Sons and Fathers

Something like an oppression seized upon him and he was wondering if this should continue, would it be possible for him to endure the situation long? Upstairs was the little desk, the keys to which he held, and in it information that would lay bare the secret of his life and reveal the mystery of years ago; which would give him the same chance for happiness that other men have. All that was left now for him to do was to ascend the stairs, open the desk and read. He had put it off for a quiet and convenient moment, and that time had come.

But what was contained in that desk? He remembered Hamlet and understood his doubts for the first time. It was the gravity of this doubt, the weight of the revelation to come that caused him to smoke on, cigar after cigar, in silence. It flashed upon him that it might be wiser to take his fortune and return to Europe as he was. But as he smoked his mind rejected the suggestion as cowardly.

It was at this stage in his reverie that Edward Morgan received the severest shock of his life. Without having noticed any sound or movement, he presently became conscious that some one besides himself was in the room, and instantly, almost, his eyes rested on a man standing before the open bookcase. It was a figure, slender and tall, clad in light, well-worn trousers, and short smoking jacket. The face turned from him was lifted toward the shelves, and long black hair fell in shining masses upon his shoulders. The right hand extended upward, touching first one, then another of the volumes as it searched along the line, was white as paraffine and slender as a girl's and a fold of linen, edged with lace, lay upon the wrists. All the other details of the figure were lost in the shadow. While thus Edward sat, his brain whirling and eyes riveted upon the strange figure, the visitor paused in his search as if in doubt, turned his profile and listened, then faced about suddenly and the two men gazed into each other's eyes.

Edward had gained his first full view of the visitor's face. Had it been withdrawn from him in an instant he could at any time thereafter have reproduced it in every line, so vividly was it impressed upon his memory. It was new, and yet strangely, dimly, vaguely familiar! It was oval, pale and lighted by eyes with enormously distended pupils. It seemed to him that they were not mirrors at that moment, but scintillating lights burning within their cavities.

But the first effect, startling though it was, passed away immediately; nothing could have withstood the gentle pleading entreaty that lurked in all the face lines; an expression childish and girlish. The stranger gazed for a moment only on the man sitting bolt upright now in his chair, his hands clutching the arms, and then went quickly forward.

"You are Edward Morgan?" he said, encouragingly. "My uncle told me you would come some day." The deep, indrawn breath that had made the new master's figure rigid for the moment escaped back slowly between the parted lips. He was ashamed that he should have been so startled.

"Yes," he said, presently, "I am Edward Morgan. And you are – "

"Gerald Morgan. But I must say good-bye now. I have a matter of upmost importance to conclude." He smiled again, returned to the shelves and this time without hesitation selected a volume and passed out toward the dining-room.

A faint odor of burning material attracted Edward's attention. He looked for his cigar; it lay upon the matting, in a circle as large as his hat. He must have sat there watching the door for fifteen minutes after the singular visitor had passed through. He stamped out the creeping circle of fire and rang the bell. The octoroon entered and stood waiting, her eyes cast down.

"A young man came here a few minutes since and went out through that door," said he, with difficulty suppressing his excitement: "who is he?"

She looked to him astonished.

"Why, that was Mr. Gerald, sir. Don't you know of him? Mr. Gerald Morgan?"

"Absolutely nothing. I have never seen him before nor heard of him – no mention of him has been made in my presence." The woman was clearly amazed.

"Is it possible! Your uncle never wrote you about Gerald Morgan – the lawyers have never told you?"

"No one has told me, I say; the man is as new to me as if he had dropped from the clouds."

She thought a moment. "He must have left papers – "

"Oh!" exclaimed Edward, starting suddenly; "I have not read the papers! I see! I see!"

"You will find it there," she said, relieved. "I thought you knew already. It did not occur to me to tell you about him, sir! We have grown used to not speaking of him. He never goes out anywhere now." Edward was puzzled and then an explanation flashed upon him.

"He is insane!" he exclaimed.

"Oh, no, sir! But he has always been delicate – not like other children; and then the medicine they gave him when he had the pains and was a baby – he has been obliged to keep it up. It is the morphine and opium, sir, that has changed him." Edward nodded his head; the explanation was sufficient.

"He has lived here a long time, I presume?"

"Yes, sir. He smokes and reads and paints and does many curious things, but he never goes out. Sometimes he walks about the place, but generally at night; and once or twice in the last ten years he has gone down-town, but it excites him too much and he is apt to die away."

"Die away?"

"Yes, sir; the attacks come on him at any time, and so we let him live on as he wants to and no one sees him. He cannot bear strangers, but he is not insane, sir. One trouble is, he knows more than his head can hold – he studies too much." She said this very tenderly and her voice trembled a little as she finished and turned her face to work nervously.

"You have not told me who he is."

"I do not know, sir," and then she added: "He was a baby when I came, and I have done my best by him." She did not meet his eyes. Her suffering and embarrassment touched Edward.

"I will read the papers," he said, gently; "they will tell me all." Taking this as a dismissal the woman withdrew.

CHAPTER VI

"WHO SAYS THERE CAN BE A 'TOO LATE' FOR THE IMMORTAL MIND?"

Something like fear, a superstitious fear, arose in Edwards' heart as he turned down the lid of the old-fashioned desk in the little room upstairs and saw the few papers pigeon-holed there with lawyer-like precision. On the top lay a long envelope sealed and bearing his name. His hand shook as he held it and studied the chirography. The moment was one to which he had looked forward for a lifetime and should contain the explanation of the singular mystery that had environed him from infancy.

As he held the letter, hesitating over the final act, his life passed in review as, it is said, do the lives of drowning persons. The thought that Edward Morgan was dying came in that connection. The orphan, the lonely college boy, the wandering youth, the bohemian of a dozen continental capitals, the musician and half-way metaphysicist and theosophist, the unformed man of an unformed age, new sphere, one of quick, earnest, feverish action, the new man, was to spring armed, or hampered by – what? At that moment, by a strange revulsion, the life that he had worn so hardly, so bitterly, even its sadness seemed dear and beautiful. After all it had been a life of ease and many scenes. It had no responsibilities – now it would pass! He tore open the envelope impatiently and read:

"Edward Morgan – Sir: When this letter comes to your knowledge you will have been acquainted with the fact that my will has made you heir to all my property, without legacy or restriction. That document was made brief and simple, partly to avoid complications, and partly to conceal facts with which the public has no reasonable interest. I now, assured of your character in every particular, desire that you retain during the lifetime of Gerald Morgan the residence which has always been his home, providing for his wants and pleasures freely as I have done and leaving him undisturbed in the manner of his life. I direct, further, that you extend the same care and kindness to Rita Morgan, my housekeeper, seeing that she is not disturbed in her home and the manner of her life. My object is to guard the welfare of the only people intimately connected with me by ties of friendship and association, whom I have not already provided for. Carrying out this intention, you will as soon as possible, after coming into possession, take precautions looking to the future of Gerald Morgan and Rita Morgan, my housekeeper, in the event of your own death; and the plan to be selected in this connection I leave to your own good sense and judgment, only suggesting as adviser for you Ellison Eldridge, one of the few lawyers living whose heart is outside of his pocketbook, and whose discretion is perfect.

"John Morgan."

That was all.

The young man, dumfounded, turned over the single sheet of paper that contained the whole message, examined again the envelope, read and reread the communication, and finally laid it aside. Not one word of explanation of his own (Edward's) existence no claim of relationship, no message of sympathy, only the curt voice of an eccentric old man, echoing beyond the black wall of mystery and already sunk into eternal silence. The old life no longer seemed dear or beautiful. It returned upon him with the dull weight of oppression he had known so long. It was a bitter ending, a crushing, overwhelming disappointment.

He smiled at length and lighted another cigar. His mind reverted to the singular character whose final expression lay upon the desk. His last act had been to guard against the curious, and that had included the beneficiary. He had succeeded in living a mystery, in dying a mystery, and in covering up his past with a mystery.

"It was well done." Such was Edward's reflection spoken aloud. He recalled the lines: "I now, assured of your character in every particular." Every word in that laconic letter, as also every word in the few communications made to him in life by this man, meant something. What did these mean? "Assured" by whom? Who had spied upon his actions and kept watch over him to such an extent as would justify the sweeping confidences? But he knew that the testator had read him right. A faint wave of pleasure flushed his cheek and warmed his heart when he realized the full significance of this tribute to his true character. He no longer felt like an intruder.

And yet, "assured" by whom? And who was Gerald Morgan? Not a relative or he would have said so; he would have said "my nephew, Gerald Morgan." The same argument shut him (Edward) out. Why this suspicious absence of relationship terms? – and they, both of them, Morgans and heirs to his wealth?

Again he dragged the papers from the desk and ran them over. Manuscripts all, they contained detached accounts of widely separated people and incidents, and moreover they were clearly briefed. "A Dramatic Trail," "The Storm," "A Midnight Struggle," etc. They had no bearing upon his life; they were the unpublished literary remains of John Morgan.

Every paper lay exposed; the mine was exhausted. He again read the letter slowly, idly lifted each paper and returned all to the desk.

The cigar was out again; he tossed it from the window, locked the desk and passed into the mother's room. The action was without forethought, but his new philosophy had taught him the value of instinctive human actions as index fingers. What cause then had drawn him into that long-deserted room? As he reflected, his eyes rested upon the picture of the girl in the little frame on the mantel. He started back, amazed and overwhelmed. It was the face that had been turned to him in the library – the face of Gerald Morgan!

Edward was surprised to find himself standing by the open window when he had exhausted the train of thought that the recognition put in motion, and counting his heart-beats, ninety to the minute. By that curious power or weakness of certain minds his thoughts ran entirely from the matter in hand along the lines of a lecture his friend Virdow as Jean had delivered, the theory of which was that organic heart disease, unless fastened to its victim by inheritance, is always a mental result. If a mere thought or combination of thoughts could excite, a thought could depress. It was plain; he would write to Virdow confirming his theory.

Then he became conscious that the moon hung like a plate of silver in the vast sky space of the east and that her light was flashed back by many little points in the city beneath him – a gilt ball, a vane, a set of window glasses, and the dew-wet slates of a modern roof. One white spot was visible in the yard in front, white and pale as the moon when the vapor had dispersed but set immovably. As he idly sought to unravel its little secret, it simply became a part of the shadow and invisible, but he felt that some one was looking up at him; and suddenly he saw the slender figure of a man pass, cross the gravel walk and vanish in the shrubbery on the left.

Edward did not cry out; he stood musing upon the fact, and lo, there came a glitter of rosy light along the horizon; the moon had vanished overhead, and sound arose in confused murmurs from the dull heaps of houses in the valley. He saw again at the moment, over the eastern hills, the face of a girl as she stood calling her pets, and felt her eyes upon him.

When he awoke that day he found the sun far beyond the zenith and he lay revolving in his mind the events of the night; to his surprise much of the weight was gone and in its place was interest, the like of which he had never before known. An object in life had suddenly been developed and instinctively he felt that the study of this new mystery would lead to a knowledge of himself and his past.

The first thing to be done was to again see the stranger who had invaded his library, and carry his investigation as far as this person would permit. This in mind, he dressed himself with care and descended into the dining-room. In a few moments his breakfast was served. Upon hearing his inquiry for Rita, Ben, the butler, retired and presently the woman, grave, and after a few words quiet, took his place. Before speaking Edward noticed her closely again. About fifty years of age, perhaps less, she stood as erect and rigid as an Indian, her black hair without a kink. There was an easy dignity in her attitude, hardly the pose of a slave, or one who had been. But in her face was the sadness of personal suffering, and in her voice a tone he had noticed at first, an echo of some depressing experience, it seemed to him.

Where was Gerald's room? There! He had not noticed the door; it led out from the dining-room. It was the wing intended for billiards, but now the retreat of her poor young master and had been all his life. He did not like to be disturbed, but perhaps the circumstances would make a difference.

Edward knocked on the door. Receiving no answer, he opened it hesitatingly and looked in. Then he entered. Gerald greeted him with an encouraging smile and closing the door behind him, he viewed the interior with interest. The walls were hung with pictures, swords, guns, pistols and other weapons, and between them on every available spot were books, books, books and periodicals. A broad center table held writing materials and manuscripts, and upon a long table by two open windows were bottles of many colors and all the queer paraphernalia of a chemical laboratory. Against the opposite wall was a spacious divan, and seated upon it, wrapped in a singular-looking dressing-gown, fez upon his head and smoking a shibouk as he read, was the strange being for whom Edward searched.

"I was expecting you," the young man said; "where have you been?" The naturalness of the words confused the visitor for a moment. No seat had been offered him, but he drew one near the divan.

"I suppose I may smoke?" he said, smiling, ignoring the query, but the intent look of Gerald caused him to add: "I slept late; how did you rest?"

"Do you know," said Gerald, his expression changing, "strange as it may seem, I have seen you before, but where, where – " The long lashes dropped above the eyes; he shook his head sadly, "but where, no man may say."

"It hardly seems possible," said Edward, gravely. "I have never been here before, and you, I believe, have never been absent."

"So they say; so they say. Mere old-nurse talk! I have been to many places." Edward turned his head in sadness. Man or woman the person was crazy. He looked again; it was the face of the girl in the picture frame, grown older, with time and suffering.

"It is an odd room," he said, presently; "do you sleep here?"

Gerald nodded to the other door.

"Would you like to see? Enter."

To Edward's amazement he found himself in a conservatory, a glass house about forty by twenty feet, arranged for sliding curtains at sides and top. There was little to be seen besides a small bed and necessary furniture. But an easel stood near the center and on it a canvas ready for painting. In a corner was a large portfolio for drawings, closed.

"I cannot sleep unless I see the stars," said Gerald, joining him. "And there is an entrance to the grounds!" He threw open a glass door, exposing an oleander avenue. "This is my favorite walk." The scene seemed to strike him anew. He stood there lost in thought a moment and returned to his divan. Edward found him absorbed in a volume. He had studied him there long and keenly and reached a conclusion that would, he felt, be of value in his future associations with this eccentric mind; it was a mind reversed, living in abstract thought. Its visions of real life were only glimpses. Therefore, he reasoned, to keep company with such a mind, one must be prepared for its eccentricities and avoid discord.

It was a keen diagnosis and he acted upon it. He went about noiselessly examining the furnishings of the room without further speech. The young man was writing as he passed him. Looking over his shoulder, Edward read a few lines of what was evidently a thesis;

"The mind can therefore have no conscious memory. Memory being a function of the brain and physical structure, and mind being endowed with a capacity for wandering, it follows that it can bring back no record of its experience since no memory function went with it. It may, indeed, be true that the mind can itself be shaped and biased anew by its detached experiences, but who can ever read its history backwards? Unless somewhere arises a mind brilliant enough to find the alphabet, to connect the mind's hidden storehouse with consciousness, the mystery of mind – life (that is, higher dream life) – must remain forever unread."

"It has been found," said Edward, as though Gerald had stated a proposition aloud.

"How? Where?" Gerald did not look up, but merely ceased writing a moment.

"Music is the connecting link. Music is the language of the mind. Vibration is the secret of creation and along its lines will all secrets be revealed." The book closed slowly in the reader's hands, his thesis slipped to the floor. He sat in deep thought. Then a light gleamed in his face and eyes.

"It is true," he said, with agitation, as he arose. "It is a great thought; a great discovery. I must learn once" and Rita stood waiting. "Bring me musical instruments – what?" He turned impatiently to Edward. The latter shook his head.

"'Tis a lifetime study," he said, sadly, "and then – failure. No man has yet reached the end."

"I will reach it."

"It calls for labor day and night – for talent – for teachers."

"I will have all."

"It calls for youth, for a mind young and fresh and responsive. You are old in mind. It is too late."

"Too late. Too late. Never, never, never too late. Who says there can be a 'too late' for the immortal mind? I will begin. I will labor! I will succeed! If not in this life, then in the next, or the next; aye, at the foot of Buddha, if need be, I will press to read all to the strains of music. Oh, blind! Blind! Blind!" He strode about the room in an ecstasy of excitement.

"Prove to me it is too late here," shrieked the unhappy being, "and I will end this existence; will go back a thousand cycles, if necessary, carrying with me the impression of this truth, and begin, an infant, to lisp in numbers."

He had snatched a poniard from the wall and was gesticulating frantically. Edward was about to speak when he saw the enthusiast's eyes lose their frenzy and fix upon the woman's. He dropped the weapon and plunged face downward in despair among the pillows. Like a statue the woman stood gazing upon him.

"My violin," said Edward. She disappeared noiselessly.

CHAPTER VII

"BACK! WOULD YOU MURDER HER?"

When Edward Morgan went to Europe from Columbia college it was in obedience to a mandate of John Morgan through the New York lawyers. He went, began there the life of a bohemian. Introduced by a chance acquaintance, he fell in first with the art circles of Paris, and, having a fancy and decided talent for painting, he betook himself seriously to study. But the same shadow, the same need of an overpowering motive, pursued him. With hope and ambition he might have become known to fame. As it was, his mind drifted into subtleties and the demon change came again. He closed his easel. Rome, Athens, Constantinople, the occident, all knew him, gave him brief welcome and quick farewells.

The years were passing; as he had gone from idleness to art, from art to history, and from history to archaeology by easy steps, so he passed now, successively to religion, to philosophy, and to its last broad exponent, theosophy.

The severity of this last creed fitted the crucifixion of his spirit. Its contemplation showed him vacancies in his education and so he went to Jena for additional study. This decision was reached mainly through the suggestion of a chance acquaintance named Abingdon, who had come into his life during his first summer on the continent. They met so often that the face of this man had became familiar, and one day, glad to hear his native tongue, he addressed him and was not repelled.

Abingdon gave to Edward Morgan his confidence; it was not important; a barrister in an English interior town, he crossed the channel annually for ramble in the by-ways of Europe. It had been his unbroken habit for many years.

From this time the two men met often and journeyed much together, the elder seeming to find a pleasure in the gravity and earnestness of the young man, and he in turn a relief in the nervous, jerky lawyer, looking always through small, half-closed eyes and full of keen conceptions. And when apart, occasionally he would get a characteristic note from Abingdon and send a letter in reply. He had so much spare time.

This man had once surprised him with the remark:

"If I were twenty years younger I would go to Jena and study vibration. It is the greatest force of the universe. It is the secret of creation." The more Edward dwelt upon this remark, in connection with modern results and invention, the more he was struck with it. Why go to Jena to study vibration was something that he could not fathom, nor in all probability could Abingdon. America was really the advanced line of discovery, but nevertheless he went, and with important results; and there in the old town, finding the new hobby so intimately connected with music, to which he was passionately devoted, he took up with renewed energy his neglected violin. With feverish toil he struggled along the border land of study and speculation, until he felt that there was nothing more possible for him – in Jena.

In Jena his solitary friend had been the eminent Virdow and to him he became an almost inseparable companion.

The confidence and speculations of Virdow, extending far beyond the limits of a lecture stand, carried Edward into dazzling fields. The intercourse extended through the best part of several years. On leaving Jena he was armed with a knowledge of the possibilities of the vast field he had entered upon, with a knowledge of thorough bass and harmony, and with a technique that might have made him famous had he applied his knowledge. He did not apply it!

His final stand had been Paris. Abingdon was there. Abingdon had discovered a genius and carried Edward to see him. He had been passing through an obscure quarter when he was attracted by the singular pathos of a violin played in a garret. To use his expression, "the music glorified the miserable street." Everybody there knew Benoni, the blind violinist. And to this man, awed and silent, came Edward, a listener.