The Inner Flame

"However that may be," returned the other immovably, "'t wa'n't you that did it. 'Twas your Cousin Mary."

"Oh – was it? Oh, indeed?" responded Mrs. Fabian, slipping back her furs still further. Eliza Brewster's disagreeable manner was making her nervous. "Yes, I believe Mrs. Sidney was with us on her wedding-trip just at that time. Mr. Fabian and I have just returned from visiting Mrs. Sidney out in her wild mountain home."

Eliza's eyes roved involuntarily to two blank sheets of board standing on the mantelpiece; but she was silent.

"Do you know the contents of Aunt Mary's will, Eliza?" asked Mrs. Fabian, after waiting vainly for an inquiry as to her cousin's well-being.

"I do."

"What do you think of it?"

"That don't matter, does it?"

A streak of light illumined Mrs. Fabian's annoyance. Ah, that was what was the matter with Eliza. After twenty-five years of faithful service, she had expected to inherit her mistress's few hundreds. Full explanation, this, of the present sullenness. The disappointment must, indeed, have been bitter.

Mrs. Fabian felt an impulse of genuine sympathy. She knew the singular loneliness of Eliza's situation; knew that she had no near kin, and the transplanting from the island home had been complete. What an outlook now, was Eliza Brewster's!

"Perhaps the will was as much of a surprise to you as it was to the rest of us," Mrs. Fabian went on. "The Sidneys were amazed. They didn't tell me just how much Aunt Mary left young Mr. Sidney. Do you know?"

"Yes," replied Eliza promptly.

And again Mrs. Fabian looked at her interrogatively. As well question the Sphinx. She comprehended the stony closing of the thin lips. There might be a combination which would make them open, but she did not have it. She shrugged her fine-cloth shoulders. "Oh, well, it doesn't matter. It must have been very little, anyway."

She sighed. She must get at her business, though she dreaded absurdly to introduce it. "Well, Eliza, if you will take me to Aunt Mary's room, I will go through her belongings. It is always the most painful duty connected with a death, but it cannot be escaped."

Eliza stared at her, speechless.

"Aunt Mary had a few very nice things," went on Mrs. Fabian. She tried to smile as at a loving memory. "The regulation treasures of a dear old lady, – her diamond ring, a diamond brooch, and a camel's hair shawl – My heavens!" cried the visitor, interrupting herself suddenly with a shriek of terror. "Take it away! Take it away!"

She clung to the back of her chair; for Pluto, silent as a shadow, had sprung upon the ends of her pelerine as they lay in her lap and was daintily nosing the fur, while perilously grasping its richness, his eyes glowing with excitement. Eliza rose, and sweeping him into one arm resumed her seat.

"Oh, how that frightened me!" Mrs. Fabian panted and looked angrily at the animal with the jetty coat and abbreviated tail, whose eyes, live emeralds, expanded and contracted as they glowed still upon the coveted fur.

If she expected an apology, none came. Eliza's pale face showed no emotion. Endurance was written in every line.

"To be interrupted at such a critical moment!" Mrs. Fabian felt it was unbearable.

"Let me see" – she began again with a little laugh. "Your pet knocked everything out of my head, Eliza. Oh, yes, I was saying that I will look over Aunt Mary's things now."

She rose as she spoke. Eliza kept her seat.

"You can't do that, Mrs. Fabian."

"I certainly shall, Eliza Brewster. What do you mean?"

"I mean that they're mine. She left 'em all to me."

The speaker struggled to control the trembling of her lips.

The visitor looked the limp black alpaca figure over, haughtily.

"Aunt Mary left you her diamond ring, her diamond brooch, and her camel's hair shawl?" she asked sceptically.

"She left her diamond brooch to her namesake, Mrs. Sidney. I sent it to her a week ago."

"Then, since you know Aunt Mary's wishes, what did she leave me? The ring?"

"No, ma'am!"

"The shawl?"

"No, ma'am."

Mrs. Fabian's nostrils dilated.

"My aunt's poor trifles are nothing to me, of course, except for sentiment's sake," she said haughtily.

Eliza bowed her bitter face over Pluto's fur.

"I am quite sure, however, that she did not pass away without some mention of me, – her sister's child."

"She did, though, Mrs. Fabian. If it's a keepsake you want," added Eliza drily, "you may have the paper-cutter. It's never been out o' the box."

The visitor, still standing, eyed the other with compressed lips before she spoke: —

"I have told you that I don't consider you responsible to-day. You are half-crazed, and I'm sorry for you. Answer me this, however, and mind, I shall verify your words by a visit to Mrs. Ballard's lawyer. Did my aunt leave you, legally, all her personal possessions?"

"She did."

Mrs. Fabian maintained another space of silence, gazing at the seated figure, whose gown looked rusty behind the polished lynx-black pressed against it. There was no mistaking the truth in the pale, wretched eyes.

"Disappointed about the money, though, and taking out her ill temper on me," thought the visitor.

To Eliza's increased heaviness of heart, the lady resumed her seat.

"Aunt Mary's death was sudden and unexpected and that explains her not speaking of me," she said; "but I know it would please her that I should use something that she had owned. I remember that shawl as being a very good one. It came to her from some of her husband's people. I'll buy that of you, Eliza."

"Will you?" returned the other, and Pluto emitted an indignant yowl and tried to leap from the tightening hold.

"Don't you let him go, Eliza!" cried Mrs. Fabian in a panic. "He's crazy about my fur. They always are. – Yes, the shawl is of no use to you and the money will be. It is so fine, it would be wicked to cut it into a wrap. I shall spread it on my grand piano."

Silence, while Eliza struggled still to control the trembling lips, and Pluto twisted to escape her imprisoning arm.

"I'm willing to give you twenty-five dollars for that shawl."

Mrs. Fabian waited, and presently Eliza spoke: —

"It ain't enough," she said, against her impeding breath.

"Fifty, then. We all feel grateful to you."

"Mrs. Fabian," Eliza sat up in her chair as if galvanized and looked her visitor in the eyes, while she spoke with unsteady solemnity, "the price o' that shawl is one million dollars."

The visitor stared at the shabby figure with the grey, unkempt locks, then shrugged her shoulders with a smile. "You'll come to your senses, Eliza," she said. "Some day that fifty dollars will look very good to you. I'll hold the offer open – "

"Likewise," added Eliza, breaking in upon her words with heightened voice, but the same deliberation, "that is the price of each handkerchief she left me, and each one of her little, wornout slippers, and her – "

She could get no further. She choked. Mrs. Fabian rose; Pluto, with another cry and a supreme writhe, tore himself from his iron prison.

The visitor shuddered, and looked at him fearfully, as his eager eyes seemed to threaten her. She hastened precipitately toward the door.

Eliza, putting the utmost constraint upon herself, rose and ushered her out.

Mrs. Fabian uttered a brief good-bye. Eliza was beyond speech.

While the visitor entered her waiting car, and sank with relief among its cushions, the mourner stood, her back against the closed door, and her eyes closed.

Restrained drops ran down her cheeks in well-worn ruts, and occasionally a spasmodic sob shook the slight form.

Pluto came to her feet, his short tail stiffly outstretched and his half-closed eyes lifted to the sightless face. In the long silence he rubbed himself against her feet in token of forgiveness.

CHAPTER IV

PHILIP SIDNEY

The Fabians had given Philip Sidney a pressing invitation to spend his first week in New York with them. When he arrived, however, and announced himself at the house, through some misunderstanding there was no one there to receive him save the servants.

A comely maid apologized for the absence of her mistress, saying that Mr. Sidney had not been expected until the following day; and showing him to his room she left him to his own devices.

Emerging from his bath and toilet, he found Mrs. Fabian not yet returned. It was but four o'clock, and he decided to go to the Ballard apartment and attend to his errand there.

Eliza had been doing some sweeping, the need for it goading her New England conscience to action. Her brown calico dress was pinned up over her petticoat, and her stern, lined face looked out from a sweeping-cap.

There sounded suddenly a vigorous knock on her door.

She scowled. "Some fresh agent, I s'pose," she thought. "Too sly to speak up the tube."

Broom in hand, she strode to the door and pulled it open with swift indignation.

"Why didn't you ring?" she exclaimed fiercely. "We don't want – "

She paused, her mouth open, and stared at the young man who pulled off a soft felt hat, and looked reassuring and breezy as he smiled.

"I did ring, but it was the wrong apartment. There was no card downstairs, so I started up the trail. Is this Mrs. Ballard's?"

The frank face, which she instantly recognized, and the clear voice that had a non-citified deliberation, accused Eliza of lack of hospitality; and she suddenly grew intensely conscious of her cap and petticoat.

"Come in," she said. "I was doin' some sweepin'. The first – " she paused abruptly and led the way down the corridor to the shabby living-room.

Phil's long steps followed her while his eyes shone with appreciation of the drum-major effect of the cap and broom, and the memory of his fierce greeting.

"I don't wonder Aunt Mary died," he thought. "I would too."

Meanwhile Eliza's heart was thumping. This interview was the climax of all she had dreaded. The usurper had an even more manly and attractive exterior than she had expected, but well she knew the brutal indifference of youth; the selfishness that takes all things for granted, and that secretly despises the treasures of the old.

The haste with which she set the broom in the corner, unpinned her dress, and pulled off her cap, was tribute to the virile masculinity of the visitor; but the stony expression of her face was defence from the blows which she felt he would deliver with the same airy unconsciousness that showed in the swing of his walk.

"You're Eliza Brewster, I'm sure," he said. "My mother knew you when she was a girl."

The hasty removal of Eliza's cap had caused a weird flying-out of her locks. The direct gaze bent upon her twinkled.

"I wonder if she'd let me paint her as Medusa," he was thinking; while her unspoken comment was: "And she never saw his teeth! It's just as well."

"Yes, that's who I am," she said. "Sit down, Mr. Sidney. I've been expectin' you."

"You didn't behave that way," he replied good-naturedly, obeying. "I thought at first I was going downstairs quicker than I came up, and I'd taken them three at a time."

His manner was disarming and Eliza smoothed her flying locks.

"The agents try to sneak around the rules o' the house," she said briefly.

"So this is where Aunt Mary lived." He looked about the room with interest. "We people in God's country hear about these flats where you don't dare keep a dog for fear it'll wag its tail and knock something over."

The troublesome lump in Eliza's throat had to be swallowed, so the visitor's keen glance swept about the bare place in silence.

"I see she didn't go in much for jim-cracks," he added presently.

Eliza's lump was swallowed. "Mrs. Ballard didn't care for common things," she said coldly. "She was an artist."

Phil comprehended vaguely that rebuke was implied, and he met the hard gaze as he hastened to reply: —

"Yes, yes, I understand." An increase of the pathos he had always discerned since learning about his great-aunt, swept over him now, face to face with the meagreness of her surroundings. "Did Aunt Mary work in this room? I see an easel over there."

"Yes, she worked here." The reply came in an expressionless voice.

"Poor Aunt Mary!" thought the visitor. "No companion but this image!"

Eliza exerted heroic self-control as she continued: "I've got the things packed up for you – the paints, and brushes, and palette. The easel's yours, too. Do you want to take 'em to-day?"

"Would it be a convenience to you if I did? Are you going to give up the flat immediately?"

"In a week."

"Then I'll leave them a few days if you don't mind while I'm looking for a room. I haven't an idea where to go. I'm more lost here than I ever was in the woods; but the Fabians will advise me, perhaps. Mrs. Fabian has been here to see you, I suppose."

Eliza's thin lips parted in a monosyllable of assent.

"What a wooden Indian!" thought Phil. Nevertheless, being a genial soul and having heard Miss Brewster's faithfulness extolled, he talked on: "We hear about New York streets being canyons. They are that, and the sky-line is amazing; but the noise, – great heavens, what a racket! and I can't seem to get a breath."

The young fellow rose restlessly, throwing back his shoulders, and paced the little room, filling it with his mountain stride.

Eliza Brewster watched him. She thought of her mistress, and the pride and joy it would have been to her to receive this six feet of manhood under her roof.

"She wouldn't 'a' kept her sentimental dreams long," reflected Eliza bitterly. "He'd 'a' hurt her, he'd 'a' stepped on her feelin's and never known it. He walks as if he had spurs on his boots." She steeled herself against considering him through Mrs. Ballard's eyes. "He's better-lookin' than the picture," she thought, "and I wouldn't trust a handsome man as far as I could see him. They haven't any business with beauty and it always upsets 'em one way or another – yes, every time."

Her eyes wandered to the mantelpiece whose bareness was relieved only by three varying sized pieces of blank paper. She felt the slightest quiver of remorse as she looked. She seemed to see her mistress's gentle glance filled with rebuke.

She stirred in her chair, folded her arms, and cleared her throat.

"You can leave the things here till I go, if you want to," she said.

Phil paused in his promenade and regarded her. Her manner was so unmistakably inimical that for the first time he wondered.

Perhaps, after all, she was not just a machine. And the same thought which had been entertained by Mrs. Fabian occurred to him.

"Twenty-five years of faithful service," he reflected. "I wonder if she expected the money? She's sore at me. That's a cinch."

Phil's artist nature grasped her standpoint in a flash. The granite face, with its signs of suffering, the loneliness, the poverty, all appealed to him to excuse her disappointment.

His eyes swept about the bare walls.

"Where are Aunt Mary's pictures?" he asked. "Was she too modest to hang them?"

"There were some up there," replied Eliza. "I took 'em down."

The visitor's quick eyes noted the white boards on the mantelpiece. With an unexpected movement, he strode across to it, and turned them around.

He stood in the same position for a space.

"Great guns, but she hates me!" he thought, while Eliza, startled, felt the shamed color stream up to her temples.

"What would Mrs. Ballard say!" was her guilty reflection.

Pluto here relieved the situation by making a majestic entrance. His jewel eyes fixed on the stranger for a moment with blinking indifference, then he proceeded, with measured tread, toward the haven of his mistress's lap.

"Hello, Katze," said Phil, stooping his scarlet face. He seized the creature by the nape of its neck and instantly the amazed cat was swung up to his broad shoulder, where it sat, claws digging into his coat and eyes glowering into his own.

"Say, charcoal would make a white mark on you, pussy," he went on, smoothing the creature in a manner which evidently found favor, for Pluto did not offer to stir.

"When I'm not doing her as Medusa," he reflected, "I'll paint her as a witch with this familiar. She'll only have to look at the artist to get the right expression."

"A distinguished visitor from the island of Manx, I suspect," he said aloud.

"No," returned Eliza, still fearfully embarrassed. "Pluto was born right here in New York."

The ever-ready stars in the visitor's eyes twinkled again into the green fire opposite them.

"It was his tail I was noticing. Manx cats are like that."

"Oh, that was boys. If I could 'a' caught 'em I'd 'a' liked to cut off their arms."

"I'll bet on that," thought Phil, "and their legs too."

Eliza cleared her throat. She seemed still to see the gentle eyes of her lost one rebuking her. With utter disregard of a future state she was preparing a lie.

"About those sketches," she said presently, and such was her hoarseness that she was obliged to clear her throat again, "you see, I was – sweepin', and I turned 'em to the wall."

"Oh, yes," said Phil, and continued to smooth Pluto who purred lustily. "A pretty good one for New England," he thought; and carelessly turning the third card about, he came face to face with his own photograph.

With one glance of disgust he tore the picture in two and threw it down.

Eliza started. "What did you do that for?" she demanded sharply.

Phil made a motion of impatience.

"Oh, it's so darned pretty!" he explained. "I thought all those pictures were in the fire."

"Mrs. Ballard set great store by that," said Eliza coldly, "and by the sketches, too," she added.

She was sitting up stiffly in her chair, now, and her gaze fixed on Phil, as, her cat on his shoulder singing loud praise of his fondling hand, he came and stood before her.

"I wish you'd let me see some of Aunt Mary's pictures," he said.

The dead woman's letter was against his heart. He felt that they were standing together, opposed to the hard, grudging face confronting him.

But this was Eliza's crucial moment. In spite of herself she feared in the depths of her heart that that which Mrs. Ballard had said was true; that this restless, careless boy had an artistic ability which her dear one had never attained. She shrank with actual nausea from his comments on her mistress's work. He might not say anything unkind, but she should see the lines of his mouth, the quiver of an eyelash.

She felt unable to rise.

"She left 'em all to me," she said mechanically, pale eyes meeting dark ones.

Phil brushed Pluto's ears and the cat sang through the indignity.

"Talk about the bark on a tree!" he thought. "I believe I'll paint her as a miser, after all! She'd be a wonder, with Pluto standing guard, green eyes peering out of the shadow."

He smiled down at Eliza, the curves of his lips stretching over the teeth she had admired.

"All right," he said. "I'm not going to take them away from you."

Eliza forced herself to her feet, and without another word slowly left the room.

Phil met the cat's blinking eyes where the pupils were dilating and contracting. "Katze, this place gives me the horrors!" he confided.

More than once on the train he had read over his aunt's letter, and each time her words smote an answering chord in his heart and set it to aching.

The present visit accentuated the perception of what her life had been. For a moment his eyes glistened wet against the cat's indolent contentment.

"I wish she hadn't saved any money, the poor little thing," he muttered. "No friends, no sympathy – nothing but that avaricious piece of humanity, calculating every day, probably, on how soon she would get it all. I'll paint her as a harpy. That's what I'll do. Talons of steel! That's all she needs." He heard a sound and dashed a hand across his eyes.

Eliza, heavy of heart, stony of face, entered, a number of pictures bound together, in her hands. The visitor darted forward to relieve her, and Pluto drove claws into his suddenly unsteady resting-place.

Eliza yielded up her treasures like victims, and stood motionless while Phil received them. Never had she looked so gaunt and grey and old; but the visitor did not give her a glance. Aunt Mary's letter was beating against his heart. Here was the work her longing hands had wrought, here the thwarting of her hopes.

His fingers were not quite steady as he untied the strings, and moving the easel into a good light placed a canvas upon it.

Eliza did not wish to look at him, but she could not help it. Her pale gaze fixed on his face in a torture of expectation, as he backed away from the easel, his eyes on the picture.

Pluto rubbed against his ear as a hint that caressing be renewed.

He stood in silence, and Eliza could detect nothing like a smile on his face.

Presently he removed the canvas, and took up another. It was the portrait of Pluto.

"Hello, Katze. Got your picture took, did you? Aunt Mary saw your green shadows all right."

He set the canvas aside, and took up another. Eliza's muscles ached with tension. Her bony hands clasped as she recognized the picture. To the kittens over the table in the kitchen she had once confided that this landscape, which the artist had called "Autumn," looked to her eyes like nothing on earth but a prairie fire! It had been a terrible moment of heresy. She was punished for it now.

Phil backed away from the canvas, and elbow in his hand, rested his finger on his lips for what seemed to Eliza an age. Her heart thumped, but she could not remove her gaze from him.

Pluto, finding squirming and rubbing of no avail, leaped to the floor and blinked reflectively at his mistress. A flagpole would have offered equal facilities for cuddling.

He therefore made deliberate selection of the least unsatisfactory chair, and with noiseless grace took possession.

Phil nodded. "Yes, sir," he murmured; "yes, sir."

Eliza's teeth bit tighter on her suffering under lip. What did "Yes, sir" mean? At least he was not smiling.

He went on, slightly nodding, and thinking aloud; "Aunt Mary was ahead of her time. She knew what she was after."

Eliza tried to speak, and couldn't. Something clicked in her throat.

Phil went on regarding the autumnal tangle, and with a superhuman effort Eliza commanded her tongue.

"What was that you said, Mr. Sidney?"

Phil, again becoming conscious of the stony presence, smiled a little.

"Aunt Mary would have found sympathizers in Munich," he said.

"That's Germany, ain't it?" said Eliza, words and breath interlocking.

"Yes. Most of Uncle Sam's relatives want to see plainer what's doing; at least those who are able to buy pictures."

"Ahead of her time!" gasped Eliza, her blood racing through her veins. "Ought to 'a' been in Germany!"

And then the most amazing occurrence of Philip Sidney's life took place. There was a rush toward him, and suddenly his Medusa, his witch, his miser, his harpy was on her knees on the floor beside him, covering his hand with tears and kisses, and pouring out a torrent of words.

"I've nearly died with dread of you, Mr. Sidney. Oh, why isn't she here to hear you say those words of her pictures! Nobody was ever kind to her. Her relations paid no more attention to her, or her work, than if she'd been a – a – I don't know what. She was poor, and too modest, and the best and sweetest creature on earth; and when your sketches came she admired 'em so that I began to hate you then. Yes, Mr. Sidney, you was a relative, and goin' to be a success, and the look in her eyes when she saw your work killed me. It killed me!"

"Do, do get up," said Philip, trying to raise her. "Don't weep so, Eliza. I understand."

But the torrent could not yet be stemmed.

"I've looked forward to your comin' like to an operation. I've thought you might laugh at her pictures, 'cause young folks are so cruel, and they don't know! Let me cry, Mr. Sidney. Don't mind! You've given me the first happy moment I've known since she left me. I was the only one she had, even to go to picture galleries with her, and my bones ached 'cause I was a stupid thing, and she had wings just like a little spirit o' light."

Philip's lashes were moist again.