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Eminent Authors of the Nineteenth Century
Eminent Authors of the Nineteenth Centuryполная версия

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Eminent Authors of the Nineteenth Century

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Nevertheless, it does not seem to me probable that Mrs. Mill inspired her husband with any direct new thought. The essential significance to him must, I think, be sought in two other points. In the first place, she strengthened his mental courage, and it is the boldness rather than the novelty of thought that gives its character to such classic works, as "On Liberty." Many times, even during our first conversation, he returned with regret to the lack of courage that everywhere withholds writers from supporting new ideas. He said, "There are writers of the first rank, such as George Sand, whose actual originality consists in courage. I leave out of consideration," he added, "her indescribably beautiful style, whose music can only be compared with the pleasing sounds of a symphony." The very confidence that a sense of harmony with the thought of another arouses, had enabled the wife of Stuart Mill to promote in him the courage he so extolled in George Sand.

In the second place, through her female universality, Mrs. Mill prevented her husband from running into any prejudice whatsoever. She confirmed in his mind a certain scepticism that led him to keep open amid the ice of doctrine one spot that would never freeze; and in thus inclining him to be sceptical, she became the cause of his progress. While the majority of so-called freethinkers have almost always purchased relative free thought in one point with double obduracy in other respects, Mill was continually on his guard against conventional prejudice; indeed, until the day of his death he carried on a sharp warfare against it, ferreting it out in its stronghold with the utmost intrepidity, in order to denounce and annihilate it.

Finally, there can be no doubt that Mrs. Mill was largely responsible for the active part her husband took in advocating the elevation of woman's social position. I felt interested to learn whether he had ever replied to his assailants on the woman question. He had given them no answer, nor did he purpose to pay any heed to them. "Why," said he, "forever keep repeating the same thing? Not one of them has produced anything of value." I touched upon the opposition of several physicians, whose objections were based on the necessities of nature to which a woman is subjected. He spoke harshly and positively against the prejudices of physicians in general. Long and tenderly he lingered, on the contrary, on the pleasure women took in performing the duties of the medical profession, and of the decided vocation they not unfrequently manifested for it. He mentioned Miss Garrett, who had recently taken a medical degree in Paris, and praised her as the first woman who had had the courage to make such an attempt. In a letter to me, he had once designated the woman question as "in his eyes the most important of all political questions of the present day." At all events, it was one of those which during the last years of his life personally occupied him the most.

He did not hesitate, either in his written or in his spoken words, to use the strongest expressions in order to place in the right light his conception of the unnaturalness of women's state of dependence. Indeed, he had not been afraid to challenge universal laughter through his vehement assertion, that, as we had never seen woman in freedom, we did know nothing whatever until now of her nature; as though Raphael's Sistine Madonna, Shakespeare's young maidens, all the literature about women, in fact, had taught us nothing of the feminine character. On this point he was almost fanatical. He, who in all the relations between man and woman was refinement and delicacy itself, allowed himself to be positively insulting in his expressions when an opinion differing from his own on his favorite topic was uttered in his presence. One day I chanced to be visiting a celebrated French savant when the mail brought him a letter from Stuart Mill. It was an answer to a communication in which the Frenchman had expressed the opinion that the change in the social status of women, demanded in Mill's essay on "The Subjection of Women," might turn out well in England, where it would harmonize with the character of the race, but that in France, where the talents and tastes of the women were so contrary to it, there could be no possibility of success. Mill's pithy reply, which was handed to me with a smile, read as follows: "I see in your remarks that contempt for woman which is so prevalent in France. All that I can say on the subject is, that the French women pay this contempt back with interest to the men of France."

The peculiarity of Mill's standpoint in this emancipation question was, that it was based solely and entirely on a Socratic ignorance. He refused to see in the accumulated experience of ages any proof in regard to the boundaries of the so long enthralled feminine mind, and insisted that à priori we knew nothing at all about woman. He proceeded from no doctrinal view of especial feminine faculties, resting content with the simple proposition that man had no right to deny woman any occupation to which she felt attracted; and he declared everything like guardianship to be utterly useless as well as unjust, since free competition would of itself exclude woman from every occupation for which she was incapacitated, or in which man decidedly surpassed her. He has repelled many people by immediately deducing the final logical consequences of his theory the first time the question was brought forward, and by advocating the immediate participation of women in the affairs of government; but, as an Englishman, he had a too matter-of-fact mind not to limit the practical agitation to a single point. I remember asking him why – in utter disregard of what appeared to me the first requisite of all, social emancipation – every effort in England and America was concentrated on political suffrage, which was so much more difficult to attain. He replied, "Because when that is gained, all the rest will follow."

III

He rose to take his leave, and having been informed that I meditated a trip to London, he asked me if I would make it with him. Fearing to intrude, I declined, and received an invitation to visit him in England. I had at that time just read Mill's masterly work on the philosophy of William Hamilton, was very full of it, and my mind was burdened with a thousand philosophic questions aroused by it. I was, therefore, greatly rejoiced that so rare an opportunity offered itself to discuss my doubts with the author himself, and a week later I rang the bell at the garden gate in front of Mill's country seat in Blackheath Park, near London, that little wicket gate before which I have never stood without a feeling of joyous expectation, and which I have never closed behind me without a sense of having been intellectually enriched.

My university education in Copenhagen had been an abstract metaphysical one; the professors of philosophy of the institution were men who, although mutually opposed to one another and supposed to be advocates of diametrically opposite standpoints, in all essentials bore the impress of the same school. They had begun their career as theologians, and had later become Hegelians, some influenced by the left flank of the Hegel school, others by the right. They had finally, together with all the rest of the world at that time, become "emancipated from Hegel," which, however, must be so interpreted as to admit of Hegel's still remaining first and last in their mental sphere. The methods of Hegel, employed now more naïvely, now in a more sophistic way, were preached from a cathedra, devoted to the worship of the absolute, the subjective-objective; his works were cited, his few witticisms repeated, and a wearisome, never-ending controversy against his supposed errors was carried on, from which we students gathered that they were almost all founded on his undervaluation of the real, especially in his faulty discernment of the natural sciences. We were taught, however, to consider his errors more precious than the truths of other thinkers, since truth could only be attained, as was shown by the example of our worthy professors, by creeping through the loop-hole of some error of Hegel. The University of Copenhagen, notwithstanding its otherwise by no means too friendly sentiments towards Germany, held it as an incontestable fact that modern philosophy was a German, as ancient philosophy had been a Grecian science. The existence of English empiricism and of French positivism was not recognized at the university; of English philosophy, in especial, we only heard as of a system that had long since been overthrown, and whose death-blow had been dealt to it by Kant. It had only been possible for me, by a vigorous effort of the will, to tear myself free, as best I could, from the bonds of the school prevailing in Denmark, and at the period when I met Stuart Mill I was still wavering between the speculative and the positive tendency. I made no secret to Mill of my state of uncertainty.

"So, then, you are very familiar with Hegel," said he. "Do you understand German?"

"To be sure I do; I read it almost as readily as I do my mother-tongue."

"I do not understand the German language," he said, in reply, "and have never read a line of German literature in the original. In fact, I know so little German that when I have been in Germany, I have had difficulty in finding my way at railroad stations and elsewhere."

"Have you made the acquaintance of the German philosophers through translations?"

"Kant I have read in a translation, of Hegel not a syllable either in a translation or in the original. I know him only through reviews and refutations, best of all through a concise presentation of his views by the only Hegelian in England, – Stirling."

"And what impressions have you received of Hegel?"

"That the writings in which Hegel has attempted to apply his principles may perhaps contain some good things, but that everything purely metaphysical in what he has written is sheer nonsense!"

I was startled, and suggested that I supposed this remark was to be taken cum grano salis.

"No; every word is meant to be understood literally," replied he. Then he dwelt on the outlines of the system, on the first preliminaries, the theory of being that is identified with nothing, and exclaimed, "What would you expect from a whole that begins with such sophistry? Have you really read Hegel?"

"Certainly; I have read most of his writings."

Mill (with a highly incredulous air), "And you have understood him?"

"I think so; at least, in all the principal features of his works."

He (with almost naïve astonishment), "But is there actually anything to understand?"

I did what I could to reply to this singular and rather diffusive question, and Mill, by no means convinced, yet as though he entered into my thought, said, "I understand very well the reverence, or the gratitude, you cherish for Hegel. We are always grateful to those who have taught us to think."

Never have I felt so keenly, as during this conversation, how thoroughly Mill was a man cast in one mould, a genuine Englishman, wilful and obstinate, equipped with a singularly iron will, and absolutely devoid of any flexible critical power of appropriation. What took the deepest hold of me, however, was the impression of the ignorance in which the most noteworthy men of different countries, even of the few lands most closely akin to their own, are of their mutual merits, and that in this second half of our nineteenth century. It seemed to me one could do much good by simply studying, confronting, and understanding these great minds that fail to understand one another.

I endeavored to bring into play against the principles of empirical philosophy the mode of contemplation I owed to my university training. To my astonishment, all the arguments I brought forward, and on whose effect upon Mill I had counted much, had long been familiar to him. "Those," said he, "are the old German arguments." He traced them all back to Kant, and had his answers to them ready.

It would not be in place in these pages to treat of the real significance of the controversy between the two modern schools, a problem which, in Germany, by almost all thinkers, is solved from the Teutonic point of view; as a matter of course, Stuart Mill would not admit that David Hume had been refuted by Kant, an opinion which I now thoroughly share with him, and which I believe will be universally prevalent when the Kant worship begins to be somewhat on the decline. (I already find a trace of this change of conception in Germany in Fr. Paulsen's admirable work on Kant's "Theory of Knowledge.") At that time, to be sure, I had a presentiment that there must be some way of reconciling the rationalistic and the empiric theory of knowledge, but I did not yet know Herpert Spencer's simple solution of the problem. Mill spoke briefly but decidedly against all attempts at mediation, and concluded, with the mingling of modesty and decision that was peculiar to him, in the following words, which have remained fixed in my memory, "I believe that we must choose between the theories."

In the same spirit he expressed himself concerning the various modern philosophers, whose thought was nearly related to his own. He recommended me to become acquainted with Herbert Spencer, yet would not advise me, he said, to study Spencer's later works; he thought that in these Spencer had deviated from the "good method." On the other hand, he urgently commended to me Spencer's "Principles of Psychology," and the two chief works of his, in my estimation, far less intellectual contemporary Bain, – "The Senses and the Intellect" and "The Emotions and the Will." He presented me with a copy of the "Analysis of the Human Mind," by his much-revered father (the edition prepared and supplied with notes by himself and Bain), extolling the book to me as the main work of the English school in this century; and I having expressed to him my admiration of his critique of Hamilton's philosophy, he sent me the book the very next day. Almost of itself the conversation fell on Taine's recently issued volume, "De l'intelligence," in which Mill is so zealously investigated, profited by, and refuted, and in which the English tendency has perhaps placed its most enduring monument in French philosophy. Mill praised Taine, called his book one of the most profound and important works of modern France, and said about the same things to me regarding it that I found repeated later in his review of it ("Fortnightly Review," July, 1870). As a whole, he liked the book; but he had the same kind of objections to offer against the last chapters as against the later works of Herbert Spencer. We must, according to his conviction, most decidedly "choose," once for all, between the conditional knowledge of empiricism and the absolute certainty of intuition, and Taine, in the last volume of his work, had attempted to establish axioms which, not being derived from experience, had validity for the whole universe, independent of the boundaries of our experience. Mill, himself, thought, as is well known, that even the propositions of algebra and of geometry, whose empiric origin he endeavored to establish, could only be sure of a limited dominion. He extolled to me the little book "Essays by a Barrister," from which he himself quoted a few sentences. The barrister finds it quite conceivable that our multiplication-table, as well as our Euclid, may be utterly valueless in another solar system. "The question is," he says, "whether our certainty of the truth of the multiplication table arises from experience or from a transcendental conviction, excited by experience, but anterior to and formative of it." To illustrate the former of these views he presents a few striking examples: —

"There is a world in which, whenever two pairs of things are either placed in proximity or are contemplated together, a fifth thing is immediately created, and brought within the contemplation of the mind engaged in putting two and two together. This is surely neither inconceivable, for we can readily conceive the result by thinking of common puzzle tricks, nor can it be said to be beyond the power of Omnipotence, yet, in such a world, surely two and two may be five; that is, the result to the mind of contemplating two twos would be to count five. This shows that it is not inconceivable that two and two might make five; but, on the other hand, it is perfectly easy to see why in this world we are absolutely certain that two and two make four. There is probably not an instant of our lives, in which we are not experiencing the fact. We see it whenever we count four books, four tables or chairs, four men in the street, or the four comers of a paving stone, and we feel more sure of it than of the rising of the sun to-morrow, because our experience upon the subject is so much wider, and applies to such an infinitely greater number of cases. Nor is it true that every one who has once been brought to see it is equally sure of it. A boy who has just learned the multiplication table is pretty sure that twice two are four, but is often extremely doubtful whether or not seven times nine are sixty-three. If his teacher told him that twice two made five, his certainty would be greatly impaired.

"It would be possible to put a case of a world, in which two straight lines should be universally supposed to include a space. Imagine a man, who had never had any experience of straight lines through the medium of any sense whatever, suddenly placed upon a railway, stretching out on a perfectly straight line to an indefinite distance in each direction. He would see the rails, which would be the first straight lines he ever saw, apparently meeting, or at least tending to meet, at each horizon; and he would thus infer in the absence of all other experience that they actually did enclose a space, when produced far enough. Experience alone could undeceive him. A world in which every object was round with the exception of a straight, inaccessible railway, would be a world in which every one would believe that two straight lines enclosed a space." In his conversation, Mr. Mill expressed his adherence to these humorous sophistries, which have been so keenly criticised by Spencer, and he added, "If we possessed the sense of sight without the sense of touch, we would have no doubt that two or more bodies might exist in the same place, so completely is every so-called a priori axiom dependent on the character of our organs and experiences."

IV

Our conversation turned one day on the then existing circumstances in Rome. I compared the religious condition of Rome with that of France; I reminded Stuart Mill of the phenomenon observed by both of us in Paris of the beau monde congregating in a church, and added: "In your Dissertations and Discussions, you have written some words which you will scarcely now defend. You say: 'So far as the upper ranks are concerned, France may as properly be called a Buddhistic as a Catholic country; the latter is not more true than the former.' Would you still maintain this?" He answered: "It was at that time more true than now. In our day a new reaction has taken place, the possibility of which I could not conceive. In my youth I did not believe that man could retrograde; now I know it." A portion of the blame for this retrogression he ascribed to the French university philosophy. He spoke with a deprecation which was not to be wondered at, coming from his lips, of Cousin and his school. "But in spite of all," he concluded, "I cling to my old conviction that the history of France in modern times is the history of all Europe."

This view, which is reflected in all the works of Stuart Mill, is, in my judgment, a one-sidedness which can easily be accounted for by his ignorance of the German language and literature, and his undervaluation of the English situation, in which he, as a matter of course, was well able to detect the evils. He had visited France when he was very young; he told me he had passed his fifteenth year there, and had during that time learned all the French now at his command. As the French language was the only foreign tongue he spoke fluently and frequently (even though not without a strong English accent), and as through his whole life he had exerted himself to introduce French ideas into England, and to impart to his countrymen a love for the French national spirit, France necessarily represented to him Europe almost as though he were a native-born Frenchman.

Among all the Frenchmen whom Mill knew, Armand Carrel was, I believe, the one whom he held in the highest esteem. The essay he has written about this young French journalist is perhaps the most beautiful and the most overflowing with sentiment of anything he has written. In his great admiration for Armand Carrel, I find a partial explanation of his vehement antipathy to Sainte-Beuve. He could never forgive Sainte-Beuve for the fact that he, who had once been a collaborator of the "National," and a friend of Carrel, had become friendly to the Empire, and allowed himself to be elected senator. And yet this isolated fact was scarcely sufficient to warrant the hard words Mill dropped concerning Sainte-Beuve in my presence. Sainte-Beuve was distasteful to him for the same reason that Carrel so greatly pleased him. He had not thoroughly studied him; his "Port Royal," for instance, he had never read; but a mind with such keenness and such firmly rooted principles as Mill's, was naturally repelled by the pliant and undulating temperament of Sainte-Beuve. Stuart Mill was a man of almost metallic character, rigid, angular, and immovable; the spirit of Sainte-Beuve, on the contrary, was like a lake, broad, tender, elastic, and of great circumference, yet moving altogether in little ripples of an undefined and varying size. Therefore Stuart Mill was, as it were, created to be an authority; his tone was that of one accustomed to command, and even when his demeanor was the boldest, he seemed, through the very conciseness and confidence with which he substantiated his results, to repulse every contradiction. Sainte-Beuve, on the contrary, never closed a subject entirely and without reservation; he was never quite catholic, nor quite romantic, nor quite imperial, nor quite a naturalist; one thing alone he was absolutely and entirely – Sainte-Beuve, in other words, the critic with feminine sympathy and ever-lurking scepticism. He was of the tiger race, yet was no tiger. He attached himself thoroughly to no one and to nothing, but he rubbed against everything, and the inevitable friction produced sparks. Mill's repugnance to him was like the antipathy of the dog for the cat. It was impossible for Sainte-Beuve to write simply; he could not pronounce a verdict without making it dependent on a whole system of subordinate conditions; he could not utter ever so brief a eulogy without spicing it with all kinds of malice. The greatest critic of France, after the death of Saint-Beuve, once said to me, "A laudatory sentence from Saint-Beuve is a veritable nest of leeches." Now, take in comparison the character of the mind and the whole style of Stuart Mill; his thoughts always on a grand scale, embracing the universal, allowing the individual to slip from notice; his diction unadorned, without artistic finish, naked as a landscape, whose sole beauty is the simplicity and power of the position of the land.

On one of the last days of my stay in London the conversation with Stuart Mill turned on the relation between literature and theatre in England and in France. He expressed the opinion, so common in our day, that the French who in the seventeenth century appropriated Spanish, in the eighteenth century English, and in the nineteenth century German ideas, in reality possess no other literary originality than that which lay in the form. Stuart Mill, whose mind was pretty much devoid of a sense of the purely æsthetic, and who cared more for the idea in art than for art itself as art, apparently did not realize that the poetic and artistic originality of the French would remain unaffected even by this undue limitation of its inventive genius; for where form and contents are inseparable, originality in form is identical with originality in general. Without permitting myself to touch on this point of view in my conversation with Mill, I merely replied, that one characteristic commonly held up as a reproach to the French, their so-called superficiality, was most highly useful to them when they imitated, for their imitation is but a semblance. With a strong tendency to be influenced by everything foreign, the French unite an almost total lack of capacity to form an objective impression of the foreign; consequently the national stamp is always plainly recognizable beneath the thin coating of foreign gloss. By way of example, I mentioned Victor Hugo, as an imitator of Shakespeare, and Alfred de Musset, as an imitator of Byron. "However," I added, "I will heartily admit the superiority of English poetry to the French if you will reward me by conceding the superiority of French dramatic art over the English." I had the previous evening attended the performance at the Adelphi Theatre, of Molière's "Le malade imaginaire," under the title of "The Robust Invalid," and having very often seen the play in Paris, I had a fine opportunity to compare the English mode of acting with the French. The invalid and the servant-girl were allowed all manner of coarse exaggerations; they bawled aloud in the roughest conceivable way, even had the audacity to end the second act with a cancan; and this while English prudery demanded that the scene with the syringe, and all expressions supposed to violate decency, should be omitted. "Yes," said Mill, "the theatre with us has fallen into decay. So far as the comedy is concerned, this may be accounted for by the fact that English nature is so devoid of form, and so untheatrical, and because our gestures are so stiff and so rare, while the French, even in their daily lives, always demean themselves like actors; yet in the direction of tragedy we can show some great names. Who knows, though, but that in our day reading may supplant theatre-going and compensate for it?"

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