Hilary Mantel Collection: Six of Her Best Novels

‘But I think it is generally understood, in the Scriptures, that “children” means “sons”.’

The cardinal justifies the text, referring to the Hebrew; his voice is mild, lulling. He loves to instruct, where there is the will to be instructed. They have known each other some years now, and though the cardinal is very grand, formality has faded between them. ‘I have a son,’ he says. ‘You know that, of course. God forgive me. A weakness of the flesh.’

The cardinal's son – Thomas Winter, they call him – seems inclined to scholarship and a quiet life; though his father may have other ideas. The cardinal has a daughter too, a young girl whom no one has seen. Rather pointedly, he has called her Dorothea, the gift of God; she is already placed in a convent, where she will pray for her parents.

‘And you have a son,’ the cardinal says. ‘Or should I say, you have one son you give your name to. But I suspect there are some you don't know, running around on the banks of the Thames?’

‘I hope not. I wasn't fifteen when I ran away.’

It amuses Wolsey, that he doesn't know his age. The cardinal peers down through the layers of society, to a stratum well below his own, as the butcher's beef-fed son; to a place where his servant is born, on a day unknown, in deep obscurity. His father was no doubt drunk at his birth; his mother, understandably, was preoccupied. Kat has assigned him a date; he is grateful for it.

‘Well, fifteen …’ the cardinal says. ‘But at fifteen I suppose you could do it? I know I could. Now I have a son, your boatman on the river has a son, your beggar on the street has a son, your would-be murderers in Yorkshire no doubt have sons who will be sworn to pursue you in the next generation, and you yourself, as we have agreed, have spawned a whole tribe of riverine brawlers – but the king, alone, has no son. Whose fault is that?’

‘God's?’

‘Nearer than God?’

‘The queen?’

‘More responsible for everything than the queen?’

He can't help a broad smile. ‘Yourself, Your Grace.’

‘Myself, My Grace. What am I going to do about it? I tell you what I might do. I might send Master Stephen to Rome to sound out the Curia. But then I need him here …’

Wolsey looks at his expression, and laughs. Squabbling underlings! He knows quite well that, dissatisfied with their original parentage, they are fighting to be his favourite son. ‘Whatever you think of Master Stephen, he is well grounded in canon law, and a very persuasive fellow, except when he tries to persuade you. I will tell you –’ He breaks off; he leans forward, he puts his great lion's head in his hands, the head that would indeed have worn the papal tiara, if at the last election the right money had been paid out to the right people. ‘I have begged him,’ the cardinal says. ‘Thomas, I sank to my knees and from that humble posture I tried to dissuade him. Majesty, I said, be guided by me. Nothing will ensue, if you wish to be rid of your wife, but a great deal of trouble and expense.’

‘And he said …?’

‘He held up a finger. In warning. “Never,” he said, “call that dear lady my wife, until you can show me why she is, and how it can be so. Till then, call her my sister, my dear sister. Since she was quite certainly my brother's wife, before going through a form of marriage with me.”’

You will never draw from Wolsey a word that is disloyal to the king. ‘What it is,’ he says, ‘it's …’ he hesitates over the word, ‘it's, in my opinion … preposterous. Though my opinion, of course, does not go out of this room. Oh, don't doubt it, there were those at the time who raised their eyebrows over the dispensation. And year by year there were persons who would murmur in the king's ear; he didn't listen, though now I must believe that he heard. But you know the king was the most uxorious of men. Any doubts were quashed.’ He places a hand, softly and firmly, down on his desk. ‘They were quashed and quashed.’

But there is no doubt of what Henry wants now. An annulment. A declaration that his marriage never existed. ‘For eighteen years,’ the cardinal says, ‘he has been under a mistake. He has told his confessor that he has eighteen years' worth of sin to expiate.’

He waits, for some gratifying small reaction. His servant simply looks back at him: taking it for granted that the seal of the confessional is broken at the cardinal's convenience.

‘So if you send Master Stephen to Rome,’ he says, ‘it will give the king's whim, if I may –’

The cardinal nods: you may so term it.

‘– an international airing?’

‘Master Stephen may go discreetly. As it were, for a private papal blessing.’

‘You don't understand Rome.’

Wolsey can't contradict him. He has never felt the chill at the nape of the neck that makes you look over your shoulder when, passing from the Tiber's golden light, you move into some great bloc of shadow. By some fallen column, by some chaste ruin, the thieves of integrity wait, some bishop's whore, some nephew-of-a-nephew, some monied seducer with furred breath; he feels, sometimes, fortunate to have escaped that city with his soul intact.

‘Put simply,’ he says, ‘the Pope's spies will guess what Stephen's about while he is still packing his vestments, and the cardinals and the secretaries will have time to fix their prices. If you must send him, give him a great deal of ready money. Those cardinals don't take promises; what they really like is a bag of gold to placate their bankers, because they're mostly run out of credit.’ He shrugs. ‘I know this.’

‘I should send you,’ the cardinal says, jolly. ‘You could offer Pope Clement a loan.’

Why not? He knows the money markets; it could probably be arranged. If he were Clement, he would borrow heavily this year to hire in troops to ring his territories. It's probably too late; for the summer season's fighting, you need to be recruiting by Candlemas. He says, ‘Will you not start the king's suit within your own jurisdiction? Make him take the first steps, then he will see if he really wants what he says he wants.’

‘That is my intention. What I mean to do is to convene a small court here in London. We will approach him in a shocked fashion: King Harry, you appear to have lived all these years in an unlawful manner, with a woman not your wife. He hates – saving His Majesty – to appear in the wrong: which is where we must put him, very firmly. Possibly he will forget that the original scruples were his. Possibly he will shout at us, and hasten in a fit of indignation back to the queen. If not, then I must have the dispensation revoked, here or in Rome, and if I succeed in parting him from Katherine I shall marry him, smartly, to a French princess.’

No need to ask if the cardinal has any particular princess in mind. He has not one but two or three. He never lives in a single reality, but in a shifting, shadow-mesh of diplomatic possibilities. While he is doing his best to keep the king married to Queen Katherine and her Spanish-Imperial family, by begging Henry to forget his scruples, he will also plan for an alternative world, in which the king's scruples must be heeded, and the marriage to Katherine is void. Once that nullity is recognised – and the last eighteen years of sin and suffering wiped from the page – he will readjust the balance of Europe, allying England with France, forming a power bloc to oppose the young Emperor Charles, Katherine's nephew. And all outcomes are likely, all outcomes can be managed, even massaged into desirability: prayer and pressure, pressure and prayer, everything that comes to pass will pass by God's design, a design re-envisaged and redrawn, with helpful emendations, by the cardinal. He used to say, ‘The king will do such-and-such.’ Then he began to say, ‘We will do such-and-such.’ Now he says, ‘This is what I will do.’

‘But what will happen to the queen?’ he asks. ‘If he casts her off, where will she go?’

‘Convents can be comfortable.’

‘Perhaps she will go home to Spain.’

‘No, I think not. It is another country now. It is – what? – twenty-seven years since she landed in England.’ The cardinal sighs. ‘I remember her, at her coming-in. Her ships, as you know, had been delayed by the weather, and she had been day upon day tossed in the Channel. The old king rode down the country, determined to meet her. She was then at Dogmersfield, at the Bishop of Bath's palace, and making slow progress towards London; it was November and, yes, it was raining. At his arriving, her household stood upon their Spanish manners: the princess must remained veiled, until her husband sees her on her wedding day. But you know the old king!’

He did not, of course; he was born on or about the date the old king, a renegade and a refugee all his life, fought his way to an unlikely throne. Wolsey talks as if he himself had witnessed everything, eye-witnessed it, and in a sense he has, for the recent past arranges itself only in the patterns acknowledged by his superior mind, and agreeable to his eye. He smiles. ‘The old king, in his later years, the least thing could arouse his suspicion. He made some show of reining back to confer with his escort, and then he leapt – he was still a lean man – from the saddle, and told the Spanish to their faces, he would see her or else. My land and my laws, he said; we'll have no veils here. Why may I not see her, have I been cheated, is she deformed, is it that you are proposing to marry my son Arthur to a monster?’

Thomas thinks, he was being unnecessarily Welsh.

‘Meanwhile her women had put the little creature into bed; or said they had, for they thought that in bed she would be safe against him. Not a bit. King Henry strode through the rooms, looking as if he had in mind to tear back the bedclothes. The women bundled her into some decency. He burst into the chamber. At the sight of her, he forgot his Latin. He stammered and backed out like a tongue-tied boy.’ The cardinal chuckled. ‘And then when she first danced at court – our poor prince Arthur sat smiling on the dais, but the little girl could hardly sit still in her chair – no one knew the Spanish dances, so she took to the floor with one of her ladies. I will never forget that turn of her head, that moment when her beautiful red hair slid over one shoulder … There was no man who saw it who didn't imagine – though the dance was in fact very sedate … Ah dear. She was sixteen.’

The cardinal looks into space and Thomas says, ‘God forgive you?’

‘God forgive us all. The old king was constantly taking his lust to confession. Prince Arthur died, then soon after the queen died, and when the old king found himself a widower he thought he might marry Katherine himself. But then …’ He lifts his princely shoulders. ‘They couldn't agree over the dowry, you know. The old fox, Ferdinand, her father. He would fox you out of any payment due. But our present Majesty was a boy of ten when he danced at his brother's wedding, and, in my belief, it was there and then that he set his heart on the bride.’

They sit and think for a bit. It's sad, they both know it's sad. The old king freezing her out, keeping her in the kingdom and keeping her poor, unwilling to miss the part of the dowry he said was still owing, and equally unwilling to pay her widow's portion and let her go. But then it's interesting too, the extensive diplomatic contacts the little girl picked up during those years, the expertise in playing off one interest against another. When Henry married her he was eighteen, guileless. His father was no sooner dead than he claimed Katherine for his own. She was older than he was, and years of anxiety had sobered her and taken something from her looks. But the real woman was less vivid than the vision in his mind; he was greedy for what his older brother had owned. He felt again the little tremor of her hand, as she had rested it on his arm when he was a boy of ten. It was as if she had trusted him, as if – he told his intimates – she had recognised that she was never meant to be Arthur's wife, except in name; her body was reserved for him, the second son, upon whom she turned her beautiful blue-grey eyes, her compliant smile. She always loved me, the king would say. Seven years or so of diplomacy, if you can call it that, kept me from her side. But now I need fear no one. Rome has dispensed. The papers are in order. The alliances are set in place. I have married a virgin, since my poor brother did not touch her; I have married an alliance, her Spanish relatives; but, above all, I have married for love.

And now? Gone. Or as good as gone: half a lifetime waiting to be expunged, eased from the record.

‘Ah, well,’ the cardinal says. ‘What will be the outcome? The king expects his own way, but she, she will be hard to move.’

There is another story about Katherine, a different story. Henry went to France to have a little war; he left Katherine as regent. Down came the Scots; they were well beaten, and at Flodden the head of their king cut off. It was Katherine, that pink-and-white angel, who proposed to send the head in a bag by the first crossing, to cheer up her husband in his camp. They dissuaded her; told her it was, as a gesture, un-English. She sent, instead, a letter. And with it, the surcoat in which the Scottish king had died, which was stiffened, black and crackling with his pumped-out blood.

The fire dies, an ashy log subsiding; the cardinal, wrapped in his dreams, rises from his chair and personally kicks it. He stands looking down, twisting the rings on his fingers, lost in thought. He shakes himself and says, ‘Long day. Go home. Don't dream of Yorkshiremen.’

Thomas Cromwell is now a little over forty years old. He is a man of strong build, not tall. Various expressions are available to his face, and one is readable: an expression of stifled amusement. His hair is dark, heavy and waving, and his small eyes, which are of very strong sight, light up in conversation: so the Spanish ambassador will tell us, quite soon. It is said he knows by heart the entire New Testament in Latin, and so as a servant of the cardinal is apt – ready with a text if abbots flounder. His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop's palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything.

He rises to leave, says, ‘If you did have a word with God and the sun came out, then the king could ride out with his gentlemen, and if he were not so fretted and confined then his spirits would rise, and he might not be thinking about Leviticus, and your life would be easier.’

‘You only partly understand him. He enjoys theology, almost as much as he enjoys riding out.’

He is at the door. Wolsey says, ‘By the way, the talk at court … His Grace the Duke of Norfolk is complaining that I have raised an evil spirit, and directed it to follow him about. If anyone mentions it to you … just deny it.’

He stands in the doorway, smiling slowly. The cardinal smiles too, as if to say, I have saved the good wine till last. Don't I know how to make you happy? Then the cardinal drops his head over his papers. He is a man who, in England's service, scarcely needs to sleep; four hours will refresh him, and he will be up when Westminster's bells have rung in another wet, smoky, lightless April day. ‘Good night,’ he says. ‘God bless you, Tom.’

Outside his people are waiting with lights to take him home. He has a house in Stepney but tonight he is going to his town house. A hand on his arm: Rafe Sadler, a slight young man with pale eyes. ‘How was Yorkshire?’

Rafe's smile flickers, the wind pulls the torch flame into a rainy blur.

‘I haven't to speak of it; the cardinal fears it will give us bad dreams.’

Rafe frowns. In all his twenty-one years he has never had bad dreams; sleeping securely under the Cromwell roof since he was seven, first at Fenchurch Street and now at the Austin Friars, he has grown up with a tidy mind, and his night-time worries are all rational ones: thieves, loose dogs, sudden holes in the road.

‘The Duke of Norfolk …’ he says, then, ‘no, never mind. Who's been asking for me while I've been away?’

The damp streets are deserted; the mist is creeping from the river. The stars are stifled in damp and cloud. Over the city lies the sweet, rotting odour of yesterday's unrecollected sins. Norfolk kneels, teeth chattering, beside his bed; the cardinal's late-night pen scratches, scratches, like a rat beneath his mattress. While Rafe, by his side, gives him a digest of the office news, he formulates his denial, for whom it may concern: ‘His Grace the cardinal wholly rejects any imputation that he has sent an evil spirit to wait upon the Duke of Norfolk. He deprecates the suggestion in the strongest possible terms. No headless calf, no fallen angel in the shape of loll-tongued dog, no crawling pre-used winding sheet, no Lazarus nor animated cadaver has been sent by His Grace to pursue His Grace: nor is any such pursuit pending.’

Someone is screaming, down by the quays. The boatmen are singing. There is a faint, faraway splashing; perhaps they are drowning someone. ‘My lord cardinal makes this statement without prejudice to his right to harass and distress my lord of Norfolk by means of any fantasma which he may in his wisdom elect: at any future date, and without notice given: subject only to the lord cardinal's views in the matter.’

This weather makes old scars ache. But he walks into his house as if it were midday: smiling, and imagining the trembling duke. It is one o'clock. Norfolk, in his mind, is still kneeling. A black-faced imp with a trident is pricking his calloused heels.

III At Austin Friars 1527

Lizzie is still up. When she hears the servants let him in, she comes out with his little dog under her arm, fighting and squealing.

‘Forget where you lived?’

He sighs.

‘How was Yorkshire?’

He shrugs.

‘The cardinal?’

He nods.

‘Eaten?’

‘Yes.’

‘Tired?’

‘Not really.’

‘Drink?’

‘Yes.’

‘Rhenish?’

‘Why not.’

The panelling has been painted. He walks into the subdued green and golden glow. ‘Gregory –’

‘Letter?’

‘Of sorts.’

She gives him the letter and the dog, while she fetches the wine. She sits down, taking a cup herself.

‘He greets us. As if there were only one of us. Bad Latin.’

‘Ah, well,’ she says.

‘So, listen. He hopes you are well. Hopes I am well. Hopes his lovely sisters Anne and little Grace are well. He himself is well. And now no more for lack of time, your dutiful son, Gregory Cromwell.’

‘Dutiful?’ she says. ‘Just that?’

‘It's what they teach them.’

The dog Bella nibbles his fingertips, her round innocent eyes shining at him like alien moons. Liz looks well, if worn by her long day; wax tapers stand tall and straight behind her. She is wearing the string of pearls and garnets that he gave her at New Year.

‘You're sweeter to look at than the cardinal,’ he says.

‘That's the smallest compliment a woman ever received.’

‘And I've been working on it all the way from Yorkshire.’ He shakes his head. ‘Ah well!’ He holds Bella up in the air; she kicks her legs in glee. ‘How's business?’

Liz does a bit of silk-work. Tags for the seals on documents; fine net cauls for ladies at court. She has two girl apprentices in the house, and an eye on fashion; but she complains, as always, about the middlemen, and the price of thread. ‘We should go to Genoa,’ he says. ‘I'll teach you to look the suppliers in the eye.’

‘I'd like that. But you'll never get away from the cardinal.’

‘He tried to persuade me tonight that I should get to know people in the queen's household. The Spanish-speakers.’

‘Oh?’

‘I told him my Spanish wasn't so good.’

‘Not good?’ She laughs. ‘You weasel.’

‘He doesn't have to know everything I know.’

‘I've been visiting in Cheapside,’ she says. She names one of her old friends, a master jeweller's wife. ‘Would you like the news? A big emerald was ordered and a setting commissioned, for a ring, a woman's ring.’ She shows him the emerald, big as her thumbnail.

‘Which arrived, after a few anxious weeks, and they were cutting it in Antwerp.’ Her fingers flick outwards. ‘Shattered!’

‘So who bears the loss?’

‘The cutter says he was swindled and it was a hidden flaw in the base. The importer says, if it was so hidden, how could I be expected to know? The cutter says, so collect damages from your supplier …’

‘They'll be at law for years. Can they get another?’

‘They're trying. It must be the king, so we think. Nobody else in London would be in the market for a stone of that size. So who's it for? It isn't for the queen.’

The tiny Bella now lies back along his arm, her eyes blinking, her tail gently stirring. He thinks, I shall be curious to see if and when an emerald ring appears. The cardinal will tell me. The cardinal says, it's all very well, this business of holding the king off and angling after presents, but he will have her in his bed this summer, for sure, and by the autumn he'll be tired of her, and pension her off; if he doesn't, I will. If Wolsey's going to import a fertile French princess, he doesn't want her first weeks spoiled by scenes of spite with superseded concubines. The king, Wolsey thinks, ought to be more ruthless about his women.

Liz waits for a moment, till she knows she isn't going to get a hint. ‘Now, about Gregory,’ she says. ‘Summer coming. Here, or away?’

Gregory is coming up thirteen. He's at Cambridge, with his tutor. He's sent his nephews, his sister Bet's sons, to school with him; it's something he is glad to do for the family. The summer is for their recreation; what would they do in the city? Gregory has little interest in his books so far, though he likes to be told stories, dragon stories, stories of green people who live in the woods; you can drag him squealing through a passage of Latin if you persuade him that over the page there's a sea serpent or a ghost. He likes to be in the woods and fields and he likes to hunt. He has plenty of growing to do, and we hope he will grow tall.

The king's maternal grandfather, as all old men will tell you, stood six foot four. (His father, however, was more the size of Morgan Williams.) The king stands six foot two, and the cardinal can look him in the eye. Henry likes to have about him men like his brother-in-law Charles Brandon, of a similar impressive height and breadth of padded shoulder. Height is not the fashion in the back alleys; and, obviously, not in Yorkshire.

He smiles. What he says about Gregory is, at least he isn't like I was, when I was his age; and when people say, what were you like? he says, oh, I used to stick knives in people. Gregory would never do that; so he doesn't mind – or minds less than people think – if he doesn't really get to grips with declensions and conjugations. When people tell him what Gregory has failed to do, he says, ‘He's busy growing.’ He understands his need to sleep; he never got much sleep himself, with Walter stamping around, and after he ran away he was always on the ship or on the road, and then he found himself in an army. The thing people don't understand about an army is its great, unpunctuated wastes of inaction: you have to scavenge for food, you are camped out somewhere with a rising water level because your mad capitaine says so, you are shifted abruptly in the middle of the night into some indefensible position, so you never really sleep, your equipment is defective, the gunners keep causing small unwanted explosions, the crossbow-men are either drunk or praying, the arrows are ordered up but not here yet, and your whole mind is occupied by a seething anxiety that things are going to go badly because il principe, or whatever little worshipfulness is in charge today, is not very good at the basic business of thinking. It didn't take him many winters to get out of fighting and into supply. In Italy, you could always fight in the summer, if you felt like it. If you wanted to go out.