The Dop Doctor

There could be no doubt… The light firm, pressure that she knew of old was upon her bosom, just above the beating of her heart… That was always the Mother's way of waking you. She sat beside you, and looked at you, and touched you, and presently your eyes opened, that was all!.. Thinking this, a streak of gold glimmered between Lynette's thick dusky lashes; her lips wore a smile of infinite content. She stole a glance, and there it was, the large, beautiful, lightly clenched hand. The loose sleeve of thin black serge flowed away from the strong, finely moulded wrist; the white starched guimpe showed snowy between the drooping folds of the nun's veil… These familiar things Lynette drank in with a sense of unspeakable content and pleasure. Then – her eyes opened widely, and she knew.

She was looking into eyes that had seen the Beatific Vision – great grey eyes that were unfathomable lakes of heavenly tenderness and love divine. And the face that framed them was a radiant pale splendour, indescribable in its glorious beauty, unfathomable in its fulfilled peace. Her own eyes drank peace from them, deeply, insatiably, while the Herion thrushes sang their dewy matins, and the scent of mignonette and sweet-peas and early roses mingled with the smell of the sea, stole in at the open casement where the white blind swelled out like a breeze-filled sail.

How long Lynette lay there storing up content and rapture she did not know, or want to know. But at last the wonder of those eyes came nearer – nearer! She felt the dear pressure of the familiar lips upon her own. A fragrance enveloped her, an exquisite joy overbrimmed her, as a voice – the beloved, unforgotten voice of matchless music – spoke. It said:

"Love your husband as I loved Richard! Be to a child of his what I have been to you!"

* * * * *

Eyes and face and voice, white hand and flowing veil, were all gone then. Lynette sat up, sobbing for joy, and blindly holding out her arms, and the rising sun looked over the mountains eastward, and drew one hushing, golden finger over the lips of the cold, grey, whispering sea.

LXIX

A thin, subterraneous screech, accompanied by a whiff of cinder-flavoured steam, heralded the Down Express as it plunged out of the cliff-tunnel, flashed across an intervening space, and was lost among the chestnuts and larches. A metallic rattle and scroop told that the official in the box on the other side of the Castle bluff had opened the points. And hearing the clanking bustle of the train's arrival in the station, Lynette reminded herself with a sigh of relief that her maid was packing, that she would presently make her excuses to Major Wrynche and Lady Hannah, and that the midnight up-mail should take her home to Owen.

Her course lay clear now, pointed out by the beloved, lost hand. But for this Heaven-sent light that had been cast upon her way, Lynette knew that she might have wandered on in doubt and darkness to the very end.

She was not of the race of hero-women, who deserve the most of men, and are doomed to receive in grudging measure. A pliant, dependent, essentially feminine creature, she was made to lean and look up, to be swayed and influenced by the stronger nature, to be guided and ruled, and led, and to love the guide.

Her nature had flowered: sun and breeze and dew had worked their miracle of form and fragrance and colour, the ripened carpels waited, conscious of the crown of tall golden-powdered anthers bending overhead. Instead of the homely hive-bee a messenger had come from Heaven, the air vibrated yet with the beating of celestial wings.

She was going to Saxham to ask him to forgive her, to throw down the pitiless barrier she had reared between them in her ignorance of herself and of him. She would humble herself to entreat for that rejected crown of wifehood. Even though that conjectural other woman had won Owen from her, she said to herself that she would win him back again.

She reached the wet, shining strip of creamy sand where the frothing line of foam-horses reared and wallowed. The prints of her little brown shoes were brimmed with sea-water, she lifted her skirt daintily, and went forward still. Numberless delicate little winged shells were scattered over the moist surface, tenantless homes of tiny bivalves, wonderfully tinted. Rose-pink, brilliant yellow, tawny-white, delicate lilac, it was as though a lapful of blossoms rifled from some mermaid's deep-sea garden, had been scattered by the spoiler at old Ocean's marge. Lynette cried out with pleasure at their beauty, stooped and gathered a palmful, then dropped them. She stood a moment longer drinking in the keen, stinging freshness, then turned to retrace her steps, still with that unseen companion at her side.

The vast, undulating green and white expanse, save for a distant golf-player with the inevitable ragged following, seemed bare of human figures. The veering breeze shepherded flocks of white clouds across the harebell-tinted meadows of the sky. It sang a thin, sweet song in Lynette's little rose-tipped ears. And innumerable larks carolled, building spiral towers of melody on fields of buoyant air. And suddenly a human note mingled with their music and with the thick drone of the little, black-and-grey humble-bees that feasted on the corn-bottles. And Lynette's visionary companion was upon the instant gone.

It was a baby's cooing chuckle that arrested the little brown shoes upon the verge of a deep sand hollow. Lynette looked down. A pearly-pale cup fringed with blazing poppies held the lost treasure of some weeping mother – a flaxen-headed coquette of some eighteen months old, arrayed in expensive, diaphanous, now sadly crumpled whiteness, the divine human peach served up in whipped cream of muslin and frothy Valenciennes. Absorbed in delightful sand-dabbling, Miss Baby crowed and gurgled; then, as a little cry of womanly delight in her beauty and womanly pity for her isolation broke from Lynette, she looked up and laughed roguishly in the stranger's face, narrowing her eyes.

Naughty, mischievous eyes of jewel-bright, grey-green, long-shaped and thick-lashed; bold red, laughing mouth – where had Lynette seen them before? With a strange sense of renewing an experience she ran down into the hollow, and dropping on her knees beside the pretty thing, caught it up and kissed it soundly.

"Where do you come from, sweet?" she asked, between the kisses. "Where are mother and nurse?"

"Ga!" said the baby. Then, with a sudden puckering of pearly-golden brows, and a little querulous cry of impatience, the Hon. Alyse Rosabel Tobart squirmed out of the arms that held her, exhibiting in the process the most cherubic of pink legs, and the loveliest silk socks and kid shoes, and wriggled back into her sandy nest. Once re-established there, she answered no more questions, but with truly aristocratic composure resumed her interrupted task of stuffing a costly bonnet of embroidered cambric and quilled lace with sand. When the bonnet would hold no more, she had arranged to fill her shoe: she was perfectly clear upon the point of having no other engagement so absorbing.

Smiling, Lynette abandoned the attempt to question. Perhaps the missing guardians of this lost jewel were quite near after all, sitting with books and work and other babies in the shelter of some neighbouring hollow, from whence this daring adventurer had escaped unseen… She ran up the steep side where the frieze of poppies nodded against the sky, and the white sand streamed back from under the little brown shoes that had trodden upon Saxham's heart so heavily.

No one was near. Only in the distance, toiling over the dry waves of the sand-dunes towards the steep ascent by which the hilly main street of Herion may be gained, went a white perambulator, canopied with white, and propelled by a nurse in starched white skirts and flying white bonnet-strings – a nurse who kept her head well down, and was evidently reading a novel as she went. Some yards in advance a red umbrella bobbed against the breeze like a giant poppy on a very short stem. The lady who carried the flaming object was young; that much was plain, for the fluttering heliotrope chiffons of her gown were held at a high, perhaps at an unnecessarily lofty, altitude above the powdery sand, and her plumply-filled and gleaming stockings of scarlet, fantastically barred with black, and her dainty little high-heeled shoes were very much in evidence as they topped a rising crest. Then they disappeared over the farther edge, the red umbrella followed, and the nurse, in charging up the steep after her mistress, discovered, perhaps by a glance of investigation underneath the canopy, prompted by a too tardy realisation of the suspicious lightness of the perambulator, that the shell was void of the pearl.

Lynette heard the wretched woman's piercing shriek, glimpsed the red umbrella as it reappeared over the sand-crest, comprehended the horrible consternation of mistress and maid. She must signal to them – cry out… Involuntarily she gave the call of the Kaffir herd: the shrill, prolonged ululation that carries from spitzkop to spitzkop across the miles of karroo or high-grass veld between. And she unpinned her hat and waved it, standing amongst the thickly-growing poppies and chamomile on the high crest of the sand-wave, while her shadow – a squat, blue dwarf with arms out of all proportion – flourished and gesticulated at her feet.

LXX

It is Fate who comes hurrying to Lynette under the becoming shadow of a red umbrella, on the starched and rustling skirts of the agitated nurse, whose mouth is seen to be shaping sentences long before she can be heard panting:

"Did you call, 'm? Her ladyship thought you did, and might have found … Oh, ma'am! have you seen a baby? We've lost ours!"

Lynette nods and laughs reassuringly, pointing down into the hollow. The nurse, with a squawk of relief, leaves her perambulator bogged in the sand, flutters up the powdery rise like some large species of seagull, squawks again, and swoops to retrieve her lost charge. Miss Baby, perfectly contented until the scarlet face and whipping ribbons of her attendant appear over the edge of her Paradise, throws herself backwards, strikes out with kicking, dimpled legs, and sets up an indignant roar.

"There now – there! 'A was a pessus!" vociferates the owner of the streaming ribbons and the scarlet countenance. "And did she tumble out of her pram, the duck, and wicked Polly never see her? And thank Good Gracious, not a bruise on her blessed little body-woddy, nor nothing but the very tiddiest scratch!"

"Which is not your fault, Watkins, I am compelled to say it," pronounces the Red Umbrella, arriving breathless and decidedly indignant, on the scene. "The idea of a person of your class being so wrapped up in a rotten penny novel that you can't even keep your eye upon the darling entrusted to your charge is too perfectly shameful for words. Baby, don't cry," she continues, as the repentant Polly appears, bearing the retrieved treasure. "Come to mummy and kiss her, and tell her all about it, do!"

"I sa-t!" bellows Baby, now keenly alive to the pathos of the situation, and digging a sandy pink fist into either eye …

"Don't, then, you obstinate little pig!" returns Red Umbrella, with maternal asperity. She looks up to the fair vision that stands on high amongst the poppies, and nods and smiles. "However I am to thank you!.. Such a turn when we missed her!.." She utters these incoherences with a great deal of eye-play, pressing a small, plump, jewelled hand, with short, broad fingers, and squat, though elaborately rouged and polished, nails, upon the bountiful curve of a Parisian corsage. "My heart did a double flip-flap … hasn't done thumping yet. Am I pale still, Watkins?" She appeals to the recreant Watkins, who is busily repacking Baby in her luxurious perambulator. "I felt to go as white as chalk!"

"Perfect gassly, my lady!" agrees Watkins, and it occurs to Lynette that the process of blanching must, taking into consideration the artificial blushes that bloom so thickly upon the pretty, piquante face under the red umbrella, have been attended with some difficulty.

Everything is round in the coquettish face, shaded by a hat that is an expensive triumph of Parisian millinery, trimmed with a whole branch of wistaria in bloom. The big brown eyes are round, so is the cherry-stained mouth, so is the pert, button nose. The thick, dark eyebrows are like inky half-moons, in the middle of the little round chin a circular dimple is cunningly set. Round, pinky-olive shoulders and rounded arms gleam temptingly through the bodice of heliotrope chiffon. Other roundnesses, artfully exaggerated by the Parisian modiste, are liberally suggested, as Red Umbrella gathers her frothy draperies about her hips, lifting her multitudinous frills to reveal black and scarlet openwork silk stockings, bedecking her plump legs and tiny feet, whose high-heeled silver-buckled shoes are sinking in the hot, white, powdery sand.

"Please don't go on! I haven't half thanked you," she pleads, still pressing the podgy little bejewelled paw upon the heaving corsage. Then she sinks, with an air of graceful languor, down upon a long, prostrate monolith of granite, that is thickly crusted with velvety orange lichen and grey-green moss, starred with infinitesimal yellow flowers. And Lynette, habitually courteous and rather amused, and not at all unwilling to know a little more of the affected, slangy, overdressed little woman, sits down upon the other end of the sprawling stone column, and says, smiling at Baby, who is clutching at a hovering butterfly with her eager, dimpled hands:

"Of course, it was a terrible shock to you when you missed her. She is such a darling! Aren't you, Baby?"

Baby, her long, grey-green eyes melting and gleaming dangerously, her golden head tilted coquettishly, and a gay, provoking laugh on the bold red mouth, makes another snatch, captures the hovering blue butterfly, opens the rosy hand, and with a wry face of disgust, drops the crushed morsel over the edge of the perambulator. The superb, unconscious cruelty of the act gives Lynette a little pang even as she goes on:

"She was not in the least shy. I think we should soon be very great friends. May her nurse bring her to see me sometimes? Most babies love flowers, and there is a garden full of them where I am staying. Do you live here?"

"Live here? Gracious, no!" Red Umbrella opens the round, brown eyes that Baby's are so unlike in shape and expression, and shrugs her pretty shoulders as high as the big ruby buttons that blaze in her pretty ears. "Me and Baby are only visiting – stopping with her nurse and my two maids for a change at the Herion Arms – me having been recommended sea-air by the doctors for tonsils in the throat. The house is advertised as an up-to-date hotel in the ABC Railway Guide, but diggings more wretched I never struck, and you do fetch up in some queer places on tour in the Provinces, let alone the States," says Red Umbrella, tossing the wistaria-wreathed hat. "Which may be a surprise to people who think it must be nothing but jam for those ladies and gentlemen that have made their mark in the Profession."

"Yes?"

Lynette's golden eyes smile back into the laughing brown ones with pleasant friendliness, combined with an irritating lack of comprehension. And Red Umbrella, who derives a considerable income from percentages upon the sale of her photographs, and is conscious that her celebrated features are figuring upon several of the postcards that hang up for sale in the window of the only stationer in Herion, is a little nettled.

"I refer to the stage, of course." She fingers a long neck-chain of sapphires, and tinkles her innumerable bangles with their load of jingling charms. "But perhaps you're not a Londoner? Or you don't patronise the theatre?"

"Oh yes. We have a house in Harley Street. And I am very fond of the Opera," says Lynette, smiling still, "and of seeing plays too; and I often go to the theatre with Lord and Lady Castleclare, or Major Wrynche and Lady Hannah, when my husband is too much engaged to take me. One of the last pieces we saw before we left town was 'The Chiffon Girl' at The Variety," she adds.

"Indeed! And how did you like 'The Chiffon Girl'?" asks the lady of the red umbrella, with a gracious and encouraging smile. Unconscious tribute rendered to one's beauty and one's genius is ever well worth the having. And the editor of the Keyhole, a certain weekly journal of caterings for the curious, will gladly publish any little anecdote which will serve the dual purpose of amusing his readers and keeping the name of Miss Lessie Lavigne before the public eye. "How did you enjoy the performance of the lady who played the part?"

Lynette ponders, and her fine brows knit. Vexed and indignant, Red Umbrella, scanning the thoughtful face, admits its youth, its high-breeding, its delicate, chiselled beauty, and the slender grace of the supple figure in the grey-blue serge skirt and white silk blouse; nor is she slow to appreciate the value of the diamond keeper on the slight, fine, ungloved hand that rests upon the sun-hot moss between them.

"I think I felt rather sorry for her," says the soft cultured voice with the exquisite, precise inflections. The golden eyes look dreamily out over the undulating sand-dunes beyond the crisp line of foam to the silken shimmer of the smoothing water. The little wind has fallen. It is very still. The nurse, sitting on a hillock of bents in dutiful nearness to the perambulator, has taken out her paper-covered volume, and is deep in a story of blood and woe. And Baby, a sleepy, pink rosebud, dozes among her white embroidered pillows, undisturbed by Red Umbrella's shrill exclamation:

"Sorry for her! Why on earth should you be?"

The shriek startles Lynette. She brings back her grave eyes from the distance, flushing faint coral pink to the red-brown waves at her fair temples.

"She – she had on so few clothes!" she says. And there is a profound silence, broken by Lessie's saying with icy dignity:

"If the Lord Chamberlain opined I'd got enough on, I expect that ought to do for you!"

"I – don't quite understand."

Lynette opens her golden eyes in sincere wonder at the marvellous change that has been wrought in the little lady who sits beside her.

"I am Miss Lessie Lavigne," says the little lady, with an angry toss of the pretty head, adorned with the wistaria-trimmed hat. "At least, that is the name I am known by in the profession."

"I beg your pardon," Lynette falters. "I did not recognise you. I am afraid you must think me rather rude!"

"Oh, pray don't mention it!" cries the owner of the red umbrella. "Rude? – not in the least!"

Mere rudeness would be preferable, infinitely, to the outrage the little lady has suffered. She, Lessie Lavigne, the original exponent of the rôle of "The Chiffon Girl," the idol of the pit and gallery, Queen regnant over the hearts beating behind the polished shirt-fronts in the stalls, has lived to hear herself pitied – not envied, but commiserated – for the scantiness of the costume in which it is alike her privilege and her joy to trill and caper seven times in the week before her patrons and adorers. Small wonder that she feels her carefully-manicured nails elongating with the desire to scratch and rend.

Then she reveals the chief arrow in her quiver. Not for nothing is she the widow of an English nobleman. With all the hereditary dignities of the Foltlebarres she will arm herself, and reduce this presuming stranger to the level of the dust. At the thought of the humiliation it is in her power to inflict she smiles quite pleasantly, displaying a complete double row of beautifully stopped teeth. And she says, as she fumbles in a châtelaine bag of golden links, studded with turquoises, and with elaborately ostentatious dignity produces therefrom a card-case, as precious as regards material, and emblazoned with a monogram and coronet, enriched with diamonds and pearls:

"I think you mentioned that you lived in the neighbourhood? May I know who I have the a – pleasure of being indebted to for finding my daughter to-day?"

"I am Mrs. Owen Saxham. I live at that grey stone house up there on the cliff. 'Plas Bendigaid,' they call it," explains Lynette, a little nervously, as her reluctant eyes scan the face and figure of the woman who owns the legal right to bear Beauvayse's name. The encounter is distasteful to her. She is painfully conscious of an acute sensation of antagonism and dislike. "The house belongs to my husband, and this is my first visit to Herion," she adds hurriedly, "because we – my husband and I – have not been very long married. But I like the place. And the house is charming, and there is a hall that was once the chapel, when it was a Convent. It shall be a chapel again; that is" – the wild-rose colour deepens on the lovely face – "if my husband agrees? To have it so restored would make the Plas seem more like a home, because I was brought up in a Convent, though not in England."

Her eyes stray back to the sun-kissed beauty of Nantmadoc Bay and the dotted line of white spots that indicate the town of St. Tudwalls at the base of the green promontory beyond the Roads. She forgets that this little overdressed person is Beauvayse's wife. She forgets in the moment that she herself is Saxham's. She is back in the beloved past with the Mother.

"It was in South Africa, my Convent … more than a thousand miles from Cape Town, in British Baraland, on the Transvaal Border – in a little village-town, dumped down in the middle of the veld."

"What on earth is the veld?" asks the lady of the red umbrella, with acerbity. "I'm sick of seeing the word in the papers, and nobody seems to know what it means."

Lynette's soft voice answers:

"You can never know what it means until you have lived its life, and it has become part of yours. It spreads away farther than your eyes can follow it, for miles and miles. It is jade colour in spring, blue-green in early summer, desolate, scorching yellow-brown in winter, with dreadful black tracts of cinders, where it has been burned to let the young grass grow up. There is hardly a tree; there is scarcely a bird, except a vulture, a black speck high in the hot blue sky. There are flat-topped mountains and cone-shaped kopjes, reddish, or pale pink, or mauve-coloured, as they are nearer or farther away. And that is all!"

"All?"

"All, except the sunshine, bathing everything, soaking you through and through."

"But there is not always sunshine? It must be sometimes night?" argues Lessie, a little peevishly.

"There are deep violet nights, full of great white stars," Lynette answers. "There are storms of dust and rain, lightning and thunder, such as are only read of here… There are plots, conspiracies, raids, robberies, murders, slumps and losses, plagues and massacres. There are rebellions of white men, and native risings. There have been wars; there is war to-day, and there will be war again in the days that are yet to come!"

She has almost forgotten the little woman beside her, staring at her with big, brown, rather animal eyes. Now she turns to her with her rare and lovely smile:

"The war that is going on now began at the little village-town where I was a Convent schoolgirl. We were shut for months within the lines. But, of course, you have read the newspaper accounts of the Siege of Gueldersdorp? I am only telling you what you know!"

Lessie laughs, and the laugh has the hard, unpleasant, mirthless little tinkle of a toy dog's collar-bell, or bits of crushed ice rattled in a champagne-glass.

"What I have good reason to know!"

Her podgy, jewelled hands are clenching and unclenching in her heliotrope chiffon lap; there is a well-defined scowl between the black arched eyebrows, and the murky light of battle gleams in the eyes that no longer languish between their bistred eyelids as she scans the pure pale face under the sweep of her heavily blackened lashes. She would almost give the ruby buttons out of her ears to see it wince and quiver, and crimson into angry blushes. And yet Lessie is rather amiable than otherwise in her attitude towards other women. True, she has never before met one who had the insolence to pity her to her face.

"So quite too interesting!" she says, with an exaggerated affectation of amiability, and in high, fashionable accents, "you having been at Gueldersdorp through the Siege and all. Were you ever – I suppose you must have been sometimes – shot at with a gun?"