows wrote this prayer for Chicago on its appointed day of mourning. It is a prayer for all mourners of all creeds:

"O God, our Heavenly Father, we pray for an unshaken faith in Thy goodness as our hearts are bowed in anguish before Thee.

Come with Thy touch of healing to those who are suffering fiery pain.

Open wide the gates of Paradise to the dying.

Comfort with the infinite riches of Thy grace the bereaved and mourning ones.

Forgive and counteract all our sins of omission and commission.

All this we ask for Thy dear name and mercy's sake. Amen."

MEMORIAL HYMN

Bishop Muldoon selected as the one familiar hymn most deeply expressive of the city's mourning, "Lead, Kindly Light," which he declared should be the united song of all Chicagoans on Memorial Day.

"Lead, kindly Light, amid th' encircling gloom,Lead Thou me on;The night is dark, and I am far from home,Lead Thou me on.Keep Thou my feet; I do not ask to seeThe distant scene; one step enough for me.I was not ever thus, nor prayed that ThouShouldst lead me on;I loved to choose and see my path; but nowLead Thou me on.I loved the garish day, and, spite of fears,Pride ruled my will: remember not past years.So long Thy power hath blessed me, sure it stillWill lead me onO'er moor and fen, o'er crag and torrent, tillThe night is gone,And with the morn those angel faces smile,Which I have loved long since, and lost awhile."

POEM BY A CHILD VICTIM

The following poem, written by Walter Bissinger, a boy victim of the Iroquois Theater fire, fifteen years old, was composed two years ago, in honor of the tenth anniversary of the youthful poet's uncle and aunt, Mr. and Mrs. Max Pottlitzer, of Lafayette, Ind., whose son Jack, aged ten, perished with his cousin in the terrible disaster:

HAVE A THOUGHTIHave a thought for the days that are long gone byTo the country of What-has-been,And a thought for the ones that unseen lie'Neath the mystic veilOf the future pale,As the years roll out and in.IIHave a thought for the host and hostess here,Aunt Emily and Uncle Max,And a thought for our friends to our hearts so dearThat around us tonightIn the joyous lightOf pleasure their souls relaxIIIHave a thought for the happy two tonightWho have passed their tenth wedded year,And the best of wishes, kind and bright,Which we impartWith a loving heartThat is faithful and sincere.

VERDICT OF CORONER'S JURY

From the testimony presented to us we, the jury, find the following were the causes of said fire:

Grand drapery coming in contact with electric flood or arc light, situated on iron platform on the right hand of stage, facing the auditorium.

City laws were not complied with relating to building ordinances regulating fire-alarm boxes, fire apparatus, damper or flues on and over the stage and fly galleries.

We also find a distinct violation of ordinance governing fireproofing of scenery and all woodwork on or about the stage.

Asbestos curtain totally destroyed; wholly inadequate, considering the highly inflammable nature of all stage fittings, and owing to the fact that the same was hung on wooden bottoms.

Building ordinances violated inclosing aisles on each side of lower boxes and not having any fire apparatus, dampers or signs designating exits on balcony.

LACK OF FIRE APPARATUS

Building ordinances violated regulating fire apparatus and signs designating exits on dress circle.

Building ordinances violated regulating fire apparatus and signs designating exits on balcony.

Generally the building is constructed of the best material and well planned, with the exception of the top balcony, which was built too steep and therefore difficult for people to get out of especially in case of an emergency.

We also note a serious defect in the wide stairs in extreme top east entrance leading to ladies' lavatory and gallery promenade, same being misleading, as many people mistook this for a regular exit, and, going as far as they could, were confronted with a locked door which led to a private stairway preventing many from escape and causing the loss of fifty to sixty lives.

HOLDING OF DAVIS AND HARRISON

We hold Will J. Davis, as president and general manager, principally responsible for the foregoing violations in the failure to see that the Iroquois theater was properly equipped as required by city ordinances, and that his employes were not sufficiently instructed and drilled for any and all emergencies; and we, the jury, recommend that the said Will J. Davis be held to the grand jury until discharged by due course of law.

We hold Carter H. Harrison, mayor of the city of Chicago, responsible, as he has shown a lamentable lack of force in his efforts to shirk responsibility, evidenced by testimony of Building Commissioner George Williams and Fire Marshal William H. Musham as heads of departments under the said Carter H. Harrison; following this weak course has given Chicago inefficient service, which makes such calamities as the Iroquois theater horror a menace until the public service is purged of incompetents; and we, the jury, recommend that the said Carter H. Harrison be held to the grand jury until discharged by due course of law.

RESPONSIBILITY OF WILLIAMS

We hold the said George Williams, as building commissioner, responsible for gross neglect of his duty in allowing the Iroquois Theater to open its doors to the public when the said theater was incomplete, and did not comply with the requirements of the building ordinances of the city of Chicago; and we, the jury, recommend that the said George Williams be held to the grand jury until discharged by due process of law.

We hold Edward Loughlin, as building inspector, responsible for gross neglect of duty and glaring incompetency in reporting the Iroquois theater "O. K." on a most superficial inspection; and we, the jury, recommend that the said Edward Loughlin be held to the grand jury until discharged by due course of law.

We hold William H. Musham, fire marshal, responsible for gross neglect of duty in not enforcing the city ordinances as they relate to his department, and failure to have his subordinate, William Sallers, fireman at the Iroquois Theater, report the lack of fire apparatus and appliances as required by law; and we, the jury, recommend that the said William H. Musham be held to the grand jury until discharged by due course of law.

NEGLECT OF DUTY BY SALLERS

We hold the said William Sallers, as fireman of Iroquois Theater, for gross neglect of duty in not reporting the lack of proper fire apparatus and appliances; and we, the jury, recommend that the said William Sallers be held to the grand jury until discharged by due course of law.

We hold William McMullen, electric-light operator, for gross neglect and carelessness in performance of duty; and we, the jury, recommend that the said William McMullen be held to the grand jury until discharged by due process of law.

We hold James E. Cummings, as stage carpenter and general superintendent of stage, responsible for gross carelessness and neglect of duty in not equipping the stage with proper fire apparatus and appliances; and we, the jury, recommend that the said James E. Cummings be held to the grand jury until discharged by due course of law.

From testimony presented to this jury, same shows a laxity and carelessness in city officials and their routine in transacting business, which calls for revision by the mayor and city council; and we, the jury demand immediate action on the following:

BUILDING DEPARTMENT

Should have classified printed lists, to be filled out by an inspector, then signed by head of department, before any public building can secure amusement license, and record kept thereof in duplicate carbon book.

All fire escapes should have separate passageways to the ground, without passing any openings in the walls.

All scenery and paraphernalia of any kind kept on the stage should be absolutely fireproof.

Asbestos curtains should be reinforced by steel curtains and held by steel cables.

There should be two electric mains entering all places of amusement, one from the front, with switchboard in box office, controlling entire auditorium and exits, and one on stage, to be used for theatrical purposes.

All city officials and employes should familiarize themselves with city ordinances as they relate to their respective departments, and pass a rigid and signed examination on same before they are given positions. This same rule should be made to apply to those holding office.

FIRE DEPARTMENT

All theaters and public places should be supplied with at least two city firemen, who shall be under the direction of the fire department and paid by the proprietors of said places.

We recommend that the office and detail work of the fire department, as imposed on the fire marshal, be made a separate and distinct work from fire fighting, as it is hardly to be expected of any fire marshal to give good and efficient service in both of these branches.

Also a police officer in full uniform detailed in and about said place at each and every performance.

In testimony wherof, the said coroner and jury of this inquest have hereunto set their hands the day and year aforesaid.

CHAPTER I.

THE STORY OF THE FIRE

No disaster, by flood, volcano, wreck or convulsion of nature has in recent times aroused such horror as swept over the civilized world when on December 30, 1903, a death-dealing blast of flame hurtled through the packed auditorium of the Iroquois theater, Chicago, causing the loss of nearly 600 lives of men, women and children, and injuries to unknown scores.

Strong words pale and appear meaningless when used in describing the full enormity of this disaster, which has no recent parallel save in the outbreaks of nature's irresistible forces. There have been greater losses of life by volcanoes, earthquakes and floods, but no fire horror of modern times has equaled this one, which in a brief half-hour turned a beautiful million-dollar theater into an oven piled high with corpses, some burned and mutilated and others almost unmarked in death.

Coming, as it did, in the midst of a holiday season, when the second greatest city in the United States was reveling in the gaiety of Christmas week, this sudden transformation of a playhouse filled with a pleasure-seeking throng into an inferno filled with shrieking living and mutilated dead, came as a thunderbolt from a clear sky.

It was a typical holiday matinee crowd, composed mostly of women and children, with here and there a few men. The production was the gorgeous scenic extravaganza "Mr. Bluebeard," with which the handsome new theater had been opened not a month before. "Don't fail to have the children see 'Mr. Bluebeard,'" was the advertisement spread broadcast throughout the city, and the children were there in force when the scorching sheet of flame leaped from the stage into the balcony and gallery where a thousand were packed.

The building had been heralded abroad as a "fireproof structure," with more than enough exits. Ushers and five men in city uniform were in the aisles. All was apparently safety, mirth and good cheer.

Then came the transformation scene!

The auditorium and the stage were darkened for the popular song "The Pale Moonlight." Eight dashing chorus girls and eight stalwart men in showy costume strolled through the measures of the piece, bathed in a flood of dazzling light. Up in the scenes a stage electrician was directing the "spot-light" which threw the pale moonlight effect on the stage.

Suddenly there was a startled cry. Far overhead where the "spot" was shooting forth its brilliant ray of concentrated light a tiny serpentine tongue of flame crept over the inside of the proscenium drape. It was an insignificant thing, yet the horrible possibilities it entailed flashed over all in an instant. A spark from the light had communicated to the rough edge of the heavy cloth drape. Like a flash it stole across the proscenium and high up into the gridiron above.

Accustomed as they were to insignificant fire scares and trying ordeals that are seldom the lot of those who lead a less strenuous life, the people of the stage hurried silently to the task of stamping out the blaze. In the orchestra pit it could readily be seen that something was radically wrong, but the trained musicians played on.

Members of the octette cast their eyes above and saw the tiny tongue of flame growing into a whirling maelstrom of fire. But it was a sight they had seen before. Surely something would happen to extinguish it. America's newest and most modern fireproof playhouse was not going to disappear before an insignificant fire in the rigging loft. So they continued to sway in sinuous steps to the rhythm of the throbbing orchestra. Their presence stilled the nervousness of the vast audience, which knew that something was wrong, but had no means of realizing what that something was.