The Indian To-day

"Why," said one, "the flowers are for our souls to enjoy; not for our bodies to wear. Leave them alone and they will live out their lives and reproduce themselves as the Great Gardener intended. He planted them: we must not pluck them, for it would be selfish to do so."

Indian beadwork in leaf and flower designs is generally modern. The old-time patterns are for the most part simple geometrical figures, which are decorative and emblematic rather than imitative. Shafts of light and shadow alternating or dovetailed represent life, its joys and sorrows. The world is conceived of as rectangular and flat, and is represented by a square. The sky is concave – a hollow sphere. A drawing of the horizon line colored pale yellow stands for dawn; colored red, for sunset. Day is blue, and night black spangled with stars. Lightning, rain, wind, water, mountains, and many other natural features or elements are symbolized rather than copied literally upon many sorts of Indian handiwork. Animal figures are drawn in such a manner as to give expression to the type or spirit of the animal rather than its body, emphasizing the head with the horns, or any distinguishing feature. These designs have a religious significance and furnish the individual with his personal and clan emblem, or coat of arms.

Symbolic decorations are used on blankets, baskets, pottery, and garments of ceremony to be worn at rituals and public functions. Sometimes a man's teepee is decorated in accordance with the standing of the owner. Weapons of war are adorned with emblems, and also pipes, or calumets, but not the every-day weapons used in hunting. The war steed is decorated equally with his rider, and sometimes wears the feathers that signify degrees of honor.

THE WOMAN AND HER CRAFTSMANSHIP

In his weaving, painting, and embroidery of beads and quills the red man has shown a marked color sense, and his blending of brilliant hues is subtle and Oriental in effect. The women did most of this work and displayed vast ingenuity in the selection of native materials and dyes. A variety of beautiful grasses, roots, and barks are used for baskets by the different tribes, and some even used gorgeous feathers for extra ornamentation. Each was perfectly adapted in style, size, and form to its intended use.

Pottery was made by the women of the Southwest for household furniture and utensils, and their vessels, burned in crude furnaces, were often gracefully shaped and exquisitely decorated. The designs were both imprinted on the soft clay and modeled in relief. The nomadic tribes of the plains could not well carry these fragile wares with them on their wanderings, and accordingly their dishes were mainly of bark and wood, the latter sometimes carved. Spoons were prettily made of translucent horn. They were fond of painting their rawhide cases in brilliant colors. The most famous blankets are made by the Navajoes upon rude hand looms and are wonderfully fine in weave, color, and design.

This native skill combined with love of the work and perfect sincerity – the qualities which still make the Indian woman's blanket or basket or bowl or moccasins of the old type so highly prized – are among the precious things lost or sacrificed to the advance of an alien civilization. Cheap machine-made garments and utensils, without beauty or durability, have crowded out the old; and where the women still ply their ancient trade, they do it now for money, not for love, and in most cases use modern materials and patterns, even imported yarns and "Diamond dyes!" Genuine curios or antiques are already becoming very rare, except in museums, and sometimes command fabulous prices. As the older generation passes, there is danger of losing altogether the secret of Indian art and craftsmanship.

MODERN INDIAN ART

Struck by this danger, and realizing the innate charm of the work and its adaptability to modern demands, a few enthusiasts have made of late years an effort to preserve and extend it, both in order that a distinctive and vitally American art-form may not disappear, and as a means of self-support for Indian women. Depots or stores have been established at various points for the purpose of encouraging such manufactures and of finding a market for them, not so much from commercial as from artistic and philanthropic motives. The best known, perhaps, is the Mohonk Lodge, Colony, Oklahoma, founded under the auspices of the Mohonk Indian Conference, where all work is guaranteed of genuine Indian make, and, as far as possible, of native material and design. Such articles as bags, belts, and moccasins are, however, made in modern form so as to be appropriate for wear by the modern woman. Miss Josephine Foard assisted the women of the Laguna pueblo to glaze their wares, thereby rendering them more salable; and the Indian Industries League, with headquarters in Boston, works along similar lines.

The Indian Bureau reports that over $600,000 worth of Navajo blankets were made during the last year, and that prizes will be awarded this fall for the best blankets made of native wool. At Pima $15,000 worth of baskets and $5,000 worth of pottery was made and sold, and a less amount was produced at several other agencies.

Another modern development, significant of the growing appreciation of what is real and valuable in primitive culture, is the instruction of the younger generation in the Government schools in the traditional arts and crafts of their people. As schooling is compulsory between the ages of six and sixteen years, and from the more distant boarding-schools the pupils are not even allowed to go home for the summer vacation, most of them would otherwise grow up in ignorance of their natural heritage, in legend, music, and art forms as well as practical handicrafts. The greatest difficulty in the way is the finding of competent and sympathetic teachers.

At Carlisle there are and have been for some years two striking exemplars of the native talent and modern culture of their race, in joint charge of the department of Indian art. Angel DeCora was a Winnebago girl, who was graduated from the Hampton school and from the art department of Smith College. She was afterward a pupil of the famous American illustrator, Howard Pyle, and herself made a distinctive success in this field, having illustrated several books and articles on Indian subjects. Some of her work has appeared in Harper's Magazine and other high-class periodicals. She had a studio in New York City for several years, until invited to teach art at the Carlisle school, where she has been ever since.

A few years ago she married William Dietz (Lone Star), who is half Sioux. He is a fine, manly fellow, who was for years a great football player, as well as an accomplished artist. The couple have not only the artistic and poetic temperament in full measure, but they have the pioneer spirit and aspire to do much for their race. The effective cover designs and other art work of the Carlisle school magazine, The Red Man, are the work of Mr. and Mrs. Dietz, who are successfully developing native talent in the production of attractive and salable rugs, blankets, and silver jewelry. Besides this, they are seeking to discover latent artistic gifts among the students in order that they may be fully trained and utilized in the direction of pure or applied art. It is admitted that the average Indian child far surpasses the average white child in this direction. The Indian did not paint nature, not because he did not feel it, but because it was sacred to him. He so loved the reality that he could not venture upon the imitation. It is now time to unfold the resources of his genius, locked up for untold ages by the usages and philosophy of his people. They held it sacrilege to reproduce the exact likeness of the human form or face. This is the reason that early attempts to paint the natives were attended with difficulty, and there are still Indians who refuse to be photographed.

MUSIC, DANCING, DRAMATIC ART

A form of self-expression which has always been characteristic of my race is found in their music. In music is the very soul of the Indian; yet the civilized nations have but recently discovered that such a thing exists! His chants are simple, expressive, and haunting in quality, and voice his inmost feelings, grave or gay, in every emotion and situation in life. They vary much with tribes and even with individuals. A man often composes his own song, which belongs to him and is deeply imbued with his personality. These songs are frequently without words, the meaning being too profound for words; they are direct emanations of the human spirit. If words are used, they are few and symbolic in character. There is no definite harmony in the songs – only rhythm and melody, and there are striking variations of time and intonation which render them difficult to the "civilized" ear.

Nevertheless, within the last few years there has been a serious effort to collect these wild folksongs of the woods and plains by means of notation and the phonograph, and in some cases this has been connected with the attempt to harmonize and popularize them. Miss Alice C. Fletcher, the distinguished ethnologist and student of early American culture, was a pioneer in this field, in which she was assisted by Prof. J. C. Filmore, who is no longer living. Frederick Burton died several years ago, immediately after the publication of his interesting work on the music of the Ojibways, which is fully illustrated with songs collected and in some instances harmonized by himself. Miss Natalie Curtis devoted much patient study to the songs of the tribes, especially of the Pueblos, and later comers in this field are Farwell, Troyer, Lieurance, and Cadman, the last of whom uses the native airs as a motive for more elaborated songs. His "Land of the Sky Blue Water" is charming, and already very popular. Harold A. Loring of North Dakota has recently harmonized some of the songs of the Sioux.

Several singers of Indian blood are giving public recitals of this appealing and mysterious music of their race. There has even been an attempt to teach it to our schoolchildren, and Geoffrey O'Hara, a young composer of New York City, made a beginning in this direction under the auspices of the Indian Bureau. Native melodies have also been adapted and popularized for band and orchestra by native musicians, of whom the best known are Dennison Wheelock and his brother James Wheelock, Oneidas and graduates of Carlisle. When we recall that as recent as twenty years ago all native art was severely discountenanced and discouraged, if not actually forbidden, in Government schools, and often by missionaries as well, the present awakening is matter for mutual congratulations.

Many Americans have derived their only personal knowledge of Indians from the circus tent and the sawdust arena. The red man is a born actor, a dancer and rider of surpassing agility, but he needs the great out of doors for his stage. In pageantry, and especially equestrian pageantry, he is most effective. His extraordinarily picturesque costume, and the realistic manner in which he illustrates and reproduces the life of the early frontier, has made of him a great, romantic, and popular attraction not only here but in Europe. Several white men have taken advantage of this fact to make their fortunes, of whom the most enterprising and successful was Col. William Cody, better known as "Buffalo Bill."

The Indians engaged to appear in his and other shows have been paid moderate salaries and usually well treated, though cases have arisen in which they have been stranded at long distances from home. As they cannot be taken from the reservation without the consent of the authorities, repeated efforts have been made by missionaries and others to have such permission refused on the ground of moral harm to the participants in these sham battles and dances. Undoubtedly they see a good deal of the seamy side of civilization; but, on the other hand, their travels have proved of educational value, and in some instances opened their eyes to good effect to the superior power of the white man. Sitting Bull and other noted chiefs have, at one time or another, been connected with Indian shows.

A pageant-play based on Longfellow's poem of "Hiawatha" has been given successfully for several years by native Ojibway actors; and individuals of Indian blood have appeared on the stage in minor parts, and more prominently in motion pictures, where they are often engaged to represent tribal customs and historical events.

USEFUL ARTS AND INVENTIONS

Among native inventions which have been of conspicuous use and value to the dispossessors of the Indian we recollect at once the bark canoe, the snowshoe, the moccasin (called the most perfect footwear ever invented), the game of lacrosse and probably other games, also the conical teepee which served as a model for the Sibley army tent. Pemmican, a condensed food made of pounded dried meat combined with melted fat and dried fruits, has been largely utilized by recent polar explorers.

The art of sugar making from the sap of the hard or sugar maple was first taught by the aborigines to the white settlers. In my day the Sioux used also the box elder for sugar making, and from the birch and ash is made a dark-colored sugar that was used by them as a carrier in medicine. However, none of these yield as freely as the maple. The Ojibways of Minnesota still make and sell delicious maple sugar, put up in "mococks," or birch-bark packages. Their wild rice, a native grain of remarkably fine flavor and nutritious qualities, is also in a small way an article of commerce. It really ought to be grown on a large scale and popularized as a package cereal. A large fortune doubtless awaits the lucky exploiter of this distinctive "breakfast food."

In agriculture the achievements of the Indian have probably been underestimated, although it is well known that the Indian corn was the mother of all the choice varieties which to-day form an important source of food supply for the civilized world. The women cultivated the maize with primitive implements, and prepared it for food in many attractive forms, including hominy and succotash, of which the names, as well as the dishes themselves, are borrowed from the red man. He has not always been rewarded in kind for his goodly gifts. In 1830 the American Fur Company established a distillery at the mouth of the Yellowstone River, and made alcohol from the corn raised by the Gros Ventre women, with which they demoralized the men of the Dakotas, Montana, and British Columbia. Besides maize and tobacco, some tribes, especially in the South, grew native cotton and a variety of fruits and vegetables.

The buckskin clothing of my race was exceedingly practical as well as handsome, and has been adapted to the use of hunters, explorers, and frontiersmen, down to the present day. His feathers and other decorations are imitated by women of fashion, and his moccasin was never so much in vogue as now. The old wooden Indian in front of the tobacco store looks less lonely as he gazes upon a procession of bright-eyed young people, with now and then one older, Indian-clad, joyous, and full of health, returning, if only for a few short weeks, to the life he knew of old.

CHAPTER XI

THE INDIAN'S GIFTS TO THE NATION

What does the original American contribute, in the final summing up, to the country of his birth and his adoption? Not much, perhaps, in comparison with the brilliant achievements of civilization; yet, after all, is there not something worthy of perpetuation in the spirit of his democracy – the very essence of patriotism and justice between man and man? Silently, by example only, in wordless patience, he holds stoutly to his native vision. We must admit that the tacit influence of his philosophy has been felt at last, and a self-seeking world has paused in its mad rush to pay him a tribute.

Yes, the world has recognized his type, seized his point of view. We have lived to see monuments erected to his memory. The painter, sculptor, author, scientist, preacher, all have found in him a model worthy of study and serious presentation. Lorado Taft's colossal "Black Hawk" stands wrapped in his stony blanket upon the banks of the Rock River; while the Indian is to keep company with the Goddess of Liberty in New York Harbor, besides many other statues of him which pre-eminently adorn the public parks and halls of our cities.

No longer does the red man live alone in the blood-curdling pages of the sensational story-writer. He is the subject of profound study as a man, a philosopher, a noble type both physically and spiritually. Symmetrical and finely poised in body, the same is true of his character. He stands naked before you, scorning the garb of deception and pretence, for he is a true child of nature.

How has he contributed to the world's progress? By his personal faithfulness to duty and devotion to a trust. He has not advertised his faithfulness nor made capital of his honor. Again and again he has proved his worth as a citizen of his country and of the world by his constancy in the face of hardship and death. Racial antagonism was to him no excuse for breaking his word. This simplicity and fairness has cost him dear; it cost his country and his freedom, even the extinction of his race as a separate and peculiar people; but as a type, an ideal, he lives and will live!

The red man's genius for military tactics and strategy has been admitted again and again by those who have fought against him, often unwillingly, because they saw that he was in the right. His long, unequal struggle against the dominant race has produced a brilliant array of notable men without education in letters. Such were King Philip of the Wampanoags; Pontiac, the great Ottawa; Cornplanter of the Senecas, in the eighteenth century; while in the first half of the nineteenth we have Weatherford of the Creeks, Tecumseh of the Shawnees, Little Turtle of the Miamis, Wabashaw and Wanatan of the Sioux, Black Hawk of the Foxes, Osceola of the Seminoles. During the last half of the century there arose another set of Indian leaders, the last of their type – such men as Ouray of the Utes, Geronimo of the Apaches, Red Cloud, Spotted Tail, and Sitting Bull of the Sioux, Chief Joseph of the Nez Perces, and Dull Knife of the Northern Cheyennes. Men like these are an ornament to any country.

It has been said that their generalship was equal to that of Cæsar or Napoleon; even greater considering that here was no organization, no treasury, or hope of spoils, or even a stable government behind them. They displayed their leadership under conditions in which Napoleon would have failed. As regards personal bravery, no man could outdo them. After Jackson had defeated the Creeks, he demanded of them the war chief Weatherford, dead or alive. The following night Weatherford presented himself alone at the general's tent, saying: "I am Weatherford; do as you please with me. I would be still fighting you had I the warriors to fight with; but they no longer answer my call, for they are dead."

Chief Joseph, who conducted that masterly retreat of eleven hundred miles, burdened with his women and children, the old men and the wounded, surrendered at last, as he told me in Washington, because he could "bear no longer the sufferings of the innocent." These men were not bloodthirsty or wanton murderers; they were as gentle at home as they were terrific in battle. Chief Joseph would never harm a white woman or child, and more than once helped non-combatants to a place of safety.

In oratory and unstudied eloquence the American Indian has at times equalled even the lofty flights of the Greeks and Romans. The noted Red jacket, perhaps the greatest orator and philosopher of primitive America, was declared by the late Governor Clinton of New York to be the equal of Demosthenes. President Jefferson called the best-known speech of Logan, the Mingo chief, the "height of human utterance."

Now let us consider some of his definite contributions to the birth and nurture of the United States. We have borrowed his emblem, the American eagle, which matches well his bold and aspiring spirit. It is impossible to forget that his country and its freely offered hospitality are the very foundation of our national existence, but his services as a scout and soldier have scarcely been valued at their true worth.

THE INDIAN SOLDIER AND SCOUT

The name of Washington is immortal; but who remembers that he was safely guided by a nameless red man through the pathless wilderness to Fort Duquesne? Washington made a successful advance upon the British army at Trenton, on Christmas Eve; but Delaware Indians had reported to him their situation, and made it possible for the great general to hit his enemy hard at an opportune moment. It is a fact that Washington's ability was shown by his confidence in the word of the Indians and in their safe guidance.

In the French and Indian wars there is abundant evidence that both armies depended largely upon the natives, and that when they failed to take the advice of their savage allies they generally met with disaster. This advice was valuable, not only because the Indians knew the country, but because their strategy was of a high order. The reader may have seen at Fort George the statue of Sir William Johnson and King Hendrix, the Mohawk chief. The latter holds in his hand a bundle of sticks. Tradition says that the chief was arguing against the division of their forces to meet the approaching French army, saying: "If we are to fight, we are too few: if we are to die, we are too many!"

As an Indian, and having often heard my people discuss strategic details, I am almost sure that the chief anticipated the tactics of the enemy; and the pathetic sequel is that he was selected to lead a portion of the English forces to Fort Edward that morning, and when only a mile or so out was ambushed by the enemy. He stood his ground, urging his men to face the foe; and when he was shot dead, they were so enraged that with extraordinary valor they routed the French, and thus Hendrix in dying was really the means of saving Forts George and Edward for the colonists.

History says that Braddock was defeated and lost his life at Fort Duquesne because he had neglected and disregarded his Indian scouts, who accordingly left him, and he had no warning of the approach of the foe. Again, the Seminole war in Florida was a failure so long as no Indians were found who were willing to guide the army, and the Government was compelled to make terms, while the swift and overwhelming defeat of the Creeks, a much stronger nation, was due more to the Cherokee and Chickasaw scouts than to the skill of General Jackson. Of course, once the army is guided to an Indian village, and the warriors are surprised in the midst of their women and children, the civilized folk, with superior weapons and generally superior numbers, has every advantage.

The Indian system of scouting has long been recognized as one of the most useful adjuncts of war. His peculiar and efficient methods of communication in the field by means of blanket signals, smoke signals, the arrangement of rock-piles, and by heliograph (small mirrors or reflectors), the last, of course, in more modern days, have all been made use of at one time or another by the United States Army. It is interesting evidence of the world-wide respect for our strategy and methods, that when the Boer commission came to Washington a few years ago, Mr. Vessel called upon me to advise him how he might secure one thousand Sioux and Cheyenne scouts in their war against Great Britain. Of course I told him that it could not be done: that I would not involve my country in an international difficulty. I was similarly approached during the Russo-Japanese war.

The aid of friendly Indians in the case of massacres and surprises of the whites must not be overlooked. It may be recalled that some Cherokee warriors, returning from Washington's later successful expedition against Fort Duquesne, were murdered in their sleep by white frontiersmen after giving them friendly lodging. Here again is brought out the genuine greatness of the Indian character. The Cherokees felt keenly this treacherous outrage by the very people to whom they had just sacrificed the best blood of their young men in their war against the French. Some declared their intention of killing every white man they could find in retaliation for such unprovoked murder; but the chief Ottakullakulla calmly arose and addressed the excited assembly:

"Let us have consideration," said he, "for our white neighbors who are not guilty of this deed. We must not violate our faith or the laws of hospitality by imbruing our hands in the blood of those who are now in our power. They came to us in the confidence of a pledged friendship; let us conduct them safely back within their own confines before we take up the hatchet!"