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The Rivers and Streams of England
The Rivers and Streams of England

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The Rivers and Streams of England

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Язык: Английский
Год издания: 2017
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A.G. Bradley

The Rivers and Streams of England

PREFACE

THOUGH this is not a book on angling, a life-long attachment to the fly-rod on the part of the author, and to the delightful scenes into which such predilections notoriously lead one, makes it at once more difficult and more easy to write than if one were approaching the subject as a stranger to the atmosphere, and merely to “write round” the pictures Mr. Palmer has so admirably painted. But in my case it is by no means only this. A predilection for British landscape in general, and all that thereby hangs, has stimulated a far wider acquaintance with it than any mere angling rambles could achieve, and resulted in the publication of several books concerned with such things, and covering more or less about twenty counties. I feel this explanation is desirable, lest the note of intimacy with many far-sundered streams, in allusion and otherwise, that must occur in these pages may be suspect. The more so, as from the fascination of the Cook’s ticket or what not, comparatively few of my countrymen have any considerable knowledge of their own land. The Rhine is certainly better known than the Wye, and the Danube probably than the Severn.

But these very experiences made the first proposal to write a book, other than a mere encyclopædia, within a brief space on such a big subject, seem almost hopeless. Rivers and streams from every direction, by scores, came surging out upon the memory at the very thought of it, in quite distracting fashion. It was finally agreed, however, that the literary part of the book should take shape in a series of essays or chapters dealing with the rivers mainly in separate groups or water-sheds, leaving the proportions to my discretion. Capricious in a measure this was bound to be. Selection was inevitable. It is not of supreme importance. Caeteris paribus, and without diverging more than necessary from the skilful illustrator, I have dealt more freely with the rivers I know best, and also with those I hold to be more worthy of notice. There are, of course, omissions, this book being neither a guide nor an encyclopædia, but rather a collection of descriptive essays and of water-colour sketches covering, though necessarily in brief, most of the groups. In this particular subject there is happily no need for author and illustrator to keep close company in detail. What inspires the pen, and in actual survey stirs the blood, is often unpaintable. What makes a delightful picture, on the other hand, tells sometimes but a dull tale in print. I have had to leave to the artist’s capable brush, owing to the necessary limitations of the letterpress, several subjects; a matter, however, which seems to me as quite immaterial to the general purport of the book, as it is unavoidable. But otherwise I think we run reasonably together. At first sight the omission of the Thames in description may seem outrageous. A moment’s reflection, however, will, I am sure, conduce to a saner view. Illustration is wholly another matter; but to attempt ten or fifteen pages on that great and familiar river, dealt with, too, in bulk and brief by innumerable pens, that could serve any purpose or gratify any reader, seems to me a fatuous undertaking. The Severn, on the other hand, as great, almost as important as the Thames, and still more beautiful, is by comparison an absolutely unknown river, and we have given it the first place.

A. G. B.

CHAPTER I

THE SEVERN

THERE is surely some peculiar fascination in the birthplace of a famous river when this lies in the heart of moors and mountains. For myself, I admit at once to but scant interest in the infant springs of even such slow running rivers as I have some personal affection for. There is neither mystery, nor solitude, nor privacy about their birth. They come into the world amid much the same surroundings as those in which they spend the greater part of their mature existence – amid ploughed fields, cattle pastures, and villages, farmyards, game covers, and ozier beds. When full they are inevitably muddy, and when empty are very empty indeed; lifeless, and mute at the best, at the worst actually dry. The river of low-country birth acquires, in short, neither character nor quality worthy of consideration till as a full-grown stream it can trace a shining coil in the valley, or reflect the shadow of spire, bridge or mill, of willow or poplar.

How different is the source of a mountain-born river, above all when it boasts some name famous in story, and is to become the feeder of historic cities and bearer of great navies. Its hoarse voice plashing amid the silence of the eternal hills strikes the chord responsive to such scenes as these with singular force, and a little louder perhaps than its comparatively nameless neighbour, which leaves their common watershed for some other sea. As the lowland landscape of England is unique, so the mountain and moorland solitudes of these two islands are quite different from anything else in the whole universe. The mountain regions of England and Wales, Scotland and Ireland, exhibit, to be sure, some slight variety of detail, due partly to human and partly to natural agencies. But such differences are positively trifling compared to the contrast they each and all present to any other of the waste places of the earth, unless perhaps some wilder portion of Brittany may be a qualified exception. This delightful singularity, to my thinking a wholly favourable one, is not sufficiently understood or appreciated. There are tremendous masses of snow and crag and evergreen timber, as well as marvellous formations of naked rock, in four continents appealing to practically another sense. There are lower ranges, too, on the scale of our own mountains, in many parts of the world draped in timber from base to summit, which again are of another family, and those who have lived or been much among them know how unsatisfactory by comparison are their limitations, how obstructive both of free movement and of outlook.

But there is nothing anywhere resembling our open hills where heather and bog grasses of many hues, where emerald turf, spreading bracken and golden gorse, broken with cliff and crag and scaur, invite the wanderer to a delightful and easy intimacy with their innermost haunts. Here you may ramble practically at will, with the unobstructed glories of earth and air always before your eyes, the fresh tempered breezes of our gulf-stream-washed island in your lungs, your feet pressing upon plants and grasses all instinct of a soil that knows nothing of fierce heats and binding frosts as those terms are understood in most other lands. And then, again, how futile to parade the altitude of our British mountains as evidence of insignificance. They laugh to scorn all such arithmetic, and many times in a single day will wrap themselves in some magic veil, and lift their peaks and shoulders round you, till scale and altitude as expressed in figures become practically a thing of naught. The obvious of the past garish and sunny hour, when their modest measurement proclaimed itself to any reasonably experienced eye, has vanished, and you find yourself confronted by heights that lack absolutely nothing in stature and dignity, and are in effect mountains of 10,000 feet. Everything that shapely form and atmosphere can achieve in the way of effect these little mountains of ours are capable of. Our much maligned climate not merely clothes them in a chequered mantle of green and russet, of grey, purple, or saffron, only less in winter than in summer, but gives them those ever-changing moods and aspects that few people who know both would as a permanency exchange for all the sun glare of the earth. And how solitary are the hollows of these hills where rivers rise: nay, often more than that, and little short of awesome. Here again, perhaps, comes in the quite undisturbing reflection that there is a railway within five miles and a town possibly within ten! What does it matter, when nobody ever comes here, and there is not a trace visible anywhere of man’s handiwork but possibly the dark line of some stone dyke built two centuries ago? The very consciousness that this is in populous Britain makes the wild wilder, the silence stiller, the solitude more solitary.

For myself, I know of a score of such valley heads in the North and Wales, whence streams and rivers have their birth, that provoke a feeling of positive and pleasurable creepiness, such as the wildest woods and the remotest prairies never touched me with. Whether opening and shutting in a driving winter mist, or with their high rocky shoulders turned gloomily from the sun on a fine autumn morning, these inner sanctuaries and water-sheds where so many of our English rivers rise seem as if they gathered the silence of unlimited wastes and distilled its very essence. The very sounds that break their solitude, intensify it: the plashing of the tiny stream when it has struggled out of the meshes of the high bog that gives it birth, and is taking its first leap for liberty and independence down the rocky ledges of the precipice towards the world below, the mournful call of the curlew, the fitful, plaintive bleat of the mountain sheep, or the faint rattle of stones misplaced by its nimble feet. Poets have written of the “startled air,” and some of them perhaps have used the phrase but tritely, and themselves but half suspecting the true felicity of the metaphor. In these sombre chambers of the hills, walled in upon every side, the stillness seems literally to grasp at every slight sound and cling to it with strange vibrations and lingering echoes, which remind one how utterly alien to these places are the common sounds of the everyday world that pass unnoticed – a world so ridiculously near and yet so infinitely remote.

Among the outstanding geographical facts which used to be hammered into the heads of schoolboys was that of Plinlimmon being the parent of both the Severn and the Wye. Many poems both in Welsh and English have been inspired by this picture of two infant streams springing from the bosom of the same mountain, and after following widely sundered courses through various counties, meeting again as great rivers, just in time to mingle their waters before merging them in the brine. It would be a pretty conceit even if it were not in the case of these two rivers an actual fact. Whether

it is on this account, or because of the huge bulk and prominent situation of Plinlimmon, many “eminent geographers” of not very remote days wrote it down for the benefit of generations of misguided students as the third loftiest mountain in Wales. But it is not even in the first rank, being less than 2500 feet. There are several mountains in South Wales alone of greater altitude and more graceful shape. But Plinlimmon, all the same, is a fine upstanding mass of wild bog, linked upon both sides to far-spreading solitudes, and worthy to be the mother of the greatest and of the most beautiful river respectively in England or Wales.

That the former deserves the epithet is a mere geographical fact. That the Wye contains a greater mileage of the highest types of British scenery than any other river, will surely be conceded by any one sufficiently equipped with a knowledge of British rivers to pronounce an opinion worth having and not disqualified by too intimate personal association with some other possible claimant. For it is the only river in the country that rises to the highest scale of physical beauty and distinction as we know them in Britain, both in its earlier and its later stages. A few large rivers, notably the Cheshire Dee, the Usk, the Tynes, the Tees, and of course many smaller ones in the north and west, compare with the Wye, though few surpass it in their higher reaches, being all distinguished by the same type of rugged and mountainous scenery. But none of them, after they have left such associations behind and become by comparison low-country rivers on their progress to the sea, break out again like the Wye for such a long period of their later course in scenes that vie with those of its youth and are among the recognised gems of British scenery.

The fountain springs of the Severn and the Wye are less than a mile apart on the long slope of Plinlimmon. The one flowing north-east, the other south-east, there is little to choose between them as they fume and fret in their sombre mountain cradles or sparkle among the narrow stone-walled meadows, the little white-washed sycamore-shaded homesteads of the upland farms. The Wye has greater things in store for her than even the wild foothills of Plinlimmon as she dashes off into the mountain gorges of Radnorshire and Brecon. But the Severn, though flowing always from source to mouth through a landscape consistently fair and often striking, seldom rises to the level maintained by her younger sister for more than half of her journey to the sea. The Severn, called hereabouts the Hafryn by the Welsh, may be said to emerge into civilization near the little Montgomeryshire town of Llanidloes, noted for its sheep fairs and its fish poachers. Here it meets, to follow northwards the only railroad which even now links North and South Wales. This will have brought with it over the wild heathery moorland watershed between Wye and Severn, where dark brooding hills enclose the region of Pant-y-dwr (Hollow of the waters), the brown streams of the Tylerch. The Clywedog meeting the other two just below their junction, the Severn now becomes a lusty little river, brawling incessantly upon a wide stony bed.

Of the thousands of tourists who every season travel on the Cambrian railway to the Welsh watering-places, few probably realise that the little trout stream which prattles in and out of the line in the high country around Moat Lane Junction bears the name of the greatest, though truly the second in fame, of English rivers. From first to last the Severn is faithful to Montgomeryshire as the Welsh county of its birth. From Blaen Hafryn, its source on Plinlimmon, just within the county bounds, for some 50 miles straight measure along its valley – all the way, indeed, from Llanidloes to the Breiddon Hills – it waters the richest pastures and the fattest corn lands of the ancient kingdom of Powys Fadog. But if the Severn drains the richest portion of this most delectable and highland country, it must not be supposed that its environment is tame or its streams lazy. Everywhere to the right and to the left lofty hills, though for the most part somewhat back-lying, bound the limits of the vale, while now and again a glimpse of some distant mountain serves to remind one that Montgomeryshire is in the main a mountain county. For the Severn valley is so intercepted with small hills, so richly wooded, so ornate in places with the park lands and foliage of country seats, so sprinkled with pleasant villages, one is apt to forget that the little streams hurrying down to the river from the north come from a really wild Wales beyond, while lying back to the south the regions of Kerry and Clun speak in their very names to the initiated of the spirit of solitude.

But the human or certainly the historic interest of Montgomeryshire and much of its visible wealth clusters along this broad and broken vale of the Severn. Newtown and its flannel industries and the name of Pryce-Jones will strike a responsive note in the ear of every British housewife. But the stern fragments of Montgomery Castle, perched on the summit of a rock 350 feet above the river, is perhaps more in harmony with the mood in which we should follow an historic artery through this Border country. The little town, absolutely the smallest and most somnolent county capital in the two countries, lies behind the rocky castle height. The Norman, Roger of Montgomery, was granted this country by his friend and chief William the Conqueror, who appears to have assumed it was in Shropshire, because Offa’s Dyke crosses the river near by. This misconception soon became apparent, and though the well-nigh impregnable castle, called always Tre-Faldwin by the Welsh after Roger’s constable, Baldwin, was retained in Anglo-Norman hands, it is not too much to say that it was a centre of strife between the Welsh and English for 200 years, till Edward the First completed the conquest of Wales and created the North Welsh counties, this one being fortunate in acquiring the sonorous name which had clung to the castle and lordship. The actual building, whose scant fragments are now so conspicuous and suggestive, was erected by Henry the Third, who in his troubles with his barons was compelled to promise Llewelyn the Second or “the Great” that this should be the uttermost western limit of his pretensions to dominion.

But a more accessible celebrity than either Henry the Third or Llewelyn, seeing that he has left us one of the raciest autobiographies in the language, owned and lived in Montgomery Castle, to wit, Lord Herbert of Chirbury. His period was the first half of the seventeenth century, but his exploits were not confined to Montgomeryshire, as his reputation for courage, brains, and eccentricity was a national one and something more. His literary remains, which are numerous, are matter, perhaps, for the specialist, but his autobiography, which in a reprint can be bought for a shilling or two, is the most delightful picture in brief of country and domestic life, of Courts and Camps abroad and at home, of social London, and, above all, of the point of view of a shrewd, original, experienced and travelled man of the world, warrior, courtier, scholar, and theologian. Chirbury is the adjoining parish, and this sombre-looking fortress above the Severn may in a sense be regarded as the cradle of the great race of Herbert, which with its many noble branches and varied achievements is perhaps the most illustrious in England. One branch, in the persons of the Earls of Powis, is still very much represented here on the Severn. For as the river tumbles along in occasional pools where the salmon ought to rise to the fly, but for some inscrutable reason refuse to do so, and in long gliding deeps to Welshpool, Powis Castle, the “Castell Goch,” the “Red Castle” of old Border days, rises out of its wooded park lands on the left bank. Known locally as “Pool,” Welshpool was a Border town like Berwick-on-Tweed and Hay-on-Wye. Two nations dwelt there in separate quarters in a sort of armed neutrality in days when nationality at intermittent periods meant life or death, and still dwell there in long-mingled unity.

Shropshire runs close up to the Severn at Montgomery Castle upon the south bank, and English only is spoken by the Welsh population all down the valley from Moat Lane, though with the spring of the hills to the northward the native tongue still everywhere asserts itself. Around Welshpool, too, the Jones’s, Hughes’s, and Williams’s begin to display the Shropshire type of man as opposed to the Welshman, whether English-speaking or otherwise. But the Severn turns away and clings to its native county for yet another 10 miles. Receiving the first of its three important affluents, the Vyrnwy from the north, it finally takes leave of Wales beneath the shadow of those imposing twins the Breiddons, which like a pair of huge sentinels stand guarding the gateway from the plains of north Shropshire into the hills of Wales. Indeed, the exit of the Severn, by this time a considerable river, from Welsh territory is finely marked, for when it has run a pleasant, uneventful course, touching by the way no place of note, to Shrewsbury, the westward view from the latter is significant and striking. To the last mile of Montgomeryshire, Wales stands finely out above the rich undulations of this once frontier and much harassed county, with singular distinction. The properly constituted Salopian as he stands upon the western outskirts of his town, where his famous school has in recent times perched itself above the high banks of Severn, sees his past laid out before him, like a page of history; the fat Saxon lowland spreading westward for a dozen miles, and the sharp rampart of Wales from north to south as far as the eye can see, height after height, range after range, almost precisely delimiting the outworks behind which for centuries lay a vigilant, unforgetting, and alien people, ready to strike at the first sign of over-confident negligence. This to the indifferent eye may seem ancient history, but it was real enough even as late as the days of Henry the Fourth, when for ten years Glyndwr kept the Border counties in a continual state of apprehension. Part of the walls are still standing, while the Severn, bending in horse-shoe shape round the town, still runs under both the English and the Welsh bridge, and the castle rises above the river-bank whence Henry the Fourth and his army marched out on that July morning 500 years ago to meet the Percies on the bloody field of Haytely.

Shrewsbury is a fine old town, and the encircling Severn adds no little to its pride of pose. It sprang into being on the ashes of the neighbouring Brito-Roman city of Uriconium a few miles down the river, so ruthlessly destroyed by the Saxon pagans. First as Pengwern, then as Schrobbesberie, the principal city of the middle March, it gave in time its name to a county, and kept chief watch and ward against the Welsh of Powys land and of North Wales. It has a great story and stout traditions like all Border towns, and looks it. Of late years it has begun to share the attentions of over-sea visitors with Chester, a fact in no way surprising. For though its antiquities are not so definite and obviously on show, Shrewsbury, unlike the other, is far removed from the disfiguring industrial atmosphere of the North. It is nothing, to be sure, but the historic market-town of a great district; but the latter is so large, so important and interesting, including as it does both English and Welsh territory, that Shrewsbury has at once the peaceful air of a country borough with the size and dignity of something very much more. It is rich in ancient half-timbered houses, often standing in their original narrow wynds or rows. Its sixteenth-century market-hall is one of the best in England. There are some beautiful old mansions too, that were the town-houses of great Salopian families in the days when counties or groups of counties were a social unit unto themselves, and London a far-away rendezvous for great nobles or pronounced courtiers only. Shrewsbury is justly proud of its old churches. The Abbey is a fine Norman building with later additions and much recent successful restoration, and will be the Cathedral when Shropshire – only a matter of time – becomes a diocese. St. Mary’s, however, is the more interesting, being of large dimensions and exhibiting almost every style of architecture from Norman onwards, and lifting a lofty and beautiful spire heavenwards. In its windows is a wealth of old stained-glass, brought at various times from various places both in the locality and on the Continent. Battlefield Church, beyond the town, was raised over the burial pits of the many thousand dead who fell at that great encounter, to say masses for ever for their souls and for those of Henry the Fourth and the pious founders. With its fine tower planted amid the quiet fields upon the site of the very shock of battle it seems to tell a strange story, and to have long outlived the prodigiously important function it was destined for, if numbers counted for responsibility in the repetition of masses.

It was here, of course, that our old friend Falstaff was almost at his very best in the scene of the fight between Hotspur and Prince Henry. To return to fact, however, it was in Shrewsbury market-place that Hotspur’s naked body, after being three days buried, was set up between two mill-stones to show the world that the lion of the north, the terror of his enemies, was in truth dead. It was on Severn’s banks at Berwick, close to Shrewsbury, that this paragon of his day and type, whose very defects of speech the golden youth of England affected, spent the last night of his life; and in the morning, when he was told the name of the place, turned pale and said that “he had ploughed his last furrow,” for a wizard in Northumberland had told him he should die at Berwick, meaning, as he supposed, that more famous one in the north, where every generation of Percy in those days fought and bled. He traced the outline of his hand with a dagger on an oak panel of the house, and it became a tradition of the Bettons, the owners, that if the panel was lost Berwick would go with it, and sure enough the double disaster occurred within quite recent times. Near a century later, Mytton, the Governor of Shrewsbury, refused to open the gates to Henry the Seventh as he was marching to fight for that title on Bosworth Field, swearing he should only enter the town “over his belly.” Matters having arranged themselves pleasantly, however, the too protesting Governor, to save his oath, lay on his back in the gate while Henry stepped over him.

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