The Dop Doctor

It was a long, rambling programme, scrawled in huge, black-paint characters on a white planed board, hung where everyone could read it. There were comic songs and Christy Minstrel choruses by people who had developed vocal talent for this occasion only, and a screaming display of conjuring tricks by an amateur of legerdemain who had forgotten the art, if ever he had mastered it. At every new mistake or blunder, and with each fresh change of expression on the entertainer's streaky face, conveying the idea of his being under the influence of a bad dream, and hoping to wake up in his own quarters by-and-by, to find that he had never really undertaken to make a pudding in a hat, and smash a gentleman's watch and produce it intact from some unexpected place of concealment, the spectators rocked and roared. Then there was a Pantomimic Interlude, with a great deal of genuine knockabout, and, the crowning item of the entertainment, a comic song and stump-speech, announced to be given by The Anonymous Mammoth Comique – an incognito not dimly suspected to conceal the identity of the Chief himself, being delayed by the Mammoth's character top-hat – a fondly cherished property of the Stiggins brand – and the cabbage umbrella that went with it, having been accidentally left behind at the Mammoth's hotel, the Master of the Revels, still distinguished by the jib-sail collar and shiny burnt-cork complexion of the corner-man, was sent to the front to ask if any lady or gentleman in the audience would kindly oblige with a ten-minute turn?

"All right, Mister!"

A soiled cotton glove waved, a flowery hat nodded to the appeal from behind the acetylene footlights. The faces in the front rows of seats, pale and brick-dust, gingerbread and cigar-browned European, African countenances with rolling eyes and shining teeth; and here and there the impassive, almond-eyed, yellow mask of the Asiatic, slewed round as Emigration Jane rose up in the place beside W. Keyse, a little pale, and with damp patches in the palms of the washed white cotton gloves, as she said: If the gentleman pleased, she could sing – just a little!

No, thank you! She wasn't afryde, not she; they was all friends there. And do 'er best she would. She took off the big flowery hat quite calmly, giving it to W. Keyse to keep. The panic came on later, when the Christy-minstrel-collared, burnt-corked Master of the Revels was gallantly helping her up the short side-ladder, and culminated when he retreated, and left her there, standing on the platform in the bewildering glare of the acetylene footlights, a little, rather slight and flat-chested figure of a girl, blue-eyed and yellow-haired, in a washed-out flowery "blowse," and a "voylet" delaine skirt that had lost its pristine beauty, and showed faded and shabby in the yellow gas-flare.

Oh! 'owever 'ad she dared? That dazzling sea of faces, with the eyes all fixed on her, was terrifying. A big lump grew in her throat, and the crowded benches tilted, and the flaming lights leaped to the roof as the helpless, timid tears welled into her blue eyes.

And then the miracle happened.

W. Keyse sat on a back-bench, the thin Cockney face a little raised above the others, because he had slipped a rolled-up overcoat under him, pretending that it was to get it out of the way, you understand. Always very sensitive about his shortness, W. Keyse. And she saw his face, as plain as you please, and with a look in the pale, eager eyes, that for once was for Emigration Jane, her very own self, and not for That There Other One. She knew in that moment of revelation that she had always been jealous. Oh, wasn't it strynge? Her heart surged out to W. Keyse across the gulf of crowded faces. And her eyes had in them, all at once, the look that is born of Love.

Ah! who can mistake it? It begets a solitude in a vast thronged assemblage for you and for me. It sends its silent, wordless, eloquent message thrilling to the heart of the Beloved, and wins its passionate answer back. Ah! who can err about the look of Love?

She drew a deep breath that was her longing sigh for him, infinitely dear, and never to belong to her, and began her song. She sang it quite simply and naturally, in an untutored but sweet and plaintive voice, and with the Cockney accent that spoke of home to nearly all that heard. And her eyes never moved from his face as she sang.

The song was, I dare say, a foolish, trivial thing. But the air was pretty, and the words were simple, and it had a haunting refrain. To this effect, that the world is a big place and a hard place, with scant measure of joy in it, for you or for me. Bitter herbs grow side by side with the flowers in our Earth gardens. Salt tears mingle with our laughter; Night comes down in blotting darkness – perhaps in drenching rain, – at the close of every short, bright day of sunshine. But Life gone by, its hopes and fears and sorrows laid with our once-beating hearts in the good grey dust to rest, I shall meet with you again, in the Land where dreams come true.

"The Land Where Dreams Come True." That was the title of the song and its refrain, and somehow it caught the listeners by the heart strings, making the women sob aloud, and wringing bright sudden drops from the bold eyes of rough, strong, hardy men. You are to remember how the people stood: that scarcely one was there that had not lost brother or sister, mother or husband, child or friend or comrade since the beginning of the siege; and thus the touch of Nature made itself felt, and the simple pathos went home to the sore quick. They sang the refrain with her, fervently, and when the song was done, they sat in touched silence but one moment – and then the applause came down. As it fell upon her like a wall, she screamed in terror, and ran away behind the scene, and was found by W. Keyse a minute later, sobbing hysterically, with her head jammed into an angle of the wall of un-plastered brick-work.

None saw. He put his arms manfully about the waistline of the flowery blouse.

"Oh, let me go! Oh, what a wicked, wicked girl I've bin! Oh, it's all come over me on a sudden, like a flood! Don't touch me – I'm not good enough! Oh! how can you, can you?"

She sobbed the words out, and W. Keyse had kissed her. He did not get another utterance of her that night. She parted from him in tingling silence. His own uneasy sense of faithlessness to One immeasurably beloved, to whom he had pledged inviolable and eternal fidelity, nearly prompted him to ask her not to up and tell. But he manfully kept silence.

The worst of one kiss of that kind is that it begets the desire for others like it. She had turned her mouth to his in that whirling, breathless moment, and it was small, and warm, and clung. He tried to shake off the remembrance, but it haunted persistently.

He knew he had behaved like a regular beast – a low cur, in fact. To kiss one girl and mean it for another was, in the Keysian Code of morals, to be guilty of a baseness. The worst of it was that he knew, given the chance, he would do the same thing again.

For he could not shake off the memory of the blushing face, wetted with streaming tears from the wide bright eyes that pleaded so. They were blue, too, and the fringe above them might, by a not too exhausting stretch of the imagination, be termed golden. He heard her voice crying to him, "How can you, can you?" And he trembled at the thought of the mouth that kissed and clung.

He had known bought kisses, of the kind that brand the lips and shame the buyer as the seller. Never the kiss of Love, until now.

And now – was any other worth the taking?

"Cr'ripps!" said W. Keyse. "Not much!"

XXXII

It was Wednesday again, and Saxham came riding through the embrasure in the oblong earthwork, and down the gravelly glacis that led into the Women's Laager. An obsequious Hindu, in an unclean shirt and a filthy red turban, rose up salaaming, almost under his horse's feet, and took the bridle. He dismounted and went his rounds.

It might have been the dry bed of a high-banked placer-river, with spare lengths of steel railway-line borne across from bank to bank, covered with beams and sheets of corrugated iron and tarpaulins, with wide chinks to let in the much-needed air and light. A line of living-waggons, crowded with women and children – English, American, Irish, Dutch, and half-caste – ran down the centre of the giant trench. In each of its sloping faces a row of dug-out habitations gave accommodation to twice the number that the waggons held. At the eastern end a line of camp cooking-places had been arranged in military fashion, but the Dutchwomen's little coffee-pipkin-bearing fires of dung and chips burned everywhere, and possibly they did something towards purifying the air. For, to be frank, it vied with the native village in the compound and variegated nature of its smells, without the African muskiness of odour that is perceptible in the vicinity of our sable brother. The fat, slatternly, frankly dirty vrouws had not the remotest idea of sanitation; the Germans and Irish, blandly or doggedly impervious to savage smells, pursued their unsavoury way in defiance of the clamorous necessity for hygienic measures, until the majority of the pallid, untidy, scared Englishwomen, the energetic Americans, and the sturdier Africanders, after making what headway was possible against the ever-rising tide of filth, had yielded to the lethargy bred of despair and lack of exercise, and ceased to strive. A few, worthy of honour, still stoutly battled with the demon of Uncleanliness.

But the first April rainfall would turn the dry ditch into an open sewer – a vast trough of muddy water – in which draggled women would paddle for submerged household gods. Many would prefer to tramp back to the town at night and sleep in their own shrapnel-riddled homes. But the majority stayed, of choice or of necessity, incubating sickness in that fetid place where nothing would thrive but fierce social and political hatreds, and petty grudges, and rankling jealousies, and shrieking quarrels that burst out and raged a hundred times in a day.

From one of the dug-out refuges Saxham now saw Lynette Mildare coming, making her swift way between the knots of frowsy refugees, the negro women-servants squatting over the little cooking-fires, the pallid children swarming on the narrow pathways.

"Dr. Saxham." Her simple brown holland skirt and thin linen blouse hung loosely upon her. Her face, too, had grown thinner, and looked tired. But the eyes were no longer unnaturally dilated, and the face had a more healthful pallor. "Mrs. Greening begged me to look out for you. She is so anxious about Berta. We have been doing everything we can, but I am afraid the child is seriously ill. It is the third shelter from the end, south side." She pointed out the place.

He had lifted his hat with his short, brusque salute. His vivid eyes wore a preoccupied look, his mobile nostrils angrily sniffed the villainous air.

"I'll come directly, Miss Mildare. But – who can expect children to keep healthy under conditions as insanitary as these?"

"It is – horrible!" Disgust was in her face. "But many of the women are as ignorant as the Kaffirs and Cape boys, and they and the coolie sweepers won't carry away refuse any more unless they're paid."

"You are sure of this?" His tone was curt and official.

"I am almost certain," she told him. "I have heard some of the women complaining that the charges grew higher every day. And, when I asked one of the boys why he did not do the work properly, he was – rude… Oh, don't punish him!"

He had not said a word, but a white-hot spark had darted from his blue eye, and his grim jaws had clamped ominously together.

"It is my duty to put down insubordination, and chastise inefficiency where I encounter it. May I ask you to point out the fellow who behaved insolently?"

She said: "I – I think he is head of the carting-gang. A Kaffir boy they call Jim Gubo."

"That will do, thank you, Miss Mildare. You are not alone here?"

Her glad smile assured him of that. "Oh no, I am with the Mother. I go everywhere with her, and I think I am of use. I am not at all afraid of sickness, you know, or – the other things."

"But yet," Saxham said, "you must be careful of your health."

"You have no idea how tremendously strong I am," she answered him, and he broke into laughter in spite of himself. She looked so tender, so delicately frail a creature to be there in that malodorous Gehenna, ministering to the wants of slatternly vrouws and stalwart, down-at-heel Irishwomen. His smile emboldened her to say: "I did not thank you the other day, after all."

"The Krupp shell came along and changed the subject of the conversation." He added: "Were you alarmed? You had rather an escape."

"I was with Mother."

"You love her very dearly?" The words had escaped him unconsciously. They were his spoken thought. She flushed, and said with a thrill of tenderness in her clear girlish tones:

"More dearly than it is possible to say. I don't believe God Himself will be angry with me that I have always seen His Face and Our Blessed Lady's shining through hers and beyond it; for He knows as no one else can ever know what she has been since they brought me to the Convent years and years ago."

"They" were her people, presumably. It was odd – Saxham supposed it the outcome of that Convent breeding – that she should speak of God as simply, to quote Gladstone's criticism on the Journal of Marie Bashkirtseff, as though He were her grandfather. Saxham had been reared in the Christian faith by a pious Welsh mother, but there had always been a little awkwardness about domestic references to the Deity. In times of sadness or bereavement He was frequently referred to. But always in a deprecatory tone.

"Your family is not Colonial?" he asked.

She shook her lovely red-brown head.

"I – don't know."

"Mildare is an unusual surname."

"You think it pretty?"

He thought her very pretty as she stood there, a slender willowy creature with the golden shadow of her rough straw-hat intensifying the clear amber of her thoughtful eyes.

"Very."

She looked him in the face and smiled.

"So did I when the Mother gave it to me. I think it belonged to someone she used to know, and her mother was Lynette. So they baptised me Lynette Mildare. It seems rather strange not having a name of one's own, but really I never had one."

"Never had one?"

Saxham echoed her half-consciously, revelling in the play of light and shadow over the delicate face, and the gleaming as of golden dust upon the outer edges of the waves of red-brown hair drawn carelessly back over the little ears.

"Not to my knowledge. Of course, I may have had one once." She added, as he looked at her in suddenly roused surprise, "I must have had one once." She was looking beyond him at a broad ray of moted white-hot sunshine that slanted through one of the wide openings above, and cleft the thick atmosphere of the crowded place like a fiery sword. "I have often wondered what it really is, and whether I should like it if I heard it? To exchange Lynette Mildare for Eliza Smith … that would be horrible. Don't you think so?"

Saxham smiled. "I think you are joking, and that a young lady who can do so under the present circumstances deserves to be commended."

She looked at him full.

"I am not joking." Borne by a waft of the sickly air a downy winged seed came floating towards her, a frail gossamer courier coming from the world above with tidings that Dame Nature, in spite of all the destruction wreaked by men, was carrying on her business. "And – I do not even know that I am a young lady. See there" – she blew a little puff of breath at the moving messenger, and it wafted away upon a new air-pilgrimage, and, rising, caught a stronger current, and soared out of sight – "that is me. It came from somewhere, and it is going somewhere. That is all I know about myself; perhaps as much as I shall ever know. Why do you look so glad?"

His lips were sealed. The throb of selfish triumphant exultation came of the belief that the gulf between them was less wide and deep than he had thought it. A wastrel may woo and wed a waif, surely, without many questions being asked. And then, at the clear, innocent questioning of her eyes, rushed in upon him, scalding, the memories he had thrust away. He saw the Dop Doctor of Gueldersdorp, his short daily stint of labour done, settling down to drink himself into hoggish oblivion in his accustomed corner of the Dutchman's liquor-saloon. He beheld him, his purpose accomplished, sleeping stertorously, spilled out like the very dregs of manhood in the sawdust of that foul place; he shuddered as the bloated, dishevelled thing roused and reeled homewards, trickling at the mouth, as the clear primrose day peeped over the flat-topped eastern hills. And he sickened at the thing he had been.

"I felt glad," he lied, with looks that shunned Lynette's, "that in your need you found so good a friend as the Mother-Superior. Yours must have been a sorrowful, lonely childhood."

Her own vision rose before her, blotting out his face. She saw the little kopje with the grave at its foot. She saw a ragged child sitting there watching for the earliest flush of dawn or the solemn folding of night's wide wing over the lonely veld, and the coming of the great white stars…

"She is much, much more than a friend. She is the Mother." Her loyal heart was in her face. "I have no secrets from her. I tell her everything."

Was that deeper flush born of the remembrance of a secret unshared? And how strange that every change of colour and expression in the delicate face should mean so much, so soon. He said, with a hungry flash of the gentian-blue eyes:

"Your love and confidence repay her richly."

"I can do so little." There was an anxious fold between the slender eyebrows. "Only follow her and be near her; only look on as she spends herself for others, never resting, never sparing, never discouraged or cast down." Great tears brimmed the white, darkly-fringed underlids, and ran over. "And she only laughs at me at night when I cry at the sight of her dear, blistered feet."

"You will be able to laugh with her when this is over," Saxham said rather clumsily.

"Shall I? Perhaps." Still that fold between the fine, delicate eyebrows.

"You have seen War," Saxham went on, his own voice sounding strange to him. "And that is a terrible experience for a woman, young or old, but you will be the richer by it in the end, believe me, Miss Mildare. Richer in courage and endurance and calmness in the presence of danger and death, and in sympathy with the pain and suffering inevitable under such circumstances."

"Sympathy? They had all my sympathy before." Her fair throat swelled against its encircling band of moss-green velvet, her voice rang, her eyes flashed golden fire under the shadow of the wide straw hat. "Do you think it needed War to teach me how hideously women suffer? How they have suffered since the world began, and how they will suffer until its end, unless they rise up in revolt once for all, against the wickedness of men?"

She was transformed under Saxham's eyes. The slender virginal body increased in stature and proportions as he gazed, and what obscure emotions seemed striving in her face!

"Look at them," she said, indicating with a slight revealing gesture the swarming, dowdy, listless occupants of the crowded trench. "How patient they are, how resigned to the dreadful life they drag on here from day to day, full of the horror and the pain and the suffering that you say is inevitable. Why should it be inevitable? Did these women who are the chief victims of it and the greatest losers by it, choose that there should be War? See that poor soul with the rag of crape upon her hat, who sits at her door peeling potatoes. Did she desire it? Yet her young husband was shot in the trenches a week ago and her little baby died of fever this morning… And, did those other women whose homes have been wrecked and ruined, whose sons and husbands and fathers may be shot, and whose children may sicken with the same fever before night, demand of their Governments, Imperial or Republican, that there should be War? You see them patient and submissive because they neither realise their wrongs or understand their rights. But a day will come when they will understand, and then" – her eyes grew dreamy – "I do not know exactly what will happen. But these international questions, with others, will be decided by a general plebiscite, the women will vote as well as the men; and as women are in the majority, and every woman will vote for Peace – how can there be War?"

"You are an advocate of Universal Suffrage, then? You believe that there must be absolute sex-equality before the world can be – I think 'finally regenerated' is the stock phrase of the militant apostle of Women's Rights? I have heard this outcry from many feminine throats in London, but Gueldersdorp," said Saxham drily, "is about the last place one would expect to ring with it."

"'Universal Suffrage, Sex-Equality, Women's Rights…'" The shibboleth that Saxham quoted was evidently unfamiliar to the girl. "I know" – there was a sombre shadow in her glance – "what Women's Wrongs are, but I am not very well informed about the things you speak of. The Mother tells me that there are many well-educated women in London and Paris, in Berlin and in New York, who have devoted their lives to the study of such questions. Who write and speak and labour to teach their fellow-women that they have only to band themselves together to be powerful, only to be powerful to be feared, only to will it to be free. When I am twenty-four I mean to go out into the world and meet those leader-women. Some of them, I am told, have suffered loss and ill-usage; some of them have even undergone imprisonment for the sake of what they believe and teach. Well, I will hear what they have to say, and then they will listen to me. For until my work is done, theirs will never be accomplished, Something tells me that with a most certain voice."

"And until that time comes?" said Saxham.

Her eyes grew bright again, a smile played about her exquisite lips.

"Until that time comes I will study and gather more knowledge, and capacity to fit myself for a struggle with the world."

"You 'struggle with the world'!"

Her girlish pride in her high purpose being sensitive, she mistook the brusque tenderness in Saxham's face and voice for irony.

"Yes. Perhaps you may not believe it, but I know a great many useful things. Latin and French and German and Italian, well enough to teach and translate. I am well grounded in History and Science and Mathematics. I can take a temperature and make a poultice, or sweep a room and cook a dinner." She nodded at Saxham with a little spark of laughter underlying the sweet earnestness of her look. "Also, I have learned book-keeping and typewriting, and shorthand. I earn enough now, by bookbinding, to pay for my clothes. The Mother says that I am competent to earn my living anywhere, and to teach others to earn theirs. But I am not to begin until I am twenty-four. That is our agreement."

Saxham understood the fine maternal tact that never set this ardent young enthusiast chafing at the tightened rein. But he said roughly:

"The Mother… How can she approve your joining the ranks of the Shrieking Sisterhood?"

"She knows," Lynette explained, with adorable gravity, "that I should never shriek."

"How will you bear parting from her? And how will she endure parting from you?"

The girl's mobile lips began to tremble. The luminous amber eyes were dimmed with moisture as she said:

"It will not be losing me. Nor could I ever bear to leave her if I did not know that I should come back. But I shall come back. And she will ask me what I have done. And I shall tell her: 'This, and this, and all the rest, my Mother, for the love of you, and for the sake of those others who once sat in darkness and the Shadow of Death, and now have found the Way of Peace.'"

"And those others, Beatrice?"

Saxham knew now the secret of the haunting familiarity of the beautiful girlish face. The delicate oval outline, the pale wild-rose colouring, the reddish-brown of the fine, glistening tresses, the amber-hazel of the wistful, brilliant eyes, reproduced to a wonderful degree the modelling and tinting of the wonderful Guido portrait, the white-draped head in the Barberini Gallery, which, in defiance of Bertolotti and the Edinburgh Review, will always be associated with the name of the sorrowful-sweet heroine of the most sombre of sex-tragedies.