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Ruins of Ancient Cities (Vol. 1 of 2)
Ruins of Ancient Cities (Vol. 1 of 2)полная версия

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Ruins of Ancient Cities (Vol. 1 of 2)

Язык: Английский
Год издания: 2017
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NO. XXXVIII. – GNIDOS

This was a maritime city of Asia Minor, founded by the Dorians, and much known on account of a victory, which Conon gained over the Lacedemonians. Conon was an Athenian, having the command of the Persian fleet; Pisander, brother-in-law of Agesilaus, of the Lacedemonian. Conon's fleet consisted of ninety galleys; that of Pisander something less. They came in view of each other near Gnidos. Conon took fifty of the enemy's ships. The allies of the Spartans fled, and their chief admiral died fighting to the last, sword in hand.

Gnidos was famed for having produced the most renowned sculptors and architects of Greece; amongst whom were Sostratus and Sesostris, who built the celebrated light-tower on the isle of Pharos, considered one of the seven wonders of the world, and whence all similar edifices were afterwards denominated.

Venus, surnamed the Gnidian, was the chief deity of this place, where she had a temple, greatly celebrated for a marble statue of the goddess. This beautiful image was the masterpiece of Praxiteles, who had infused into it all the soft graces and attractions of his favourite Phryne; and it became so celebrated, that travellers visited the spot with great eagerness. It represented the goddess in her naked graces, erect in posture, and with her right hand covering her waist; but every feature and every part was so naturally expressed, that the whole seemed to be animated255.

"We were shown, as we passed by," says Anacharsis, "the house in which Eudoxus, the astronomer, made his observations; and soon after found ourselves in the presence of the celebrated Venus of Praxiteles. This statue had just been placed in the middle of a small temple, which received light by two opposite doors, in order that a gentle light might fall on it on every side. But how may it be possible to describe the surprise we felt at the first view, and the illusions, which quickly followed! We lent our feelings to the marble, and seemed to hear it sigh. Two pupils of Praxiteles, who had lately arrived from Athens to study this masterpiece, pointed out to us the beauties, of which we felt the effect without penetrating the cause. Among the by-standers, one said, – 'Venus has forsaken Olympus, and come down to dwell among us.' Another said, – 'If Juno and Minerva should now behold her, they would no more complain of the judgment of Paris:' and a third exclaimed, – 'The goddess formerly deigned to exhibit her charms without a veil to Paris, Anchises, and Adonis. Has she been seen by Praxiteles?'"

Mounting the rocks extending along the sea-shore, Mr. Morritt came in view of the broken cliffs of the Acropolis, and its ruined walls. The foundation and lower courses of the city walls are still visible; these extend from those of the Acropolis to the sea, and have been strengthened by towers, now also in ruins. He found also a building, the use of which he could not understand. It was a plain wall of brown stone, with a semicircle in the centre, and a terrace in front, supported by a breast-work of masonry, facing the sea. The walls were about ten or twelve feet in height, solidly built of hewn stone, but without ornament. There was anciently a theatre; the marble seats of which still remain, although mixed with bushes and overturned. The arches and walls of the proscenium are now a heap of ruins on the ground.

A large torso of a female figure with drapery, of white marble, lies in the orchestra. It appears to have been, originally, of good work; but is so mutilated and corroded by the air, as now to be of little or no consequence. Near this are foundations and ruins of a magnificent Corinthian temple, also of white marble; and several beautiful fragments of the frieze, cornice, and capitals, lie scattered about; the few bases of the peristyle remaining in their original situation, so ruined, that it appears impossible to ascertain the original form and proportion of the building. In another part is seen a large temple, also in ruins, and still more overgrown with bushes. The frieze and cornice of this temple, which lie amongst the rubbish, are of the highest and most beautiful workmanship. A little to the north of this stood a smaller temple, of grey veined marble, whereof almost every vestige is obliterated.

Several arches of rough masonry, and a breast-work, support a large square area, in which are the remains of a long colonnade, of white marble, and of the Doric order, the ruins of an ancient stoa. Of the Acropolis nothing is left but a few walls of strong brown stone256.

Besides these there are the remains of two aqueducts; undistinguishable pieces of wall, some three, some five, eight, ten feet from the ground; columns plain, and fluted; a few small octagon altars, and heaps of stones. Along the sea-shore lie pieces of black marble257.

Whenever the ground is clear258, it is ploughed by the peasantry around, who frequently stop here for days together, in chambers of the ruins and caves of the rocks. The Turks and Greeks have long resorted thither, as to a quarry, for the building materials afforded by the remains.

The British consul at Rhodes states, that a fine colossal statue of marble is still standing in the centre of the orchestra belonging to the theatre, the head of which the Turks have broken off; but he remembers it when in a perfect state. Mr. Walpole brought away the torso of a male statue, and which has since been added to the collection of Greek marbles at Cambridge259.

NO. XXXIX. – HELIOPOLIS

This city was situated in that part of Egypt which is called the Delta. It was named Heliopolis, city of the sun, from the circumstance of there being a temple dedicated to the sun there; and here, according to historians, originated the tale in respect to the phœnix.

At this place, Cambyses, king of Persia, committed a very great extravagance; for he burned its temple, demolished all the palaces, and destroyed most of the monuments of antiquity that were then in it. Some obelisks, however, escaped his fury, which are still to be seen; others were transported to Rome.

In this city260 Sesostris built two obelisks of extreme hard stone, brought from the quarries of Syene, at the extremity of Egypt. They were each 120 cubits high; that is, 30 fathoms, or 180 feet. The emperor Augustus, having made Egypt a province of the Roman empire, caused these two obelisks to be transplanted to Rome, one of which was afterwards broken to pieces. He durst not venture upon a third, which was of monstrous size. It was made in the reign of Rameses; and it is said that 20,000 men were employed in the cutting of it. Constantius, more daring than Augustus, ordered it to be removed to Rome. Two of these obelisks are still to be seen; as well as another of 100 cubits, or 25 fathoms high, and 8 cubits, or 2 fathoms in diameter. Caius Cæsar had it taken from Egypt in a ship of so odd a form, that, according to Pliny, the like had never been seen.

At Heliopolis, there remains only a solitary sphinx and an obelisk, to mark the site of the city of the sun, where Moses, Herodotus, and Plato, are said to have been instructed in the learning of the Egyptians; whose learning and arts brought even Greece for a pupil, and whose empire, says Bossuet, in regard to Egypt in general, had a character distinct from any other.

"This kingdom (says Rollin) bestowed its noblest labours and finest arts on the improving of mankind; and Greece was so sensible of this, that its most illustrious men, – as Homer, Pythagoras, Plato, even its great legislators, Lycurgus and Solon, with many more, – travelled into Egypt to complete their studies, and draw from that fountain whatever was most rare and valuable in every kind of learning. God himself has given this kingdom a glorious testimony, when, praising Moses, he says of him, that 'he was learned in all the wisdom of the Egyptians.' Such was the desire for encouraging the growth of scientific pursuits, that the discoverers of any useful invention received rewards suitable to their skill and labour. They studied natural history, geometry, and astronomy, and what is worthy of remark, they were so far masters of the latter science, as to be aware of the period required for the earth's annual revolutions, and fixed the year at 365 days 6 hours – a period which remained unaltered till the very recent change of the style. They likewise studied and improved the science of physic, in which they attained a certain proficiency. The persevering ingenuity and industry of the Egyptians are attested by the remains of their great works of art, which could not well be surpassed in modern times; and although their working classes were doomed to engage in the occupations of their fathers, and no others, as is still the custom in India, society might thereby be hampered, but the practice of handicrafts would be certainly improved. The Egyptians were also the first people who were acquainted with the process of communicating information by means of writing, or engraving on stone and metal; and were, consequently, the first who formed books and collected libraries. These repositories of learning they guarded with scrupulous care, and the titles they bore, naturally inspired a desire to enter them. They were called the "Office for the Diseases of the Soul," and that very justly; because the soul was there cured of ignorance, which, it will be allowed, is the source of many of the maladies of our mental faculties261."

NO. XL. – HERCULANEUM

"It is characteristic of the noblest natures and the finest imaginations," says an elegant writer262, "to love to explore the vestiges of antiquity, and to dwell in times that are no more. The first is the domain of the imaginative affections alone; we can carry none of our baser passions with us thither. The antiquary is often spoken of as being of a peculiar construction of intellect, which makes him think and feel differently from other people. But, in truth, the spirit of antiquarianism is one of the most universal of human tendencies. There is, perhaps, scarcely any person, for example, not utterly stupid or sophisticated, who would not feel a strange thrill come over him in the wonderful scenes these volumes describe. Looking round upon the long ruined city, who would not, for the moment, utterly forget the seventeen centuries that had revolved since Herculaneum and Pompeii were part and parcel of the world, moving to and fro along its streets! It would not be deemed a mere fever of curiosity that would occupy the mind, – an impatience to pry into every hole and corner of a scene at once so old and so new. Besides all that, there would be a sense of the actual presence of those past times, almost like the illusion of a dream. There is, in fact, perhaps no spot of interest on the globe, which would be found to strike so deep an impression into so many minds."

Herculaneum is an ancient city of Italy, situated in the Bay of Naples, and supposed to have been founded by Hercules, or in honour of him, 1250 years before the Christian era.263 "This city," says Strabo, "and its next neighbour, Pompeii, on the river Sarnus, were originally held by the Osci, then by the Tyrrhenians and Pelasgians, then by the Samnites, who, in their turn, took possession of it, and retained it ever after."

The adjacent country264 was distinguished in all ages for its romantic loveliness and beauty. The whole coast, as far as Naples, was studded with villas, and Vesuvius, whose fires had been long quiescent, was itself covered with them. Villages were also scattered along the shores, and the scene presented the appearance of one vast city, cut into a number of sections by the luxuriant vegetation of the paradise in which it was embosomed.

The following epigram of Martial gives an animated view of the scene, previous to the dreadful catastrophe, which so blasted this fair page of Nature's book: —

Here verdant vines o'erspread Vesuvius' sides;The generous grape here pour'd her purple tides.This Bacchus loved beyond his native scene;Here dancing satyrs joy'd to trip the green.Far more than Sparta this in Venus' grace;And great Alcides once renown'd the place;Now flaming embers spread dire waste around,And gods regret that gods can so confound.

The scene of luxurious beauty265 and tranquillity above described was doomed to cease, and the subterranean fire which had been from time immemorial extinct in this quarter, again resumed its former channel of escape. The long period of rest, which had preceded this event, seems to have augmented the energies of the volcano, and prepared it for the terrible explosion. The first intimation of this was the occurrence of an earthquake, in the year 63 after Christ, which threw down a considerable portion of Pompeii, and also did great damage to Herculaneum. In the year following, another severe shock was felt, which extended to Naples, where the Roman emperor Nero was at the time exhibiting as a vocalist. The building in which he performed was destroyed, but unfortunately the musician had left it. These presages of the approaching catastrophe were frequently repeated, until, in A. D. 79 (Aug. 24), they ended in the great eruption. Fortunately we are in possession of a narrative of the awful scene, by an eye-witness; – Pliny the younger, who was at the time at Misenum, with the Roman fleet, commanded by his uncle, Pliny the elder. The latter, in order to obtain a nearer view of the phenomena, ventured too far, and was suffocated by the vapours. His nephew remained at Misenum, and describes the appalling spectacle in a very lively manner.

"You ask me the particulars of my uncle's death," says he, in a letter to Tacitus, "in order to transmit it, you say, with all its circumstances, to posterity. I thank you for your intention. Undoubtedly the eternal remembrance of a calamity, by which my uncle perished with nations, promised immortality to his name; undoubtedly his works also flattered him with the same. But a line of Tacitus ensures it. Happy the man to whom the gods have granted to perform things worthy of being written, or to write what is worthy of being read. Happier still is he who at once obtains from them both these favours. Such was my uncle's good fortune. I willingly therefore obey your orders, which I should have solicited. My uncle was at Misenum, where he commanded the fleet. On the 23d of August, at one in the afternoon, as he was on his bed, employed in studying, after having, according to his custom, slept a moment in the sun and drunk a glass of cold water, my mother went up into his chamber. She informed him that a cloud of an extraordinary shape and magnitude was rising in the heavens. My uncle got up and examined the prodigy; but without being able to distinguish, on account of the distance, that this cloud proceeded from Vesuvius. It resembled a large pine-tree: it had its top and its branches. It appeared sometimes white, sometimes black, and at intervals of various colours, according as it was more or less loaded with stones or cinders.

"My uncle was astonished; he thought such a phenomenon worthy of a nearer examination. He ordered a galley to be immediately made ready, and invited me to follow him; but I rather chose to stay at home and continue my studies. My uncle therefore departed alone.

"In the interim I continued at my studies. I went to the bath; I lay down, but I could not sleep. The earthquake, which for several days had repeatedly shaken all the small towns, and even cities in the neighbourhood, was increasing every moment. I rose to go and awake my mother, and met her hastily entering my apartment to awaken me.

"We descended into the court, and sat down there. Not to lose time, I sent for my Livy. I read, meditated, and made extracts, as I would have done in my chamber. Was this firmness, or was it imprudence? I know not now; but I was then very young!266 At the same instant one of my uncle's friends, just arrived from Spain, came to visit him. He reproached my mother with her security, and me with my audacity. The houses, however, were shaking in so violent a manner, that we resolved to quit Misenum. The people followed us in consternation.

"As soon as we had got out of the town we stopped. Here we found new prodigies and new terrors. The shore, which was continually extending itself, and covered with fishes left dry on it, was heaving every moment, and repelling to a great distance the enraged sea which fell back upon itself; whilst before us, from the limits of the horizon, advanced a black cloud, loaded with dull fires, which were incessantly rending it, and darting forth large flashes of lightning. The cloud descended and enveloped all the sea, it was impossible any longer to discern either the isle of Caprea, or the promontory of Misenum. 'Save yourself, my dear son,' cried my mother; 'save yourself; it is your duty; for you can, and you are young: but as for me, bulky as I am, and enfeebled with years, provided I am not the cause of thy death, I die contented.' – 'Mother, there is no safety for me but with you.' – I took my mother by the hand, and drew her along. – 'O my son,' said she in tears, 'I delay thy flight.'

"Already the ashes began to fall; I turned my head; a thick cloud was rushing precipitately towards us. – 'Mother,' said I, 'let us quit the high road; the crowd will stifle us in that darkness which is pursuing us.' Scarcely had we left the high road before it was night, the blackest night. Then nothing was to be heard but the lamentations of women, the groans of children, and the cries of men. We could distinguish, through the confused sobs and the various accents of grief, the words, my father!my son!my wife!– there was no knowing each other but by the voice. One was lamenting his destiny; another the fate of his relations: some were imploring the gods; others denying their existence; many were invoking death to defend them from death. Some said that they were now about to be buried with the world, in that concluding night which was to be eternal: – and amidst all this, what dreadful reports! Fear exaggerated and believed everything.

"In the mean time a glimmering penetrated the darkness; this was the conflagration which was approaching; but it stopped and extinguished; the night grew more intensely dark, and the shower of cinders and stones more thick and heavy. We were obliged to rise from time to time to shake our clothes. Shall I say it? Not a single complaint escaped me. I consoled myself, amid the fears of death, with the reflection that the world was about to expire with me.

"At length this thick and black vapour gradually vanished. The day revived, and even the sun appeared, but dull and yellowish, such as he usually shows himself in an eclipse. What a spectacle now offered itself to our yet troubled and uncertain eyes! The whole country was buried beneath the ashes, as in winter under the snow. The road was no longer to be discerned. We sought for Misenum, and again found it; we returned and took possession; for we had in some measure abandoned it. Soon after, we received news of my uncle. Alas! we had but too good reason to be uneasy for him.

"I have told you, that, after quitting Misenum, he went on board a galley. He directed his course towards Retina, and the other towns which were threatened. Every one was flying from it; he however entered it, and, amidst the general confusion, remarked all the phenomena, and dictated as he observed. But already a cloud of burning ashes beat down on his galley; already were stones falling all around, and the shore covered with large pieces of the mountain. My uncle hesitated whether he should return from whence he came, or put out to sea. Fortune favours courage (exclaimed he), let us turn towards Pomponianus. Pomponianus was at Stabiæ. My uncle found him all trembling: embraced and encouraged him, and to comfort him by his security, asked for a bath, then sat down to table and supped cheerfully; or, at least, which does not show less fortitude, with all the appearance of cheerfulness.

"In the mean time Vesuvius was taking fire on every side, amid the thick darkness. 'It is the villages which have been abandoned that are burning,' said my uncle to the crowd about him, to endeavour to quiet them. He then went to bed, and fell asleep. He was in the profoundest sleep, when the court of the house began to fill with cinders; and all the passages were nearly closed up. They run to him; and were obliged to awaken him. He rises, joins Pomponianus, and deliberates with him and his attendants what is best to be done, whether it would be safest to remain in the house or fly into the country. They chose the latter measure.

"They departed instantly therefore from the town, and the only precaution they could take was to cover their heads with pillows. The day was reviving everywhere else; but there it continued night; horrible night! the fire from the cloud alone enlightened it. My uncle wished to gain the shore, notwithstanding the sea was still tremendous. He descended, drank some water, had a sheet spread, and lay down on it. On a sudden, violent flames, preceded by a sulphureous odour, shot forth with a prodigious brightness, and made every one take to flight. My uncle, supported by two slaves, arose; but suddenly, suffocated by the vapour, he fell267, – and Pliny was no more268."

If this visitation affected Misenum in so terrible a manner, what must have been the situation of the unfortunate inhabitants of Pompeii and Herculaneum, so near its focus? The emperor Titus here found an opportunity for the exercise of his humanity. He hastened to the scene of affliction, appointed curatores269, persons of consular dignity, to set up the ruined buildings, and take charge of the effects. He personally encouraged the desponding, and alleviated the misery of the sufferers; whilst a calamity of an equally melancholy description recalled him to Rome; where a most destructive fire, laying waste nearly half the city, and raging three days without interruption, was succeeded by a pestilence, which for some time carried off ten thousand persons every day!

Herculaneum and Pompeii rose again from their ruins in the reign of Titus; and they still existed with some remains of splendour under Hadrian270. The beautiful characters of the inscription, traced out on the base of the equestrian statue of Marcus Nonius Balbus, son of Marcus, are an evident proof of its existence at that period. They were found under the reign of the Antonines. In the geographical monument, known under the name of Peutinger's chart, which is of a date posterior to the reign of Constantine, that is to say in the commencement of the 4th century, Herculaneum and Pompeii were still standing, and then inhabited; but in the Itinerary, improperly ascribed to Antoninus, neither of these two cities is noticed; from which it may be conjectured, that their entire ruin must have taken place in the interval between the time when Peutinger's chart was constructed, and that when the above Itinerary was composed.

The eruption, which took place in 471, occasioned the most dreadful ravages. It is very probable that the cities of Herculaneum and Pompeii disappeared at that period, and that no more traces of them were left.

It appears, by the observation of Sir W. Hamilton271, that the matter, which covers the ancient town of Herculaneum, is not the produce of one eruption only; but there are evident marks that the matter of six eruptions has taken its course over that which lie immediately above the town; and which was the cause of its destruction. These strata are either of lava or burnt matter, with veins of good soil between them. The stratum of erupted matter that immediately covers the town, and with which the theatre and most of the houses were filled, is not of that sort of vitrified matter, called lava, but of a sort of soft stone composed of pumice, ashes, and burnt matter. It is exactly of the same nature with what is called the Naples stone. The Italians call it tufa; and it is in general use for building.

Herculaneum was covered with lava; Pompeii with pumice stone; yet the houses of the latter were built of lava; the product of former eruptions.

All memorials of the devoted cities were lost272; and discussions, over the places they had once occupied, were excited only by some obscure passages in the classical authors. Six successive eruptions contributed to lay them still deeper under the surface. But after that period had elapsed, a peasant digging a well beside his cottage in 1711, obtained some fragments of coloured marble, which attracted attention. Regular excavations were made, under the superintendence of Stendardo, an architect of Naples; and a statue of Hercules, of Greek workmanship, and also a mutilated one of Cleopatra, were drawn from what proved to be a temple in the centre of the ancient Herculaneum.

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