The 'Blackwood' Group

George Douglas

The 'Blackwood' Group

JOHN WILSON

Is it too bold a thing to say that the reputation of 'Christopher North,' the man, has survived that of his works? Third in the great dynasty of Scottish literary sovereigns, he ascended the throne upon the death of Scott, reigned gloriously and held high state in the Northern Capital – whence in earlier days he had waged direst war – and at his death passed on the sceptre to Carlyle, from whom in turn it descended to Stevenson. To us of to-day, he looms on the horizon of the past, the representative of a vanished race of physical and intellectual giants, – the historic legend revealing him as before all things a good man of his inches, a prince of boon-companions and good-fellows, a wit, a hard hitter, the soul and centre of a brilliant circle, and the author of the Noctes Ambrosianæ. Many other works he wrote – important in their own day – but now not unjustly forgotten, or all but forgotten. But the man himself was greater than his works; he, more than they, is our enduring possession; his memory it behoves us to preserve.

The story of his life has been told, in terms of affectionate appreciation, by his daughter, Mrs Gordon. Born at Paisley – in a neighbourhood where that natural beauty to which he was so susceptible was still at that time almost unsullied – on the 18th May 1785, he was the eldest of his parents' sons and their fourth child. His father, a gauze-manufacturer by trade, was possessed of considerable wealth; whilst through his mother, whose maiden name was Sym, and who claimed descent from the great Marquis of Montrose, he had inherited a strain of 'gentle' blood. From the first he was a robust and lively boy, and his childhood, being passed under the most favourable of conditions, was an entirely happy one. His taste for field-sport first declared itself at the early age of three years, when equipped with willow-wand, thread, and crooked pin, he set off, unattended, on an adventurous angling expedition. Meantime the parallel mental activity, which was to be through life his characteristic, was manifested in quaint infantine pulpit-oratory at home. After receiving the rudiments of instruction at Paisley, he was placed as a boarder with the minister of the neighbouring parish of Mearns, with whom he remained until his twelfth year. Here he was not less happy than at home. Without doors – and one thinks of him as a boy whose life was spent chiefly in the open air – he had a wide and beautiful country to range; whilst within, his education proceeded merrily – he was foremost among his young companions at the task as well as in the playground – and he was carefully trained in the paths of wisdom and virtue. In later life his memory reverted fondly to these days, to which his writings contain various references – as when he tells of boyish shooting experiences, with an antiquated musket, traditionally supposed to have been 'out' in both the Fifteen and the Forty-five, of an adventure in a storm when lost upon the moors, and so forth. In his twelfth year he lost his father, and soon afterwards he was placed at the University of Glasgow, where he continued to attend classes until the year 1803. Here he resided in the house of the Professor of Logic, Professor Jardine, to whom and to the Greek Professor, Young, he in later life gratefully acknowledged his debt. Meantime his mother with her young family had gone to live in Edinburgh.

There and at Glasgow, from January to October 1801, young Wilson kept a diary, which was preserved, and from which his biographer prints some extracts. These are disappointing; but the document itself is remarkable for orderliness and precision, exhibiting the writer as the very pattern of a well-brought-up youth. More interesting, however, as a manifestation of character is the impulse which, in the year following, led the seventeen-year-old young man to address a letter of generous admiration, not, however, untempered with criticism, to the author of the Lyrical Ballads. Wordsworth replied, and thus was begun an intercourse which was afterwards destined to ripen into friendship.

In June 1803, Wilson was transferred from Glasgow to Oxford, where he was entered as a gentleman-commoner of Magdalen College. He began his career there with ambitious views, his course of study, as shown by his commonplace books, being designed to embrace not only the prescribed curriculum in the Ancient Classics, but studies in Law, History, Philosophy, and Poetry as well. But, if he read hard – as, with occasional intermissions, he undoubtedly did – he also entered with zest into the athletics and other amusements of the place, testing his prowess in wrestling, leaping, boating, and running, and, at the same time, indulging in what to a later age may appear the more questionable sports of pugilism and cock-fighting. Some traditions of the feats then performed by him survive. Among these are stories of his triumphant encounter with a certain redoubtable pugilist who had insulted him; of his coming out one night from a dinner-party in Grosvenor Square, and proceeding then and there to walk back to Oxford – accomplishing the distance of fifty-eight miles in some eight or nine hours; or, of his clearing the river Cherwell at a flying leap – twenty-three feet in breadth on the dead level. Yet, these distractions notwithstanding, he succeeded in passing the examination for his Bachelor's Degree, in a manner which his tutor characterised as 'glorious,' and in producing such an impression of scholarship on the minds of the Examiners as to call forth the rare testimony of a public expression of their thanks. He also carried off the Newdigate Prize, awarded for English verse. In commenting on the amiability of his disposition, his biographer observes that he harboured not an envious thought. But surely to have done so were a very superfluity of naughtiness; for, gifted as he was, by fortune as well as nature, whom was it possible for this admirable youth to envy?

After taking his degree, he still continued for a time to frequent Oxford, astonishing the younger members of the common-room of his college by his extraordinary conversational powers and by occasional quaint freaks, but at the same time delighting them by his good-humour. It is told of him at this time that he would sometimes indulge his fancy by resorting to the coaching-inns at the hour of the arrival of the mails, presiding at the travellers' supper-table, and hob-nobbing with all and sundry, whom his wit and pleasantry seldom failed to impress. At this era his personal appearance is described as especially striking. It was that of a man of great muscular strength, but lightly built; about five feet ten inches in height, with uncommon breadth of chest; florid, and wearing a profusion of hair, and enormous whiskers – the latter being in those days very unusual. De Quincey says he was not handsome, but against such testimony we may surely set off that of Raeburn's portrait, painted a few years earlier.

These ought to have been golden days, indeed, but much of their happiness was marred by an unlucky love-affair. At Glasgow, some years before, Wilson had made the acquaintance of a young lady of great charm of person and character, who in the biography figures as 'Margaret,' or The Orphan Maid. The impression which she produced upon him was profound and lasting, and at parting he had inscribed to her a small volume of manuscript poems of his own. From this point the biographer is rather vague in her account of the progress of the attachment; yet we have abundant evidence that its course was a most troubled one. For instance, in August 1803, we find our hero writing to a friend in the following desperate strain: – 'By heavens! I will, perhaps, some day blow my brains out, and there is an end of the matter.' Later he says: 'The word happy will never again be joined to the name of John Wilson.' And again he speaks of summoning two friends to support him and pass with him the night on which Margaret was to be married to another. This dreaded marriage did not take place, but it is quite evident that the lover long continued in a most unsettled state of mind. Thus we hear of his having swallowed laudanum, lost his powers of study, indulged in 'unbridled dissipation'; of sudden aimless journeys, undertaken on the spur of the moment, and landing him at nightfall at such unlikely places as Coventry or Nottingham; of solitary rambles in Ireland and in Wales. 'Whilst I keep moving,' he writes, in October 1805, 'life goes on well enough; but whenever I pause the fever of the soul begins.' He even entertained an idea of joining the expedition of Mungo Park to Timbuctoo. No doubt in all this he believed himself sincere enough at the time, but it is not necessary for us to take his utterances quite seriously. The blowing out of brains has been alluded to, and it seems more than probable that a point of Wertherism entered into his distemper. At any rate, in giving an order for the works of Rousseau at the time, he is careful to emphasize his desire to have them complete. In dismissing the episode it may be mentioned that, though the various obstacles to a union between himself and Margaret are not detailed, in his case filial obedience would seem to have been the final deterrent.

During a tour in the English lake country in 1805, Wilson had fallen in love with and purchased the property of Elleray, consisting of a delightful cottage-residence, standing in grounds of its own, and commanding lovely views of mountain, lawn, and forest scenery, rising above the waters of Lake Windermere; and it was there that, on leaving Oxford in 1807, he took up his abode. He was now in the fullest sense his own master, and at this point it may be worth while briefly to take note of his attitude towards life.

The ideal of the sound mind in the sound body has been universally recognised as a good one; but, whether deliberately or instinctively, Wilson seems to have aimed higher still. He aspired to the mind of a philosopher in the body of an athlete; and the word philosopher must here be taken in its highest sense – to signify not the thinker only, but the lover of wisdom for its own sake. A saner or loftier ideal could scarcely be conceived; and Nature, who too often unites the soaring mind with the body which does it previous wrong, had in this case given the means of attaining, or at least approaching it. Thus the Christopher North of this period remains a possession and a standard of manhood to his countrymen. He brings home to them the Hellenic ideal, pure and unvitiated by any taint of Keatsian sensuality, as Goethe had brought it home to Germany. In the process of naturalization that ideal underwent some modification; but the fact that the poetry which North wrote at this time was of perishable quality does not in reality detract from the service which he rendered to his country.

For poetical composition seems to have been now the serious business of his life. As for his diversions, they remained of the same healthy type as in his Oxford days. The sailing of a fleet of boats on Windermere, and the rearing of game birds were perhaps his special hobbies; but wherever manly exercises were to the fore, there was he to be found. The country in which he was now located being a wrestling country, he became an enthusiastic patron of that excellent exercise, and effected much for its encouragement. And at the same time he was free of the society of Wordsworth, Coleridge, De Quincey, and the other able and gifted men whose presence made the district at that era a centre of intellectual light.

Amid these varied interests, two or three years were passed contentedly enough; but at the end of that time we find Wilson writing to a friend of his need of an anchor in life. 'I do not, I hope, want either ballast, or cargo, or sail,' he writes, 'but I do want an anchor most confoundedly, and, without it, shall keep beating about the great sea of life to very little purpose.' This 'anchor' he was fated to find in the person of Miss Jane Penny, the daughter of a Liverpool merchant, a favourite partner of his own at the local dances, and at that time the 'leading belle of the Lake Country,' to whom he was happily married on the 11th May 1811.

His marriage had the effect of somewhat delaying the publication of a volume of poetry which he had previously been preparing for the press, and it was not until February of the following year that The Isle of Palms, and Other Poems made its appearance – having been shortly preceded by an anonymously-published elegy on the death of James Grahame, author of The Sabbath.

The Isle of Palms tells in mellifluous numbers the story of a pair of lovers, shipwrecked on an island paradise in tropic seas, who espouse each other in the sight of Nature and Heaven. Of course the idyll irresistibly recalls Bernardin's masterpiece, and, judging between the two, it must be acknowledged that in originality and artistic perfection the Frenchman's prose has greatly the advantage. But it is noticeable and must be counted to Wilson's credit that, whilst profoundly influenced by pre-Revolutionary thought, he never, even at this early period of his life, allows himself to be led away from the paths prescribed by virtue and religion. His healthy instinct, fortified by excellent training, sufficed to show him that anarchy in the moral world is no more a part of nature's scheme than is habitual excess; and thus the worship of Liberty and the State of Nature, which afterwards led to such questionable results in the cases of Byron and of Shelley, left him entirely unharmed. It is true that rigid formalists have been found to object to the 'natural marriage' of the lovers in the poem, deploring the absence of a clergyman on the island. But with these we need not concern ourselves.

The success of the poems was but moderate; yet it sufficed to bring the author into notice in Edinburgh, where he and his wife were spending the season with his mother and sisters, and whence Sir Walter Scott wrote of him, in a letter to Joanna Baillie, as 'an excellent, warm-hearted, and enthusiastic young man,' adding that, 'Something too much, perhaps, of the latter quality' placed him upon the list of originals.

Dividing his time between Edinburgh and Elleray, the young poet now continued to vary his active open-air life by the plotting and composition of new poems, and in these pursuits, had his affairs continued prosperous, it is quite possible that the remainder of his life might have been spent. For it is a truism that any large measure of happiness is unfavourable to enterprise, and what young Wilson now really stood in need of was some stimulus to exertion from without. Such stimulus duly arrived, taking the form of what in a worldly sense is known as ruin. To speak more circumstantially, in the fourth year after his marriage, the unencumbered fortune of £50,000 which he had enjoyed from the time of his father's death, was, through the dishonesty of an uncle who had acted as steward of the estate, entirely lost to him.1 But, severe as this blow was, his biographers are agreed in pronouncing it to have been a blessing in disguise, and the means of bringing out much that was in the man, which would otherwise in all probability have been lost to the world.

It was now, of course, necessary for him to put his shoulder to the wheel, and, with the exception of Sir Walter Scott, perhaps no man ever rose more manfully or uncomplainingly to the occasion. But between these parallel cases there was one great difference; for Scott's misfortunes fell upon him when he was advanced in years and worn with toil, whilst Wilson was able to bring the prime of youth and strength to bear upon his troubles. He now took up his abode altogether in Edinburgh, being gladly received into the house of his mother, – a lady who to a fine presence and strong and amiable character added notable house-keeping talents, which enabled her during several successive years to accomplish the somewhat difficult and delicate task of making three separate families comfortable and happy under one roof. In the same year, 1815, Wilson was called to the Scots Bar. But, though for a year or two to come he seems to have made a point of staying in Edinburgh whilst the Courts were sitting, a short experience sufficed to convince him that his vocation did not lie in that direction. It was some time before he succeeded in settling down to congenial work, and, indeed, what we hear most of during the next year or so are pedestrian and fishing excursions to the Highlands. Whilst on these expeditions great would be the distances which he compassed on foot, immense the baskets of fish which he brought home. On one of them, he had his wife as his companion, when the happy Bohemianism of the young couple – or, as some would have it, the poet's eccentricity of conduct – led them into some queer experiences. Among his adventures we may specify a contest in the four manly arts of running, leaping, wrestling, and drinking, with a local champion nicknamed King of the Drovers, in which Wilson came off victorious.

In March 1816 appeared his second volume of verse, entitled The City of the Plague. This poem forms a startling contrast to the Isle of Palms, for, in place of nature at its softest and sentiment sweet to the point of cloying, we are now presented with the gloomiest and ghastliest of studies in the charnel-house style. Several of the scenes depicting the madness of the London streets at the period of the great pestilential visitation are by no means without a certain power, which, however, inclines to degenerate into violence. Two young sailors – certainly most unlike to all preconceived notions of the seamen of the age of Blake – help to supply the necessary relief and 'sentiment,' of which there is no lack. But, from beginning to end, there is little or nothing truly poetical in the tragedy. The movement of its blank verse is most frequently harsh and jolting, and serves to confirm one in the opinion that the author was well-inspired when he abandoned poetry, as he was now to do. Nor do the minor poems which make up the remainder of the volume show cause for altering this judgment. Certainly they abound, even to excess, in evidence of the love of nature; but that alone never yet made a poet.

The transition which now lay before the author was an abrupt and violent one. From the world of nature and sentiment in which he had hitherto dwelt undisturbed, he found himself summoned to pass into the arena of periodical literature, and that in an age when not only was it the misfortune of such literature to be before all things political, but when political feeling ran to a pitch of which at the present day it is difficult even to form a conception, – when the mere designations Whig and Tory, as mutually applied, were regarded less as party distinctions than as terms of abuse or reproach. And, to add to the contrast which lay before Wilson, the place in which he was called to take this step was precisely that in which the war of periodicals was destined to be waged most keenly. In order properly to understand the circumstances which led to this warfare, it is necessary to go back some years.

The horrors of the French Revolution had been followed in Edinburgh by a strong Tory reaction – a reaction of the excesses of which Henry Cockburn, in his Memorials, has left a highly-coloured and perhaps not unprejudiced account. In 1802, as a counterpoise to overwhelming Tory supremacy, and a rallying-point for those thereto opposed, the Edinburgh Review had been established. It was supported by a group of remarkably able young men, whose talents soon raised it to a position of unexampled influence in the world of letters. That it performed excellent service in the cause of enlightenment is undeniable; yet it failed to bear itself with all the moderation proper to success, and in time showed signs of becoming in its turn a tyranny. Those who were opposed to it, whilst regarding as dangerous its opinions in politics and religion, also grew tired (in their own words) of its flippancy and conceit. Now it happened that about this time a certain new magazine, recently founded by a very shrewd and enterprising Edinburgh publisher, after languishing for some months under incompetent editorship, had reached the very point of dissolution. In this periodical the Tory malcontents saw an instrument ready to their hands. New spirit was infused into its nerveless frame, and in October 1817 appeared the first number of Blackwood's remodelled Edinburgh Magazine. And among those who gave the hot fresh blood of youth to revive its languishing existence, one of the foremost was John Wilson. It may be mentioned that before this he had contributed a literary article to the rival organ, with the presiding genius of which he was on terms of friendship. His new departure led to a rupture of that friendship, but to hold that his acts had committed him to the support of the Edinburgh Review would be to put an altogether strained construction upon them.

A detailed history of the stormy first years of the new publication, however piquant and racy it might be made, forms no part of our present scheme. Suffice it to remind the reader that the 'success of scandal' which the magazine at once obtained is matter of notoriety; nor can that success be pronounced undeserved. Indeed the very first number of the new issue, besides scathing articles on Coleridge and Leigh Hunt, contained the celebrated 'Translation from an Ancient Chaldee Manuscript' – afterwards suppressed – consisting of a thinly-veiled attack upon a rival magazine, and abounding in gross personalities to the address of leading citizens of Edinburgh. These excesses, though the cause of much heart-burning at the time, can scarcely be pronounced of enduring interest; and it is more profitable, as well as more pleasing, to turn to the other side of the picture. For it must not by any means be supposed that the new venture relied solely upon objectionable personalities for attracting and holding its readers. 'These,' as Wilson's biographer observes, 'would have excited but a slight and temporary notice, had the bulk of the articles not displayed a rare combination of much higher qualities;' and she goes on to say that whatever subjects were discussed were handled with a masterly vigour and freshness, and developed with a fulness of knowledge and variety of talent that could not fail to command respect even from the least approving critic. Still it is undeniable that for many months to come the series of onslaughts was kept up almost without intermission, whilst even persons locally as highly and as justly respected as Chalmers and Playfair were made to feel the sting of the lash. Consisting as it did of a recrudescence of the discountenanced literary methods of the age of Smollett, all this is regrettable enough, and of much of it there can be little doubt that 'The Leopard' – to give Wilson the name which he bore in the magazine – was art and part. His exact share in productions which were not merely anonymous but of which mystification was an essential feature is impossible to trace; but we are glad at least to have the assurance of his daughter that, amid all the violence of language and extravagance of censure which disfigured his early contributions to the magazine, she has been unable to bring home to his hand 'any instance of unmanly attack, or one shade of real malignity.' Our knowledge of the man's character makes us ready enough to believe that he did not mean to give pain; whilst there is always this excuse – whatever it may be worth – for Maga's early indiscretions: that they were the work of inexperienced men, carried away by the exuberance of their spirits, and genuinely – if indefensibly – ignorant of the laws of literary good manners, or, as one of themselves has expressed it, of the 'structure and practice of literature' as it existed at that day in Britain. With which reflection, an unthankful subject may be dismissed. For ourselves the real significance of the magazine in its early days consists, not in stories of challenges sent or damages paid, but in the fact that it afforded to John Wilson a first opportunity of giving full and free play to his talents. The characteristic of his genius was not so much fineness as abundance, and thus we may believe that his gain from the new stimulus to constant and rapid production more than balanced his loss from absence of opportunities of polishing his work. Certainly from the time of his active and regular employment, he began to throw off those tendencies to affectation and philandering which had characterised his early efforts in the 'Lake' school, and though he never quite lost the habit of as the French say 'caressing his phrase,' he became from henceforth more virile, more himself.