Manners & Cvstoms of ye Englyshe

YE PUBLIC ITS EXCYTEMENTE ON YE APPEARANCE OF MISS LIND

Saturday, May 5, 1849.

To the Queen's House in the Haymarket to hear Jenny Lind, whom Everybody do call the Swedish Nightingale. Did go with a Pit Ticket, cost me 8s. 6d., which is a mighty Sum of Money to pay for only the Chance of a Seat. Went at 6 p.m., expecting a Crowd, and there a Mob of People already at the Doors, and some did say they had come as early as Five. Got as close as I could to the Pit Entrance, and the Throng increasing; and by-and-by Ladies in their Opera Dresses standing without their Bonnets in the Street. Many of them between the Carriage Wheels and under the Horses' Heads: and methinks I did never see more Carriages together in my Life. At last the Doors open; which I began to fear they never would, and I in with the Press, a most terrible Crush, and the Ladies screaming and their Dresses torn in the Scramble, wherefore I thought it a good Job that my Wife was not with me. With much ado into the Pit, the Way being stopped by a Snob in a green Jockey Coat and Bird's Eye Neckcloth, that the Checktakers would not suffer to pass. The Pit full in a Twinkling, and I fain to stand where I best might, nigh to Fop's Alley: but presently a Lady fainting with the Heat and carried out, which I glad of; I mean that I got her Place. I did never behold so much Company in the House before; and every Box full of Beauties, and hung with yellow Satin Curtains, did show like a brave picture in a Gold Frame; which was very handsome to look round upon while the Musicians were tuning. The Fiddles tuned, and the Overture played, the Curtain up for the Opera; which was the Sonnambula; the Part of Amina acted by Jenny. The moment she came on the Stage, the Audience, Lords, Ladies, and all, upon their Legs, shouting, cheering, waving Hats and Handkerchiefs, and clapping of Hands in white Kid Gloves. But at last they silent, and let the Nightingale sing: and for certain she is a wonderful Singer. It did amaze me to hear how easy and sweetly she do trill and warble the most difficult Passages: and I perceive she hath a rare Ability of Voice. But what did no less astonish me was her Acting, it being as good as her singing; for she did seem to forget herself in her Part, instead of her Part in herself; which is the Mistake of most Opera Singers. To think that she should draw the whole Town in Crowds together to hear her sing a few pretty Sugar-plum Melodies and portray the Grief of a poor Peasant Wench cast off by her Lover! But she do put a Grace and Beauty of her own into the Character and Musique: which I take to be the Mark of a true Genius. She made to sing divers Songs twice over, and called upon the Stage at the End of the Act, and again when the Opera was finished; when, good Lack, to see the Nosegays and Posies flung in Heaps upon the Stage! She must needs get a Mint of Money by her Singing; but she has spent a Deal of it in building Hospitals, and I do wish (Heaven forgive me!) I had all she has given away in Charity.

A PROSPECT OF EXETER HALL. SHOWYNGE A CHRISTIAN GENTLEMAN DENOUNCYNGE YE POPE

Wednesday, May 9, 1849.

Went this Morning to Exeter Hall, where one of the May Meetings that do regularly take Place at this Time of the Season, and serve in Lieu of Concerts and Shows to a Sort of People that call themselves serious. This, one of the Meetings of a Protestant Association, which I had heard much of and did long to go to, expecting to hear some good Argument against the Roman Catholiques. But instead of Argument, I did hear Nothing but Abuse, which do always go in at one Ear and out at the other. No new Point brought forward to confute Popery; but only an Iteration of the Old Charges of Superstition and so forth, urged with no greater Power than mere Strength of Lungs. The Commotions on the Continent last Year laid much Stress on, and the Turmoils in Catholique and Quiet in Protestant States contrasted, as though there had been no Disturbance or Trouble in Prussia or Denmark, or any Tumult or Revolution in Belgium or Portugal. I did note two chief Speakers, whom, on their rising, the Assembly did applaud as if they had been Actors, and to be sure, they ranted more frantically than I did ever see Hicks. Yet at Times they stooped to Drollery in the Height of their Passion, and one of them did make such Sport of the Roman Catholique Religion as would not have been suffered in the Adelphi Theatre. But I do find that some who would not be seen in a Play-House can enjoy their laugh at Exeter Hall. This Orator was a Clergyman of some Kind, for he was called Reverend in the Hand-bill, and dressed in a clerical Habit, but his Eyes and Face blazing with Wrath, did storm like a Madman against the Maynooth Grant and the Pope of Rome; and howled as fierce as a Hyæna. The other a Clergyman too, and looked as much like one, with his sneering angry Visage, and did vehemently harangue, crying bitterly out on some of my Lords and the Members of the Commons' House that had voted for Popish Endowment. His Oration a medley of Sarcasm, Invective, and Buffoonery, and wound up with a Flourish of Patriotism and Loyalty. The Speeches received with Applause and Laughter, but also with Interruptions and crying to turn Somebody out. The Speakers on a Platform, whereon they bounced backwards and forwards, having Rails in Front as if to hinder them from breaking loose on the Audience. Behind them a Crowd of dainty smooth Gentlemen in Black, with white Neckerchiefs, and to see how demure they looked, as if Butter would not melt in their Mouths! In the Body of the Hall a goodly Number of Heads, but by far the Most of them in Bonnets. The two chief Speeches lasted an Hour and a Half each, and the Chairman leaving his Seat, I away, my Head aching through the Raving. Such Violence, methinks, do only prove that there are other Bigots besides Papists; and is the worst Means of enforcing any Truth; for they that speak in Anger and Passion are commonly concluded by indifferent People to be in the Wrong. The Society complaining of want of Funds, which I do not wonder at, for I fear me the Subscribers have but few Catholiques converted for their Money.

YE EXHYBITYON AT YE ROYAL ACADEMYE

Monday, May 21, 1849.

This Morning with my Wife to the Exhibition of the Royal Academy, where 611 Paintings, besides Miniatures and other Drawings, and Pieces of Sculpture, making altogether 1341 Works of Art, and methought it would be strange if there were not some Masterpiece among so many. The Whole to be seen for the small Sum of 1s., and the Catalogue cost me 1s. more, but should have known all the old Hands as well without it. To see how easy it is to distinguish them by their Styles after two or three Years' Experience: as one by his Dogs, that might be expected to bark, or to talk rather, with their Looks and Ways like Human Creatures. Then another by his Colouring that do resemble a Mash of sweet Omelet with all the Colours of the Rainbow and many more; which methinks is a strange Fancy; but now he hath a Picture out of his trite Fashion; done after the Manner of the antique Masters, and a good Imitation. A third also by his unadorned Beauties with their glowing Eyes and Cheeks and plump swarthy flesh, and a fourth by his never-ending Perspectives, and Gulfs of Darkness, and Mountains of Blue. But this year I do mark fewer of these old Acquaintances, and more of the Works of younger Men, wherein there is less of Knack and more of Freshness, which I do esteem a hopeful Sign. The Exhibition at large I judge to be a very excellent middling one, many Pictures good in their Kind, but that Kind in very few Cases high. The Silks and Satins mostly painted to Admiration, and the Figures copied carefully from the Model; but this do appear too plainly; and the Action generally too much like a Scene in a Play. In the historical Pictures the Characters dressed strictly in the Fashion of their Time, but in the best of them a Lack of Fancy and Imagination, though seeming original through a certain Quaintness that do smack of Church-Window Saints and illuminated Missals. The Landscapes better, and a most brave Morning on the Lake of Zurich by one that hath the right Stuff in him, and some sweet melancholy Shades and solemn Groves, and a Solitary Pool that did please me mightily, and my Wife do say that the Artist should be Commissioner of Woods and Forests. Some Pictures of common Life pretty enough, and a little Crowd before a pleasant sentimental one called the Duet. One or two droll ones, as the Slide, and Drawing for the Militia, did make me laugh; but to think how many Woodcuts as good as the best you can get in a little Miscellany published weekly, cost you 3d. Fewer silly Portraits of Gentlemen and Ladies than formerly, which is a Comfort. The Pictures fairly enough hung, and strange to see a dead Lion between Monsieur Guizot and Prince Metternich, as though to represent absolute Monarchy, and seemed meant for a Joke. Some Pictures in the Octagon Room, which could not tell whether they were good or no for Want of Light, and the same with all the Sculptures in their Lumber Hole. This is how we treat Art in this Country, and with Paintings presented to the Nation buried in a Vault, but sorry Encouragement is given to Genius; and no Wonder that Artists do Pictures for Furniture to sell to the great and small Vulgar, and so produce the Kind of Works that make up the greater Part of the Exhibition.

A VIEW OF EPSOM DOWNES ON YE DERBYE DAYE

Wednesday, May 23, 1849. – Derby Day.

To Epsom Downs to the Great Derby Race. In a Barouche, with a Party, over Vauxhall Bridge, and by Clapham, carrying Hampers with Store of every Thing needful for a brave Lunch. The Windows and House Fronts crowded, and School-Boys mounted on Walls and Gates, and they and the Urchins in the Street shouting, as though we were going to the Races for their Amusement. But Lack! to see the pretty smart Damsels come out to gaze at us, or peeping behind Blinds and Curtains, all in high Glee, and good Humour do wonderfully heighten Beauty, as I do tell my Wife. The Road through Trees and Orchards, and the Sun shining through the young Leaves and on the Horse-Chestnut Blossoms, and the Flowers looking bright like the Lasses. So we on, till into the Ruck, which is the Jam of Carriages caused by the Stoppage at the Turnpike: and did banter each other and them about us. Across the Course to the Hill, the Admission cost us £1. Good Lack! what a Crowd of People collected to see which out of six-and-twenty Horses should run the fastest, and what a Medley of Vans, Omnibusses, and Taxed Carts on either Side of the Course with the People in Front of them, and the Grand Stand crowded with Heads, plenty as Blackberries, and seeming like a huge Mass of them. A Throng of Carriages about us, whereon young handsome rakish-looking Gallants with Mustaches and Cigars. Here and there, in open Coaches, Ladies in lilac and blue Dresses, and pink Bonnets, and gay Ribbons, all Manner of Colours, looking, with the parti-coloured Flags over the Booths, mighty lively. Presently a Bell rung and the Course cleared, but then to see an unlucky Dog running to get out, and the Mob yelling at him, and the poor Dog in his Fright rushing straight on like mad! Then the Horses with the motley Jockies on them prancing up and down before the Grand Stand, to show their Paces to the Folks in the Betting Ring. At last, they taken to the Post, and so started with much Cheering, and came easy round Tattenham Corner; but presently away in good earnest, like Shot! The Chief Struggle between the Flying Dutchman

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